DragonCon begins today – and of course TORn will be there! You’ll find staffers deej and greendragon at TORn’s ‘fan table’, in our usual location: in the Hyatt opposite the entrance to the Art Show. We’ll be there from Friday on, until the very end of the con! This year we have three new shirt designs and a new button, as well as some former designs, and other fun goodies at the table. Drop by and see us!
There are some exciting celebrity guests for Middle-earth lovers this weekend; read on for highlights of events of interest to Tolkien fans during DragonCon this year:
Friday 1st 10am The Wit and Wisdom of Samwise Gamgee
Gardener; friend; husband; potato enthusiast. We all need more Sam in our lives! Marriott room L401-403
Friday 2nd 8.30pm An Evening at Bree
As ever, TORn will be joining the High Fantasy track to host this long standing DragonCon tradition. Party like a Hobbit! Once again, our live acts will be fan favourites The Brobdingnagian Bards, Beth Patterson, and Landloch’d. We’ll also have the Elf Choir, and the costume contest – with a fabulous panel of expert cosplay judges. We’re thrilled that Charles Conley, Joshua Duart and Lacey Santos will be lending us their skill and judgement for the evening! If you’d like to enter the contest, please remember to sign up in advance of the evening, at the TORn fan table or the High Fantasy track room (Marriott room L401-403).
Find us at the inn of the Prancing Pony (aka Hilton Grand West)
Saturday 2nd 1pm The Lord of the Rings: The Return of the King Retrospective
It’s been 20 years (gasp!) since the final part of Peter Jackson’s trilogy was released. Join TORn staffers to look back and get nostalgic together! Marriott room A601-602
Saturday 2nd 4pm Rings of Power discussion
A look back at Season 1, and speculation as to what may be coming in Season 2 of Prime Video’s The Lord of the Rings show. Marriott room A601-602
Saturday 2nd 5.30pm Elijah Wood and Sean Astin in conversation
Marriott Atrium Ballroom
Saturday 2nd 10pm The Tolkien Renaissance
What makes Middle-earth such an enduring favourite with fans? With more shows, movies (and maybe even a theme park) in the works, we’ll explore why Tolkien’s works are evergreen. Marriott room L401-403
Sunday 3rd 10am Hobbits, Harfoots, and More!
Exploring the origins, characteristics, and significance of our favourite hairy-footed folks. Marriott room L401-403
Sunday 3rd 1pm Andy Serkis and Elijah Wood in conversation
Marriott Atrium Ballroom
(There are also photo sessions with Astin, Serkis, and Wood throughout the weekend. Their appearances are fully in line with SAG-AFTRA guidelines, enabling actors to attend conventions but not to promote work.)
Sunday 5pm Hobbit Drinking Songs!
Join The Brobdingnagian Bards and party like a Hobbit! Hilton Grand West
Sunday 10pm Dance Magic Dance
TORn’s own deej shows us how she got her name, as she djs this 1980s themed dance party. Put on your best 80s/fantasy cosplay and come and dance the night away!
There are many more High Fantasy Track events which are Middle-earth related, and other events across the con which will appeal to Tolkien fans. Check out DragonCon’s app for all the details. Hope to see you here for all the fun – come and say hi!
This year marks the 50th anniversary of Oxonmoot, an annual event hosted by The Tolkien Society in Oxford, UK. The event will be available to stream live from Thursday, August 31 through Sunday, September 3.
Bear McCreary will join Oxonmoot for an exclusive chat on Friday, September 1st at 4:40pm UK-time (8:40am PDT / 11:40am EDT / 5:40pm CET), and the session will be available live to online attendees.
McCreary, a lifelong Tolkien fan, composed the 37 tracks that make up the score for Prime’s Lord of the Rings: Rings of Power. His work for the show received acclaim from fans and critics alike. The gorgeous themes he developed for the show were completely new yet still reflective of the scores that Howard Shore composed for Peter Jackson’s The Lord of the Rings. McCreary is also know for his work on Battlestar Galactica, The Walking Dead, and Outlander, among other television series. McCreary is articulate in speaking about his methodology, and he is just plain fun in an interview.
