Not too long ago, Games Workshop announced a new edition of Middle-earth Strategy Battle Game — their licensed tabletop miniature wargame that’s based on Peter Jackson’s The Lord of the Rings and The Hobbit film trilogies.
Slipped into that annnouncement was a one-sentence tease that, as part of the update, GW would also release a series of figures based on the forthcoming anime feature the Lord of the Rings: The War of the Rohirrim. (Sneaky!)
Now they’ve revealed the first of these: foot and mounted versions of Wulf, the Rohirrim lordling who seizes Meduseld (and the throne) from Helm Hammerhand.
Wulf mounted figure for the Middle-earth Battle Strategy Game.
GW Lead Design Manager told TheOnering.net that they “worked with Warner Bros. and the creative team behind the movie — including the absolutely wonderful Arty Papageorgiou and Philippa Boyens — to make sure our miniatures reflected the visuals of the film whilst sitting well alongside our existing range.”
Although I don’t play the game myself, I found the card that outlines Wulf’s special rule quite interesting.
To me, that first sentence suggests that GW will subsequently release figures for “the heirs and leaders of Rohan”. At a guess, I extrapolate that mean it’s reasonable to expect additional figures (in no particular order) for: Helm Hammerhand, Háma, Héra, Haleth, and Fréaláf Hildeson. Leaders could also include the mysterious Olwyn who features as a supporter or advisor to Héra in some of the scenes in the recently released Japanese trailer.
UPDATE
TORn Staffer Ostadan wrote to me to suggest that the new edition will very probably be rolled out with a new ‘Starter’ set (like the Battle for Osgiliath set of a few years ago). He said that “most of the game’s fans seem to think that this new starter will be between Rohan and Dunlending factions. This is not a certainty, but does seem likely.”
I certainly agree this makes a lot of sense. It would mean additional fiugures such as Freca (Helm’s father), the General Taarg, and the bald fellow whose name escapes me right now. Probably a mish-mash of Wulf’s folk, Dunlendings and Haradrim/Corsair (I’ve now seen the offical coloring book calling them Southrons) mercenaries. And perhaps a Mûmakil.
Wulf on foot. Courtesy: Games Workshop.Mounted Wulf. Courtesy: Games Workshop.
Plus even more War of the Rohirrim tie-in merch from Harper Collins
That’s not all!
In case you missed it, Harper Collins is also releasing three tie-in books that are now available for pre-order on both the HC site, and on Amazomg. (NB: at the time of writing, Amazon seems to have Falconer’s Art book on sale.)
The Art of The Lord of the Rings: The War of the Rohirrim By Daniel Falconer. 256pp. Releases February 25, 2025
A comprehensive, large-format hardcover offering unparalleled insight into the making of The War of the Rohirrim, and the complete creative journey from concept to finished film told by the artists and filmmakers themselves. Cover art not yet available.
The Lord of the Rings: The War of the Rohirrim Visual Companion By Chris Smith. 96pp. Releases November 5, 2024.
Set 183 years before the events chronicled in the original trilogy of films, “The Lord of the Rings: The War of the Rohirrim” tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg—a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
With a cast of exciting and original characters, and a mix of locations both familiar and new, this dramatic new standalone story weaves another thread in the grand tapestry of Middle-earth. Lavishly illustrated with breathtaking art and imagery, The War of the Rohirrim: Official Visual Companion is the ultimate introduction to every character, creature and location you will encounter in this epic adventure from the official Lord of the Rings saga.
The Lord of the Rings: The War of the Rohirrim Official Coloring Book By Warner Bros. 80pp. Releases November 5, 2024.
Experience the valiant spirit of Rohan’s warriors defending their homeland against the forces of darkness as you color these breathtaking scenes featuring all the characters, creatures, and landscapes from the new Lord of the Rings movie. Return to Middle-earth and begin a brand-new coloring adventure, from the splendor of the Golden Hall atop Edoras, to the breathtaking landscapes of Rohan, and ancient fortress of the Hornburg.
