Father Christmasand North Polar Bear – J.R.R. Tolkien
It’s that most wonderful time of the year again! If you’re looking for the perfect holiday gift for your favourite Tolkien fan, you’ve come to the right place. The staff of TheOneRing.net have put together a list of our favourite items of the year, with price points for every budget.
From our Fellowship to yours, TheOneRing.net would like to wish you all a peaceful and happy holiday season.
Please note, unless otherwise indicated, all prices are in US Dollars.
Staffer Wee Tanya recommends McFarlane’s $19.99 War of the Rohirrim figurines, for the LOTR Collector in your life.
Helm HammerhandWulf
If you are also a collector of action figures based on the Peter Jackson LOTR franchise, I am happy to share that McFarlane Toys has a set of licensed figures for War of the Rohirrim, including Hera, Helm, and Wulf, and a few others. The figures are 4″ tall with six articulation points (neck, shoulders, hips, knees), and nicely detailed.
Kelvarhin recommends John Howe’s beautiful 2025 Tolkien Calendar, with images from The History of Middle-earth for $16.99.
If you’re a lover of Tolkien Calendars, like me, this is a must have for the coming year. Featuring images from the Three Ages of Middle-earth, it’s the perfect gift for all Tolkien fans.
Demothenes recommends The Art of The Lord of the Rings: The War of the Rohirrim by Daniel Falconer, $50.00 from Harper Collins.
A comprehensive, large-format hardcover offering unparalleled insight into the making of The War of the Rohirrim, and the complete creative journey from concept to finished film told by the artists and filmmakers themselves.
Written and compiled by Daniel Falconer, conceptual artist at the Academy Award-winning design studio, Weta Workshop, this indispensable book chronicles the stunning conception and design of the world of Middle-earth in Kenji Kaimyama’s The Lord of the Rings: The War of the Rohirrim
If it’s Middle-earth clothing you’re after, Garfeimao suggests you check out the range from Hot Topic and Her Universe.
Our wonderful greendragon has a dragon’s hoard of suggestions, with something special for every Tolkien fan!
If you’re looking to adorn your own cosy hobbit hole with some authentic stained glass, look no further! Ian Leino of Geek Orthodox is an incredible artist, and his stained glass pieces are amazing. Even better – he also makes very high quality window cling versions of his stained glass, for those whose budget doesn’t quite stretch to an actual glass piece. He has some stunning designs from multiple fandoms; but of course his Middle-earth piece are my favourites!
The holidays are traditionally a time to eat, drink and be like Merry… But even if you’re not a consumer of alcohol, the collectible spirits from the good folks at Syzyrgy Forge are worth having just for the beautiful bottle. Check out their Green Dragon whiskey. If you DO enjoy a tipple, you may need to buy two bottles – one to drink, and one to keep unopened. Look out for their Gandalf and the Balrog design coming next…
This one is really for folks who have an outdoor space to adorn – though as an apartment dweller in a city, I’m trying to work out how to display my ‘Green Dragon’ sign indoors. The folks at Metalbird create extraordinary silhouette signs, which can be attached to a fence post or tree trunk. Their original creations were – as you might expect – metal birds, but now they’ve ‘branched out’ (ha, see what I did there?) and collaborated with Weta to create Lord of the Rings pieces. Choose from Gwaihir (with a tiny Gandalf passenger), a Balrog, the Witch-king on his Fell Beast, or the Green Dragon pub sign. All beautiful; but of course I have a clear favourite…
Bring the atmosphere of Middle-earth into your home this festive season, with the incredible immersive soundscapes from Jordan Rannells. His latest creation is for The Hobbit: you can use it as an accompaniment for reading the book, or sync it with the official audiobook to get an amazing, immersive audio experience. Better yet, you can get a discount with a special code (TORN25) for TORn friends!
If you want something stunning to adorn your walls, look no further than Zewood’s wonderful clocks and maps. We’ve discovered this company recently, as they acquired a license to create Middle-earth pieces. They tell us:
The maps are available in three sizes, ranging from 10 to 29 inches in width, and three color schemes that can easily fit any interior. It can help you fully immerse yourself in the Middle-earth world: explore the routes of key characters, admire the sights, and stop at the places of decisive epic events.
The scent of wood and the depth of glass – all this makes the Zewood map a memorable gift for true Tolkien fans and everyone who appreciates the aesthetics of unique pieces of art. The map can also be engraved with a special phrase, favorite quote, or a name, making the gift even more personalized.
