I learned something important from my daughter’s first-grade teacher that has stayed with me: “Don’t yuk someone else’s yum.” Our moms might have said it differently: “If you can’t say something nice, don’t say anything at all.” It’s simple, but there’s wisdom in it that the online, and particularly social media, world of fandom could use. Just because you don’t love something doesn’t mean someone else can’t find joy in it. Even worse, your ‘yuk’ hot take may stifle content creators’ ability to bring out content you might end up loving.

(Let’s address the elephant in the room: Yes, I know this is my hot take—but hey, mine’s aimed at you, the fan, not the content creators.)

After what seems like a lifetime at TheOneRing.net (Has it really been 25 years?!), I’ve seen every possible reaction to new Tolkien content. From diehard fans reveling in every second of a new adaptation to those who can’t wait to point out what went “wrong.” It’s predictable and, frankly, exhausting. Every time something new comes out, it’s like clockwork: a flurry of love, a tidal wave of hate, and everyone shouting into the social void.

The truth is, not every story needs to be made for you, and that’s okay. I promise. 🤗

Critique? Sure, it has its place. But what’s happened is we’ve confused having an opinion with needing to broadcast it. Tolkien’s world is vast. It can hold different visions and interpretations from both filmmakers and fans. We don’t need to take sides in an imaginary battle over what’s “right.”

But why even bring this up? Because the casual social user, or even the casual internet participant, sees that ‘yuk’ always rises to the top. Algorithms are designed to push controversy and conflict into our feeds, knowing that our human condition tends to lean toward drama over harmony. Negative opinions and arguments get engagement, and platforms thrive on that. But here’s the problem: content creators use those negative metrics to gauge the success or failure of their work. And often, they make decisions—like canceling a show—based on the loudest, angriest voices, even when there’s a quiet following that genuinely enjoys it. Yes, these entities might be large corporations with teams of data scientists, but don’t assume that they are fully exploring the data to avoid simplistic conclusions.

Don’t yuk someone else’s yum – Annonymous

And there’s another side to this. Fans who do love something often hesitate to share their enthusiasm. Why? Because they don’t want to deal with the trolls. The loudest voices—the bullies of fandom—are quick to tear down anything that doesn’t meet their personal standards. And just like in politics, where the conversation is dominated by those with the loudest, harshest opinions, fandom is too often steered by negativity. The result? Studios and creators miss out on hearing from those who love the content, because those voices are drowned out.

Take the trailer for Star Wars: Skeleton Crew as an example. When it dropped, my fellow over-40 male demographic flooded my feed with waves of negativity. But here’s the thing: I’m secretly loving the idea of mixing Star Wars with The Goonies and Stranger Things. I want creators to take those kinds of risks with our beloved franchises. And if it turns out to be something I don’t enjoy, I’ll just quietly move on; no need to let folks know I wasn’t into it.

Star Wars: Skeleton Crew Cast – credit StarWarsNews.net

The beauty of all fictional universes and our beloved Middle-earth is that they can mean different things to different people. If someone’s finding joy in a version of the story that isn’t your cup of tea, do you really need to jump in and let them know? Let them have their moment. There’s a quiet strength in stepping back and allowing others to enjoy what they enjoy.

At the end of the day, fandom is supposed to bring people together, not force everyone into corners based on whether they loved or hated the latest installment. Maybe, just maybe, we don’t need to weigh in on every adaptation. If you’re not feeling it, maybe scroll past, or better yet, log off and reread The Silmarillion. The stories aren’t going anywhere. There will always be space for your favorites and your least favorites in Tolkien’s world.

The next time you’re tempted to post your hot take, think back to my daughter’s first-grade lesson. It’s okay to stay quiet and let someone else have their yum.

In fact, it might be the best thing you can do—not just for them, but for the creators who need to hear the whole story, and for fandoms to enjoy a new risk here and there.

So, remember: Too much yuk, and the content you love might never get made.

The views expressed in this article are those of just me, but maybe a few other TORn staffers agree. 🤷🏻‍♂️


P.S. If you’ve got thoughtful critiques or just want to discuss all things Tolkien in a more welcoming, troll-free zone, there are safer places for that. Check out TheOneRing.net’s Discord or message boards, where you can share your thoughts without drowning in negativity. Let’s keep the conversation lively, but respectful—Middle-earth deserves nothing less. Feel free to email me as well

P.P.S. Hey Amazon – I couldn’t end this article without sharing some of my yum. I am LOVING Season 2 of ‘Rings of Power!’ Don’t let anyone yuk my yum! 😋

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

It’s not long at all until Episode 4 of The Lord of the Rings: The Rings of Power airs. If you’re feeling twitchy while waiting, check out this fantastic Episode 1 to Episode 3 recap from TORn Discord moderator Webcrawler.

~ Staffer Demosthenes


Recap: The Rings of Power Episodes 1 to 3

by TORn Discord moderator Webcrawler

The Lord of The Rings: The Rings of Power returned on Amazon Prime last Thursday for it’s second season with a whopping three-episode premiere. Many fans across the USA were also able to attend special screenings of the first two episodes at select theatres, including our very own TORnTuesday hosts, Cliff & Justin

The episodes premiered to some very strong reviews, some quite negative but most extremely upbeat. This  highlights big improvements from Season 1: tighter, more-focused storytelling, better pacing between plotlines and episodes, and stronger dialogue. Season 2 of The Rings of Power currently sits at 84% on Rotten Tomatoes, “Certified Fresh”, with 91 Critic Reviews.

