Wondercon in Anaheim March 29-31, 2024

TheOneRing.net will kick off the 2024 Convention season at Wondercon in Anaheim, running from March 29-31, 2024. Our panel, ‘Dispatches from Middle-earth: The War of the Rohirrim’ will be on Easter Sunday at 12:15 pm in room North 200A. You can find our panel description at: https://sched.co/1aznT or if you don’t have tickets yet, you can find those at https://www.comic-con.org/wc/

We have much to talk about with the recent announcement of a new book of Tolkien’s poems and the interviews with the creators of The War of the Rohirrim. We will miss the actual ‘Tolkien Reading Day’ on March 25, but all is not lost, March is officially dubbed National Reading Month to commemorate the birthday of Dr. Seuss. All that is to say ‘expect a little bit of Tolkien’s literature to make an appearance’.

We also would like to invite any Middle-earth-themed cosplayers to attend our panel and the subsequent photo shoot out by the fountain in front of the convention center. If you are unable to attend the panel but think you can make the photo shoot afterwards, it will take place 45 minutes after the end of the panel, or approximately at 2pm.

Some secrets are better kept quiet (according to that famous Gandalf quote, the one about anticipating a good meal): “Many folk like to know beforehand what is to be set on the table; but those who have laboured to prepare the feast like to keep their secret; for wonder makes the words of praise louder.” That little gem does not apply here, as TheOneRing.net continues its decades-long quest to separate truth from nonsense behind any Tolkien adaptation coming our way.

For you see–a wild bombshell appeared on 4chan on Jan. 15, 2024, claiming knowledge of fully-detailed plot points and episodes that was quickly regurgitated on our Discord server (now deleted). The contents of this post caused shockwaves on our TORn Discord; as it shocked and dismayed me. But also much of its contents have been corroborated fully by someone close to the Producers who shared more information. Better fasten your seatbelts, dear Ringers, it’s gonna be a bumpy night.

[MASSIVE SPOILERS AHEAD FOR “TROP” SEASON 2 THROUGHOUT, NO HOLDS BARRED, NOTHING WITHHELD, PROCEED WITH CAUTION]

As the Production Calendar continues apace on Season 2 of Prime Video’s The Lord of the Rings: The Rings of Power,” (rumor has it Season 3’s halfway written!) certain enigmatic details are clearer while other things remain deeply shrouded. It’s like scrying in the Mirror of Galadriel without any guidance.

Nonetheless, it is now being discussed openly that Amazon secretly acquired the rights to “The Silmarillion” for use in this 2nd Season! This is seismic news! It is even more insane to think something so significant has happened and the Studio has said nothing about it at the time of this article’s publication.

Let’s start with the Big Bad Wolf-Maia himself, the “Halbrand of your dreams” (ooof), that guy who would deign to be THE Lord of the Rings:

SAURON / HALBRAND

TROP Director Charlotte Brändström has said in interviews that the 1st Ep. of the new Season will be a “Standalone episode.” We have been reporting for 15 months on our TORn Tuesday Livestream show that this “Season Opener” will dedicate itself entirely to Sauron, his backstory, and his misadventures prior to what we saw mystery-boxed as the Halbrand storyline of Season 1. We may ultimately find out how and why Sauron took the form of that particular human and how he managed to be in the middle of the ocean at exactly the right time to start his lengthy charade with Galadriel. It goes without saying that Season 1 would have been dramatically different if the Showrunners had used the literary device of Dramatic Irony instead of employing this lamentable mystery-boxing approach.

Why was there such trenchant animosity between Adar and Sauron? Newly leaked info says the conflict between them is fueled by a tragic death: Sauron evidently had a SON — and Adar evidently killed him in cold blood prior to the events of Season 1. Nothing close to this appears in Tolkien’s stories.

Further spoilers: in Season 2 Adar (well-played by actor Joseph Mawle, now replaced by Sam Hazeldine) will surrender to Sauron and become one of his generals, only to betray him again later on. Also, at some point Sauron presents himself to the Dwarves and straight up tells them he “apprenticed under Aulë,” at which point he is immediately accepted in their midst.

Season 2 will conclude with this final shot: the forging of the One Ring by Sauron’s hand, leading one to necessarily assume the other Seven and the Nine will be forged at some point by this Season’s end (unless the Showrunners deem it necessary to keep changing the historical order of things).

RIGHTS TO “THE SILMARILLION” ACQUIRED?!

