At San Diego Comic-con this morning, Prime Video took over Hall H to reveal more goodies, to whet the appetite of fans who are eager for Season 2 of The Lord of the Rings: The Rings of Power. A new, extended trailer (run time 3 minutes 39 seconds) was revealed. And it was itself revealing!
Here it is, for your viewing pleasure:
And here’s the official press release that goes with it:
Prime Video released the first trailer for The Lord of the Rings: The Rings of Power second season. And TORn staff have thoughts! Take a look at the trailer, and read our reactions below…
greendragon says:
0.08 – is Durin talking about Sauron, or could he be referencing the Balrog?
0.11 and 0.26 – seems Sauron can take on all kinds of forms; worms, butterflies, even a very pretty Elf…
0.20 – do Elves ever draw a weapon without a flourish?!
0.38 – Celebrimbor and Sauron – the two great forgers of rings, going toe to toe?
0.46 – cool to see Sauron in his Annatar form
0.54 – is this the sea monster we encountered in S1? Who is in the water?
0.58 – what is causing destruction in Khazad-dum? Surely it’s not the Balrog already?
0.59 – Yay Elendil! One of my favourite characters from S1. Lloyd Owen does a fantastic job.
1.07 – dwarven rings! So are these the rings we will see forged in S2, having seen the Elven rings in S1?
1.12 – the eagles are coming! Also, Trystan Gravelle (Pharazon) is SO good.
1.16 – pretty good job for Adar continuity, given that it’s no longer Joseph Mawle in the role, but is now Sam Hazeldine. And what is he flanked by here? The creature on his right looks very skeletal; a Barrow-wight, perchance…?
Overall – lots to think about, and it’s pretty compelling. I’m excited for August 29th!!
Look closely, there are Numenoreans halfway down that cliff
Garfeimao says:
The final scene from Season 1 of Sauron arriving in Mordor opens the trailer, showing that not a moment has passed between the two seasons.
Durn IV is first narrator, speaking of the return of an Ancient Evil
The Black Mass that is moving on the ground looks like a pile of deadly worms or vipers and emanates evil
Whose hands have blood on the palms, is this one of the Mystics using blood magic?
Tree roots reaching for someone (Celebrimbor maybe) in the dark before we see a bunch of orcs marching through the woods with torches
A portal opens in Celebrimbor’s chambers, is someone walking through?
Galadriel’s narration says “he’s been among us all along”
Sauron as an Elf in a black-feathered outfit walking calmly as other elves are running
A black-haired woman in the water and a sea monster, could she be a version of Sauron, a human sacrifice, or a nightmare?
A cataclysm in Khazad-dum with parts of the stone ceiling crashing on one of the bridges in the city.
Elendil struggles through a mob of people
Gil-Galad, Galadriel and Cirdan
The Three Elven rings on the hands of Gil-Galad, Galadriel and is the third Cirdan?
Durin III with a Ring (oh crap)
Arondir, doing the awesome Elf acrobats, shows up to help Isildur
A Giant Eagle lands behind Pharazon, who then unsheaths his sword, this doesn’t bode well
Theo is crying, gotta wonder what has happened to make that happen
A cascade of fire bombs heading toward a city (Eregion?)
The Stranger is standing by a well in the middle of the desert and pounds his staff on the ground for power and a windstorm
Someone is holding onto a rope trying not to fly away in strong winds full of dust (are these two scenes connected or just red herring editing?)
A bloodied elf dropping a handful of rings into a fire, is it Celebrimbor injured? Is it a version of Sauron? Is it just a random elf? Are they trying to destroy those rings, or will they land next to the fire and not in the fire?
WeeTanya says:
My initial reaction:
Thematically, it’s picking up exactly where it left off. Sauron is overlooking his realm. The Harfeet are still a-wandering, the mystical cults from the East are still mystically culting, and a lot of this feels the same. But there’s also a time shift — Durin recognizes that the Balrogs have awakened, and Galadriel and Action Elrond are in a sickly green forest fighting some unseen foe, Numenor seems to be on the way to falling, and the rings are very definitely being forged. I wonder if this backtracks a bit into season 1 to pick up some of Celebrimbor’s story with Halbarad — we hear Celebrimbor saying, “He worms his way inside your mind, and the rest of him slithers in.”