There are plenty of reviews and breakdowns already available to view online, including from friend of TORn, Tea with Tolkien; but of course, don’t forget to check out yesterday’s TORnTuesday episode where Cliff and Justin spend over three hours examining the three-episode S2 premiere in great detail!

Season 2, Episode 1

Titled “Elven Kings Under the Sky”, a direct reference to the first line of the Ring Verse. 

“Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone…”

Synopsis

There are three plots we follow in this episode:

Sauron

A parallel prologue to that of Season 1, Episode 1 “A Shadow of the Past”, where we get answers to some important lingering questions from Season 1: What was Sauron doing after Morgoth’s defeat? Where did he get the sigil of the lost King of the Southlands? And how did Sauron get on a raft in the Sundering Seas? 

After that we catch up to Sauron in the present day, where he turns himself over to Adar. Using his Halbrand form, he somehow convinces Adar to let him travel to Eregion, where he waits to speak with a reluctant Celebrimbor.

Lindon

Galadriel and Elrond return to Lindon with the Three Rings made by Celebrimbor. There, the elves, along with Gil-galad (and later Círdan) discuss the merits and dangers of using the Three Rings to heal The Great Tree of Lindon. After some time has passed, and Gil-galad tells the Elves to prepare to leave Lindon, Círdan shows up wearing Narya and convinces Gil-galad to use the rings. 

Rhûn

The Stranger has a recurring dream or vision of a staff; he and Nori have been lost in their attempt to get to Rhûn, and find that they are being followed. It turns out Poppy has tracked them down and decided to join in their journey. Poppy, using some of Sadoc’s maps, helps them navigate to Rhûn.

Overall Thoughts on Episode 1

Episode 1 is a very strong start to Season 2. The main plot, following Sauron, presents a compelling journey that asks us to consider whether or not he ever truly repented. One particular scene stands out in this regard, where he talks to a Southlander (played by Nicholas Woodeson), on a ship, about overcoming an evil past; the response reminded me of Gandalf’s comment to Galadriel in The Hobbit: An Unexpected Journey: 

Gandalf : I don’t know. Saruman believes that it is only great power that can hold evil in check. But that is not what I have found. I’ve found it is the small things, everyday deeds of ordinary folk that keeps the darkness at bay.

It’s telling that, immediately after this, Sauron leaves the man to die after the ship is attacked by the wyrm in the Sundering Seas (first seen in Season 1, Episode 2), but not before grabbing the sigil that hung around the Southlander’s neck.

The Lindon plot is also filled with fantastic, Tolkienian moments that show us Season 2 has risen in terms of dialogue and storytelling. Círdan’s introduction is about as close to perfection you can get for a character introduction, as we see him stare out into the seas while a variation of Bear McCreary’s “Valinor Theme” plays, indicating to lore fans that this is the elf who has long awaited the day he shall sail West to Aman.

Galadriel, Elrond, and Gil-galad debating whether to use the rings sets up new and interesting dynamics, with slight role reversals for the former two, as it is now Elrond who refuses to obey the High King. (personally, I’m glad they had Galadriel just plainly state that Halbrand is Sauron; good to see they’re not trying to drag things out for drama). 

Of course, there is also the scene where The Three Rings are used and The Great Tree is healed; it’s a moment that should stand out as one of the more truly magical moments of a show. It also features a quick call back to the Peter Jackson films, when the Three are shown together in the prologue of The Fellowship of The Ring.

Lastly we come to the Rhûn plot, whose primary interesting moment was The Stranger’s vision: a staff floating and changing forms. The first form was the staff he’s been shown with in some promotional images. But the second form looks much more familiar…

Yes, it’s quite evocative of Gandalf’s staff in The Fellowship of the Ring. 

The other significant development in the Rhûn plot was the return of Poppy, and a shorter rendition of “Wandering Day” from S1. This time it sets our three heroes off on a path to discovering the way into Rhûn. It’s a clever bit of storytelling that provides us with some depth to the Harfoots, and hints at future events to come. 

Rating: I would give this episode an 8.5/10. The Sauron and Lindon plots were excellent ways to kick-off the story, while the Rhûn plot gives us some mysteries and some heartwarming moments. 

Season 2, Episode 2

Titled “Where the Stars are Strange”, a direct reference to a quote from Aragorn…

“I have crossed many mountains and many rivers, and trodden many plains, even into the far countries of Rhûn and Harad where the stars are strange.”

The Fellowship of the Ring. The Council of Elrond

It’s interesting to note that according to Unfinished Tales, the stars were strange, not in Rhûn, but Harad.

This passage is the only evidence that survives for his having extended his travels further South. Aragorn claims to have penetrated “the far countries of Rhûn and Harad where the stars are strange” (The Fellowship of the Ring II 2). 10

10 The “strange stars” apply strictly only to the Harad, and must mean that Aragorn travelled or voyaged some distance into the southern hemisphere. [Author’s note.] 