Brian Sibley will also be a guest at Oxonmoot. His session is called “‘The Fall of Númenor’: An Editor’s Journey.” As the name of the event implies, Mr. Sibley edited the volume of J.R.R. Tolkien’s writings titled The Fall of Númenor: And Other Tales from the Second Age of Middle-earth, which was illustrated by Alan Lee. Sibley will speak about the “pleasures and pitfalls” in editing the book.
Sibley has written extensively for radio dramas such as BBC Radio 4’s adaptation of Tolkien’s The Lord of the Rings and C.S. Lewis’ The Chronicles of Narnia. He is well known for authoring many “making of” books about films, including those for The Lord of the Rings and The Hobbit, as well as the Harry Potter series. He is incredibly knowledgeable about Tolkien and fascinating to listen to.
Amazon Games, developers of the acclaimed New World online RPG game, are heading development of a new multiplayer The Lord of the Rings video game.
Embracer, the fresh new owners of The Lord of the Rings and The Hobbit, are licensing the Middle-earth MMO gaming rights to Amazon Games, whose first and only game, New World, was a big bold swing into a crowded massive-multiplayer-gaming space against Grand Theft Auto, Minecraft, World of Warcraft, Final Fantasy XIV, No Man’s Sky, and of course LOTRO.
This new LOTR MMO game will be a persistent open world Middle-earth set in the third age, but not based or connected to Amazon’s billion-dollar The Rings of Power TV series. Development is currently planning to launch on PC and console.
Reviews for Amazon’s New World currently sit at 6/10 on Steam with 200,000+ reviews, and a Metacritic score of 70. Metacritic is basically Rotten Tomatoes for video games, averaging review scores from professionals and the community. From what we have read, New World was praised for good modern graphics and multiplayer engagement, but with a limited set of innovative game mechanics.
This new game is unrelated to the cancelled LOTR online MMO game that was being developed in China. Amazon is building this in-house with its team from an earlier acquisition of Double Helix, a successful studio responsible for many franchise spinoff games like Enter the Matrix, Star Wars Episode III, Indiana Jones and the Emperor’s Tomb, Killer Instinct, G.I. Joe, Silent Hill, and more.
Fans may welcome a next-gen Lord of the Rings MMO experience, as one of the common knocks on the hugely successful (and still updating) LOTRO is the dated graphics. Amazon Games will have their work cut out for them to differentiate from Peter Jackson’s cinematic world, Standing Stone Games’ deep lore gaming in LOTRO, and the future secrets from The Rings of Power. LOTRO is still one of the best reviewed MMO games, even after 16 years of fresh expansions.
Los Angeles, CA – Amazon Studios has announced that Orlando Bloom, break-out star of Peter Jackson’s The Lord of the Rings trilogy, will appear in the next season of the The Lord of the Rings: The Rings of Power.
Developers J. D. Payne and Patrick McKay confirmed that Bloom will appear in the second half of the season as Oropher – the grandfather of Legolas.
“J. D. was chatting with Orlando at an industry event and Orlando said that he wished he could step back into Middle-earth because he’d had so much fun the first time around,” said Patrick. “We put our heads together and came up with a way to have him play his own grandfather. This actually works well as Orlando is 25 years older than he was when the Fellowship of the Ring was filmed. Therefore, he’ll bring more depth and gravity to Oropher.”
Oropher was a Sindarin elf who led his people north to lands around the Mountains of Mirkwood. His motive was to move out of range of the Dwarves of Khazad-dûm and avoid the threat of Mordor. If the series continues through to the Battle of Dagorlad, we’ll get to see Oropher’s final battle and death.
Patrick wouldn’t give details of Oropher’s story arc but a source told TheOneRing.net that the character will be involved in the Silmaril storyline.
A separate source claims that Elijah Wood has also been approached for a cameo. However, John Rhys-Davies has flat-out refused to be involved in The Rings of Power because he “wouldn’t wear those bloody prosthetics again for all the jewels in Moria. Ishkhaqwi ai durugnul!”.