As well as dramatic scenes from this exciting new installment in the Lord of the Rings movie saga, you can color all of its heroes and villains, including Rohan’s legendary king, Helm Hammerhand, his intrepid daughter, Héra, and her brothers Haleth and Háma, Lord Freca and his son, Wulf, the warlike Southrons and iconic creatures such as the monstrous mûmakil and the savage snow-troll.
Now that the trailer for The War Of The Rohirrim is out, and a wider audience has been able to see footage, the thoughts of some of us return to Stephen Gallagher’s score. And Galllagher has, in fact, been very busy while we’ve all been staring at animation and musing aobut character designs. TORn Discord moderator Lasswen is here with the low-down.
The Sounds Of The Rohirrim: Gallagher Concludes Scoring; Big Tip on End-song Vocalist?
by TORn Discord moderator Lasswen
Trailer 1 began with Howard Shore’s iconic theme for Rohan, but then merged into what seemed to be somewhat generic trailer music.
While it was quite awesome and not out of place, it seems we are yet to hear any new music for Rohan. In June, Staffer Demosthenes published this report on the scoring to that point in time.
Let’s take a look at what has been happening since.
Again, Instagram is our friend. We are very much appreciative of Gallagher and others who have posted about their work so we can follow the journey.
In the later part of June, Gallagher travelled to England. While there was no mention of recording sessions, he did state that there was more music to score and record. At the end of July there was another update: he was nearing the finishing line of the score.
August saw a lot more activity, starting with the final round of recording in New Zealand, with Stroma Ensemble.
That included at least harp (with a small and orchestra-sized harp) and the return of Tudor Consort for additional choral recording. The inclusion of a small harp has me curious about the potential for maybe an accompanied vocal song, or a poignant scene with a singular instrument for a different sort of emotional effect than a large orchestra.
The final run of recording saw Mark Willsher (music producer and mixer, pin3hot) joining remotely from England, but then the recording sessions swapped to London and it was Gallagher that was joining remotely from New Zealand.
The three days of London recording included brass, taiko, timpani, and more crumhorns and shawms. It’s interesting that the shawms worked from the trumpet score, and transposed on sight for this final session, perhaps indicating it was a late decision to try a different sound than originally conceptualised, or to add shawms on top of the trumpets.
Something that does not seem to have occurred (as yet) that was alluded to back in mid-June was more recording in/from Mexico, presumably for more hardanger fiddle from Karen Bentley Pollick.
Yet, that’s not quite the end of it!
In recent days I spotted a mysterious credit on IMDb for “London Voices … choir theme song”. So, if there’s a theme song who could be a soloist to sing on that theme song? It seems we may actually have an answer for that! Staffer Kellie from Happy Hobbitwas the first to make the connection: the theme song for War Of The Rohirrim may be sung by Paris Paloma, after the singer shared the trailer.
Paloma’s songs often convey powerful messages on women’s issues, and with Héra as its protagonist, she seems like a good fit for a War Of The Rohirrim theme song. For now, this is unconfirmed and speculation.
However, one notes that WOTR writer Arty Papageorgiou has been following Paloma for a few months now. Additionally, the singer seems to already have a fondness for anime with a scene from Howl’s Moving Castle providing some inspiration for another song, as well including an iconic John Howe Gandalf imagine in an picture dump at the start of the month.
Now that we have reached this point, just what do we know about the score for War Of The Rohirrim?
Orchestra instrumentation includes typical woodwinds, brass, strings, percussion
Some unusual medieval instruments such as crumhorns and shawms are also present
There will be a choral section (editor’s note: chorals seemed prevalent in the trailer, but maybe that’s just me)
The iconic sound of Rohan from the Jackson films returns with the hardanger fiddle
Japanese taiko drums and Tibetan singing bowls are being used
There may or may not be Éowyn playing cowbell (at least that’s what I keep saying about Gallagher’s Weta epic mini being in most of his Insta pics hehe)
It appears there will be a theme song, possibly sung by Paris Paloma
Gallagher posted on August 28 that scoring had wrapped, so now we await hearing the results of all the talented musicians in bringing this new imagining of the sounds of Rohan to life.