Unfinished Tales Part 4: II: The Istari

Synopsis:

There are four plots we follow in this episode:

Khazad-dûm

The evil spreading from Mount Doom after it’s eruption has sent shockwaves across Middle-earth; nowhere is that more literal than in Khazad-dûm, where an earthquake destroys the mirrors, removing the dwarves’ ability to get light into the depths of the great city’s caverns. Disa and others attempt to sing to the mountain to find passages through which to repair the damage, but the singers fail to communicate with the mountain, bringing more worry to the dwarven realm.

On a personal level, Durin IV and Disa are struggling to make ends meet, as the two Durin’s are no longer communicating, and Durin IV has been cut off from his inheritance. It all looks dire, until a mysterious letter arrives from Lord Celebrimbor of Eregion, with an invitation for the dwarves to meet with him in Eregion. 

Eregion

Halbrand continues to lurk around the gates of Eregion, while Celebrimbor begins to get impatient as he awaits any news from Lindon regarding the Three Rings. As he waits, he continues his work, this time showing a young apprentice his latest creation, Ithildin, which is only visible under moonlight. Finally, Celebrimbor decides to speak with Halbrand, who informs him that the Three Rings did indeed work, and Lindon is healed, the elves are saved, and now Halbrand has returned to ask for Rings of Men.

At first Celebrimbor rejects this aspiration, until Halbrand reveals himself as Annatar, Lord of Gifts.

Lindon

Having worn her ring, Nenya, for some (indeterminate) time now, Galadriel has a vision of Celebrimbor being wrapped in vines and killed, as he recites the first three lines of the Ring Verse in Black Speech. A concerned Galadriel tells Gil-galad, who reveals ominous visions of his own.

Galadriel, convinced that Sauron must be in Eregion, requests Gil-galad’s leave to go and face Sauron herself; but Gil-galad refuses. Elrond supports Gil-galad in this decision, as he doesn’t trust Galadriel because of her role in helping return Sauron to power; nonetheless, after a conversation with the ever-wise Círdan, Elrond decides a small band of elves will attempt to travel to Eregion and speak with Celebrimbor, and he will lead the group, not Galadriel.

Rhûn

As Nori, Poppy and The Stranger make their way through Rhûn, a band of horse riders seem to be tracking them from a distance; they are revealed to be Gaudrim, and they are allied with a mysterious Dark Wizard in Rhûn who is also the leader of the Mystics. The Dark Wizard brings The Dweller, one of the Mystics who we saw in Season 1, back to life. The Dweller provides a report on Sauron’s whereabouts, which he shows keen interest in. The Dark Wizard tasks the Guadrim with capturing The Stranger.

Meanwhile, our trio in Rhûn have found the desert too taxing, and The Stranger collapses from thirst. Nori and Poppy drag him to a nearby well and fetch a pail of water. Unfortunately it has a bell which alerts the nearby Guadrim, and the trio are discovered. The Stranger however has woken up, and sees nearby the staff from his visions. Using the staff he creates a sandstorm to blow away the Gaudrim, but it goes out of control, and leads to Nori and Poppy also being pulled into it and blown away.

Overall Thoughts on Episode 2

Episode 2 was even stronger than Episode 1; it begins with an ominous look at the recently activated Mount Doom, which now continues to spew lava. Then we transition to a map and see its darkness spread, reminding us that this season, things will get worse for the free peoples of Middle-Earth. 

This is reiterated with a very surprising scene of Celebrimbor reciting the Ring Verse in Black Speech to Galadriel in a vision; we know from S1 Episode 3, when Galadriel went to Númenor that she can read Black Speech, and so she was able to understand his words. Conveniently, the One Ring portion of the Ring Verse was left out. Galadriel’s connection to Sauron continues to be questioned, and this is thematically related to the question of the influence of Sauron on the Three Rings of the Elves. 

This connection of Sauron is further brought up in Rhûn where we learn the Dark Wizard is keeping track of Sauron through his Mystics. Recall in S1, The Mystics thought The Stranger was Sauron, and sought to bring him to Rhûn. But their purpose remains unclear. The mysteriously masked riders are even more intriguing; one of them tells the Dark Wizard (played by Ciaran Hinds) to remove the “curse of the flesh” from them, but we do not yet learn what that curse is. 

Lastly, but certainly most important, is Halbrand showing Celebrimbor his Annatar form. It’s a moment of pure maximalist fantasy; swirling lights and colors, a flowing white gown as Annatar walks toward Celebrimor and seduces him. 

Rating: Overall I give this episode a 9.5/10. All the storylines are paced well, and the moment with Annatar’s reveal should go down in television history. Both Charlies did an incredible job in this scene. 

Season 2, Episode 3  

Titled “The Eagle and The Sceptre”, two important references to Númenorean lore.

I previously discussed the importance of the Eagles in an article after the first trailer was released.   

