We’re excited to share with you news from the London Philharmonic Orchestra about an upcoming episode of their podcast LPO Offstage featuring Howard Shore.
During the podcast, Howard Shore talks about the recording sessions for the Lord of the Rings films. He is also joined by Principal Percussion, Andrew Barclay and Principal Trumpet, Paul Beniston, who both took part in the recording sessions. They cover a range of topics such as the timeline from Shore’s initial ideas, through drafts to the final version. They discuss the recording process, and Howard making changes overnight. Howard also tells why he decided to work with the LPO for these movies.
The episode is hosted by YolanDa Brown. It will be available for your listening pleasure on July 7th on the London Philharmonic’s website at LPO Offstage.
LPO Offstage is in it’s 4th series and takes you behind-the-scenes of the Orchestra, bringing you closer than ever to the world of classical music. Past episodes have covered things like performance anxiety, the logistics of how a full symphony orchestra goes on tour, and how the music gets from the library to the music stand to name just a few. Tune in to hear from players and special guests to get your access-all-areas pass to the Orchestra.
Well, we’re back – with Episode 2 of our collectibles themed podcast. (If you missed it, you can find Episode 1 here.) In this episode, we talk about the importance of having a clear concept of what you want your collection to be, what you want in that collection, and being open to when a special piece crosses your path. We think this topic is important when collecting, because it’s very easy to feel the need to have everything, and thus get overwhelmed and burned out. We hope you enjoy the podcast – and we’re already working on episode 3!
This one’s come as a bolt from the blue! Throughout this year Rhino Records has been releasing limited editions of the Complete Recordings of The Fellowship of the Ring, The Two Towers, and The Return of the Kingon coloured vinyl.
And to wrap things up, they’ve just announced that the original motion picture soundtracks (the 2001, 2002, and 2003 OSTs that accompanied the theatrical releases of the films) will be available as part of a Limited-Edition 6-LP Trilogy BoxedSet from November 30, 2018.
No details yet on the edition limit, but for the record, the FOTR vinyl set was limited to 5,000 while those for TTT and ROTK were limited to 8,000 each.
Rhino Records’ official press release and track listing follow.
After a little more than a decade, fans of Howard Shore’s score for The Lord of the Rings films will finally be able to purchase the complete score for the first movie in the trilogy on vinyl.
To be released on March 30, 2018, the vinyl release of the Complete Recordings of The Fellowship of the Ring will comprise 5 LPs on 180 gm red vinyl packaged in a gorgeous boxed set which includes Doug Adams‘ liner notes that accompanied the original Complete Recordings’ CD+DVD set back in 2005.
And for fans who have been deprived of getting their own copies of the Complete Recordings on disc due to their being long out of production, the score is also being re-released on CD and BluRay.
As a long-time fan of these scores and as one who has had the CRs since their initial release, I cannot recommend the physical sets highly enough, especially at their current price points. I truly feel both versions are more than reasonably priced, considering the almost-3 hours of the complete film score (EE scenes music included!) and the quality of the physical products themselves. I say this without having seen or held the vinyl product in hand, but if the quality of the original CD+DVD set is anything to go by, one can rest assured the product will exceed expectations.
Not to sound as alarmist as Fredegar Bolger rousing the Hobbit-folk in the wee hours of a peaceful Shire morning, but perhaps the time has come for fans of Howard Shore’s scores to sit up and reconcile themselves to a very dismaying possibility – that the unheard music of Middle-earth might well in fact never be heard.
It’s Earl, your soundtrack-obsessed TORn-staffer, and the reason I’m venturing to make this statement is because of the recently announced Limited Collector’s Edition of the movies, which makes it almost excruciatingly clear that the Warner Bros studio is so very, very far removed from knowing what fans really, truly want, and are willing to pay for.