Here’s a somewhat overlooked piece of news from a little while back! On June 15, voice actor Alex Jordan announced that he had a part in the Warner Bros Animation/New Line Cinema feature The Lord of the Rings: The War of the Rohirrim.
However, it seems that his name was inadvertently omitted from the orginal English voice cast list given to Deadline at the same time. As a result, knowledge of Jordan’s involvement pretty much slipped under the radar.
More interestingly, Jordan has provided the name of the character he will be voicing — an completely original character by the name of Lord Frygt.
Seemingly a strange name, but Scandanavian friends on TORn’s IRC channel tell me that Frygt is a Danish word that means “fear”. One could interpret it as Lord Fear or Lord Fright.
At first I wondered, if the use of Danish could be related to the use of Anglo-Saxon to name the other original character we’ve heard of so far — Helm’s daughter, Héra.
Is it meant to be a Dunlending word? Unfortunately, the only Dunlending word we know of is “forgoil”. It seems to impossible to judge by extrapolating our knowledge of Tolkien. But Dunlending is supposedly related to the language of the Haladin, so it seems more likely it might be Rohirric? I’m no language expert so if anyone knows better, let me know!
A name like Lord Fear seems a little ominous as a name for someone of the Rohirrim. Could it be a Dunlending person instead? That seems a little unlikely since the leaders of the Dunlending faction are the Rohirrim lords (and outlaws), Freca and Wulf.
Instead, perhaps it’s meant to be an appellation give by either the Rohirrim or the Dunlendings to something else. Because I’m reminded of something that Philippa Boyens said when I interviewed her in June just after the casting announcement:
I can give you a little tease and let you know that, although we said this isn’t about The Ring and this isn’t about the Dark Lord … there are the White Mountains and there are creatures [out there]. We know that there were orcs around this area.
She also confirmed that these creatures she’s referring to are definitely not the dead men of Erech.
I think Lord Frygt will emerge as some non-human being feared by either the Dunlendings, or by the Rohirrim. Or both.
The War of the Rohirrim will be released in theatres worldwide on April 12, 2024.
About the author:Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis. The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
Executive Producer Philippa Boyens is pretty pleased with the casting for The Lord of the Rings: The War of the Rohirrim.
“It’s exciting — we’ve been sitting on it for a little bit,” she says. “[But] it all seemed to come together in an organic way, which is what you want, I think. Suddenly, the right people come to the role.”
Boyens says that bringing in Otto as narrator was not an immediate decision. Rather it was one that gradually emerged.
She explains that Éowyn eventually felt like the natural way into the bloody and grim tale from Rohan’s past.
“Her voice was familiar,” she says. “And then I think it started to come easily for the writers.”
She hopes that it will also help locate the story for film fans who are unfamiliar with deeper cuts from Middle-earth’s history.
Yet that was not the only reason — an oral tradition felt fitting.
“It’s also so fragmentary, what we are dealing with in terms of the source material. It’s little bits of references here and there … so the oral tradition felt kind of right. The oral tradition of her telling the tale, passing the tale on.”
She doesn’t divulge to whom. But one guesses it is likely her grandson, Barahir. Tolkien not only names Barahir in The Lord of the Rings (solving any potential rights-access issues that would arise with her son, Elboron), he is also an in-world scholar and the author of The Tale of Aragorn and Arwen.
Helm Hammerhand: a complex and epic role
Boyens says that both the film’s director Kenji Kamiyama, and Warner Bros SVP and producer Jason DeMarco, were well aware of Brian Cox from his recent voice role in the English dub of Blade Runner: Black Lotus.
“They’re huge fans, of course,” she says.
“Weirdly, years ago — and this is me aging myself — I tried to go and see Brian’s performance as Titus Andronicus.”
She describes how this 1987 run of the Shakespeare tragedy directed by Deborah Warner has attained a legendary status.
“It was just one of those ones which was fresh and shocking,” she says.
“And it [the Andronicus role] wasn’t a role — this is from Brian himself — that many of the other actors were interested in taking on. But he connected to it. I couldn’t get a ticket, but I had a couple of friends saw it who were just blown away. And they talked about the way in which his rage was fuelled by this grief. And the underlying horror that was in the storytelling.
“And that kind of resonated with me when we were thinking about the Helm role. Because it just — it spans a lot of different emotions.”