“Thrice only in each year the King spoke, offering prayer for the coming year at the Erukyermë in the first days of spring, praise of Eru Ilúvatar at the Erulaitalë in midsummer, and thanksgiving to him at the Eruhantalë at the end of autumn. At these times the King ascended the mountain on foot followed by a great concourse of the people, clad in white and garlanded, but silent.” [Ed.: emphasis added]

The Fall of Númenor

And…

“It is written that ‘the sceptre was the chief mark of royalty in Númenor’18 from the reign of the First King to that the Twenty-Fifth King and that having survived for 3,287 years it was lost with Ar-Pharazôn at the Downfall.”

The Fall of Númenor

Synopsis:

There are six (!) plots we follow in this episode:

Southlands

Berek the horse ventures into Mordor, and after having an encounter with orcs, he finds Isildur. Unfortunately, Isildur has been webbed up by Shelob, and a fight ensues before Isildur and Berek can ride to safety. Isildur comes across an attacked caravan. As he is investigating it, he’s stabbed by a Southlander girl, Estrid, who thought he was an orc. Estrid tells Isildur that some of the Southlanders and Númenoreans had set up camp at the abandoned colony of Pelargir, and they make their way there. 

Pelargir

Isildur and Estrid make their way to Pelargir, stopping to help an attacked caravan. It turns out to be a trap, and after a scuffle, Berek is stolen by these Wild Men; luckily Arondir comes in and saves Isildur and Estrid. He takes them to Pelargir, where a funeral pyre has been set up; Bronwyn has died, succumbing to poison from the arrows the orcs shot at her. Theo and Arondir are struggling to deal with this loss and maintain their father-son relationship without Bronwyn to connect them. Isildur talks to Theo about Númenor; Theo tells him he can help him get Berek back.

Estrid and Isildur talk about their mothers, we learn Isildur’s mother died while saving him, which has left him with a sense of profound guilt. After Isildur leaves, Estrid uses a hot knife to burn out a brand that has been put on her, Adar’s brand, indicating at some point she swore fealty to him. Theo and Isildur go to the camp where Berek is being held; they free Berek, but a complication arises as someone or something attacks the Wild Men’s Camp.

Númenor

Elendil is paying his respects to the deceased King at his funeral; Eärien tells him that he doesn’t need to blame himself for Isildur’s death, they can blame the Queen. Míriel shows up to her father’s funeral, and is confronted by a woman who lost her son in the expedition to Middle-earth; Miriel comforts her.

Later, Pharazôn talks to Míriel about her coronation, and hints that she should choose to move Númenor forward, and not backwards in a return to the Faithful ways as her father tried. However, she seems to refuse. Pharazôn, Kemen and Eärien are in a bar talking to Lord Belzagar, a Númenorean lord from the north who dislikes Míriel and thinks Pharazôn should rule.

Valandil confronts the table, and makes a clear threat to Kemen. Eärien tells Lord Belzagar about the Palantír. During Míriel’s coronation, Eärien reveals the Palantír to the Númenorean court, inciting the crowd against Míriel. A Great Eagle of Manwë swoops in on the open perch; Pharazôn walks up to it, and Lord Belzagar starts a Pharazôn chant, leading the crowd to join in and proclaim their desire for Pharazôn to be their new ruler.

Khazad-dûm

Durin talks to his father about Celebrimbor’s new proposal; he tells King Durin that he’s uncertain about this, and how they had talked previously about the elves trying to cheat death. King Durin brushes off Durin IV’s concerns, as the needs of Khazad-dûm are too great right now.

Eregion

Celebrimbor tells Disa and Durin about the rings, and how he can make more to help them if they provide him with mithril. Durin is a bit more skeptical and explains that he is not on speaking terms with his father, King Durin, and cannot bring a new proposal to him.

Annatar interjects, and after a failed attempt at flattering Durin, tries to convince them they need the rings. Later, Annatar tells Celebrimbor that Gil-galad did not want him to make any more and doesn’t even know that Annatar is in Eregion. Celebrimbor takes offense to this and pens a letter to Gil-galad, lying about closing up shop so that they can let the work continue. Later on, King Durin arrives with mithril, which Celebrimbor and Annatar use to make new rings.

Mordor

The orcs prepare for war, and Glûg talks to Adar about his concerns regarding this new direction; why go to war when they already have a home now? Adar assures him that there will be no peace for orcs unless they make sure Sauron is no more.

The Hill Troll known as Damrod arrives at Adar’s camp, and asks “Where is Sauron?”

Overall Thoughts on Episode 3

Episode 3 has a lot of plots to juggle and that ends up affecting the pacing. Despite this being the first episode where we see Númenor this season, there’s really only four scenes, and it jumped from the end of last season so that we don’t get to see Míriel’s initial reaction to learning her father died, nor Eärien’s reaction to the loss of Isildur. Instead we are thrown right into the politics of Númenor, which some could argue have not been thoroughly set up to warrant such jumps.

Conversely though, the Pelargir plotline was really well done. We’re introduced via an ambitious five-minute scene from Berek’s point of view, as the horse journeys to find his rider, Isildur. From there we expand to the addition of a new character and then a new location in Pelargir. As this happens we learn more about where the characters are at now, and it feels a lot more natural than Númenor.

But it benefits from having the most screen time of any plot this episode.

We don’t get much of Eregion, Khazad-dûm or Mordor, and we do not see Lindon or Rhûn in this episode. It’s still a gripping episode, particularly the end scene where the Seven Rings are made, but the sheer number of plotlines being followed makes it feel a bit more disjointed compared to the first two. 