Fandom has lit up again with excitement as more Middle-earth movies, games, LEGO and merch are announced. Here’s what we know about who can do what and where with new LOTR projects.
New Line Cinema continues to be the cinematic home for Middle-earth
Feb 2023 – After a year of wild moves and intense backroom conversations about the future of Lord of the Rings, New Line Cinema renews its 25-year-old license with Middle-earth Enterprises (MEE) who are now owned by Embracer Group. From the fan perspective, nothing has changed: Warner Bros & New Line are still producing THE WAR OF THE ROHIRRIM starring Miranda Otto as Eowyn and Brian Cox as Helm Hammerhand.
New projects have not been hinted at, but fans are speculating if Peter Jackson will deliver his promised Super-duper-extended “Unicorn Edition” LOTR featuring deleted scenes like Eowyn’s wedding, Frodo-Gollum nightmare, and more. Peter Jackson is a newly minted multi-billionaire after selling Weta Digital’s toolsets to Unity, and winning Emmy Awards for his Beatles documentary GET BACK.
TORn Tuesday reported over seven years ago that PJ has a secret vault with a “warts and all” documentary, featuring original Aragorn footage. With his documentary awards for GET BACK and THEY SHALL NOT GROW OLD, maybe the first new LOTR project ready to go is a doc?
Unconfirmed rumors for this new WB & LOTR movie deal have a three-year timeline in place — which would be similar to the time-restrictions put in place with Amazon’s TV deal where they had to be in development within two years and in production within five years. This puts the 25th anniversary of Peter Jackson’s LOTR into play as a way to celebrate the past and herald the future.
Prime Studios and New Line play nice, for now
During production of the billion-dollar-budget RINGS OF POWER series, a cooperation deal was put in place between Amazon and WB. All episodes of Season 1 of Amazon’s show include a full screen logo credit for New Line Cinema, with the characters and some weapons bearing a striking resemblance to the aesthetic established by Peter Jackson’s movies. There have also been rumors that Prime Video will be the streaming home of THE WAR OF THE ROHIRRIM after its global theatrical run (instead of WB owned HBOmax).
But, it seems the CEO of WB’s owner, David Zaslav, does have a competitive bone to pick with Amazon’s CEO, with The Hollywood Reporter reporting that he “even name-checked Amazon CEO Andy Jassy, almost as if to tease Amazon with the threat of new “Lord of the Rings” properties… and suggested that a move to launch new “Lord of the Rings” movies would take away some of the momentum that Amazon had enjoyed from its launch of a series based on the novels.”
Amazon is solely in the Middle-earth TV business
Jeff Bezos and his team at Prime Studios negotiated directly with the Tolkien Estate for rights the family still held outside of anything New Line, MEE or Embracer have exploited in the past: rights to TV shows. Amazon currently must stay in that lane, but can create as many TV shows as they want with a minimum of 8 episodes per season. Amazon has announced five seasons of The Rings of Power, greenlit the first three, written the first two, are filming Season 2 now in the UK. They intend to make spinoff shows.
Prime has has only licensed the same exact two books that Embracer & Warner Bros has (The Hobbit and The Lord of the Rings), crafting any spinoff from any word or phrase from prologue to appendices. They have uniquely included current figurehead of the Tolkien estate, Simon Tolkien, in the development process, and he alone can approve usage of extra material from other books — such as The Silmarillion or The History of Middle-earth — on a case-by-case basis.
As secretive as Amazon is, word got out that they nearly went with a Young Aragorn show pitched by the Russo Brothers — fresh off their $2 billion Avengers Endgame run — which begs the question, why not both? Would Amazon greenlight another LOTR TV show now that more “friendly competition” from Warner Bros. is coming to cinemas?
Will there be a reboot of The LORD OF THE RINGS?