Most significantly, according to verifiable spy reports Prime Video has secretly acquired the rights to “The Silmarillion” — unbeknownst to us. We are hearing that Season 2 opens with a genesis story more fitting the Ainulindalë! After many years of speculation and hundreds of hours of discussion about this very thing, it comes as a deep shock to me (as a Tolkien fan and generally speaking as an observer of Popular Culture) that the Tolkien Estate has, at long last, allowed the gates to finally be opened and nobody has said a word about it! Ladies and gentlemen, could it be true that “The Silmarillion” has now become an officially licensed property for adaptation?! If so, the hugest of caveats must be stated: this is a singular case for now. Perhaps unique.

THE MUSIC OF THE AINUR (quoting from the original post): “The opening scene of Ep. 1 is Eru [Ilúvatar] using the Secret Flame to create Melkor, and Melkor watching as Eru creates all the Valar and the Maiar. Eru is a disembodied voice vaguely human shaped but no characteristics can be made out. The Secret Flame is golden, as are all the Valar and the Maiar. The Valar are larger than the Maiar, but they are bathed in a golden light and completely naked. The actor playing Mairon in this realm is NOT Charlie Vickers or Gavi Singh Chera–it is a third actor. Gave Singh Chera will play Sauron in his battle form and his Annatar form.” We can now fully confirm that a grand total of three actors shall play Sauron in different forms. Additionally, the two actors playing Melkor and Ungoliant in the Ainulindalë shall appear LATER in Season 2 as different incarnations.

I mean — just wow!

Further details are exposed: “A whole episode is dedicated to Sauron’s backstory leading up to the breaking of the First Silence. After the Fourth interruption of the song [Theme], several Maiar meet and discuss Melkor’s discord. Mairon/Sauron alone speaks: ‘The One has blessed me more so than all of you to see the potential of His creations, and what better way to forge their mettle than by allowing them to face Melkor’s discord and grow beyond what they think capable!’ You will see Mithrandir [Olórin] in this scene. Mairon almost converts him. Almost.”

Four Themes? There were only Three, as we all know, so perhaps this is a typo. Or perhaps the most obvious thing that would happen to “The Silmarillion” being adapted is that it would be unnecessarily changed.

Artist credit: Alystraea [annamare.deviantart.com]

Seasoned readers of Tolkien will probably be agape at this ambitious retelling of “The Music of the Ainur” but newcomers who have never read a speck of the original book may be mystified. It seems clear now that the intention of this show is to explore the earliest mythological roots of these immortal characters: a narrative consideration never previously afforded to any Valar / Maiar characters.

This still doesn’t explain the “meteor man” thingy that suddenly brought Gandalf / Olórin / The Stranger into the Second Age, but why quibble?

The further impact of this reality should be weighed carefully, for it represents a point of no return with those tales. The Quenta Silmarillion, the tragedy of Beren and Luthien, the Fall of Gondolin: all of which may now be adapted for T.V. or Film or other media if the Estate allows and arrangements are made. What a tremendous thing. It opens up a whole new era of possibilities.

GALADRIEL & CELEBORN

The fact that Celeborn has been kept offstage in Season 1 as a red herring (you know, that bit about him being supposedly dead yet Galadriel doesn’t know a thing about it) simply does not ring true to Tolkien’s original works. The Professor re-wrote and revised the story of G&C many times, but never do we see a hint leaning towards this in the Appendices, nor in “Unfinished Tales.” Beyond this fumble in the narrative of Season 1, we have now confirmed that our “dearly departed” Celeborn IS INDEED NOT DEAD (as readers of Tolkien already knew) but will show up in Season 2 being impersonated by Sauron.

Indeed, one of Sauron’s disguises to return to Eregion (how many can there be, beyond Annatar?) is the form of Celeborn. We assume this plan is to dupe Elrond, Celebrimbor, and Galadriel at the same time.

More subterfuge! The chicanery at Galadriel’s expense continues apace. This portrayal of the Lady of Light as one who keeps getting duped over and over by Sauron–when Tolkien never once allowed that to happen in his accounts– is certainly a choice, and one that has drawn much criticism. Personally it is one of the first things that comes up in friendly conversation about TROP: I am forced to explain that Galadriel was never fooled like that!

I wonder where they will go with that, ultimately. How long will Galadriel continue to withhold the truth of her Season 1 relationship with Halbrand, and why did the Writers put her in such an untenable position with the other Elves? One assumes it is a ploy wherein Sauron might return and blackmail her if she has not been forthcoming about it. Remember that look Elrond gave her after he saw the parchment of Southland genealogy? “There’s no basement in the Alamo!” And there’s no Halbrand! Some ugly business lies ahead with Celeborn being impersonated by Sauron.