The good folks at Shire Post Mint have some beautiful pieces, including new ones released for The Lord of the Rings: The War of the Rohirrim. If you’re looking for jewelry for someone, how about their brass Stallion necklace? Their treasures are all high quality, but priced very reasonably; and they have a sale going on this weekend only!
Of course our friends at Oscha have many gorgeous goodies, from throws and blankets, to clothing, drinkware, and even yoga mats! Beware, a visit to their website can be hard on the wallet, as you may find yourself saying, ‘We wantsss it all, precious…’ But the good news is, they have a special offer – THIS WEEKEND ONLY. They are calling it ‘Thank You Friday’ – to thank people for choosing to shop with a small, ethically conscious business. From 10am Thursday 28th Nov – to 10am (UK time) Tuesday 3rd Dec, at the Oscha Slings website, you can get:
£10 off if you spend £100 £20 off if you spend £150 £30 off if you spend £200
Here are a few of their own staffers’ personal favourites:
Realm of Middle Earth Indigo Mug:If you are looking for the perfect middle earth map coffee mug, this is for you. Crafted in bone china, these high quality mugs are made by a family business in Staffordshire, UK. It features beautiful touches on the handle and inside.
Misty Mountains Astralis Scarf Loop & cowl:The peaks of the Misty Mountains glow in gold against a fade of burgundy on this beautiful lightweight and shimmery scarf. Woven with luxurious Mercerised Egyptian Mako cotton and ethically made in the UK, it’ll make a truly special gift this season.
Doors of Durin Ithildin Yoga Mat: Whether you’re mastering your Warrior pose or simply meditating, this mat is the perfect blend of fandom and functionality—a thoughtful gift for Lord of the Rings fans. Crafted for eco-conscious adventurers, these mats are biodegradable, PVC-free, and non-toxic, offering a high performance experience.
Tree of Gondor Hoodie: A thoughtful gift for Tolkien enthusiasts. Featuring the iconic white tree emblem, this hoodie is a must-have for Lord of the Rings fans. Made from 100% organic cotton, it’s soft and breathable, perfect for any adventure.
And finally – we’ve saved the best till last… ! There is just a HANDFUL of TORn’s 25th Anniversary mug available to order for the holidays! This is the absolute last chance to grab one of these beautiful mugs, as we come to the end of this anniversary year; so if you missed it when it was available earlier this year, (or if you want another in case you break the first one you ordered), you’ll definitely want to place your order! Order your mug here. It’s the perfect gift for any follower of TORn or lover of Tolkien. Happy Holidays!
This week in Reflections from the Shire we have a guest post from Tolkien lover, and Tiktok and Threads regular, Lea/Silmarilleanne about The Shibboleth of Fëanor and it’s appearance in The Rings of Power episode four. Enjoy!
~ Staffer Kelvarhin
Reflections from the Shire – The Shibboleth of Fëanor
Guest post by: Lea/Silmarilleanne
Keen-eared Tolkien fans may have noticed an interesting linguistic quirk spoken by Adar at the end of episode four of The Rings of Power. He greets Galadriel with a familiar Quenyan phrase – one used by Frodo to greet Gildor Ingolrion in The Lord of the Rings: “elen síla lúmenn omentielvo”, to quote Frodo. But Adar’s is slightly different, raising some interesting possibilities about his original elven identity.
Firstly, there’s the fact that Adar is speaking Quenya at all. This suggests he is a Noldo of Valinor – just as Galadriel is; Quenya the language originated in Valinor and is the the language of the High Elves. It was dropped in favour of Sindarin shortly after the exiled Noldor arrived in Middle-earth, thanks to the ban placed upon it being spoken by the Sindar King, Elu Thingol, after he was informed of the Kinslaying at Alqualondë, the victims of which were his own people, the Teleri. It was never spoken by any of the other elves of Middle-earth, becoming something of an archaic language of lore. Furthermore, Adar calls Galadriel “Altáriel”, the Quenyan form of the name Galadriel – an epessë (a kind of nickname) she was given in Valinor, and which was Sindarised to Galadriel in Middle-earth. This is all to say, were he anything other than a Noldo, it is extremely unlikely he would have spoken Quenya and known Galadriel’s Quenyan epessë.
The most intriguing part of all this though is instead of síla, Adar pronounces the word as thíla – or, more accurately þíla. This usage of the thorn in place of s suggests he is not only speaking Quenya, but a very specific dialect of Quenya – Fëanorian Quenya, known amongst many fans as ‘the Fëanorian lisp’ (indeed, those who spoke this way were dubbed ‘the Lispers’).