As of now, absolutely not. Nobody in control wants to reboot the most award-winning film of all time. The Tolkien Estate have mandated that the TV rights are not allowed to remake the movies. Despite WB’s record of reboots and multiverses — last count there are seven Batmans in the cinematic zeitgeist — there seems to be an effort to keep Middle-earth as one cinematic universe to rule them all. Even the new feature film spin off THE WAR OF THE ROHIRRIM is an expansion of the Peter Jackson MeCU. There are plenty of new stories to mine from the books, and no remakes are expected in film or TV format.
Is Peter Jackson returning?
Unknown as of today. Peter Jackson put out a statement though:
“Warner Brothers and Embracer have kept us in the loop every step of the way. We look forward to speaking with them further to hear their vision for the franchise moving forward.”
Philippa Boyens, his co-producer and co-writer of LOTR who shared in Oscar glory, is currently producing THE WAR OF THE ROHIRRIM with New Line Cinema. The new film is still “in the Jackson family” with Weta Workshop, John Howe, Alan Lee, and many other Hobbit veterans involved. Could all the local commotion re-ignite Peter’s passion for Middle-earth? Would he come back in a supervisory role, similar to how Kevin Feige produces and manages all of MARVEL films? Only time will tell.
Where can I stream everything LOTR?
Many places! Netflix, Amazon Prime and HBOmax all have the LOTR trilogy Extended Editions streaming free with your account, depending on your country in the world. THE RINGS OF POWER is exclusively streaming on Prime Video and not for sale on DVD. Lord of the Rings has a fresh coat of paint in a 4K Blu-ray release from WB, which is also the version you can buy on iTunes and other digital platforms. The Hobbit movies are streaming on HBOmax, as well as the 1977 Rankin Bass classic animated Hobbit. We like to use JustWatch to see where Desolation of Smaug is currently available on any given month.
Are there really five new LOTR video games coming out?
Yes! Embracer Group, in addition to owning the LOTR rights, is a huge video game developer with tons of studios. They have announced five new LOTR games for 2023, each unrelated to the others, including:
Return to Moria
Heroes of Middle-earth
Untitled Weta Workshop game
? unannounced ?
The Lord of the Rings has a long history of innovation in the video game space. LOTRO, the online MMO, is still going 15 years strong with new expansions and a larger player base than ever before. The console and PC Shadow of Mordor series introducing the Nemesis System and became one of the best of the PS4 generation games. Nearly all LOTR games are unrelated to any LOTR films — though some of us old nerds hold Return of the King fondly in memory.
Separately, Magic: The Gathering is now selling a brand new licensed LOTR card game.
Who is Embracer?
Embracer Group is the new owner of rights that JRR Tolkien himself sold off in 1968. The Swedish gaming and rights holding company purchased these rights in 2022 from Saul Zaentz Company, which was used to create the Oscar-winning LOTR films. These rights, which JRR Tolkien later regretted selling off, are perpetual rights to do anything with everything in The Hobbit and Lord of the Rings books. This includes all merch, board games, card games, movies, theme parks, toys, albums, weapons, alcohol, video games and more. Everything except make TV shows.
Because Embracer owns merchandising rights, Amazon has to go through them to make any merch for RINGS OF POWER just as all the movie merch for LOTR and The Hobbit included “licensed by Saul Zaentz” or Middle-earth Enterprises. Through Embracer, LEGO just announced a new 6,000 piece Rivendell set based on Peter Jackson’s movies that will no doubt sell out.
From the art of The Vatican to Lawrence of Arabia.
The showrunners of The Lord of the Rings: The Rings of Power are bringing us back to Middle-earth. Now, with the entire season now out showrunners J.D. Payne and Patrick McKay have been sharing influences and the creative process behind their most-beloved and most-challenging aspects of the show.
From many interviews across the web, here are some of those in their own words.
On Building Relationships
“From the beginning we wanted to build a relationship between Sauron and Galadriel.” – J.D. Payne, Co-Showrunner
“I hope after the last episode airs, viewers watch the whole season again, which is now a different experience… We were concerned about a situation where the part of the audience steeped in lore is six or seven episodes ahead of the characters. If deception is an important part of the journey, we wanted to preserve that experience for book readers too.”
