Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.

So come and join us by the hearth, and enjoy!

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net  One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Art of Fate

by: Milan
How can so much darkness exist, while there is light?
How can the Black Eye of Mordor stare, while hobbit children skip through the grass?
Do all the troubles wash away down the River Anduin, great and wide, mysteriously,
Or do they pop up like hobbit children in a game of hide and seek, ready to come out for Elevenses?
How does life move on, to the beauty of the Lorien,

To come into the songs of old,
To relinquish the art of fate,
To come back stronger than you came,
What will the minstrels sing?
What will they say in their songs when you’re gone,

When you look into Galadriel’s Mirror, what will you see?
A sad reflection of yourself, of everything you are,
The destruction of your home, a black eye of fowl menace,
Who are you? Can you face yourself for me?
Weren’t we all just hobbits, letting our days unwind, in a safe haven for a time,

When the Carrion fowl take your body,
What will you think?
Will you watch from your ship at sea,
Or paddle forward, to find what awaits you in lands of bliss,
What will be your regrets, your wishes, your lies to yourself?

-Milan
~~ * ~~

Middle Earth haiku

by: H Herz
Strider's valiant, but...
Not all who wander can cook.
Where's second breakfast?
~~ * ~~

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.

So come and join us by the hearth, and enjoy!

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net  One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Treasures of the Road
by: Tom Frye
Jewels by the roadside.
Gems in the stream.
They glimmer
and they glisten.
They beckon
and they scream,

“Come off your road,
O Traveler,
for in us you will find.
Treasure for your pockets
and peace to rule your mind.”

But once you’ve
left the roadside,
to find them
and lost your way.
The jewels will
turn to stone,
the gems will turn to clay.


© Copyright 1995 by Tom Frye

~ * ~

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

On September 2, 1973, we heard the sad news that J.R.R. Tolkien had passed away.

Continue reading “Today in Middle-earth, September 2: In Remembrance of J.R.R. Tolkien”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Here’s a question. If you’re LOTR on Prime, and if your main series material is centered on the Second Age, why tease/lead with an image that show something from a vastly earlier period in the history of Tolkien’s world?

I’ve been pondering this a lot.

Unless LOTR on Prime has gone collectively mad, then there has to be a purpose — some link between that panorama, and the Second Age story that we know is coming.

So, let’s analyse that.

The location itself may offer a link.

Why? Because Númenor — much, much later — tries to invade Valinor. Problem is, that period of Númenor’s history has little to do with the dwarf-elf interactions we seem to be promised if spy reports are correct. So, it’s probably not Valinor itself that’s important, nor the Two Trees in themselves (sorry TREES! fans, I empathise).

That leaves the events that happen in Valinor, and the key protagonists in those events.

Events are — by and large — resolved by The War of Wrath. However, some of those protagonists remain and become involved in the new dramas of the Second Age in Middle-earth (and Númenor).

And I feel this could offer a clue to what’s going on.

Of the chief actors through the events of the Second Age, I can think of four (five, technically) who are also players in during the final Years of the Trees.

Sauron

The first is Sauron. But the link between Sauron and Valinor/The Two Trees is tenuous to non-existent. According to The Silmarillion, he rebelled much earlier and then spent much of Melkor’s imprisonment lurking in and around Angband. He doesn’t really feature strongly in First Age events until Beren and Lúthien’s quest.

Neither the trees — nor any of the events that occur around them — are useful to solidify the background of Sauron for the audience. If you wanted to use Sauron as a link, you’d need to begin somewhere else. For this reason I eliminate Sauron.

Galadriel and Celeborn

The next two come as a pair: Galadriel and Celeborn.

Here, it’s a twofold opportunity.

One, it’s a way to establish Galadriel’s prominence among the Noldor, and the strength of her ambition. Recall Galadriel’s role in the rebellion of the Noldor and their exile. Fëanor is instigator, but in the Silmarillion version she is also involved:

Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone. No oaths she swore, but the words of Fëanor concerning Middle-earth had kindled in her heart, for she yearned to see the wide unguarded lands and to rule there a realm at her own will.