She says the role — and the film — is about delving into Helm’s choices.
“And the mistakes he made as well. And then his acknowledgement of those mistakes. Was there an acknowledgement of those mistakes?” she asks.
At different points she notes Helm’s hot-temperedness, and how he almost certainly under-estimated the Rohirrim lord, Wulf, who after he is outlawed leads the Dunlending invasion of Rohan.
“[Yet], I saw the tales of him slipping out [of the Hornburg] during the siege and attacking the camp for his people as literally someone trying — even with their bare hands – to protect the people as the king should,” she adds.
“So he was a true manifestation of the king-protector.”
Helm’s heirs and the overthrow of Edoras
The grim reality, though, is that Helm is unable to protect his children.
His eldest son, Haleth, is slain when Edoras is overrun and taken by Wulf’s forces while Helm is forced to take refuge in the Hornburg. We touch only briefly on Helm’s other son but I conclude that his Hama’s fate will remain the same tragedy that it is in Appendix A.
Boyens describes the first as a shocking and powerful moment. Powerful, perhaps, for readers, to finally see things they’ve long envisaged through Tolkien’s descriptions; shocking for film fans to see the unexpected — Edoras besieged and overthrown.
On the other hand, Tolkien leaves the fate of Helm’s daughter unclear. In fact, he never names her even though Freca’s bid for her hand in marriage for his son, Wulf, is a key catalyst for war. Boyens concedes that we simply do not know a lot about her.
“Where we turn to, very deliberately, is to Æthelflæd, the Lady of the Mercians. Alfred the Great’s daughter,” Boyens says, and proceeds to provide a rapid-fire education on an era of British history that I’d barely known of until now.
“She never ruled as a queen per se; she’s known as the Lady of Mercians. But she seems to step in when her people needed her.
“Æthelflæd was also really ingenious, which comes into play in the script. [It] was an idea that Kamiyama had, and they (he and the writers) played with that. I can’t tell you too much about it. But it’s about how you save your life when you have very little to work with?”
It’s a statement that seems to suggest that Helm’s daughter – who they’ve chosen to name Héra – will play some key role after the fall of Edoras to Wulf, and the death of Haleth.
“And I really don’t think that Professor Tolkien would hate this,” Boyens says. “Because I always see him as a bit of a Mercian himself being from the Midlands.”
Héra: so named as a nod to the Anglo-Saxon
Unsurprisingly, the name Héra is chosen for alliterative effect: Helm, Haleth, Hama, Héra. Yet Boyens reveals that wasn’t initially the case.
“Someone suggested another name and I went: “Nope, it’s gotta start with “H”, sorry”,” she says.
“Actually, Fran Walsh named her. I told her we were stuck. It’s actually Héra (I get a quick pronunciation lesson and discover the é functions a little like the “ai” in hair) — that’s why it has the accent. Not so much based on the Greek [goddess] Hera, but a nod to the Anglo-Saxon.
“And I like to think she wasn’t a character that [the writers] tried to create wholesale — pulling things out of thin air. Héra is very much drawing from sources that fit with the storytelling that Tolkien himself is drawing on.”
In case you’re wondering, Boyens confirms that neither Fran Walsh nor Peter Jackson have an official production role. It’s more that, since they’re long-time collaborators and have so much experience within Tolkien’s Middle-earth, they’re sometimes just a natural sounding board for ideas.
“I also want to give a shout out to Gaia Wise who voices Héra. I think you guys are going fall in love with her. She is fantastic, she’s amazing. She just had such innate sense of who the character is and how to play her. She was great.
“She had a very natural sense of fiery-ness, but without it being petulance defiance.”
Mûmakil, mercenaries and money
While we’re discussing events at Edoras, conversation inevitably veers toward the Mûmakil that were prominent in the initial concept art released in January.
“In order to understand the use of those [ideas],” Boyens says, “you need to understand the character of Wulf and the position that Wulf is in — and had found himself in. And who he would be turning to.”
At this point she pulls in another fact, mentioning the great wealth of Wulf’s father, Freca.
“His father was not an insignificant Lord of Rohan. He had indeed grown fat and prospered,” she says, referencing Helm’s comment in Appendix A about Freca’s large waistline.