“Season one opens with: Who is Galadriel? Where did she come from? What did she suffer? Why is she driven?” says Payne. “We’re doing the same thing with Sauron in season two. We’ll fill in all the missing pieces. Sauron can now just be Sauron, like Tony Soprano or Walter White. He’s evil, but complexly evil. “
Galadriel’s in this place of betrayal and anger and mad at herself and at him, and Sauron’s really coming from this place of, “No, no, no, no, no. This is good. It’s all been leading up to this. This is what we’ve been doing all season. By combining our powers, look at what we’ve achieved. We could do so much more together.”
Halbrand’s first lines to Galadriel on the raft are: “‘The tides of fate are flowing. Yours may be heading out.’ That’s the same line that Galadriel says to Frodo when the ring comes into her orbit in LOTR. She’s repeating the first thing Sauron ever said to her.” – J.D. Payne to Vanity Fair
“We began filming before telling Charlie Vickers he was Sauron. After filming episode two, we talked to Charlie during the pause we took because of COVID, and then episodes three through eight he was fully aware.” – J.D. Payne to Vulture
“It’s not an option calling him Annatar because the audience would know ahead of the character.” – McKay on The Ringer podcast. McKay also admits the clues are all there from the start, “in his very first shot, he’s looking over his shoulder with one eye. His second line is ‘Looks can be deceiving.'”
Vulture asked: “Why introduce Sauron through the form of this human disguise?“ Patrick McKay responded: ‘One of the earliest ideas we had for the storyline came from the moment in The Fellowship of the Ring when Galadriel is tempted by Frodo’s offer of the Ring. She talks about how well she knows and understands Sauron, and there’s a quote where she says, “I know his mind, and he gropes ever to know mine, but still the door is shut.” She clearly has a darkness — that turning down the Ring is a test she feels she has to pass to finally go West — and that the darkness in her is linked with her feelings about Sauron.’
“We wanted to do an origin story for Sauron. We didn’t want to make a show that was about the hunt for Sauron, but we love the idea of Sauron as a deceiver who could, hopefully, deceive some of the audience.”
Seems that the showrunners were trying to pull off a mic-drop moment only the greatest directors have ever successfully done, per this Empire magazine question from Patrick to James Cameron:
On Inspirations That Few Viewers Spotted
Patrick tells The Ringer podcast that the entire concept of Galadriel and Halbrand meeting at sea is based on the Neo-classical Romanticist painting “The Raft of Medusa” which hangs in the Louvre, and is surprised nobody picked up on the connection. The painting depicts the real life story of an actual boat named the Medusa that crashed at sea and led to cannibalism among the survivors on the raft.
“There’s something that Milton does in Paradise Lost where he makes Satan a really compelling character. In some ways, he’s the first antihero… and you (the reader) are unconsciously won over, so that you perceive your own fallenness and your need for redemption.” – Patrick McKay
“For my final audition, I had to do a speech from Paradise Lost. Literally, as Satan.” – Charlie Vickers, who plays Sauron. “By no means is this the definitive portrayal of Sauron. I think there’s comfort in the fact that it’s just adding another colour to what is already a really colourful page.”
In Episode 7, we see Galadriel and Theo hiding under a log. But that’s where the connections to Bakshi’s and Jackson’s films end. “It was written that they were hiding under a log, so it was ultimately led by the scripts I don’t think we ever consciously went back to the films and said ‘we want to do it like that'” says Alex Diesenhof, the DP for the episode, in Newsweek.
On Mithril and Legends
One of the most controversial ideas put forth in The Rings of Power is the source of Mithril’s magic. Fans worldwide — from the Tolkien Professor, Corey Olsen, to the Tolkien Society, to nearly all lore YouTubers — universally loathed this effort to expand the Legendarium. The Showrunners justify their choice:
“What if there’s a grand unification theory that could connect the light of the Two Trees of Valinor, which went into the Silmarils, to the rings? The three elven rings were at least partially made of mithril… It was a way to connect many parts of the canon, including the elves fading.”