In The Shibboleth of Fëanor, published in The Peoples of Middle-earth, volume 12 of the History of Middle-earth, Tolkien at his philological best describes how sociopolitical matters affect language and vice versa. As the Shibboleth explains, the Noldor and the Vanyar, two of the three tribes of elves, once lived together in the city of Tirion in Valinor and shared a language, Quenya. The Vanyar relocated to the city of Valmar to be closer to the Valar, and as a result of this distancing, dialectical shifts occurred between the two peoples. The Vanyar retained the þ in their language, but amongst the Noldor there was a “conscious and deliberate change…based primarily on phonetic ‘taste’ and theory” to s.
The change was attacked and opposed by loremasters, who believed it would cause damage “in confusing stems and their derivatives that had been distinct in sound and sense”. The chief linguistic loremaster at this time was Fëanor, who as well as being a fastidious loremaster also had a very personal reason for objecting to the change. Fëanor’s mother, and first queen of the Noldor, was Míriel Þerinde. While the linguistic shift is said to have happened (or at least began) within her lifetime, Míriel herself adhered to the pronunciation þ, and “desired that all her kin should adhere to it also, at least in the pronunciation of her name”, therefore Þerindë as opposed to Serindë.
However, unprecedented amongst the elves of this time, Míriel died, and refused to be re-embodied. Embittered by this, her husband Finwë himself switched away from þ in favour of s, which had at this point become almost universal amongst the Noldor bar Míriel’s kin. Matters were worsened further when his second wife, Indis of the Vanyar, followed suit. As a Vanya, Indis had hitherto retained the þ in her speech, but she declared, “I have joined the people of the Noldor, and I will speak as they do”. Fëanor, hating Indis and seeing her as somewhat of a usurper in his mother’s rightful place, believed her switch to be a grave insult and belittlement of his mother, and came to view the rejection of Þ as a symbol of rejection of both his mother Míriel, and by extension himself, her son, as the chief of the Noldor next to Finwë.
Thus, he became yet more vehement in his objection of the shift, even while his behaviour turned those who had previously agreed with him to the opposing side:
“Had peace been maintained there can be no doubt that the advice of Fëanor, with which all the other loremasters privately or openly agreed, would have prevailed. But an opinion in which he was surely right was rejected because of the follies and evil deeds into which he was later led.”
Fëanor remained steadfast in his opposition, pointedly calling himself ‘Son of Þerinde’ and telling his sons, when they queried the difference in their speech from that of their kin, that they “speak as is right, and as King Finwë did before he was led astray”.
So even before the Rebellion of the Noldor and their exodus to Middle-earth, s in place of þ had become dominant, and this was further cemented in exile: “The s was certainly used in Beleriand by almost all the Noldor,” Tolkien writes, and this is followed by the note “It is not even certain that all Fëanor’s sons continued to use Þ after his death and the healing of the feud” between the Fëanorians and the family of Fingolfin, though it seems almost certain any elf who did retain the thorn would have been counted amongst the Fëanorian followers – thus is raised the question of Adar’s identity.
But Adar saying it to Galadriel adds yet another layer of significance. The Shibboleth of Fëanor further details how Finarfin, Galadriel’s father “loved the Vanyar (his mother’s people)” and that because of this love in his house, þ remained in standard use and he was moved neither one way nor the other by Fëanor’s shibboleth, acting purely as he wished. Galadriel therefore grew up in a household that retained the þ. However:
“opposition to Fëanor,” Tolkien writes, “soon became a dominant motive with Galadriel… so while she knew well the history of their tongue and all the reasons of the loremasters, she certainly used s in her own daily speech.”
In other words, she purposely transitioned to using s to spite Fëanor. Adar’s own usage of it then could also be retaliative or in a similar vein: he is aware of its import and meaning to Galadriel and could potentially be purposely using it as a means of aggravating her.
Certainly, the implications of him speaking Quenya – and specifically the Fëanorian dialect of Quenya – seems to contradict earlier indications in the show about him being one of the first orcs; the first orcs were made from elves taken during the days at Cuiviénen, long before the elves went to Valinor and Quenya the language even existed; at this time, they spoke only Primitive Quendian. It would also seem odd if Quenya is his mother tongue, why his name is Adar, the Sindarin word for father, as opposed to Atar as it is in Quenya. But how deep does the show want to delve? It could be a lot more straightforward – the show is going on the simplified premise of Quenya having been spoken by the elves since those early days, and the dialectical shift having happened since then simply being indicative of Adar’s extreme age. But if Adar is from amongst those first elves, as Galadriel claimed in the first series, that would put him of an age, older even, than Círdan, and yet Adar is very noticeably lacking the beard that is illustrative of Círdan’s long lifespan. On the other hand, if the show really is going this deep on the lore, exactly who is he? Theories of Adar being Maglor abound, since it would tick many of the boxes: Fëanorian speech, Noldo, dark hair, familiarity with the name Altáriel… But surely, even with a multitude of scars on his face, Galadriel would recognise her cousin? There is also, and perhaps most fundamentally, the issue of rights. While the Tolkien Estate has afforded Amazon some leniency and granted access to certain items outside the rights they own – most notably, the name “Annatar”, a word which does not appear in the Lord of the Rings and its appendices, which Amazon owns the rights to – it is another level entirely to grant them access to an entire character.