Of the Flight of the Noldor, The Silmarillion.

My thinking is that portraying some of Galadriel’s early life in Valinor could be used as a way to support her desire and capacity to (at least to according one tradition outlined in Unfinished Tales) establish Eregion much later in the Second Age with the assistance of Celeborn.

It would also serve to underpin — whether through continued pride, or Ban (or both) — why she did not return to Valinor for so long. There’s vast amounts of drama to be wrung here should LOTR on Prime do it right. A sort of “How I became a massive troublemaker and learnt to love the Ban” sort of thing.

Galadriel is also LOTR on Prime’s most natural and relatable link to Peter Jackson’s movies: well-liked and well-remembered even among those who aren’t Lord of the Rings aficionados.

Celebrimbor

Next is Celebrimbor. To my surprise (for I wasn’t aware of it until very recently), Tolkien outlined that Celebrimbor was born in Valinor during the Years of the Trees, not in Beleriand during the First Age. That he subsequently followed his father, Curufin, into exile, while his mother remained behind, suggests to me that he was well into adulthood by the time of the Noldor’s rebellion against the Valar.

His identity as the grandson of Fëanor makes him a close witness to events in Valinor while his (presumably) growing talents as a smith and craftsmen can be contrasted against the immense skill of Fëanor (and Galadriel). In particular, Fëanor’s achievements with the Silmarils could be used as a dramatic spur for his own creations.

For Celebrimbor, Eregion is not so much a place to rule but a place where he can be free to create with the ultimate aim of someday surpassing the works of his grandfather. Celebrimbor is also a more natural tie for recent spy reports of dwarves and elves meeting. Unless it’s a very frosty meeting, that’s not very likely to be one involving Galadriel and Celeborn (even if Galadriel is not entirely unreceptive to dwarves).

Glorfindel

Glorfindel is the final option. Also an exile, also born in the Years of the Trees. Coincidentally, also blonde. As The Fellowship of the Ring describes it, “his hair was of shining gold”.

Moreover, Glorfindel returns to Middle-earth sometime during the Second Age to play a role in helping keep Sauron at bay after he forges the One Ring. Tolkien writes that this was probably sometime between SA1200 and SA1600 though, and I wonder whether even the first full season would get that far.

Any other elf is a poor fit.

Cirdan did not make the journey to Valinor. Gil-galad is too young — born near the end of the First Age in Beleriand. Elrond is in the same boat. And the rest of the chief Noldorin exiles either died in the long wars against Melkor, or returned to Valinor at the conclusion of the War of Wrath.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.

So come and join us by the hearth, and enjoy!

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net  One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

The Mirror 

by: Cassie Hughes
i) 

Oh dearest love how can I bear 
the mirror’s tale to me this night, 
a family torn and ripped apart 
as darkness claims and covers light. 
Celebrian! Celebrian!  
I called but could not keep her safe 
for claws and fangs bore her away 
to torment she could not escape. 

The mirror fogged then cleared again 
as vengeance showed to me their face, 
twin perils twisted, hearts enslaved 
by lustful wrath they could not sate. 
Come back to us! Come back to us! 
I shouted but they did not hear 
above the clash of heavy blades, 
the screams and sobs of death and fear. 
 
Another scene unfolded then, 
a ranger, tall and dark he stood 
beside our precious Evenstar, 
and oh! their faces shone with love. 
Undomiel! Undomiel! 
I wept then as she turned away 
to follow where I could not go, 
that mortal path of slow decay. 

Is this my doing and my doom? 
In reparation for past deeds 
when thirst for knowledge ruled my head 
and power cancelled other needs. 
Oh Celeborn, my Celeborn 
Have I brought darkness on us all? 
Our daughter held beyond despair. 
Her children lost beyond recall. 
 
ii) 

Your mirror tells what yet may be 
but set in stone those tales are not. 
Beloved, things are still in flux 
our family safe, so ease your heart. 
Galadriel! Galadriel! 
Read nothing yet in what you saw. 
They may be passing shadows just 
like pipeweed smoke and not endure. 
 