Boyens doesn’t expand any further, but my own guess is that The War of the Rohirrim will establish Wulf as the organising mind behind coordinated assaults on Gondor and Rohan, using resources wealth from his father to secure the assistance of Corsairs and Haradrim.
As Appendix A states:
Four years later (2758) great troubles came to Rohan, and no help could be sent from Gondor, for three fleets of the Corsairs attacked it and there was war on all its coasts. At the same time Rohan was again invaded from the East, and the Dunlendings seeing their chance came over the Isen and down from Isengard.
It was soon known that Wulf was their leader. They were in great force, for they were joined by enemies of Gondor that landed in the mouths of Lefnui and Isen.
A human struggle that becomes increasingly claustrophobic
If this sounds like a very human — and political — struggle, Boyens concurs. I suggest the absence of elves, dwarves and hobbits makes it a very different tale to The Lord of the Rings that most know.
She indicates that this was one of the reasons for choosing Helm’s story.
“It’s not about the Ring, it’s not about the Dark Lord. All of that is very peripheral to the story.”
She says it’s also the attraction of examining honour, revenge and familial ties — on both sides.
For Helm, there’s madness born of grief from the loss of the child. With Wulf, there’s his relationship with his father, and with Héra.
“He is his father’s son, but he has a different character. So he does actually offer [to wed] her and the writers asked: ‘Why?’ What was driving him? Was it just his father demanding that he do this? Was it his ambition? What was at play there?”
Even the historical grievances of the Dunlendings — that the lords of Gondor gave what the Dunlendings felt was their land to the Rohirrim — should come through in the film.
She says that all those things are in the Helm tale.
“When I talked to Kamiyama about it, it resonated with him. So that was the genesis,” she says.
“And there’s a moment in the film, which is incredibly gut-wrenching and powerful where Wulf commits himself to a course of action he cannot turn away from. And once he does that, the story darkens.”
She says it was here that the screenwriters Phoebe Gittins and Arty Papageorgiou really connected with Kamiyama.
“So, yes, it begins with these quite large-scale battles, but it actually becomes more intense and … claustrophobic,” Boyens says.
“And the nature of the film changes almost into a ghost story.
“As the siege takes hold, as the rumours of horror begin to spread. And I can give you a little tease and let you know that, although we said this isn’t about The Ring and this isn’t about the Dark Lord … there are the White Mountains and there are creatures [out there].”
Somewhat to my relief she squashes speculation that she might be referring to the Dead of Erech. Instead, she suggests that orcs inhabited the area — a historically more agreeable inclusion.
“Also, I can just add — and I thought it was, again, really interesting in the way that Kamiyama approached this — this was a long, cold winter that was hurting everyone.”
This suggests that there won’t be space to see Gondor’s own struggles. Gondor may come to the rescue in the end, but it seems the focus will be squarely on a life-and-death struggle within Rohan.
She won’t even confirm or deny the presence of Saruman the White in the film. We’ll just have to wait and see.
About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis.The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
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According to Deadline, Brian Cox is set to perform the English voice role for Helm Hammerhand in Warner Bros. Animation’s upcoming anime feature, The Lord of the Rings: The War of the Rohirrim.
Helm Hammerhand is described as the protaganist of the tale, but the real surprise is the inclusion of Miranda Otto. Otto will reprise her Éowyn role from Peter Jackson’s The Lord of the Rings and serve as the film’s narrator.
The story outline given to Deadline is as follows:
The anime feature, directed by Kenji Kamiyama, is set 183 years before the events chronicled in the original trilogy of films. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg — a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Hera, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.
Helm’s daughter is not named in Appendix A of The Lord of the Rings. However, the story describes how relations between Helm and Wulf’s father Freca sour dramatically after Freca attempts to use her as a political pawn. Her ultimate fate is one of the mysteries of the ensuing war.
Warner Bros. Animation has also released a new piece of concept art that appears to show Helm at the gate of his eponymous fortress. It’s reminiscent of this scene during the depths of the Long Winter:
One night men heard the horn blowing, but Helm did not return. In the morning there came a sun-gleam, the first for long days, and they saw a white figure standing still on the Dike, alone, for none of the Dunlendings dared come near. There stood Helm, dead as a stone, but his knees were unbent.
The Lord of the Rings: Appendix A.