Rating: Overall I give this episode a 8.0/10. There are some interesting developments (Seven Rings, Great Eagle, Shelob battle, the hint of Ents, Damrod), but it feels a bit like too much to juggle in one episode.

The first three episodes of Season 2 are more cohesive than Season 1. S1 had a two-episode premiere, but both episodes ended with Galadriel stranded in the middle of the ocean, so it felt like we were still getting started.

Season 1 also had a lot more setup to do, whereas with the first three episodes of Season 2 we jump right into the story. Theres also less mystery: Galadriel tells Gil-galad the truth about Halbrand right away, and we follow Sauron around and see his manipulations with Adar and Celebrimbor go into effect. The pacing of the episodes are more favorable too as significant events happened in each of the first three episodes of Season 2: the Great Tree of Lindon is healed, Annatar has arrived, the seven rings are being made, and so on.

About the author: Webcrawler is a full-time data analyst and a part-time Tolkien aficionado and moderator on TheOneRing.net’s Discord Server. When he’s not working or in the discord, Webcrawler is horsing around on Twitter

Last week Rings of Power returned to our tv screens, when the first three episodes were released on Thursday 29th of August. Once again it has attracted its share of responses from those who love the show and those who don’t.  Perhaps the most surprising result of ROP’s return has been the reaction to one, quick, scene showing an Orc holding a baby.

While Tolkien never fully resolved the origin of the Orcs, owing to his own theological beliefs that nothing is entirely evil, he did provide ideas on their origins. Their creation story changes from Orcs being created from stone, and being soulless, to them being corrupted elves or men, containing souls. However, in every iteration he always speaks of them being “bred”.

The very first idea of the Orcs, as mentioned in The Book of Lost Tales, had them created by Melko,

“all that race were bred by Melko of the subterranean heats and slime.”

 This text also speaks of members of the Noldoli (Noldor elves) being twisted by Melko and combined with the Orcs, until they believed themselves to be one kindred.

This idea was later expanded upon in Morgoth’s Ring, with the Orcs being corrupted Eldar, captured by Melkor after their first awakening. These Eldar were taken to Utumno and

“broken… and by slow arts of cruelty and wickedness were corrupted and enslaved. Thus did Melkor breed the hideous race of the Orkor in envy and mockery of the Eldar”.

Similarly, Morgoth’s Ring also discusses the creation of the larger Uruk-hai, stating that the Men who were under Morgoths rule would be made to mate with Orcs to produce the larger more cunning Uruks. It also states that this was rediscovered by Saruman who inter-bred Orcs and Men, to create Men-orcs, who were large and cunning, and Orc-men, who were treacherous and vile. Which is quite different to how their creation was depicted in the Peter Jackson films.

It is quite horrifying to us to envisage such inter-breeding, but Tolkien did, repeatedly. The showing of an Orc baby is merely acknowledging Tolkien’s own words that Orcs breed, they mate and produce young.

There have been arguments online that this is trying to make us more sympathetic towards the Orcs, as the existence of Orc babies implies that Orcs have gentle feelings. Why? Because they breed? There are humans who have children who don’t have any gentle or “maternal” feelings towards them. Yet they raise these children, not well, but they do raise them. While not all children raised by parents like this will go on to emulate their parents behaviour, sadly, many of them will, which leads to this learned parenting behaviour becoming the norm. When the brutish nature of Orcs is considered, it is quite likely that their children are raised in a similar manner. Provide food, shelter, and clothing, and not much else. Those that survive would go on to continue their brutish and vile natures, which increases with each successive generation, until we arrive at the Orcs of the Third Age in Lord of the Rings.

The fact that Orcs produce young in no way implies that the Orcs are not horrific. None of their acts of atrocity are played down. All that it shows is this is how more Orcs are created, they breed. They don’t just spring fully formed out of a sac in the ground.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Greetings from Atlanta, fellow Bagginses and Boffins, Tooks and Brandybucks, wizards and elves, Rohirrim and Beornings, Men and Women of the West, Nazgúl and Uruks, and other glorious embodiments of the diverse denizens of Middle-earth! And Proudfoots! (‘Proudfeet!’) It’s Labor Day Weekend, which means Smaug is stirring in the form of the singular Con forged by fans for fans (why, just like TheOneRing!): it’s Dragon Con time!

Now in its 37th year, and much like the world of fantasy in general, Dragon Con has always leaned heavily into its Tolkienian roots, with Middle-earth inspired programming, cosplay, partying, and a global Fellowship serving to inspire many of the 70,000 or so fans who converge on downtown Atlanta every year.  And the 2024 version will be no different!  Here’s a quick rundown all the Tolkien goodness that will be happening this year, indeed when there seems to be an explosion of so much we can celebrate!

Movie Guests: The Hobbits Are Coming to Dragon Con!

It’s a long-expected celebration as we welcome three excellent and admirable hobbits back to our annual party! Billy Boyd and Elijah Wood have been here before, with 2023 serving as a Frodo first for the con. It’s great to have him back, along with an inaugural visit by Dominic Monaghan. We’ll enjoy reminiscences and revelry, past shenanigans and current updates from gentlemen who still bow to no one! Find them at various times across the weekend.