But then there’s blond, long-haired Sauron who has been “there all along” with…Celebrimbor? Creating the rings? I mean, canonically he does this, and Galadriel is suddenly confused by it — does this mean Sauron has been playing several roles throughout Season 1, but we just never saw him in his fair Elven form? Also, at one point Elf-Sauron flexes his arms and something goes “boom” — does he reveal that he’s been turning Ost-in-Edhil into his own evil fortress all along, or does darkness descend all at once?
I think we see the start of the fall of Moria, which is confusing — shouldn’t this be much later in the 3rd age? Will the dwarves begin to disperse, will we see their exodus? Anyway the dwarven king accepts his dwarven ring. Will TROP go with the thread that this ring poisons the dwarves and makes them blind to the evil in the depths of Moria, and a lot of them stay? I am very curious about this plotline.
Numenor is Numenoring! Why does Ar-Pharazon have a pet eagle? Shouldn’t he want absolutely nothing to do with eagles, as emissaries of the Valar?
Elessar says:
I love that we’re seeing from the jump in this trailer that Sauron’s power is being built in a way that really will emphasize his threat. Hopefully that’s not a trick of the trailer. I also love that we’re going to see Annatar as well and that it’s the same actor from last season. Does Celebrimbor survive season 2?
I’m also excited to see more of what the some love show to the Númenóreans in this. I cannot wait to see all that goes with these folks. Working towards the formation of Gondor is something I’m very much looking forward to. I’m also excited see more of the Dwarves. Was that the fall of Moria? Am I getting more Balrog? (Please 🙂 )
All in all I’m looking forward to things.
Kili and Bard say:
My sister was out of town so I filmed a reaction video with my boyfriend Rónán!
And you can see the full trailer breakdown on TORn Tuesday from last night for more analysis!
Edited to add reaction to the Behind-the-Scenes video
Garfeimao – Season 2 BTS video:
Morffyd says that Galadriel feels more connected to the peoples of Middle-earth and that it will drive her even more
Gil-Galad looking very somber
Sauron is out in the open, making everything happen
The new Adar is less deathly looking, but then, that might just be the fact it was BTS cameras and not FX treated film showing him.
Durin IV is adrift, his relationship with his dad is gone and his pride has taken a hit
Ismael says that Arondir has taken a blow to his spirit (there is a funeral pyre, could Bronwyn be dead?) Is that why Theo is crying in the trailer?
Miriel marches down the stairs in an elaborate gown, has her sight returned, or is she just that good at faking it?
Emma states that, at least in Numenor, the chess board has been set and the pieces are moving
Ben states that the Gloves have come off in season 2, as far as the Elves are concerned
Gil-Galad orders a watch at every crossing, he must not escape (the search for Sauron is on)
I was wondering who the old, grey-haired elf was, but I can now see the chest armor and it’s Adar, but it looks like this might be a flashback scene because his hair is so different.
The Stranger appears briefly and Markella says it’s great to be back, both continuing their journey
Celebrimbor tells Galadriel that he’s had an unexpected visitor? It appears to be an elf coming through the open portal
Gotta love the comedy duo of Durins III and IV
John Howe is excited by the prospect of new places and territories in Middle-earth to explore
Elendil and other Numenoreans down by the rocky shore, what is everyone looking at?
Maxim talking about how the set is almost too scary to go into, tunnels filled with spider webs and orcs caught in those webs. Is this Shelob’s Lair? It is one way out of Mordor. . .
Incredible set design shown, and Bear McCreary talking to the singers about how when they are on this set and in costume, they are going to discover more things to do
And then we see Disa and her trio singing to the stones.
Robert talks about doing new things that plunge you into the story, as we see him and other Elves in full armor in a battle.