About the author: Lasswen is a former primary and classroom music teacher, who played bass clarinet in high school and community concert bands. As well as being a long-time player of Lord Of The Rings Online, Lasswen makes use of the game’s music system to arrange and perform music in virtual Middle-earth.
Greetings from Atlanta, fellow Bagginses and Boffins, Tooks and Brandybucks, wizards and elves, Rohirrim and Beornings, Men and Women of the West, Nazgúl and Uruks, and other glorious embodiments of the diverse denizens of Middle-earth! And Proudfoots! (‘Proudfeet!’) It’s Labor Day Weekend, which means Smaug is stirring in the form of the singular Con forged by fans for fans (why, just like TheOneRing!): it’s Dragon Con time!
Now in its 37th year, and much like the world of fantasy in general, Dragon Con has always leaned heavily into its Tolkienian roots, with Middle-earth inspired programming, cosplay, partying, and a global Fellowship serving to inspire many of the 70,000 or so fans who converge on downtown Atlanta every year. And the 2024 version will be no different! Here’s a quick rundown all the Tolkien goodness that will be happening this year, indeed when there seems to be an explosion of so much we can celebrate!
Movie Guests: The Hobbits Are Coming to Dragon Con!
It’s a long-expected celebration as we welcome three excellent and admirable hobbits back to our annual party! Billy Boyd and Elijah Wood have been here before, with 2023 serving as a Frodo first for the con. It’s great to have him back, along with an inaugural visit by Dominic Monaghan. We’ll enjoy reminiscences and revelry, past shenanigans and current updates from gentlemen who still bow to no one! Find them at various times across the weekend.
Alas they’re not bringing Orli with them to Atlanta…
Media Project Updates and an Event: So Much Happening!
International South, Hyatt, 7pm Thursday 29th – watch The Lord of the Rings: The Rings of Power
Prime Video was so courteous to schedule the opening of Season Two of The Lord of the Rings: The Rings of Power on the same day that Dragon Con kicks off! They were especially gracious to allow us to host a Release Day Watch Party in a large ballroom space in one of the host hotels where we’ll get to all three of the first episodes on a big screen with 400 or so of our closest friends. There will be swag!
L401-403, Marriott, 11.30am Monday 2nd – The Rings of Power panel
TheOneRing.net will also be hosting a panel on Monday offering an opportunity for reactions and speculations from a crackerjack panel, including our good friend Willie Jenkins aka KnewBettaDoBetta.
L601-602, Marriott, 1pm Friday 30th – The War of the Rohirrim panel
Just as exciting is the upcoming December release of The Lord of the Rings: The War of the Rohirrim, the anime collaboration between the same team that brought us both the LotR and Hobbit movies, along with director Kenji Kamiyama. We’ll have a dedicated panel to discuss the recently released trailers, and special recorded interview with producer Jason DeMarco as he digs into some details with staffer greendragon. (Also look for swag…!)
Centennial One, Hyatt, 11.30am Saturday 31st – Middle-earth Updates with TORn
We’ll even do some speculating about the recently announced next movie release coming in 2026, the PJ-produced, Serkis-directed The Hunt for Gollum. That will happen as part of a general update from TheOneRing.net staffers at Dragon Con, along with some good friends, covering a vast smorgasbord of things we have to look forward to in the Tolkienverse.
Some Scholarly Conversations: Academics Can Party?
Tolkien fans are noteworthy for also loving to dive deeply into Tolkien lore, characters, themes, and discussions as part of their experience. We’ll be scratching that itch on a number of fronts:
L401-403, Marriott, 1pm Saturday 31st – Here at the end of All Things: Tolkien’s Apocalyptic Visions
Our good friend, professor, and author, Constance Wagner, was asked recently about contributing to an upcoming publication discussing apocalyptic themes in fantasy literature. The inquirer wasn’t sure there really was much in Tolkien’s legendarium that dealt with that kind of thing. After Constance calmed down, she recruited a couple of us to join her in road-testing just how apocalyptic Tolkien can be, and across all the Ages of Middle-earth starting with the Music of the Ainur. And what better place to do that than among Dragon Con friends! We may have to hand out cookies to lighten the mood a bit, though.