Alas they’re not bringing Orli with them to Atlanta…

Media Project Updates and an Event: So Much Happening!

International South, Hyatt, 7pm Thursday 29th – watch The Lord of the Rings: The Rings of Power

Prime Video was so courteous to schedule the opening of Season Two of The Lord of the Rings: The Rings of Power on the same day that Dragon Con kicks off! They were especially gracious to allow us to host a Release Day Watch Party in a large ballroom space in one of the host hotels where we’ll get to all three of the first episodes on a big screen with 400 or so of our closest friends. There will be swag!

L401-403, Marriott, 11.30am Monday 2nd – The Rings of Power panel

TheOneRing.net will also be hosting a panel on Monday offering an opportunity for reactions and speculations from a crackerjack panel, including our good friend Willie Jenkins aka KnewBettaDoBetta.

L601-602, Marriott, 1pm Friday 30th – The War of the Rohirrim panel

Just as exciting is the upcoming December release of The Lord of the Rings: The War of the Rohirrim, the anime collaboration between the same team that brought us both the LotR and Hobbit movies, along with director Kenji Kamiyama. We’ll have a dedicated panel to discuss the recently released trailers, and special recorded interview with producer Jason DeMarco as he digs into some details with staffer greendragon. (Also look for swag…!)

Centennial One, Hyatt, 11.30am Saturday 31st – Middle-earth Updates with TORn

We’ll even do some speculating about the recently announced next movie release coming in 2026, the PJ-produced, Serkis-directed The Hunt for Gollum. That will happen as part of a general update from TheOneRing.net staffers at Dragon Con, along with some good friends, covering a vast smorgasbord of things we have to look forward to in the Tolkienverse.

Some Scholarly Conversations: Academics Can Party?

Tolkien fans are noteworthy for also loving to dive deeply into Tolkien lore, characters, themes, and discussions as part of their experience. We’ll be scratching that itch on a number of fronts:

L401-403, Marriott, 1pm Saturday 31st – Here at the end of All Things: Tolkien’s Apocalyptic Visions

Our good friend, professor, and author, Constance Wagner, was asked recently about contributing to an upcoming publication discussing apocalyptic themes in fantasy literature. The inquirer wasn’t sure there really was much in Tolkien’s legendarium that dealt with that kind of thing. After Constance calmed down, she recruited a couple of us to join her in road-testing just how apocalyptic Tolkien can be, and across all the Ages of Middle-earth starting with the Music of the Ainur. And what better place to do that than among Dragon Con friends! We may have to hand out cookies to lighten the mood a bit, though.

L401-403, Marriott, 11.30am Sunday 1st – On Fairy Stories

Tolkien’s On Fairy Stories serves as a fundamental apologetic for the importance, depth, and suitedness of these stories in their application to the human condition. Plus they’re good reads. We’re looking forward to engaging with other fans on these foundational ideas.

L401-403, Marriott, 4pm Sunday 1st – The Collected Poems of J.R.R. Tolkien

With the publication of the massive three-volume edition of The Collected Poems of J.R.R. Tolkien mere weeks away, we take an hour to focus on what we can expect from this monumental effort from scholars Christina Scull and Wayne G. Hammond. And we’ll probably do a bit of group confession of how many of us skipped the poems during our first LotR reading or two. We may even listen to Tolkien himself reciting some of his verses.

Parades, Partying, Dancing and Singing: Always Trust an Elf! Or a Hobbit!

Grand Ballroom, Courtland Grand, 8.30pm Friday 30th – An Evening at Bree

Dragon Con (unlike many of those “CC” alternatives around the country), is especially knows for its literal 24-hour partying spirit, both informal and officially sponsored. One of those latter parties, indeed one of the longest standing parties across Dragon Con’s history, is our annual Evening at Bree. Always happening on the first full-day of the Con, this Friday evening festival combines live bands (since back in those the Emerald Rose glory days! – this year we’ll have Landloch’d, Beth Patterson, and the Brobdingnagian Bards playing), dancing that’ll bring joy to the most curmudgeonly hobbit, a costume contest showcasing jaw-dropping cosplay talent, and a mini-concert from Bree’s own Elf Choir who gather to rehearse and present iconic fantasy tunes all on the same day. It’s a great way to kick off the Con in a celebratory mood.

Elf Choir performing at Evening at Bree in a previous year – photo courtesy of Geek Behind the Lens
Grand Ballroom, Courtland Grand, 5.30pm Friday 30th – Sing with the Elf Choir

That Elf Choir, in addition to their larger contingent who perform at Bree, also has a dedicated group of master singers, garbed in elven cloaks and sporting ethereal lanterns, who make their way through the Dragon Con masses on their long and melodic journey into the West. Fortunately, the Grey Havens are proving elusive, and they’ll be back again this year.

Grand East, Hilton, 7pm Sunday 1st – Hobbit Drinking Songs

One of the most riotously reeling renditions of Shire shenanigans happens with the Brobdingnagian Bards’ annual concert (and excuse to dance spontaneously): Hobbit Drinking Songs. They’ve been at it long enough that many in the audience join in, at least on the choruses. And they have CDs!