We see Celebrimbor and Durin IV together in what looks like a part of Khazad-dum (I want Narvi)
Maxim says it’s been a long wait, some bad things have happened and some good things have happened, but we are Back in Middle-earth.
It’s been a month since the final episode of Season 1 aired. TheOneRing.net staff have had time to reflect, to go back and binge-watch the whole thing, and to process thoughts.
As we begin the journey to Season 2 (which could be a long one!), here are some of TORn staffers’ reactions to the first season of Prime Video‘s The Lord of the Rings: The Rings of Power. As you’ll see, we’re an independent bunch with a wide variety of opinions!
LONDON, ENGLAND – AUGUST 30: General atmosphere at “The Lord of the Rings: The Rings of Power” World Premiere at Odeon Luxe Leicester Square on August 30, 2022 in London, England. (Photo by Tristan Fewings/Tristan Fewings/Getty Images for Prime Video)
Prime Video Hosts J.R.R. Tolkien Homecoming in London’s Leicester Square for theWorld Premiere of The Lord of the Rings: The Rings of Power Ahead of the September 2 Premiere
The highly anticipated Prime Video series The Lord of the Rings: The Rings of Power honoured J.R.R. Tolkien by ending its epic global tour in the United Kingdom with its world premiere in London’s Leicester Square. Prime Video brought nearly 2,000 people—including cast, producers, and fans—into Middle-earth in advance of the series’ September 2 debut.
Members of the Tolkien family attend “The Lord of the Rings: The Rings of Power” World Premiere at Odeon Luxe Leicester Square on August 30, 2022 in London, England. (Photo by Jeff Spicer/Jeff Spicer/Getty Images for Prime Video)
The London premiere represented the final stop in the series’ five-city world tour that started in Los Angeles and included Mexico City, Mumbai, and New York City before culminating in Tuesday’s historic Leicester Square premiere.
Our lovely greendragon at “The Lord of the Rings: The Rings of Power” World Premiere at Odeon Luxe Leicester Square on August 30, 2022 in London, England. (Photo by Jeff Spicer/Jeff Spicer/Getty Images for Prime Video)
A fully immersive, Ring-shaped carpet took cast, crew, and guests on a narrative journey through five realms of Middle-earth, as they interacted with media and fans on their way into the Odeon Luxe and Cineworld in Leicester Square. The center of the 2,000-foot-long circular carpet was anchored by an exquisitely hand-crafted 40-foot-tall structure representing the five realms depicted in the series: The Elf capital of Lindon; the Dwarven realm of Khazad-dûm; the island kingdom of Númenor; the Southlands, the world of Man; and the Wilderlands, the home of the Harfoots. Five customized lanterns representing the five realms lit the way for cast down the carpet, each with different light sources: Fire and coal for the Dwarves, the Harfoots’ fireflies, Númenor’s oil lamps, the Southlanders’ caged candles, and Elven glow.
A living environment was created with a multitude of plants, grass, moss, vines, and 100 large-scale trees. A multilevel environment, mimicking the mountainous and hilly topography of the world, was created with various levels and vantage points, with greenery that will be repurposed or recycled following the event for future use.
Attending the global premiere were all 22 of the series’ cast regulars: Cynthia Addai-Robinson, Robert Aramayo, Owain Arthur, Maxim Baldry, Nazanin Boniadi, Morfydd Clark, Ismael Cruz Córdova, Charles Edwards, Trystan Gravelle, Sir Lenny Henry, Ema Horvath, Markella Kavenagh, Tyroe Muhafidin, Sophia Nomvete, Lloyd Owen, Megan Richards, Dylan Smith, Charlie Vickers, Leon Wadham, Benjamin Walker, Daniel Weyman, and Sara Zwangobani.
Also attending the premiere were showrunners and executive producers J.D. Payne & Patrick McKay; executive producers Lindsey Weber and Callum Greene; directors Wayne Che Yip and Charlotte Brändström; writer and executive producer Justin Doble; series composer Bear McCreary; production designer Ramsey Avery; concept artist John Howe; supervising dialect coach Leith Mcpherson; and casting director Theo Park.