Spy reports indicate the REAL Celeborn will appear in the Season 2 Finale and be reunited with Galadriel. He shall be played by Calam Lynch, as reported by Fellowship of Fans and corroborated by others. Thank God for simple truths–because the lad is a dead ringer for a younger Marton Czokas.

THE FATE OF CELEBRIMBOR

Poor Brimby. Everyone loves Brimby. He’s the avuncular surprise (certainly as portrayed by Charlie Edwards) in Fëanor’s genealogical line of stupendously serious Elves. As fond as we may be of his green-robed gentle nature, we confirm now that in Season 2 Celebrimbor’s head gets lopped off and stuck up on a pike. Womp womp! We are getting closer to what Tolkien wrote here, as this is Brimby’s closest proximity to being the Ned Stark of Middle-earth.

I don’t quite get this episode structure–but it seems the final two episodes of TROP Season 2 will be centered on The War of the Elves and Sauron, wherein Eregion is sacked.

TOM BOMBADIL & GOLDBERRY

This is where stuff gets potentially ugly. I don’t like using such words. As previously mentioned, there will be separate standalone episodes presented throughout Season 2; including Sauron’s backstory uniquely told from his first-person point-of-view. All of this is likely to change before the final edit is broadcast. But if this holds true, Tom Bombadil and his love affair with the River-Daughter will be front-and-center in their own episode (there’s even an episode on Felaróf and the origin of Shadowfax)!

Ringers have often opined that bringing Tom Bombadil into TROP would be super cool — and I have personally championed the notion. But at the heart of this matter is how Tolkien utilized the character in “The Fellowship of the Ring,” an approach for others to heed carefully. Tom should have a cameo or a brief encounter with some of our traveling heroes. Admittedly Tom’s presence is superfluous to the real story of the Great Rings of Power. Now imagine this character’s narrative purpose going a big step further and just wildly breaking from the Lore. In the words of our Spy Report:

Artist Credit: [Alexandria Neonakis]

“Tom Bombadil and Goldberry are in an episode. They are played by the same actor and actress as Melkor/Morgoth and Ungoliant. The show will confirm the long-held fan theory that Tom and Goldberry are Melkor and Ungoliant serving out their punishment bestowed on them by Mandos.

Excuse me? There has never been such a “Fan Theory,” not one that I have seen–and if I had heard of this cockamamie idea I would have laughed at the absurdity. To quote the pique and anger of a well-known Tolkien historian who heard this: “This is not a fan theory, this is just Fan Fiction; and it’s really GARBAGE Fan Fiction at that!”

Personally, I would love to see Tom Bombadil show up — if only in the blink of an eye he would be on his merry way. I mean, come on, there is no need to ignore The Professor’s explanation in his “Letters” about Bombadil’s context in his Legendarium. No need to make up stuff about Morgoth and Ungoliant seeking atonement within the Circles of the World.

Pragmatically speaking, adaptations can and will change things from the Lore. This is mostly fine, and expected, within reason. It becomes unreasonable when you play that fast and loose with Tolkien’s original concerns regarding raw story elements. This kind of stuff will, predictably, divide the Fan audience.

… FELARÓF & SHADOWFAX?!

If you were not mystified yet by some of these storytelling choices, TROP Season 2 will have a full episode about the great line of Horses, the Mearas, and how Gandalf “The Stranger” met Shadowfax! Although these characters/animals did not exist in the Second Age, evidently we are getting the story of Felaróf the “Very Valiant,” if not also the story of the father of Eorl, a Man by the name of Léod.

Artist Credit: [Catherine Chmiel]

WHERE IS THE MARKETING?

Here we have a wide range of secrets exposed and an earth-shaking reveal about the licensing of “The Silmarillion.”

Strangely, the Studio behind this billion-dollar T.V. show remains stoic and silent; their social accounts barren since last July, not a single bit of marketing nor a press release has been forthcoming. Tellingly, a huge Amazon Prime commercial aired in the U.S. during the Prime Time Emmy Awards broadcast, without any mention of TROP. Not. A. Single. Word. TROP has also been removed from Prime Video’s FYC awards website.

Make of that what you will.

IN CONCLUSION — TOLKIEN BOOKS VS. ADAPTATIONS

As is the reality with a huge T.V. production, there are further moves to be made, pickups to shoot, tons of post production and editing yet to complete. However, these Spy Reports may or MAY NOT be reliable but we have already known (through our own secret channels) about 40% of this stuff before the big leak on January 15, 2024. With enough of this verified we are at least eager to throw the doors wide open and have some robust discussion. Time for Ringer fans everywhere to discuss, make hay, extrapolate, and poke with a stick.