Yet if in truth they come to pass, 
our strength combined will see us through. 
As over ages proud and strong 
together we have learned to do. 
Do not despair! Do not despair! 
Though tragedy may take our kin 
live for today, let go these fears, 
and do not let the darkness win.  

iii) 

The silvered surface briefly holds 
An unseen fleeting image then 
a halfling holding out his palm 
upon which lies a glowing ring. 
Ash nazg begiles! Ash nazg deceives! 
What comes to pass will surely be 
as told within those crystal depths, 
and writ in legend endlessly. 

~ * ~

The Cabin

by: Tom Frye
When the world troubles me,
and all good thoughts have fled,
I venture off to visit,
the cabin inside my head.

Seated before a woodstove,
gazing at radiant coals,
I sip slowly at my coffee,
not worried by endless goals.

High up within the mountains,
nestled beside a brook,
my entrance, a round doorway,
similar to that Hobbit book.

Sanctuary, peaceful haven,
surrounded by fragrant pines,
when I’m in need of solitude,
it’s stored inside my mind.

I do not travel far,
to fish, to read, to dream.
I merely close my eyes,
conjuring a magical scene.  

Sunsets and brilliant sunrises,
appear beyond green hills,
mist above blue waters,
helps me to gather the Still.

When the storm comes calling,
I quietly slip away,
to that nearby cabin,
in a solitary, peaceful bay.

© Copyright 2018 by Tom Frye

~ * ~

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

There is no doubt that the first promotional image from LOTR on Prime is simply amazing. But what is actually going on here?

Rather than blather on with superlatives, let’s just dive on in, and take a detailed look at what it reveals.

Fair warning, though: there will be spoilers for some key elements of The Silmarillion. So, if you’ve just started reading and you have no idea what happens and avoiding story spoilers is important to you, now is the time to step away!

The Two Trees

The obvious place to begin is the trees since, as Tolkien writes in The Silmarillion, “about their fate all the tales of the Elder Days are woven”. They’re also what firmly locates this panorama in Valinor — all our conclusions derive from their presence.

The Two Trees
The Two Trees of Valinor. Laurelin at front, with Telperion behind.

First, a description of the Two Trees of Valinor, taken from the same book.

[Telperion] had leaves of dark green that beneath were as shining silver, and from each of his countless flowers a dew of silver light was ever falling, and the earth beneath was dappled with the shadow of his fluttering leaves.

[Laurelin] bore leaves of a young green like the new-opened beech; their edges were of glittering gold. Flowers swung upon her branches in clusters of yellow flame, formed each to a glowing horn that spilled a golden rain upon the ground; and from the blossom of that tree there came forth warmth and a great light.

Of the Beginning of Days, The Silmarillion.

The trees in the LOTR on Prime panorama cannot be anything else. In the hidden city of Gondolin in Beleriand, Turgon famously created his own reproductions of the Two Trees in silver and gold. However, they emitted no light and were located within the city itself, not out on the plain. No, these are the Two Trees and that means this is Valinor.

You may wonder which tree is which.

My belief is that Laurelin — the tree of gold — is the one nearest the camera. Its shape more closely resembles that of the common beech (Fagus sylvatica). The dark trunk and boughs seem at odds with Telperion’s descritpion and the glow that emanates from it is a warm golden-yellow. And the silvery hue of the tree behind fits Tolkien’s vision of the Telperion much better.

The Two Trees: Alive? Or not?

The next key question is whether the trees are alive in this image. Is this the Years of the Trees? Or is LOTR on Prime using a clever fake-out as Professor Corey Olsen suggested may be the case on TORn Tuesday? Is the scene actually set later — long after Melkor and Ungoliant have paid their fateful visit — during the Years of the Sun, and the sun just happens to be positioned behind Laurelin?

The Two Trees -- level and brightness heavily adjusted
The Two Trees closeup with level and brightness heavily adjusted.

I’ve gone back and forth between the two opinions.