Regardless of whether Adar’s use of the “Fëanorian lisp” becomes significant and plot-relevant, or remains a little easter egg for keen-eared viewers, it has certainly conjured a lot of discussion, and a wonderful new level of interest in more casual fans, who have begun seeking out a once fairly obscure text like The Shibboleth of Fëanor.
About the author:Lea aka Silmarilleanne is a long-time lover of Tolkien’s works with a penchant for his languages and the House of Finwë. When her nose isn’t buried in a book or a PlayStation controller in her hands, she can most often be found talking Tolkien on Tiktok and Threads.
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If you’d like to discuss “The Shibboleth of Fëanor” further, or just want to discuss all things Tolkien in a welcoming, troll-free environment check out TheOneRing.net’s Discord or message boards.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
I learned something important from my daughter’s first-grade teacher that has stayed with me: “Don’t yuk someone else’s yum.” Our moms might have said it differently: “If you can’t say something nice, don’t say anything at all.” It’s simple, but there’s wisdom in it that the online, and particularly social media, world of fandom could use. Just because you don’t love something doesn’t mean someone else can’t find joy in it. Even worse, your ‘yuk’ hot take may stifle content creators’ ability to bring out content you might end up loving.
(Let’s address the elephant in the room: Yes, I know this is my hot take—but hey, mine’s aimed at you, the fan, not the content creators.)
After what seems like a lifetime at TheOneRing.net (Has it really been 25 years?!), I’ve seen every possible reaction to new Tolkien content. From diehard fans reveling in every second of a new adaptation to those who can’t wait to point out what went “wrong.” It’s predictable and, frankly, exhausting. Every time something new comes out, it’s like clockwork: a flurry of love, a tidal wave of hate, and everyone shouting into the social void.
The truth is, not every story needs to be made for you, and that’s okay. I promise. 🤗
Critique? Sure, it has its place. But what’s happened is we’ve confused having an opinion with needing to broadcast it. Tolkien’s world is vast. It can hold different visions and interpretations from both filmmakers and fans. We don’t need to take sides in an imaginary battle over what’s “right.”
But why even bring this up? Because the casual social user, or even the casual internet participant, sees that ‘yuk’ always rises to the top. Algorithms are designed to push controversy and conflict into our feeds, knowing that our human condition tends to lean toward drama over harmony. Negative opinions and arguments get engagement, and platforms thrive on that. But here’s the problem: content creators use those negative metrics to gauge the success or failure of their work. And often, they make decisions—like canceling a show—based on the loudest, angriest voices, even when there’s a quiet following that genuinely enjoys it. Yes, these entities might be large corporations with teams of data scientists, but don’t assume that they are fully exploring the data to avoid simplistic conclusions.
Don’t yuk someone else’s yum – Annonymous
And there’s another side to this. Fans who do love something often hesitate to share their enthusiasm. Why? Because they don’t want to deal with the trolls. The loudest voices—the bullies of fandom—are quick to tear down anything that doesn’t meet their personal standards. And just like in politics, where the conversation is dominated by those with the loudest, harshest opinions, fandom is too often steered by negativity. The result? Studios and creators miss out on hearing from those who love the content, because those voices are drowned out.
Take the trailer for Star Wars: Skeleton Crew as an example. When it dropped, my fellow over-40 male demographic flooded my feed with waves of negativity. But here’s the thing: I’m secretly loving the idea of mixing Star Wars with The Goonies and Stranger Things. I want creators to take those kinds of risks with our beloved franchises. And if it turns out to be something I don’t enjoy, I’ll just quietly move on; no need to let folks know I wasn’t into it.
The beauty of all fictional universes and our beloved Middle-earth is that they can mean different things to different people. If someone’s finding joy in a version of the story that isn’t your cup of tea, do you really need to jump in and let them know? Let them have their moment. There’s a quiet strength in stepping back and allowing others to enjoy what they enjoy.