L401-403, Marriott, 11.30am Sunday 1st – On Fairy Stories
Tolkien’s On Fairy Stories serves as a fundamental apologetic for the importance, depth, and suitedness of these stories in their application to the human condition. Plus they’re good reads. We’re looking forward to engaging with other fans on these foundational ideas.
L401-403, Marriott, 4pm Sunday 1st – The Collected Poems of J.R.R. Tolkien
With the publication of the massive three-volume edition of The Collected Poems of J.R.R. Tolkien mere weeks away, we take an hour to focus on what we can expect from this monumental effort from scholars Christina Scull and Wayne G. Hammond. And we’ll probably do a bit of group confession of how many of us skipped the poems during our first LotR reading or two. We may even listen to Tolkien himself reciting some of his verses.
Parades, Partying, Dancing and Singing: Always Trust an Elf! Or a Hobbit!
Grand Ballroom, Courtland Grand, 8.30pm Friday 30th – An Evening at Bree
Dragon Con (unlike many of those “CC” alternatives around the country), is especially knows for its literal 24-hour partying spirit, both informal and officially sponsored. One of those latter parties, indeed one of the longest standing parties across Dragon Con’s history, is our annual Evening at Bree. Always happening on the first full-day of the Con, this Friday evening festival combines live bands (since back in those the Emerald Rose glory days! – this year we’ll have Landloch’d, Beth Patterson, and the Brobdingnagian Bards playing), dancing that’ll bring joy to the most curmudgeonly hobbit, a costume contest showcasing jaw-dropping cosplay talent, and a mini-concert from Bree’s own Elf Choir who gather to rehearse and present iconic fantasy tunes all on the same day. It’s a great way to kick off the Con in a celebratory mood.
Elf Choir performing at Evening at Bree in a previous year – photo courtesy of Geek Behind the Lens
Grand Ballroom, Courtland Grand, 5.30pm Friday 30th – Sing with the Elf Choir
That Elf Choir, in addition to their larger contingent who perform at Bree, also has a dedicated group of master singers, garbed in elven cloaks and sporting ethereal lanterns, who make their way through the Dragon Con masses on their long and melodic journey into the West. Fortunately, the Grey Havens are proving elusive, and they’ll be back again this year.
Grand East, Hilton, 7pm Sunday 1st – Hobbit Drinking Songs
One of the most riotously reeling renditions of Shire shenanigans happens with the Brobdingnagian Bards’ annual concert (and excuse to dance spontaneously): Hobbit Drinking Songs. They’ve been at it long enough that many in the audience join in, at least on the choruses. And they have CDs!
Grand East, Hilton, 10pm Sunday 1st – High Fantasy Goblin Ball
One of the last parties we’ll be joining this weekend is one where staffer deej will be taking the lead: The High Fantasy Goblin Ball! We always like to pick a theme for these dance parties, usually picking a favorite decade where deej focuses her musical stylings. We’re back to the 80s this year, and using a Goblinesque orientation in whatever forms our attendees might choose. The mashup cosplay has gotten pretty hilarious in years past. The Eye of Sauron in shutter shades, anyone?
Home for this Tolkien-inspired programming, and for many of us Tolkien-addicted people, is one of Dragon Con’s 35 or so dedicated fan groups, or “tracks”: The High Fantasy Track. Home base is right in the center of all the action, on the lobby level of the Marriott Marquis (L401-403). Should you be attending Dragon Con this year, come by and say hi to fellow fans there!
Grab some merch – celebrate 25 years of TORn!
You should also, of course, visit staffers greendragon and deej at TheOneRing.net’s fan table in the Atlanta downtown Hyatt, down on the Exhibit Hall level just across from the Art Show (our usual spot). There you can get some fabulous merch – shirts, buttons, and more! Show your political allegiance by voting Gollum/Smeagol 2024; or show your love for TORn with our 25th anniversary shirt and mug.
We’re looking forward to seeing friends old and new! Now forgive us as we go finish up that last flourish on our cosplay!