One the one hand, when you adjust the levels in the image and pull the brightness down, the light out of (or through) Laurelin dominates, while the glow emanating from Telperion is muted enough that it could simply be reflected sunlight.

We do know from The Silmarillion that the trees were preserved: “their lifeless stems stand yet in Valinor, a memorial of vanished joy.”

On the other hand, the trees do not appear lifeless stems. They are not “withered” and drained of life as The Silmarillion describes it. In fact, Telperion’s trunk positively gleams.

Nor do they seem brittle. The Silmarillion also states:

Yavanna arose and stood upon Ezellohar, the Green Mound, but it was bare now and black; and she laid her hands upon the Trees, but they were dead and dark, and each branch that she touched broke and fell lifeless at her feet.

Of the Flight of the Noldor, The Silmarillion.

Moreover, something about the way Telperion would be reflecting the sun just doesn’t seem right. The sun should be so far behind the trees that any reflection should be much more muted than shown. I’m no ray-tracing expert, though! (If you are and have a better idea, let us know.)

Nevertheless, I feel the weight of evidence leans to this showing a scene from The Years of the Trees sometime near the end of the Noontide of Valinor. Perhaps even the very end.

The city of white walls and towers

Next, there’s the city on the hill. I feel comfortable in saying that this is Tirion — the city of many white towers that the Noldorin and Vanyarin elves established together after first arriving in Valinor.

Tirion upon Tuna.
Tirion upon Tuna.

Tirion stands upon the hill of Túna at the entrance to the Calacirya (a Quenya word that translates as “The Cleft of Light”). To either side, you have the Pelóri — the immense mountain chain that walls off the interior of Aman from the rest of the world. By the time the Years of the Trees draw to a close, the Calacirya is more or less the only way through from the outside.

Conforming to that description, we see to the left and to the right in the image the slopes of steeply rising mountains. The southern side is most likely the northern shoulder of Taniquetil — the impossibly tall mountain where Manwë and Varda dwell.

However, there are some textual inconsistencies if you want to pick nits (and what are we here for if not to pick nits?).

First, there’s the city’s tall tower.

The Tower of Ingwë
The Tower of Ingwë. Note the absence of the light mentioned in the text of The Silmarillion.

This tower is the Mindon Eldaliéva. Notably, in The Silmarillion it is reported to feature a silver lamp that was said to “shine far out into the mists of the sea”. Famously, it guides the folk of Finarfin back to the city after they turn their backs on the rebellion of Fëanor. That lamp does not seem to be shining here.

…the highest of the towers of that city was the Tower of Ingwë, Mindon Eldaliéva, whose silver lamp shone far out into the mists of the sea. Few are the ships of mortal Men that have seen its slender beam.

Of Eldamar and the Princes of the Eldalië, The Silmarillion.

Additionally, despite looking closely at the city, I see nothing that could be Tirion’s own White Tree — Galathilion.

Yavanna made for [the Noldor] a tree like to a lesser image of Telperion, save that it did not give light of its own being; Galathilion it was named in the Sindarin tongue. This tree was planted in the courts beneath the Mindon and there flourished.

Of Eldamar and the Princes of the Eldalië, the Silmarillion.

Galathilion would surely have a unique appearance compared to the other flora of the city. And it would probably draw upon similar aesthetic to Peter Jackson’s depiction of the White Tree of Gondor. Admittedly, Gondor’s White Tree is quite dead when we see it in the Return of the King.

The White Tree of Gondor
The White Tree of Gondor from Peter Jackson’s The Return of the King.

The White Tree of Tirion might also not be especially prominent. It could be, compared to the structures about it, quite small. Or its placement might be out of picture, on the far side of the hill so it receives direct light from the Two Trees.

Finally, there’s the shape and position of Túna.

The Silmarillion states that after the Valar created a gap in the Pelóri, in the “deep valley that ran down to the sea the Eldar raised a high green hill: Túna it was called.”

Should Túna be more centrally located, rather than to one side of the Calacirya? Certainly, this is how Karen Wynn Fonstad envisages it — and her sketches in The Atlas of Tolkien’s Middle-earth were made with the backing of Harper Collins and the assistance of resources like the Boedlian Library.