The voice ensemble also includes Lorraine Ashbourne (Netflix’s Bridgerton), Yazdan Qafouri (I Came By), Benjamin Wainwright (BBC One’s World on Fire), Laurence Ubong Williams (Gateway), Shaun Dooley (Netflix’s The Witcher), Michael Wildman (Fast and Furious Presents: Hobbs & Shaw), Jude Akuwudike (Beasts of No Nation), Bilal Hasna (BBC’s Sparks) and Janine Duvitski (ITV’s Benidorm).
Newly-announced 2D animated feature to be produced by Warner Bros. Animation and Adult Swim team.
The rumors are true: Warner Bros. and New Line Cinema held onto the feature film rights to Middle-earth and are expanding Peter Jackson’s Middle-earth Cinematic Universe with a new 2D animated movie ‘The Lord of the Rings: The War of the Rohirrim.’ Directed by Kenji Kamiyama, who is celebrated for his work on ‘Ghost in the Shell: Stand Alone Complex’ and ‘Ultraman,’ the studio has brought on the Emmy-winning writers who universally delighted fans with ‘The Dark Crystal: Age of Resistance’ (creators Jeffrey Addiss and Will Matthews) to collaborate with Philippa Boyens.
Adult Swim’s Toonami executive Jason Demarco is on board as Producer. Besides being one of the leading creatives to bring anime to America, he is a huge Lord of the Rings fan and recently produced a Blade Runner anime series.
Wait, I thought Amazon had all the Tolkien rights now?
What we’ve heard from those who know, and reading the carefully worded press releases from both Amazon and WB over the last few years, here’s what is going on with the rights to Tolkien and The Lord of the Rings… The big thing is the fans win.
Allegedly the Tolkien Estate has brokered the rights to Middle-earth in such a way that Warner Bros. keeps feature film & motion picture rights, while Amazon can make all the TV series they want. In the first press announcement of the Amazon deal it was explicitly noted that Amazon intended “5 seasons minimum plus spinoff shows” — a clear sign that the monumental price would be recouped through many TV shows. Both companies own rights to The Lord of the Rings, The Hobbit, and *anything* mentioned in the Appendices. Amazon cannot make movies, and WB cannot make TV series. The most interesting part of this new ‘War of the Rohirrim’ anime is that WB is known for direct Blu-ray releases (their excellet D.C. Comics animated films) and TV series like the popular Harley Quinn. It seems neither WB, New Line nor Adult Swim have ever released a major anime film theatrically worldwide so this will be a first as legally they probably have to release it theatrically.
Will it be set in Peter Jackson’s Middle-earth Cinematic Universe (the MeCU)?
YES. Warner Bros Animation head says “We’re honored to partner with much of the incredible talent behind both film trilogies” a direct acknowledgement of the intention to stay in PJ’s MeCU. Oscar-winning writer of LOTR & Hobbit Philippa Boyens is credited as a consultant on this production.
The anime story is centered on an earlier King, Helm Hammerhand, who left his legendary mark on the history of Rohan such that his kin still talk about him centuries later. “The horn of Helm Hammerhand shall sound in the deep…” for the first time in this movie!
Our Staffer and Livestream Host Clifford “Quickbeam” Broadway has the most direct recommendation for those wanting details from Tolkien himself. Clifford states: “The most salient details of the Ninth King of Rohan are readily found in your copy of The Return of the King in APPENDIX A: ANNALS OF THE KINGS AND RULERS — just jump to Section II “THE HOUSE OF EORL” and find the paragraph opening with: ‘Of the Kings of the Mark between Eorl and Theoden most is said of Helm Hammerhand’ (page 346 HMCo Hardcover edition). And no, absolutely no, Helm Hammerhand did *not* become a Nazgul as depicted in the video game Shadow of War. Also there is a very brief note of reference Christopher Tolkien made: look at Unfinished Tales, Part Three: The Third Age, Section V “The Battles of the Fords of Isen” and see his endnote #4 if you’re as nerdy as I am about this.”
Kenji Kamiyama directed Ghost in the Shell and Eden of the East, and wrote for Blood the Last Vampire. Three of the best animes ever made. Now I’m incredibly excited about this, it’s like I had an early Christmas
“All of us at New Line feel a deep affinity for the extraordinary world J.R.R. Tolkien created, so the opportunity to dive back into Middle-earth with the team at Warner Bros. Animation is a dream come true. Fans know Helm’s Deep as the stage for one of the greatest battles ever put to film and, with many of the same creative visionaries involved and the brilliant Kenji Kamiyama at the helm, we couldn’t be more excited to deliver a fresh vision of its history that will invite global audiences to experience the rich, complex saga of Middle-earth in a thrilling new way.”