Amazon executives in attendance included Jeff Bezos, Founder & Executive Chairman; Jeff Blackburn, SVP Media & Entertainment; Mike Hopkins, SVP, Prime Video, MGM and Amazon Studios; Jennifer Salke, Head of Amazon Studios; Vernon Sanders, Head of Global Television, Amazon Studios; Albert Cheng, COO of Amazon Studios, among others.
The first two episodes of the multi-season drama will launch on Prime Video in more than 240 countries and territories worldwide on Friday, September 2, with new episodes available weekly.
As the long awaited release of Prime Video’s The Lord of the Rings: The Rings of Power approaches, the final trailer has been released. Some fans have been lucky enough to see episodes one and two already, at premiere events around the world (and some will watch them in NYC tonight!) Some fans have snagged the very limited tickets to see those episodes screen in cinemas on August 31st. And for the rest, sometime on Sept 1st or 2nd (depending on your time zone), those first two episodes will be available on Prime Video.
But for now, here’s one more official trailer:
And here’s the official press release that goes with it:
The new two-minute-and-36-second trailer highlights the epic expanse of Middle-earth in its Second Age, and reveals how Tolkien’s legendary and beloved characters will come together against all odds and across great distances to guard against the feared reemergence of evil to Middle-earth. Fates collide and disparate characters are tested in the face of impending evil in this glimpse into the long-awaited new series.
The trailer features key cast members Galadriel (Morfydd Clark), Elrond (Robert Aramayo), High King Gil-galad (Benjamin Walker), and Celebrimbor (Charles Edwards); Harfoots Elanor “Nori” Brandyfoot (Markella Kavenagh) and Largo Brandyfoot (Dylan Smith); The Stranger (Daniel Weyman); Númenóreans Isildur (Maxim Baldry), Eärien (Ema Horvath), Elendil (Lloyd Owen), Pharazôn (Trystan Gravelle), and Queen Regent Míriel (Cynthia Addai-Robinson); Dwarves King Durin III (Peter Mullan), Prince Durin IV (Owain Arthur), and Princess Disa (Sophia Nomvete); Southlanders Halbrand (Charlie Vickers); Bronwyn (Nazanin Boniadi); and Silvan-elf Arondir (Ismael Cruz Córdova).
The first two episodes of the multi-season drama will launch on Prime Video in more than 240 countries and territories worldwide on Friday, September 1-2 (time zone dependent), with new episodes available weekly.
Note: The following is an opinion piece written by volunteer staff member Kellie, also known as “Kili” from the YouTube series Happy Hobbit.
In an effort to clear up some misconceptions, I want to tell you my story.
Kellie Rice at San Diego Comic Con’s Rings of Power party venue, 2022. Photo by Kaitlyn of Tea with Tolkien.
On February 13th, I was invited to participate in a livestream hosted by both TheOneRing.net and Amazon Prime Video to watch and analyze the very first teaser trailer for Amazon’s new series, The Lord of the Rings: The Rings of Power. It was my sister’s birthday, so while I was excited for the end of the “Middle-earth dearth,” I only committed to participating for an hour, and I was relieved I had an excuse to slip away after said time, for the initial teaser trailer failed to impress. In fact, it was even worse; it left me confused, worried, and underwhelmed. The visuals were dazzling, but I felt no connection to the imagery on the screen. I was far from alone.
Like many, I feared Amazon was producing the most expensive TV show in history (allegedly around 1 billion) because they saw Tolkien’s work as a cash cow and were going to milk it for all they could.
I am a fiction author (under my pen name K.M. Rice) and a screenwriter with a Master of Fine Arts, so workshopping creative material is second nature, as is finding ways to express what is not working in an articulate manner. “I am not getting the mythic tone I look for in Tolkien,” I remember saying (which is a paraphrase).