Karen Wynn Fonstad's map of Valinor
Karen Wynn Fonstad’s map of Valinor shows Tirion raised upon a distinctly circular mound.

Nevertheless, the location feels more or less correct, and Wynn Fonstad’s cartography is not — as far as I know — explicitly textually supported. So the LOTR on Prime team probably can get away with playing it a little fast and loose even though they are certainly drawing on her maps.

The small river and the swan-prowed boats

Wynn Fonstad also documents one other geographical feature that is not revealed in the text of the Silmarillion — a stream or river that winds its way up the Calacirya toward Tirion. This probably explains the small river we see in the image. The question is whether it reaches all the way into the far distance. It’s hard to tell, but probably.

The white swan-prowed boats
Are these the ocean-going White Ships of the Teleri? Or rivercraft made in their likeness?

I feel that is less important than the opportunity to reveal several swan-prowed boats that we see upon the river. The question is whether these boats could be the famous White Ships of the Teleri — or smaller, but similar, pleasure craft.

The Silmarillion speaks of Alqualondë:

…the Haven of the Swans, lit with many lamps. For that was their city, and the haven of their ships; and those were made in the likeness of swans, with beaks of gold and eyes of gold and jet.

Of Eldamar and the Princes of the Eldalië, the Silmarillion.

Fëanor, of course, had those White Ships burnt after taking them by force from the Teleri in order to transport his folk to Beleriand during the Flight of the Noldor. If these are those White Ships, then this is another piece of evidence to place the image firmly within the Years of the Trees, before the destruction of Laurelin and Telperion.

The lone figure in white

Finally, we have the mysterious, lone figure in white in the foreground.

The figure in white
The figure in white has light-coloured hair, and carries a sword at the left hip.

This person is blond (or blonde), has short hair (or long hair in some sort of up-do), and is attired in what is typically regarded as elvish fashion. The pose also strongly suggests that the figure is carrying a sword at the left hip.

The presence of the sword is useful, as that would definitively place the action after the release of Melkor from bondage. As The Silmarillion records, it was Melkor who “spoke to [the Noldor] concerning weapons; and in that time the Noldor began the smithying of swords and axes and spears.”

If we accept there is a sword (likely, I think), and that the Two Trees are still alive (also likely, I think) we can narrow the time period for this image.

Melkor is released from captivity in Year of the Trees (YT) 1400 according to the Annals of Aman. By YT 1450 he’s been in the ear of the Noldor sowing dissension to the point where they start making weapons — swords, axes, and shields featuring personal insignia.

But, none of the Noldor carry their weapons abroad openly for a long time after that. Not until Fëanor recklessly and publicly puts a sword at the chest of his half-brother. That might allow us to place this image to sometime after the exile of Fëanor from Tirion, but before the destruction of the trees in YT 1495.

It’s worth noting here that, according to this same timeline, Galadriel is born in YT 1362. Galadriel would be a full-grown adult. It could be her.

Might Galadriel have carried a sword in her youth? I think she might have. During the rebellion of the Noldor, The Silmarillion records that:

…Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone. No oaths she swore, but the words of Fëanor concerning Middle-earth had kindled in her heart, for she yearned to see the wide unguarded lands and to rule there a realm at her own will.

Of the Flight of the Noldor, The Silmarillion.

A late essay of J.R.R. Tolkien’s that Christopher Tolkien recounts in Unfinished Tales reinforces this:

She was proud, strong, and selfwilled, as were all the descendants of Finwë save Finarfin; and like her brother Finrod, of all her kin the nearest to her heart, she had dreams of far lands and dominions that might be her own to order as she would without tutelage.

The History of Galadriel and Celeborn, Unfinished Tales of Middle-earth.