In January I was reading a skeet on Bluesky about how people feel after every re-reading of The Lord of the Rings. Do they still feel the same emotions, have the same reactions as they did when they first read it?
Some of the responses reflected that you can never feel or react the same way as you did during your first reading, as everything you were reading was new and fresh to you, which is very true. A much-shared readers lament is that you can never feel the way you did the first time you read a well-loved story.
Several responses went onto clarify that every re-read still affects them, though in different ways. Could this be due to being older? Having a greater understanding of world-issues? Being able to comprehend more nuances from Tolkien’s writing?
For myself it’s probably a combination of all of these, after all, I was only 8 years old when I first read LOTR. The complexities of the world-building have grown on me as I’ve gotten older, and I’m far more appreciative of these now than I was as a precocious 8-year-old. My main reason for reading LOTR back then was to join in with the discussions my mother and older brothers were having about LOTR. My mother tried to get me to read The Hobbit, but I just wasn’t interested: Mum and the boys were discussing LOTR, and I wanted to join in with that. I did say I was precocious 😉
This led to a life-long love of Tolkien’s work. Many of my fondest memories are related to LOTR. My brothers and I saved up to buy our mum a box set of Tolkien’s books when The Silmarillion was published, those books now live on my bookshelf, along with all my other copies. Many of my responses when re-reading LOTR reflect where I was at that time in my life. Re-reading the books my brothers and I bought our mum reminds me strongly of when I first read LOTR and how much I enjoyed discussing them with my mum and brothers. They also remind me of the wonder she introduced us to when she first shared her love of LOTR with us, and how excited we all were to buy her the box set, so she finally had her own copies.
Now, every time I re-read them; I’m constantly finding new insights. I’ve mentioned the world-building, something that all fans of Tolkien’s work love, the themes of friendship, fellowship, enduring love, and simple joys are what resound with me and lead me back to read these books over and over again.
I’ve mainly mentioned LOTR, as since that was the work that the fans over on Bluesky were discussing, but I also regularly re-read Tolkien’s other Middle-earth books. My favourite is The Silmarillion, probably because I’ve always been a bit of a history geek too, so I really love the deeper insight into Middle-earth that The Silmarillion provides. I’ve honestly lost count how many times I’ve read it, and LOTR. At one point I could quote whole sections of it from memory, but that was a few years ago, before children and other RL interests came along. Still, I can remember quite a bit of its lore. Every time I re-read The Sil I uncover deeper meaning, beauty, and sorrow and it draws me firmly into Middle-earth.
I must admit that I appreciate The Hobbit much more now I’m an adult, than I did as a child. Being a quite advanced reader from a very young age, I absolutely hated anything that I felt was “talking down” to children. As an 8-year-old, that’s how it struck me, I disliked the narrator talking directly to me and skipping things they felt I was too young to witness or understand. Now it just seems a quaint way of telling the story and doesn’t distract me from the tale. I find I can more fully enjoy Bilbo’s travels “there and back again” a lot more from an adult perspective, and I notice and enjoy the nuances far more than I did as a child. Maybe that’s just me.
I know many fans that have come to Tolkien’s works via Peter Jackson’s movies, and, more recently, via Amazon Studios’ The Rings of Power TV. One of the first questions I was asked when I finally crept out of Lurkwood and joined our Message boards was if I was a “book-firster or a movie-firster”. The question wasn’t asked to belittle me, it was asked out of genuine interest as to how I discovered Tolkien, and led to a truly enjoyable discussion about Tolkien’s work and how wonderful it was that more people were discovering his work due to the release of the films. That, while I enjoy the films, the books will always hold the number one spot in my heart, and it’s this first love that draws me back to Middle-earth over and over again.
We’re seeing this again with the TV series, with people finding out about Middle-earth for the first time and wanting to know more. We regularly have new members join our Discord chat, wanting to know about Tolkien’s books, which order they should read them in. Then they share their joy with us all as they read the stories. I have no doubt that we will see another influx after The War of the Rohirrim is released in December.