Grand East, Hilton, 10pm Sunday 1st – High Fantasy Goblin Ball

One of the last parties we’ll be joining this weekend is one where staffer deej will be taking the lead: The High Fantasy Goblin Ball! We always like to pick a theme for these dance parties, usually picking a favorite decade where deej focuses her musical stylings. We’re back to the 80s this year, and using a Goblinesque orientation in whatever forms our attendees might choose. The mashup cosplay has gotten pretty hilarious in years past. The Eye of Sauron in shutter shades, anyone?

Home for this Tolkien-inspired programming, and for many of us Tolkien-addicted people, is one of Dragon Con’s 35 or so dedicated fan groups, or “tracks”: The High Fantasy Track. Home base is right in the center of all the action, on the lobby level of the Marriott Marquis (L401-403). Should you be attending Dragon Con this year, come by and say hi to fellow fans there!

Grab some merch – celebrate 25 years of TORn!

You should also, of course, visit staffers greendragon and deej at TheOneRing.net’s fan table in the Atlanta downtown Hyatt, down on the Exhibit Hall level just across from the Art Show (our usual spot). There you can get some fabulous merch – shirts, buttons, and more! Show your political allegiance by voting Gollum/Smeagol 2024; or show your love for TORn with our 25th anniversary shirt and mug.

We’re looking forward to seeing friends old and new! Now forgive us as we go finish up that last flourish on our cosplay!

A new trailer has dropped this morning, for The Lord of the Rings: The Rings of Power Season 2. Darkness will rise indeed! This trailer very much focuses on the dark power of Sauron, and of the war and destruction he brings to Middle-earth. At 2.14, it is a full minute shorter than the previous trailer; but it still packs a punch.

Take a look:

Continue reading “The Rings of Power S2 new trailer is DARK”

It’s already been a week since San Diego Comic-Con , which was an expected crammed full with good things for Tolkien fans. Here’s a look back on all the Middle-earth related happenings from SDCC 2024.

Panels

Hall H

On Friday morning Prime Video took over Hall H. Fans who made it through the long wait in line were treated to an opening montage of clips from Prime Video shows – which included little snippets of Season 2 of The Rings of Power which had not yet been seen elsewhere. The 10am slot was an hour of irreverent fun from the cast of The Boys; this was followed by The Lord of the Rings: The Rings of Power hour.

TORn friends in line for Hall H!

Bear McCreary, drummers and male voices got this off to a great start, with compelling music from Season 2. Immediately after that, a clip played – which, interestingly, was our first time hearing the name Annatar spoken on screen. (He isn’t named as such in the current trailer – which was shown later during the hour.)

Host Yvette Nicole Brown was joined on stage by many cast members. Present were:

  • Showrunners Patrick McKay and JD Payne
  • Cyntha Addai-Robinson (Míriel)
  • Robert Aramayo (Elrond)
  • Maxim Baldry (Isildur)
  • Morfydd Clark (Galadriel)
  • Ismael Cruz Córdova (Arondir)
  • Charles Edwards (Celebrimbor)
  • Trystan Gravelle (Pharazon)
  • Ema Horvath (Eärien)
  • Tyroe Muhafidin (Theo)
  • Sophia Nomvete (Disa)
  • Lloyd Owen (Elendil)
  • Megan Richards (Poppy)
  • Charlie Vickers (Sauron)
  • Benjamin Walker (Gil-galad)
  • Daniel Weyman (The Stranger)
  • And joining them a little later – Sam Hazeldine (who takes over the role of Adar, from Joseph Mawle) and Robert Strange (the orc Glug).
Host Yvette Nicole Brown with Charlie Vickers, Morfydd Clark, and Benjamin Walker

The showrunners talked about how Season 2 is ‘Charlie vs Charlie’ – the collaboration which becomes confrontation between Sauron and Celebrimbor. Morfydd Clark said she thought Galadriel had perhaps learned, in Season 1, ‘Don’t trust handsome men!’ Robert Aramayo remarked on Elrond’s complicated relationship with Galadriel – that he feels she has made mistakes, but ultimately believes her to be a force for good.

We were treated to some fabulous behind the scenes footage, showing the forging of the rings. Lloyd Owen spoke of the battle for the soul of Númenor which we would see starting in Season 2 – and of Elendil’s own battle between his love for his country and his love for his daughter.

It was confirmed that the spider seen in the trailer is none other than Shelob. Megan Richards hinted at a possible romance for the Harfoot Poppy, and Sophia Nomvete shared that we would get more powerful singing from her, as Disa resonates the stone in Khazad-dûm.

Audience questions

In answers to the questions posed to the ensemble from the floor, showrunner McKay said yes, there is ‘room for Glorfindel’ in The Rings of Power – and possibly even Ungoliant? Ismael Cruz Córdova said, when asked if there was a chance that Arondir could be Theo’s real father, that though the Elf is not Theo’s Dad, he does step into a fatherhood role in this season.

In another clip shown, we saw artist John Howe sketching all of the rings of power. To end an amazing hour, Ben Walker confirmed that Gil-galad sings in the show; and then he stepped up and gave us an example of his wonderful Elvish singing.