The same essay also underscores Tolkien’s vision of her exceptional physique and athleticism and how she “grew to be … strong of body, mind, and will, a match for both the loremasters and the athletes of the Eldar in the days of their youth.” Plus a letter from 1973 describes the youthful Galadriel in similar fashion (while also, potentially, explaining the seemingly short-cropped hair):

[Galadriel] was [in her youth] of Amazon disposition and bound up her hair as a crown when taking part in athletic feats.

Letter #348, The Letters of J.R.R. Tolkien.

A Galadriel who in her early years of life is much more oriented to martial activities in not utterly out of Tolkien’s thinking.

Finally, there’s a treatise of Tolkien’s published in Morgoth’s Ring that outlines that while gender traditions — and individual occupational inclinations — exist among elves, these are by no means rigid, or absolute: “there are … no matters which among the Eldar only a [male elf] can think or do, or others with which only a [female elf] is concerned.”

Further, it concludes with the statement that “all … matters of labour and play, or of deeper knowledge concerning being and the life of the World, may at different times be pursued by any among the Noldor.”

If you don’t think this is possible for Galadriel, how else how do you explain Elrond’s trajectory from commander of Gil-galad’s expeditionary force to Eregion in the Second Age (and Herald of Gil-galad during the War of the Last Alliance) to renowned master of healing of the Third Age?

Other options for the figure in white

But, let’s say it’s not Galadriel. Who else might it be?

Hair colour immediately rules out most key Noldor of the time such as Finwë, Fëanor, Finrod, and Fingolfin. They are all dark-haired (as are the vast majority of Noldor). However, Galadriel’s father, Finarfin, or her grandmother, Indis, are options.

She was golden-haired, and tall, and exceedingly swift of foot. She laboured not with her hands, but sang and made music, and there was ever light and mirth about her while the bliss of Aman endured … and she walked often alone in the fields and friths of the Valar, filling them with music.

The Later Quenta Silmarillion II, The History of Middle-earth: Morgoth’s Ring.

Still, I don’t really see Indis as the sword-carrying sort. I might be wrong, but it doesn’t match my perception of her personality and her ambitions. Finarfin would, but some costumers have suggested that the outfit the figure wears is more reminiscent of Galadriel’s attire in Peter Jackson’s The Lord of the Rings.

Galadriel in Peter Jackson's Fellowship of the Ring
Galadriel in Peter Jackson’s Fellowship of the Ring.

As an aside, I also like the concept of elves with short-cropped hair because it challenges an aesthetic that is ambiguously supported in canon. Would LOTR on Prime be brave enough to do that, though?

After that, we’re down to edge cases.

The radical options: Melkor or Sauron

We know that the Valar had no bodies but could assume shapes more or less at will. Morgoth’s Ring reveals that “after the coming of the Eldar they most often used shapes of ‘human’ form, though taller (not gigantic) and more magnificent”.

We don’t know Melkor’s precise form during those years before the destruction of the Two Trees. One revision (The Later Quenta Silmarillion (II)) probably made during the 1950s describes the countenance he presented to the elves as “most fair of all”. It was only after the trees had been destroyed that Melkor-as-Morgoth became fixed in the classical form we know from the Quenta Silmarillion that Chris Tolkien published in 1977 — the tall and terrifying figure clad in black armour who ever-so-reluctantly comes forth to duel Fingolfin.

However, The Silmarillion records that Melkor carried a black spear to the destruction of the Two Trees. Moreover, without any sign of his spider-shaped partner in crime, Ungoliant, there’s nothing conclusive to suggest this scene is a direct prelude to that event.

A similar shapeshifting argument applies to Sauron, who most famously assumes the fair form “Annatar” in order to win over the elven-smiths of Eregion. Sauron, of course, remained at-large in Middle-earth during the Years of the Trees, presumably busily refortifying the fortress of Angband while awaiting the return of his master.

It’s not out of the question that Sauron might have ducked across the great ocean for a bit of a peek at what was going on in Valinor with his master. Against that, such a journey is never mentioned. Still, keep in mind that Tom Shippey mentioned in an interview that LOTR on Prime has creative wiggle room as long as it doesn’t directly contradict what Tolkien himself wrote.