Do you like what you are hearing? Are you excited or dismayed? Are you wondering as I am why there is stone-cold silence from the Studio after such wildly big moves behind closed doors? What will future horizons look like with “The Silmarillion” now that THAT huge epic is on the table? Or is it just some odd bits of “The Silmarillion” they can use here and there? Time will tell.

This series was always gonna be a mixed bag of familiar lore and newly minted ideas, methinks. TROP ostensibly benefits from being a somewhat separate (albeit huge) piece of Second Age story from the books’ Appendices that can be centered around particular characters and events. There is ample room to breathe within the narrative of the Appendices and yet it is wholly unnecessary to wildly diverge from the source material. What J.R.R. Tolkien intended and what the current Tolkien Estate (headed by Simon Tolkien) has allowed for this streaming program is, shall we say, quite divergent from one another.

It is for Ringers, with their undying love for the original books, to decide if Prime Video executed this effort reasonably and within the spirit of Tolkien’s original. It is also apparent they had a 36% completion rate on Season 1. Speaking for myself, the series started off just fine. I quite enjoyed the atmosphere, production design, a thrilling cast of talented actors, and especially the gargantuan score by Bear McCreary. Lots of stuff to admire there. Indeed there are those who will argue for either side, but in this writer’s opinion, these Spy Reports (combined with further research and reveals from inside the Production) betray significant departures from the Lore of Tolkien’s Legendarium and put the show at risk to be rejected rather than embraced by that less-forgiving portion of our fandom.

Much too hasty,
Clifford Broadway “Quickbeam”

*EDITOR’S NOTE: Clifford Broadway is one of the earliest writers/contributors to TheOneRing.net from the beginning, authoring material in our “Green Books” academic section and also for numerous publications including DeviantArt and Famous Monsters of Filmland. He co-wrote and produced the award-winning feature documentary “Ringers: Lord of the Fans.”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

This year marks the 50th anniversary of Oxonmoot, an annual event hosted by The Tolkien Society in Oxford, UK. The event will be available to stream live from Thursday, August 31 through Sunday, September 3.

Bear McCreary

Bear McCreary will join Oxonmoot for an exclusive chat on Friday, September 1st at 4:40pm UK-time (8:40am PDT / 11:40am EDT / 5:40pm CET), and the session will be available live to online attendees.

McCreary, a lifelong Tolkien fan, composed the 37 tracks that make up the score for Prime’s Lord of the Rings: Rings of Power. His work for the show received acclaim from fans and critics alike. The gorgeous themes he developed for the show were completely new yet still reflective of the scores that Howard Shore composed for Peter Jackson’s The Lord of the Rings. McCreary is also know for his work on Battlestar Galactica, The Walking Dead, and Outlander, among other television series. McCreary is articulate in speaking about his methodology, and he is just plain fun in an interview.

Brian Sibley

Brian Sibley will also be a guest at Oxonmoot. His session is called “‘The Fall of Númenor’: An Editor’s Journey.” As the name of the event implies, Mr. Sibley edited the volume of J.R.R. Tolkien’s writings titled The Fall of Númenor: And Other Tales from the Second Age of Middle-earth, which was illustrated by Alan Lee. Sibley will speak about the “pleasures and pitfalls” in editing the book.

Sibley has written extensively for radio dramas such as BBC Radio 4’s adaptation of Tolkien’s The Lord of the Rings and C.S. Lewis’ The Chronicles of Narnia. He is well known for authoring many “making of” books about films, including those for The Lord of the Rings and The Hobbit, as well as the Harry Potter series. He is incredibly knowledgeable about Tolkien and fascinating to listen to.

You can register for online attendance to Oxonmoot at https://www.tolkiensociety.org/events/oxonmoot-2023/oxonmoot-2023-online-bookings/

Earlier this week, TORn staffer greendragon had the chance to sit down with composer Bear McCreary. Greendragon was fortunate to be invited to attend a recording session for the Rings of Power soundtrack in London last April; it was an incredible experience, watching skilled musicians bring McCreary’s score to life. So she was thrilled to have the chance to catch up with the composer, and see how he’s feeling about Season One – and what might be in store for Season Two of The Rings of Power.

McCreary is a huge Tolkien fan himself, and he shared how Peter Jackson’s movies – and in particular, Howard Shore’s score – were important influences in his growth to become the composer he is today. He discussed the luxury of time which Amazon’s big budgets provide, and the importance of music to enhance and communicate emotion and drama. He also revealed that he has already started work for Season Two!