Friday evening’s panel

Room 25 ABC was packed out for TheOneRing.net’s panel, where we were joined by some very special guests. TORn staffers on the panel were Justin Sewell and Clifford Scott Broadway (familiar to followers from TORn Tuesday); Josh Long and Jim Wert (‘Collecting the Precious’); and moderator Kirsten Cairns (aka greendragon). Guest Matt Graf (Nerd of the Rings) joined them.

From L to R: John Mayo, Josh, Jim, Matt Graf, Lee Guinchard, Cliff, Justin, Jason DeMarco, Joseph Chou, Kirsten

The panel began by welcoming to the stage producers from The War of the Rohirrim, Jason DeMarco and Joseph Chou. They set up exclusive footage, kindly provided by Warner Bros. for us to show at the panel. Gaia Wise (who voices Héra in the film) had a video greeting for TORn, and this was followed by a lovely message from producer Philippa Boyens. And then we got our first glimpse of the movie. (Sorry we can’t share you with it here – but the buzz in the room was epic!)

De Marco and Chou were generous in their answering of questions, explaining why Héra seemed the ideal choice of character to tie together the various threads of the story; why anime is an ideal format for telling a tale from Middle-earth; and how they decided to hire many British stage actors for the voice work, as they feel anime needs the ‘bigger’ acting style used on stage. They also talked about how it was a true collaboration amongst all the artists involved, but how Kenji Kamiyama and Peter Jackson have quite different styles – and ultimately, it is Kamiyama’s vision we will see on screen.

DeMarco and Chou then left the stage, and the audience were treated to some exclusive new images from the upcoming game Tales of the Shire. We were then honoured to welcome, from Middle-earth Enterprises, VP of Creative and Product Development John Mayo, and none other than the President, Lee Guinchard. Middle-earth Enterprises own the licensing rights – originally sold by Tolkien himself – to The Hobbit and The Lord of the Rings. This means they are involved in all the gaming and film adaptations, as well as the licensed merchandise out there. (TheOneRing.net is licensed by Middle-earth Enterprises.)

Not surprisingly, Guinchard wasn’t giving anything away when we asked him about the upcoming film The Hunt for Gollum; but he did say he was excited for the project. He was keen to emphasize how Middle-earth Enterprises take seriously their custody of Tolkien’s creation, and that they approach each license with exacting standards, and with love for the Professor’s realm. He even hinted that he perhaps sometimes lurks in TORn’s message boards or Discord chat!

We could have talked for much longer, both to the producers from Warner Bros. and the gents from Middle-earth Enterprises. But alas, time ran out. We’re so grateful to all the guests who appeared on our panel, and who provided content. Special thanks to WB for providing some of the first official The War of the Rohirrim ‘swag’ for folks who were in the audience.

I am No Man: the Creative Women of Middle-earth

This panel took place on Saturday afternoon, in room 5AB – and rather than telling you about it, how about you watch it yourself? Moderator TORn staffer Kellie Rice was joined by women leaders from Weta Workshop, EA games, Wizards of the Coast, and Middle-earth Enterprises; hear what they had to say in this video of the panel:

Party

TheOneRing.net were honoured to co-host, with Prime Video, The Rings of Power Middle-earth Moot! Venue 808 was beautifully decorated, with photo opportunities and with stunning costumes on show. All of the rings of power (apart from the ONE ring) were on display to be ooh’d and aah’d over by party goers; and some lucky fans had an opportunity to meet the cast, and have a poster autographed.

Beautiful cosplay was worn by some attendees, and a good time was had by all. Enjoy some photographs (thanks for Ellen Monocroussos for taking some of these):

TheOneRing.net Booth

We were delighted to be joined at our booth this year by Nerd of the Rings Matt Graf, and Jordan Rannells, creator of A Long Expected Soundscape. Fans were excited to meet Matt, and his shirts and caps sold out. The Long Expected Soundscape was perhaps unexpected for many fans – but folks loved having the opportunity to experience the atmospheric audio world created by Rannells. No less a person than Bear McCreary himself was wowed by what he heard! (Find out more about Rannells’ amazing work, here.)

Composers Bear McCreary and Jordan Rannells at TORn’s booth

Staffer Kellie Rice, aka Happy Hobbit, was also at the booth – and her shirts, along with TORn’s ‘Gollum/Smeagol ’24’ election shirt, all sold out as well.

The maestro of Middle-earth, Jed Brophy, thrilled fans throughout the convention, with amazing tales of hijinks and heroics on set (for The Lord of the Rings trilogy, The Hobbit movies, AND The Rings of Power!) We were also joined by many other special guests over the course of the weekend; Knewbettadobetta worked with Matt to host a brilliant trivia session, and fans were delighted to chat with Tea with Tolkien and The Tolkien Professor.

And that was a wrap for SDCC 2024! Next stop, DragonCon; if you’re hoping to snag one of our sold out ‘Gollum/Smeagol ’24’ shirts, that will be your opportunity! We look forward to seeing our fellow fans there. Meanwhile, big thanks to all who partied, chatted, and celebrated the Middle-earth fandom with us in San Diego.

Don’t forget, you can always hang out with your fellow fans at TheOneRing Discord – see you there!