Why Sauron? Well, Sauron is, ultimately, the chief antagonist of this series. Alongside Galadriel, he is one of the very few consistent presences throughout Middle-earth’s history. An opening (or prologue) that directly involves Sauron may be another way for LOTR on Prime to establish the foundations of a series that is going to span a very long period of time.

The human options: Eärendil or Ar-Pharazôn the Golden

While Eärendil‘s hair colour is up for debate, he is the son of two golden-haired parents. Most art depicts him as a blonde.

But what truly interested me was the circumstances in which Eärendil arrives at Tirion: alone.

And he went up alone into the land, and came into the Calacirya, and it seemed to him empty and silent; for even as Morgoth and Ungoliant came in ages past, so now Eärendil had come at a time of festival, and wellnigh all the Elvenfolk were gone to Valimar, or were gathered in the halls of Manwë upon Taniquetil, and few were left to keep watch upon the walls of Tirion.

Of the Voyage of Eärendil and the War of Wrath, The Silmarillion.

I’ve always liked Ted Nasmith‘s illustration of this scene, and there’s something about the LOTR on Prime panorama that evokes that passage, too. The only thing that’s missing is anything that looks like the glow of a Silmaril for there those were “who saw him from afar, and the great light that he bore”. Like the Phial of Galadriel, the Silmarils emit their own light.

Eärendil Searches Tirion, by Ted Nasmith
Eärendil Searches Tirion, by Ted Nasmith.

Still, as Eärendil’s arrival in Middle-earth is the beginning of the closing act of the First Age, and leads more-or-less directly to the founding of Númenor, could something like this offer a tighter link to the major story that LOTR on Prime wants to tell?

Finally — more for the sake of elimination — there’s the last king of Númenor, Ar-Pharazôn the Golden.

For Ar-Pharazôn wavered at the end, and almost he turned back. His heart misgave him when he looked upon the soundless shores and saw Taniquetil shining, whiter than snow, colder than death, silent, immutable, terrible as the shadow of the light of Ilúvatar. But pride was now his master, and at last he left his ship and strode upon the shore, claiming the land for his own, if none should do battle for it. And a host of the Númenóreans encamped in might about Túna, whence all the Eldar had fled.

AKALLABÊTH, The Silmarillion.

But. The apparel on our lone figure isn’t really ideal for battle and war. Certainly not in the fashion reminiscent of our closest visual parallel to Númenór — the Arnorian and Gondorian warriors of the War of the Last Alliance. And the figures on river do not appear alarmed in the slightest — which they would if there was a vast, approaching army of Númenóreans behind the camera.

Finally, a curveball idea: what if it actually was Galadriel finally returning home at the very end of the Third Age? To start at the very end of the story, rather than the beginning.

In conclusion

After all that, what can we conclude? We’re looking at Valinor and the Two Trees. Definitively. And, despite a few topological and architectural quirks, we’re looking west from Tirion. I’m very confident of that, too.

But are those trees alive, or dead? I just can’t tell for sure. And it’s impossible to say for certain that the figure in white is Galadriel, even though it feels the most likely option.

But, since we are here to nail our colours to the mast, I will venture the following theory: the trees are alive, the figure is Galadriel, and this is somewhere near the end of the Noontide of Valinor.

Why? Primarily because in addition to the weight of evidence it simply makes the most sense to the story for the lone figure to be Galadriel. And — regardless of which Galadriel origin story you prefer — Galadriel left Valinor before the creation of the sun and the moon. Thus the trees must be alive.

I think. 🙂

Acknowledgements and thanks

This piece is not necessarily representative of the opinion of TORn staff. However, in assembling this, I have drawn on thoughts, theories and evidence that other staffers have been sharing over the last couple weeks. It would not have been nearly as good without their input. So, in no particular order, I’d like to thank JPB and Tookish for the long conversations, Mithril for the excellent find with Letter #343, Elessar, Josh, Kelvarhin, Garfeimao, Greendragon, Earl, and our TORn Tuesday team of Quickbeam and Justin.

Of course, any errors and oversights are my own.

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.