We are so lucky today to have so many more adaptations set in Middle-earth. As a child the only film I ever saw was the Bakshi Lord of the Rings. While I left the cinema with many questions for my mother, over changes and omissions, it didn’t rob me of my original love: the books. I did immediately re-read the books, and was surprised at how Bakshi’s film, while not perfect, led me to a greater appreciation of the written work.
It’s wonderful, and a privilege, watching others begin their journey into the wonder that is Middle-earth, and having new memories added to my own ongoing journey. As I, and others, have found, I am sure that those who have come to discover, and love, Middle-earth through the recent adaptations will discover the greater realm that awaits them within the written works. At least, this remains my belief and hope.
I wish them well as they embark on their own journey of discovery, of deeper understanding and wonder of the amazing world that we’ve been gifted by J.R.R. Tolkien. This wonderful Middle-earth. I envy their new discoveries, their first steps into this immense literary world, but rejoice that they are joining our Fellowship. Welcome!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
The article contains some fascinating quotes from key members of the recently announced Japanese voice cast. I’m using good ol’ Google translate so I cannot attest to complete accuracy of translation, but let’s break it down.
First, there’s some background on the Japanese trailer acknowleging it’s unsual difference fgrom the US domestic version:
…in order to convey the worldview of “Lord of the Rings” to fans around the world, including in Japan, a Japanese version trailer with different content was released simultaneously worldwide, which is an unusual move.
AV mentions a handful of stand-out details from the JP trailer:
In the video, we can see the horn, the great eagle, Mumakir, orcs, and even Saruman the White and the Horn Castle, all familiar to “Lord of the Rings” fans. At the end, “someone” appears who is collecting golden rings, reminiscent of the “One Ring.”
Opinion seems to be firming around the idea that the figure with the pouch of rings, collecting them from corpses on a winter battlefield, is an orc whose name is Rot (the unconfirmed Japanese romanisation is “Lot.”). We don’t know for certain, but it seems a logical conclusion that this is some sort of free-lance servant or agent of Mordor — since he asks “What would Mordor want with rings?” A Nazgul wouldn’t ask such questions, nor a close servant like Mouth of Sauron. However, it’s worth remembering that, in The Two Towers, Grishnákh seems aware that there are Rings of Power.
The thought came suddenly into Pippin’s mind, as if caught direct from the urgent thought of his enemy: ‘Grishnákh knows about the Ring! He’s looking for it, while Uglúk is busy: he probably wants it for himself.’ Cold fear was in Pippin’s heart, yet at the same time he was wondering what use he could make of Grishnákh’s desire.
This is never more fully explained, but Pippin’s conclusion seems correct: at least some orcs know about Rings. How and when did they discover this knowledge is an interesting question.
Anyway, we’ll return to this Rot/Lot individual shortly.
The article then focuses on the cast, revealing some interesting details:
Takako Honda, who voiced Éowyn in the Japanese dub of “Lord of the Rings,” will play Olwyn, who supports Princess Hela [sic]. In the subtitled version, Miranda Otto, who also gave a passionate performance as Éowyn, will play Olwyn, making this a timeless collaboration.
Olwyn may be this character on the left of Héra, who is also seen in a scene on the Deeping Wall during the siege of the Hornburg. It appears that Otto is doing double duty voicing both Éowyn and Olwyn. Honda may be doing the same. It’s a little unclear.
…the role of Lot, an orc who is an important character in the story, will be played by Manabu Muraji, who was the Japanese voice actor for Meriadoc Brandybuck, played by Dominic Monaghan in “Lord of the Rings.” And the role of Rohan’s servant Leaf will be played by Jun Tatani, who played Hiccup in “How to Train Your Dragon” and also appeared in Kenji Kamiyama’s “Eden of the East.”
Leaf is probably the young … page/squire on the left. This shot shows the Olwyn character on the right much better.
The article then has some interesting comments from some of the Japanese voice cast.
The character I play, King Helm, is so strong that he is called the “Hammer King” because he can knock down enemies with just one fist. Just recording the voiceover for this trailer required so much energy that I lost my voice. This film depicts the emotional drama of King Helm and Princess Hera. As a parent of two children myself, I think there are parts of the story I can empathize with.