A few months later in May, I was invited by Prime Video to a special press event in London, England, as the representative for my sister and my webshow, Happy Hobbit (which strives to bring a dose of Middle-earth to our viewers’ daily lives), and as the co-author ofMiddle-earth from Script to Screen: Building the World of the Lord of the Rings and The Hobbit, which I helped write with Daniel Falconer at Weta Workshop in New Zealand. My fellow Tolkien content creators and I, along with traditional press, were taken on a field trip to Oxford University where we had the pleasure of wandering Tolkien’s old stomping grounds both as a student and as a professor. You can check out what we did and saw by watching the video here.
Kellie Rice, or “Kili” in Oxford in May of 2022. Photo by Kaitlyn of Tea with Tolkien.
The following day, we were treated to footage and costumes from Rings of Power (ROP) and a Q&A with the showrunners, John Howe (concept artist), Leith McPherson (dialect coach), and Ramsey Avery (production designer), along with the showrunners J.D. Payne and Patrick McKay, and producer Lindsey Weber.
I once more was not impressed with the footage I saw, for while there was nothing wrong with it, there was no context. I had no idea what had just happened before the scene we were shown, where in the story it fell, and in fact, what the story was at all. It looked and sounded lovely, but there was no beating heart. My own heart sank as I realized I was going to have to just accept that this show wasn’t going to fulfill my expectations.
Once the showrunners spoke, however, I was left with the juxtaposition of hearing from two people intensely passionate about Tolkien (to the point that they opened every day of shooting with a Tolkien quote and discussion) and the marketing that didn’t convey that love and respect.
What I saw in London didn’t raise my excitement level, but hearing from the showrunners and knowing that such a capable team was producing the series did leave me with a sense of cautious optimism.
To reiterate, none of us Tolkien content creators have seen the show. We were not paid or bribed in any way, but rather have been treated as “Tolkien press.” We have no idea if ROP will be good, bad, or somewhere in between. Our opinions are our own, as they should be, and this is just my story.
While attending San Diego Comic-Con International at the end of July to speak on one of TheOneRing.net’s two panels, Prime Video invited me to a luncheon with many of the cast members from ROP. Before sitting down to eat, we were treated to viewing the first official trailer, which finally had some heart and showed a hint of the plot. I am no Tolkien lore expert, but many in the room with me were. They could name things on screen that I couldn’t, nevertheless, I felt excited. In fact, I shed a few tears and I don’t cry easily, especially in public. But being in that room and feeling so much unbridled excitement and joy was deeply moving, especially after having missed that human connection and communitas for so long during the pandemic. When we came out to meet the cast after, I felt a level of energy and anticipation that many of us had not yet felt over the show.
Sophia Nomvete (Disa)Benjamin Walker (Gil-galad)Morfydd Clark (Galadriel)Maxim Baldry (Isildur)Owain Arthur (Durin IV)Ismael Cruz Cordova (Arondir)
Everyone we met at the lunch was incredibly kind, down-to-earth, and passionate about Tolkien and storytelling. No one had an ego that prevented them from addressing gritty topics with strangers they had just met, and several of our conversations grew deep quickly. I later had an opportunity to converse with Patrick McKay, one of the two showrunners, who shared that they were given complete creative freedom. As such, whether the show does well or poorly, he feels he and his fellow showrunner are to blame. Talk about accountability!
Fellow Tolkien content creators Matt (Nerd of the Rings), Justin (TORn Tuesdays), and Willie (KnewBettaDoBetta), with actor Jed Brophy and showrunner J.D. Payne at San Diego Comic-Con 2022. Photo by Chris Saint.
I have a healthy skepticism about Amazon and most major corporations. I am not here to defend a company or TV show that I have yet to see, but I am here to share what I have learned:
Amazon never approached the Tolkien Estate to ask for the rights to make the show. Rather, the Tolkien Estate approached both Amazon and Netflix (and possibly other streaming platforms, as well), asking them if they would be interested. Amazon was.
Christopher Tolkien (the Professor’s son) was in charge of the Estate at the time the deal was made in 2017. He passed away three years later in 2020 after production on the show had already begun, and the directorship was passed on to his son, Simon Tolkien.