J.D. Payne, co-showrunner
“Mithril is unusual in Middle-earth. It’s Tolkien’s vibranium, or adamantium, or like the one in Avatar, unobtainium. I would trust Elrond’s read on this piece of lore.”
“I think we’re quite used to the elves doing exactly the right thing and knowing exactly what to do. And that’s not necessarily the case here. [Galadriel] knows that if she [reveals Sauron to Celebrimbor], the rings wouldn’t get made. She needs the rings to be made so that the elves can stay in Middle-earth and continue to fight him. But I don’t know whether that’s the right thing to do!” – Morfydd Clark
These witches are lesser conjurers than one of the wizards would be, and are bested here, but they escape in another form. While the visual language is a little similar to the Nazgûl, we’re also thinking about Macbeth and we’re thinking about the old crones and the three witches and just trying to come up with something strange and weird. We know they come from Rhûn, and we know there are magic cults in Rhûn, which is one of the things Tolkien writes about. So maybe there’s a slightly different kind of magic and we can peel back the layers in future seasons.
J.D. Payne continues that we haven’t seen the last of the three witches, “were they just temporarily vanquished? I think that’s a story point that people can be thinking about… That’s him seeing into the Unseen world. The ring takes you into that place where you can see the true form of things.”
The showrunners tell Joanna Robinson at the Ringer podcast that they are shocked nobody has compared the reveal of Elendil to its inspiration from Lawrence of Arabia. In the classic film, considered one of the top 5 films of all time, the shadow scene represents the title character Lawrence adopting his savior-ego complex and leading the Arabs to potential freedom. In Rings of Power season one, Elendil loses his children to politics and war, but will eventually lead some Númenorians to safety and freedom.
Above: Lawrence of Arabia, Rings of Power episode 2
“If you look back over her trajectory this season, it seems like Isildur’s sister has been pulled into the Pharazôn camp, and that could mean big things for Númenor moving forward. Could she touch the Palantir and increase her sympathies toward the faithful, Or take issue with the idea that the queen has been using an Elven artifact and go the other way?” – via Vulture
“There was more about Isildur not wanting to be a sailor. We could do a whole season on that.” J.D. Payne to The Ringer
Númenor’s aesthetic is directly based on the classical Raphael portrayal of Athens as seen in the Vatican, McKay tells the Ringer podcast. Tolkien famously based his myth of Númenor on the ancient Grecian stories of Atlantis, made popular by Plato in his Athenian storytelling. In Letter 163 J.R.R. Tolkien admitted, “I have what some might call an Atlantis complex. … I mean the terrible recurrent dream (beginning with memory) of the Great Wave, towering up, and coming in ineluctably over the trees and green fields.”
Responding to Fan Criticism
Hollywood Reporter asked the writers to respond to five constant criticisms of the lore, paraphrased here:
Dwarf women have beards. “Tolkien has answered this particular question both ways.”
Elves all have long hair. “If Tolkien ever wrote a comprehensive style guide to hairstyles, I would love to see it.”
Galadriel is too masculine. “Her nickname [by Tolkien] is “Nerwen,” which means “man-maiden.”
Costumes are too new. “Guess what? Sometimes clothes are new.”
Pacing is too slow. “Tolkien will take his time and let you sink into characters, into a journey, and… I hope people will have the patience to settle in for a Tolkien epic.”
“The storytelling will be different next time, not because of the response to the show, but because of the experience of making the show for us. We’re certainly listening to the critics and to our audiences. You don’t want to give any one voice too much weight, but figure out what people are responding to.” – via Vulture
“We felt it was very important that season one be about reintroducing Middle Earth in this new era. Introducing all of these kingdoms, and all of these peoples and all of these characters and knowing what was important to them, and what they had at stake.” – Patrick McKay, who still needs to introduce 16 leaders of men and dwarves to be corrupted by the rings of power.