At the end of the day, fandom is supposed to bring people together, not force everyone into corners based on whether they loved or hated the latest installment. Maybe, just maybe, we don’t need to weigh in on every adaptation. If you’re not feeling it, maybe scroll past, or better yet, log off and reread The Silmarillion. The stories aren’t going anywhere. There will always be space for your favorites and your least favorites in Tolkien’s world.
The next time you’re tempted to post your hot take, think back to my daughter’s first-grade lesson. It’s okay to stay quiet and let someone else have their yum.
In fact, it might be the best thing you can do—not just for them, but for the creators who need to hear the whole story, and for fandoms to enjoy a new risk here and there.
So, remember: Too much yuk, and the content you love might never get made.
The views expressed in this article are those of just me, but maybe a few other TORn staffers agree. 🤷🏻♂️
P.S. If you’ve got thoughtful critiques or just want to discuss all things Tolkien in a more welcoming, troll-free zone, there are safer places for that. Check out TheOneRing.net’s Discord or message boards, where you can share your thoughts without drowning in negativity. Let’s keep the conversation lively, but respectful—Middle-earth deserves nothing less. Feel free to email me as well
P.P.S.Hey Amazon – I couldn’t end this article without sharing some of my yum. I am LOVING Season 2 of ‘Rings of Power!’ Don’t let anyone yuk my yum! 😋
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
This beautiful mug has on one side Oscha’s own ‘Doors of Durin’ design, and on the other, TORn’s special 25th Anniversary logo:
The mugs are only available as a limited edition; they were on sale during San Diego Comic Con, and we’ve brought them back for THIS WEEKEND ONLY; after September 3rd they’ll be gone forever! You can pre-order online direct from Oscha; and for those who are at DragonCon this weekend, you can also purchase in person from TORn’s fan table (Hyatt Exhibition Level, opposite the entrance to the Art Show). So don’t delay – order this mug or grab one at Dragon Con, and celebrate the 25 years we’ve had together so far. The road goes ever on….!
The first trailer for the highly anticipated movie The Lord of the Rings: The War of the Rohirrim has dropped – and it is going to make fans very excited! You’ll want to watch it right away:
Staffers at TheOneRing.net are abuzz over this trailer. We’ll be bringing you our reactions (including some below), but first, let’s look at what the official press release has to say:
Héra voiced by GAIA WISE in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure ‘The Lord of the Rings: The War of the Rohirrim’, a Warner Bros. pictures release. Photo courtesy Warner Bros. Pictures
New Line Cinema’s original anime feature “The Lord of the Rings: The War of the Rohirrim” returns audiences to the epic world brought to life in “The Lord of the Rings” Trilogy, based on the revered books by J.R.R. Tolkien.
Under the direction of award-winning filmmaker Kenji Kamiyama (the “Blade Runner: Black Lotus” and “Ghost in the Shell: Stand Alone Complex” TV series), the talented voice cast is led by Brian Cox (“Succession”) as Helm Hammerhand, the mighty King of Rohan; Gaia Wise (“A Walk in the Woods”) as his daughter Héra; and Luke Pasqualino (“Snowpiercer”) as Wulf. Miranda Otto, who delivered an unforgettable, award-winning performance in “The Lord of the Rings” Trilogy, reprises her role as Éowyn, Shieldmaiden of Rohan, who serves as the tale’s narrator. The voice ensemble also includes Lorraine Ashbourne (Netflix’s “Bridgerton”), Yazdan Qafouri (“I Came By”), Benjamin Wainwright (“World on Fire”), Laurence Ubong Williams (“Gateway”), Shaun Dooley (“The Witcher”), Michael Wildman (“Fast and Furious Presents: Hobbs & Shaw”), Jude Akuwudike (“Beasts of No Nation”), Bilal Hasna (“Sparks”) and Janine Duvitski (“Benidorm”).
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg—a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
With Kamiyama at the helm, the original feature is being produced by Oscar winner Philippa Boyens, from the screenwriting team behind “The Lord of the Rings” and “The Hobbit” Trilogies, alongside Jason DeMarco and Joseph Chou, who, in addition to their many separate animation projects, collaborated on the “Blade Runner: Black Lotus” series. The executive producers are Fran Walsh, Peter Jackson, Sam Register, Carolyn Blackwood and Toby Emmerich. The screenplay is by Jeffrey Addiss & Will Matthews and Phoebe Gittins & Arty Papageorgiou, story by Addiss & Matthews and Boyens, based on characters created by J.R.R. Tolkien. The team of creative collaborators returning from “The Lord of the Rings” Trilogy also includes Oscar winners Alan Lee and Richard Taylor, along with esteemed Tolkien illustrator John Howe.