What’s more, the production invited Simon Tolkien, the grandson of the late Professor who has a love of cinematic storytelling and is the current director of the Estate, to be involved. For context, no other production has ever given the Tolkien Estate a seat at the table.
Amazon, as a corporation, is also not strapped for cash, which means they could invest whatever was needed to bring the vision of the Second Age to life.
Jeff Bezos is a big Tolkien fan.
One thing that limited them was the rights. They could not touch The Silmarillion or The Unfinished Tales. The rights are only for The Hobbit and The Lord of the Rings. As such, the inclination is naturally to turn to the appendices of Return of the King, but even that is a gray area.
If a plotline smelled too much like it was getting into Silmarillion territory, the Estate didn’t permit it in a script. The production was then pushed into the difficult situation of having to originate their own material.
Knowing this, engage with me in a thought experiment for a moment:
Imagine you, as a Tolkien fan, just heard that this up-and-coming film studio out of New Zealand, the UK, or Colorado received a billion dollars to produce a Tolkien TV show set in the second age using partially original material and that to do so, they not only brought the Tolkien Estate on board, but hired showrunners, writers, and a cast that cared deeply for the source material to ensure fidelity. That sounds pretty exciting, doesn’t it?
In many ways, Amazon is fighting against the public image of its own brand. Remove the name “Amazon” from the equation and suddenly many are more forgiving. I know I am. That so many of us have knee-jerk reactions to corporations’ names is worth noting, but the subject of a different conversation.
Amazon’s Prime Video logo.
It all comes down to trust, and anyone who wants to involve our fandom needs to earn it. Some of us are more open than others. Some of us love the Peter Jackson films, while others didn’t enjoy them at all. But remember this: no one is touching the books. They will always be there. Tolkien’s texts are sacred for many, and no one is here to dispute that. But a book is a book. A film is a film. A TV show is TV show. None of these forms of storytelling are the same. And the existence of one does not threaten the other. If anything, they can be a boon. I would never have read Tolkien if not for Jackson’s Lord of the Rings films.
No artist considers their art “finished.” There is always room to expand and change as the artist grows and ages as a person. Tolkien himself was a revisionist to the point that his heirs have gone to a great deal of trouble trying to decide which version of a story or piece of Arda’s history should be seen as “canon.” His Middle-earth writing often also contradicted itself. Importantly, he intentionally left bits open to interpretation.
J.R.R. Tolkien in 1925
When writing to publisher Wilton Waldman in 1951 about the scope of his literary aspirations to create a body of “more or less connected legend,” Tolkien shared:
I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama.
J.R.R. Tolkien, 1951
The Professor’s dream has been fulfilled. His work has inspired artists of all genres and arguably established the Fantasy genre of literature.
Not only are other minds and hands interpreting his work, but adapting it and expanding upon it, thus fleshing out the ideas he left merely “sketched.” Tolkien did not want his life’s work to fade. He wanted it to live and breathe with the generations, even if that meant it arrived with a new twinkle or twist every now and again to suit the era, just as myths have done since the dawn of the human experience.
We have been through some trying times of late. A global pandemic, economic hardship, war, and loss, to say nothing of our more personal struggles. We look to tales like those told by Tolkien to make some sense of it all. I long to return to Middle-earth: a place where, even in the darkest of times, there is still a star shining. Love, hope, courage, and a love of the simple pleasures in life prevail in some form, as does the deep goodness that ties us all together. We don’t all have to agree and entertainment is highly subjective at the best of times, but even the most butchered adaptations cannot shake how at home I feel in the aged pages of my books, nor should they.
We all walk different roads on this Middle-earth, and in times of stress, it is easy to begrudge others their happiness. But life is short, opportunities are rare, and I for one am excited to revisit Tolkien’s world on screen.
Optimism is a choice, a more difficult one than pessimism, and I am choosing to go forth on this journey with an open heart and welcome any and all joy along the way. The same choice is also yours.
Happy Hobbit by Kili (Kellie) and Fili (Alex) can be found on YouTube