Warner Bros. Pictures Group COO Carolyn Blackwood and New Line president and CCO, Richard Brener
Harken back in time and you will recall that “The Hobbit” Rankin/Bass 1977 telefilm is billed as an American production but indeed was animated in Japan by TopCraft (much of this animation team would later go on to form Studio Ghibli, the standard-bearers of the greatest anime films ever). The team now working on ‘War of the Rohirrim’ is some of the top talent in the industry today. Casting is currently underway for voice actors, so we expect this new film to be released in theaters worldwide in 2023 or later.
New Line Cinema and Warner Bros animation announce a new animation project LORD OF THE RINGS: THE WAR OF THE ROHIRRIM from the director of Ghost in the Shell, with film Philippa Boyens attached to consult on the project.
The anime feature film will be directed by Kenji Kamiyama (Ultraman, Ghost in the Shell) and set in Rohan telling the story of Helm Hammerhand. The film is confirmed to be in the same universe as Peter Jackson’s film series.
“This will be yet another epic portrayal of J.R.R. Tolkien’s world that has never been told before. We’re honored to partner with much of the incredible talent behind both film trilogies, along with new creative luminaries to tell this story. And so it begins.”
Peter Jackson made a recent announcement on his facebook page that his next movie project will be adapting Philip Reeve’s book, Mortal Engines. The book is set in a post-apocalyptic future where cities move about on wheels, devouring smaller cities for their resources. The book is the first in a series of four books, presenting the opportunity for ‘sequels’ down the road.
The project will bring together many of the crew who worked on The Lord of the Rings and The Hobbit franchises, including Fran Walsh and Philippa Boyens who adapted the Mortal Engines script. The movie will be directed by Christian Rivers, the VFX master of The Hobbit. From Deadline Hollywood:
“Christian is one of my closest collaborators,” says Jackson in a statement. “The combination of emotion and jaw-dropping visuals in Mortal Engines makes this the perfect movie for his move into feature directing. What Christian intends to do with Philip Reeve’s terrific story is going to result in an original and spectacular movie. I wish I could see it tomorrow!”
The text of PJ’s facbook post is below
OUR NEXT MOVIE!
It’s been a quiet few months, but I’m very happy to tell you that our next project is now underway.
WingNut Films be producing a feature film based on Philip Reeve’s book Mortal Engines, to be directed by Christian Rivers. The script has been written by Fran Walsh, Philippa Boyens and myself.
Some of you may recall that Christian was going to direct the Dambusters a few years back. Since then he’s kept himself busy, making short films, and directing Second Units on The Hobbit and Pete’s Dragon.
Our involvement in Mortal Engines actually pre-dates Dambusters (which is still happening) – Christian actually worked on Mortal Engines previs way back in 2009. It’s very exciting to finally get it underway!
We’ve had the rights to Philip’s book series for several years, but have had to wait for the right time to make it.
If you haven’t read the books, you should. They present a stunning look into the future, when all of Earth’s major cities are now mounted on wheels, roaming across the landscape as massive “Traction Cities”. Our society has build itself on the principals of Municipal Darwinism – this basically involves the bigger cities hunting down, and consuming, the smaller ones. And that’s only the backdrop to an original and emotional personal story.
Philip Reeve has created a range of intriguing characters, following their adventures in our strange future world through four books – “Mortal Engines”, “Predator’s Gold”, “Infernal Devices” and “A Darkling Plain”.
The moment we read these novels, we knew what exciting movies they’d make. I literally can’t wait to see them!
The movie will be financed by MRC and Universal, and shooting will get underway next March, in New Zealand. Producers Zane Weiner and Amanda Walker, who both worked on the Hobbit, will be spearheading the NZ based team, along with Deborah Forte in the US.
No casting to announce yet, but Weta Workshop and Weta Digital are both onboard.
With the wheels now rolling on Mortal Engines, I’ll bring you a lot of news and sneak peeks at what we’re doing over the coming months.