A New Line Cinema Presentation, a Warner Bros. Animation / Sola Entertainment Production, “The Lord of the Rings: The War of the Rohirrim,” will be distributed theatrically worldwide by Warner Bros. Pictures, released in cinemas nationwide on December 13, 2024, and internationally beginning 11 December 2024.
Héra voiced by GAIA WISE in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure ‘The Lord of the Rings: The War of the Rohirrim’, a Warner Bros. pictures release. Photo courtesy Warner Bros. Pictures
Staffer greendragon has a few preliminary thoughts:
Actually I’m kind of speechless! WHAT a trailer. Chills and excitement. Cannot wait to visit this version of Middle-earth; PJ’s vision but now through the eyes of Kenji Kamiyama. Thrilling.
0.01 Hello old friend. It’s been so long since we’ve had a trailer with these sounds, with these visuals… I’m kind of ridiculously emotional.
0.04 In case you had any doubt whose version of Middle-earth this is…
0.16 Yes please. I want to go there.
0.23 This is a beautiful shot; and cleverly brings us right into Kamiyama’s visual world. “OK, you love how Peter Jackson brought Tolkien’s realm to life; but check out THIS version of it!”
0.44 Breathtakingly beautiful.
0.55 It is so fun seeing the Golden Hall – familiar but also new.
01.18 Well that’s the exposition covered then…
01.19 Seriously, it is crazy how emotional this makes me. And sure, maybe this trailer overplays that, and rather manipulates us. But I’m ok with that; I have so many happy memories of looking forward to revisiting PJ’s version of Middle-earth in the holiday season. (I wonder if The Hunt for Gollum will also end up with a holiday release date? December 2026, maybe…?)
01.28 Echoes of Theoden; reminds me of ‘What can men do against such reckless hate?’
01.33 Not sure about Héra’s outfit; it looks strangely space-age in this shot. Makes me think of cartoons like ‘Battle of the Planets’. But, it will probably read differently in the context of the film.
01.39 This is a very cool visual. I don’t know enough about anime to know how this effect is achieved, but it reminds me a bit of the blend of styles in Bakshi’s ‘The Lord of the Rings’.
01.46 The eagles are coming!
01.50 Is this THE Watcher in the Water, or just A Watcher in the Water? If it’s the one, why is Héra in Moria?
01.54 Now that’s interesting – that shot totally reminds me of Galadriel climbing ice in Season 1 of The Lord of the Rings: The Rings of Power. Intentional or just serendipity?
02.14 I love the 3D effect of the title.
02.17 An orc gathering rings as Sauron searches for the One! Will this be our only glimpse of anything to do with the Ring legend…? And also, is that Andy Serkis’ voice I hear?
Wow. So excited for this movie.
Staffer Demosthenes here:
I’ve been wanting to see finished animation for The War of the Rohirrim for yonks. Descriptions out of Annecy and SDCC, while cool in themselves, aren’t especially useful for forming a personal judgement. Stills will only get you so far. You need to see it moving.
Now, with a teaser in hand that combines action and dialogue and sound, it’s the moment of truth. (well, the first of them.)
As someone who does watch a fair bit of anime, it was reassuring: although I wish it was a little more fluid in character animation, it’s still very solid. The character designs look good (quite detailed, too, and that increases the level of work for staff) and move well. The horses feel almost like a triumph – I loved the clods of earth the charge we saw was throwing up; very dynamic — given the difficulty of that task. And the backgrounds don’t jar by looking too real/photorealistic.
Fights feel realistic and don’t indulge in over the top physics — something that is fine for, say, Demon Slayer, but would be, I think, counter to the general tone of Middle-earth. It fits the world that it’s meant to be portraying.
This is crucial: it sounds and looks and feels like Middle-earth.
If there’s one thing I’m not sure about, it’s the Watcher-like creature. I don’t love monsters for the sake of them and it’s a long way from Moria to Rohan. Perhaps there’s a good contextual explanation, though.
I’ve always really liked the Helm story – it might be my favourite one out of the appendices. I can see the bones of that story here: the marriage proposal, the fight, and the consequences that follow for Rohan and its various people.
The trailer teases later events and the Hornburg climax without revealing it fully. If you don’t already know the Helm story, or what happens to Helm and his family, this trailer is a bit of a mystery actually!
I’m keen to see it all unfold on screen.