“People of the world will think everything, love/hate & in between, I’m quite sure, but it certainly seems like everybody’s talking about it and people are watching. I think we always knew there would be a lot of chatter from all corners, and it’s good to be talked about.” – Lindsey Weber
“It’s not a mystery it’s a character journey. Watching fans fight each other bums me out. Sauron enjoy seeing us tear each other part” – J.D. Payne
“Some portion of audience don’t want to go in journey of discovery. That surprised us. We thought fans would enjoy Galadriel not having husband and child.” – Patrick McKay on The Ringer podcast
“The guys really wanted to devise a story that would work from service level the first time and then would work on a whole new level when you saw it again with the full knowledge of the season.” – Lindsey Weber
“What matters to us is if it’s entertaining enough that people are digging into it and debating it. One of the big things we learned was even when it’s a small scene, it always has to tie back into the larger stakes. It has to be about good and evil and the fate of the world or it doesn’t have that epic feeling you want when you’re in Tolkien.” – Patrick McKay
“Bezos is a huge fan of Tolkien and has a great knowledge of the lore. The whole idea of why we got the rights to begin with was to tell the story of good versus evil — of people coming together from all different worlds to fight evil, really. Leaning into light was the other thing that was really appealing to everybody — bringing something to our global customer base that is hopeful and has light and that a family can watch.” – Jennifer Salke, president of Amazon Studios
Good Things Are Worth Taking Time
“We wanted to explore what it meant for Galadriel to, who had been right a lot, to be wrong, really, really wrong for a minute. We wanted her to have to live with those consequences, and in a way that she couldn’t fix in the short term.” – Lindsey Weber, Executive Producer formerly from Bad Robot, on why the volcano wasn’t the triumphant climax of season one.
“JD and Patrick talked about Stalingrad and Battle in the Streets, not sort of full epic but more hand-to-hand and brutal with surprising twists and turns.” – Lindsey Weber
Mystery Boxing The Obvious
When quizzed about the Gandalf-like similarities of The Stranger’s voice and accent Patrick McKay responded: “The specifics of these things matter so much. Daniel Weyman, who plays The Stranger, developed a voice with vocal coach Leith McPherson that has a little twinge of the Irish lilt the Harfoots have. Whatever name he may one day be known as is not actually important at this stage of his journey. What matters at this stage is… his own relationship to power and good and evil and darkness and light.”
“I was playing what was put in front of me. I felt I could really play it honestly.” – Daniel Weyman, who is following his nose to Rhûn, wasn’t told his character’s name at first.
“There’s even references to Gandalf himself possibly coming much earlier in some different form — he ‘walked among the elves’ — there’s a story to be told with a wizard in this age feels in harmony with Tolkien’s canon.” – Showrunners J.D. Payne and Patrick McKay
“Apples have a lot of mythological resonances in cultures really across the world. There’s, obviously a biblical idea. I mean, it’s also commonly associated with the tree of knowledge of good and evil. The taking of fruit in a garden setting is something that portends kind of a loss of innocence, a leaving of Eden and heading into the difficult world. But rather than eat the apple, he holds on to the apple, as you know, holding onto the friendship.” – J.D. Payne
Sticking to the Plan
Lindsey Weber, Rings of Power producer who previously produced Star Wars Episode 9: The Rise of Skywalker, told the Ringer that “their (Patrick and J.D.) passion for and knowledge of Tolkien—combined with their clarity of vision for the whole series, across multiple seasons—was uniquely impressive.”
“We don’t want to make something disposable,” Payne says. “Carrying the responsibility of this material and this man’s life’s work, we aspire to making something that’s special and not like anything else you’ve seen before. … It’s not ours. We have a responsibility to this world and this history and this mythology that this guy created that means so much to these people and want to do right by it.”
McKay tells Vanity Fair in a season-ending interview: “In the fourth episode, she asks him for advice, and he says basically, “the way you beat your enemies is to figure out what they need and figure out how to give it to them. Help them master their fear. And then you can master them.” And that’s exactly what he’s doing to her the entire season — maybe what he’s going to do to everybody over the following seasons. That’s his modus operandi.”
Here’s some reactions from the writers of Season 1 of The Lord of the Rings: The Rings of Power, now streaming all episodes FREE with your existing Prime membership that most people already have for free shipping.