Loss and grief is such a prominent part of this tale. First, Wulf, through the death of his father, Freca. Then later, Helm grapples with loss as well after the deaths of his sons Haleth and Hama. Appendix A describes how he grows “gaunt with famine and grief” and when I spoke to Philippa Boyens back in 2022 she mentioned “the madness born of grief from the loss of a child” while we were discussing the role of Helm. She says she “saw the tales of him slipping out during the siege [of the Hornburg] and attacking the camp for his people as literally someone trying to — even with their bare hands — protect the people as the king should.”
Fuka Koshiba as Héra
Princess Hera was raised with the love of her father, King Helm, and is a dignified woman who is adept at riding horses and swordsmanship. Although she is hesitant at first, she is a strong-willed character who faces the crisis of the kingdom as a princess to protect her people, with a sense of responsibility and determination. The main dubbing of the film is still a little ways off, but I think that fans of The Lord of the Rings, as well as those who are watching the series for the first time, will enjoy it.
I find it interesting that Koshiba decribes Héra as “hesistant at first” yet faces “crisis of the kingdom as a princess to protect her people”. There’s also a snatch of dialogue in the trailer with someone, possibly Olwyn, seeming to implore her: “People need hope, Héra.”
That seems to me unlike Éowyn, who yearns for battle. In fact, as a described, she puts me more in mind of Frodo’s uncertainty when Gandalf tells him the truth of the One Ring: “I suppose I must go alone, if I am to do that and save the Shire. But I feel very small, and very uprooted, and well – desperate. The Enemy is so strong and terrible.”
Also, taking both Ichimura’s and Koshiba’s comments together, it seems that the Japanese cast has only just begun their work, and perhaps even have only voiced the trailer so far.
The appeal of Director Kenji Kamiyama is that he has created an entertaining work that anyone can enjoy while incorporating complex and philosophical elements. Wulf, the character I play, is not just a villain, but a character with his own reasons and drama.
This supports Philippa Boyens’ telling TORn that they have viewed Wulf as a complex character in his own right, and that they’ve been interested in exploring why Wulf chose to act as he did: “Wulf, if he’d made the right choices, it would have been a different story. He doesn’t. He makes other choices, and they’re very interesting choices – and where those choices come from is really fascinating. He’s one of my favourite characters ever that we’ve ever created.”
It’s been almost a quarter century since the first trilogy, in which I voiced Meriadoc Brandybuck (Merry) in Japanese, was released in 2001. I’m really happy to have been able to continue to be involved in the world of The Lord of the Rings in various ways during that time. This film depicts the battle in Rohan, a place that has a special connection to Merry, and I’m grateful to Dominic Monaghan for playing a role that’s completely different from his previous roles! I hope you’ll come to the theater to see his transformation!!
It seems that Muraji was chosen because he’d done a voice role dubbing Dominic Monaghan before. Further, saying he’s grateful to Monaghan for “playing a role that’s completely different” pretty much confirms that the English VA for Lot/Rot is none other than Mr Dominic Monaghan. TORn Staffer Justin was on the money during our trailer breakdown chat earlier today.
Taya Hayato as Leaf
I will be playing the role of Leaf, who is Héra’s servant. Although he is a little timid, he is a kind-hearted boy who tries his best to support Héra as she walks through her cruel destiny.
It’s very interesting to hear it called a cruel destiny, rather than a heroic one. Again, to me, this sounds like Héra is more called by necessity than driven by inner-purpose. Or, to quote Gandalf and Frodo yet again:
‘I wish it need not have happened in my time,’ said Frodo. ‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given, us.
Warner Bros. Animation is already rolling out short ads on Tik Tok and Twitter in support of the Lord of the Rings: The War of the Rohirrim. The first US domestic trailer debuted less than two days ago, closely followed by a trailer specifically for Japan featuring a dub cast of Japanese seiyuu (do watch the Japan trailer it has extra stuff!).
Check out this Tik Tok short below.
The ads all lead to a newly launched single-page minisite for The War of the Rohirrim — https://www.lotrthewaroftherohirrim.com/ which currently features the US trailer, and a synopsis with the current English-language voice cast.