By-the-by, industry talk is that in the USA, Rohirrim trailer is attached to Beetlejuice. Can’t confirm that, but that’s the rumour.
(L-r) Wulf voiced by LUKE PASQUALINO and General Targg voiced by MICHAEL WILDMAN in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure ‘The Lord of the Rings: The War of the Rohirrim’, a Warner Bros. pictures release. Photo courtesy Warner Bros. Pictures
Warner Bros. also announced today that they will be attending New York ComicCon. We’ll also be hosting a War of the Rohirrim panel at DragonCon next week, complete with an interview with producer Jason DeMarco. News on all these happenings soon!
It’s already been a week since San Diego Comic-Con , which was an expected crammed full with good things for Tolkien fans. Here’s a look back on all the Middle-earth related happenings from SDCC 2024.
Panels
Hall H
On Friday morning Prime Video took over Hall H. Fans who made it through the long wait in line were treated to an opening montage of clips from Prime Video shows – which included little snippets of Season 2 of The Rings of Power which had not yet been seen elsewhere. The 10am slot was an hour of irreverent fun from the cast of The Boys; this was followed by The Lord of the Rings: The Rings of Power hour.
TORn friends in line for Hall H!
Bear McCreary, drummers and male voices got this off to a great start, with compelling music from Season 2. Immediately after that, a clip played – which, interestingly, was our first time hearing the name Annatar spoken on screen. (He isn’t named as such in the current trailer – which was shown later during the hour.)
Host Yvette Nicole Brown was joined on stage by many cast members. Present were:
Showrunners Patrick McKay and JD Payne
Cyntha Addai-Robinson (Míriel)
Robert Aramayo (Elrond)
Maxim Baldry (Isildur)
Morfydd Clark (Galadriel)
Ismael Cruz Córdova (Arondir)
Charles Edwards (Celebrimbor)
Trystan Gravelle (Pharazon)
Ema Horvath (Eärien)
Tyroe Muhafidin (Theo)
Sophia Nomvete (Disa)
Lloyd Owen (Elendil)
Megan Richards (Poppy)
Charlie Vickers (Sauron)
Benjamin Walker (Gil-galad)
Daniel Weyman (The Stranger)
And joining them a little later – Sam Hazeldine (who takes over the role of Adar, from Joseph Mawle) and Robert Strange (the orc Glug).
Host Yvette Nicole Brown with Charlie Vickers, Morfydd Clark, and Benjamin Walker
The showrunners talked about how Season 2 is ‘Charlie vs Charlie’ – the collaboration which becomes confrontation between Sauron and Celebrimbor. Morfydd Clark said she thought Galadriel had perhaps learned, in Season 1, ‘Don’t trust handsome men!’ Robert Aramayo remarked on Elrond’s complicated relationship with Galadriel – that he feels she has made mistakes, but ultimately believes her to be a force for good.
We were treated to some fabulous behind the scenes footage, showing the forging of the rings. Lloyd Owen spoke of the battle for the soul of Númenor which we would see starting in Season 2 – and of Elendil’s own battle between his love for his country and his love for his daughter.
It was confirmed that the spider seen in the trailer is none other than Shelob. Megan Richards hinted at a possible romance for the Harfoot Poppy, and Sophia Nomvete shared that we would get more powerful singing from her, as Disa resonates the stone in Khazad-dûm.
Audience questions
In answers to the questions posed to the ensemble from the floor, showrunner McKay said yes, there is ‘room for Glorfindel’ in The Rings of Power – and possibly even Ungoliant? Ismael Cruz Córdova said, when asked if there was a chance that Arondir could be Theo’s real father, that though the Elf is not Theo’s Dad, he does step into a fatherhood role in this season.
In another clip shown, we saw artist John Howe sketching all of the rings of power. To end an amazing hour, Ben Walker confirmed that Gil-galad sings in the show; and then he stepped up and gave us an example of his wonderful Elvish singing.
Friday evening’s panel
Room 25 ABC was packed out for TheOneRing.net’s panel, where we were joined by some very special guests. TORn staffers on the panel were Justin Sewell and Clifford Scott Broadway (familiar to followers from TORn Tuesday); Josh Long and Jim Wert (‘Collecting the Precious’); and moderator Kirsten Cairns (aka greendragon). Guest Matt Graf (Nerd of the Rings) joined them.
From L to R: John Mayo, Josh, Jim, Matt Graf, Lee Guinchard, Cliff, Justin, Jason DeMarco, Joseph Chou, Kirsten
The panel began by welcoming to the stage producers from The War of the Rohirrim, Jason DeMarco and Joseph Chou. They set up exclusive footage, kindly provided by Warner Bros. for us to show at the panel. Gaia Wise (who voices Héra in the film) had a video greeting for TORn, and this was followed by a lovely message from producer Philippa Boyens. And then we got our first glimpse of the movie. (Sorry we can’t share you with it here – but the buzz in the room was epic!)
De Marco and Chou were generous in their answering of questions, explaining why Héra seemed the ideal choice of character to tie together the various threads of the story; why anime is an ideal format for telling a tale from Middle-earth; and how they decided to hire many British stage actors for the voice work, as they feel anime needs the ‘bigger’ acting style used on stage. They also talked about how it was a true collaboration amongst all the artists involved, but how Kenji Kamiyama and Peter Jackson have quite different styles – and ultimately, it is Kamiyama’s vision we will see on screen.
DeMarco and Chou then left the stage, and the audience were treated to some exclusive new images from the upcoming game Tales of the Shire. We were then honoured to welcome, from Middle-earth Enterprises, VP of Creative and Product Development John Mayo, and none other than the President, Lee Guinchard. Middle-earth Enterprises own the licensing rights – originally sold by Tolkien himself – to The Hobbit and The Lord of the Rings. This means they are involved in all the gaming and film adaptations, as well as the licensed merchandise out there. (TheOneRing.net is licensed by Middle-earth Enterprises.)
Not surprisingly, Guinchard wasn’t giving anything away when we asked him about the upcoming film The Hunt for Gollum; but he did say he was excited for the project. He was keen to emphasize how Middle-earth Enterprises take seriously their custody of Tolkien’s creation, and that they approach each license with exacting standards, and with love for the Professor’s realm. He even hinted that he perhaps sometimes lurks in TORn’s message boards or Discord chat!
We could have talked for much longer, both to the producers from Warner Bros. and the gents from Middle-earth Enterprises. But alas, time ran out. We’re so grateful to all the guests who appeared on our panel, and who provided content. Special thanks to WB for providing some of the first official The War of the Rohirrim ‘swag’ for folks who were in the audience.
I am No Man: the Creative Women of Middle-earth
This panel took place on Saturday afternoon, in room 5AB – and rather than telling you about it, how about you watch it yourself? Moderator TORn staffer Kellie Rice was joined by women leaders from Weta Workshop, EA games, Wizards of the Coast, and Middle-earth Enterprises; hear what they had to say in this video of the panel:
Party
TheOneRing.net were honoured to co-host, with Prime Video, The Rings of Power Middle-earth Moot! Venue 808 was beautifully decorated, with photo opportunities and with stunning costumes on show. All of the rings of power (apart from the ONE ring) were on display to be ooh’d and aah’d over by party goers; and some lucky fans had an opportunity to meet the cast, and have a poster autographed.
Beautiful cosplay was worn by some attendees, and a good time was had by all. Enjoy some photographs (thanks for Ellen Monocroussos for taking some of these):
TheOneRing.net Booth
We were delighted to be joined at our booth this year by Nerd of the Rings Matt Graf, and Jordan Rannells, creator of A Long Expected Soundscape. Fans were excited to meet Matt, and his shirts and caps sold out. The Long Expected Soundscape was perhaps unexpected for many fans – but folks loved having the opportunity to experience the atmospheric audio world created by Rannells. No less a person than Bear McCreary himself was wowed by what he heard! (Find out more about Rannells’ amazing work, here.)
Composers Bear McCreary and Jordan Rannells at TORn’s booth
Staffer Kellie Rice, aka Happy Hobbit, was also at the booth – and her shirts, along with TORn’s ‘Gollum/Smeagol ’24’ election shirt, all sold out as well.
The maestro of Middle-earth, Jed Brophy, thrilled fans throughout the convention, with amazing tales of hijinks and heroics on set (for The Lord of the Rings trilogy, The Hobbit movies, AND The Rings of Power!) We were also joined by many other special guests over the course of the weekend; Knewbettadobetta worked with Matt to host a brilliant trivia session, and fans were delighted to chat with Tea with Tolkien and The Tolkien Professor.
And that was a wrap for SDCC 2024! Next stop, DragonCon; if you’re hoping to snag one of our sold out ‘Gollum/Smeagol ’24’ shirts, that will be your opportunity! We look forward to seeing our fellow fans there. Meanwhile, big thanks to all who partied, chatted, and celebrated the Middle-earth fandom with us in San Diego.
Don’t forget, you can always hang out with your fellow fans at TheOneRing Discord – see you there!