Watch the full interview below; and check out McCreary’s own blog, here.

Want to see the first two episodes of The Lord of the Rings: The Rings of Power on the big screen? Prime Video are hosting free Global Fan Screenings in 200 theaters across USA, Canada, UK, Ireland, Argentina, Colombia, Australia and New Zealand on August 31 at 7pm local time. Tickets will become available at 9am PT tomorrow, Monday 22nd August. Read on to find out how you can claim yours!

These exciting screenings are free, and give fans an opportunity to see episodes 1 and 2 two days (give or take, depending on your time zone!) before the series premieres on Prime Video! Tickets are available on a first come, first served basis.

In America and Australia, you’ll need to set up an account in advance, to be ready to claim your ticket:

Be ready at 9am PT/12noon ET/5pm BST Monday 22nd August – we expect these tickets will be claimed very quickly! Here’s the link you’ll need, to find a free screening near you (the link will be active from 9am PT Aug 22nd): www.TROPFanScreening.com

IMPORTANT UPDATE 8-22: If the previous link does not work, try this one. As of 9:20am PT there are still tickets available in Los Angeles. This link will take you to Los Angeles shows, but re-enter your own zip code to find shows near you.
https://www.cinemark.com/movies/the-lord-of-the-rings-the-rings-of-power-global-fan-screenings?showDate=2022-08-31

Start your journey back to Middle-earth with a cinema viewing – an epic opening of an epic series!

We are finally going back to Middle-earth and we get to see so many more places than we’ve ever been able to visit before on Tolkien’s map.

Juan Antonio ‘J.A.’ Bayona (Photo by Stuart Wilson/Getty Images)

Amazon Prime has finally released the full airing schedule, as shown below. Start marking your calendars to remind you when you can watch the show.

The first two episodes will drop together, and these are the episodes directed by J.A. Bayona. Because they drop together, it is important to note that the first episode is entitled “Shadow of the Past” so that you start off with the correct episode. These will become available on Amazon Prime on Thursday, September 1 starting at 6 pm PT, 9 pm ET and 2 am UK time early Friday, September 2. You will want to sync this info up with your own time zone.

The remaining episodes will drop once a week afterward, starting with Episode 3 on Thursday, September 8 at 9 pm PT, Midnight ET, and 5 am UK time on Friday, September 9, and continue on that same schedule. The 8th episode finale will air on Thursday, October 13 at 9 pm PT, Midnight ET and 5 am UK Time on Friday, October 14. The full schedule is posted below!

Global release occurs on either September 1, 2022 or September 2, 2022 depending on your location

  • The first TWO episodes will debut together on release night.
  • Release night timing is the following: September 1, 2022 at 6 PM PT which is 2 AM UK Time on September 2, 2022.
  • Both Episode 1 and 2 will be available immidiately. Amazon Studios suggests you ensure you first choose Episode 1 titled “SHADOW OF THE PAST” for the best viewing experience. Don’t choose the second episode first by accident!
  • Episodes 3 to 8 will be singular weekly releases. That is, one episode per week. These episodes will air at 9 PM PT each Thursday. This corresponds to 5 AM UK Time Friday.

The week-by-week Rings of Power schedule

Week 1: Episode 1+2

Episode 1+2 will be available at 6 PM PT THURSDAY NIGHT on September 1, 2022. This is equal to 2 AM UK Time on FRIDAY MORNING, September 2, 2022.

Other location conversions:

Auckland: 1.00pm Friday; Sydney: 11.00am Friday; Tokyo: 10.00am Friday; Singapore: 9.00am Friday; Mumbai: 6.30am Friday; Cairo/Paris: 3.00am Friday; London: 2.00am Friday; Rio de Janeiro: 10.00pm Thursday; New York: 9.00pm Thursday; Chicago: 8.00pm Thursday.

Week 2: Episode 3

Episode 3 will be available at 9 PM PT THURSDAY NIGHT on September 8, 2022. This is equal to 5 AM UK Time on FRIDAY MORNING, September 9, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Week 3: Episode 4

Episode 4 will be available at 9 PM PT THURSDAY NIGHT on September 15, 2022. This is equal to 5 AM UK Time FRIDAY MORNING, September 16, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Week 4: Episode 5

Episode 5 will be available at 9 PM PT THURSDAY NIGHT on September 22, 2022. This is equal to 5 AM UK Time FRIDAY MORNING, September 23, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Week 5: Episode 6

Episode 6 will be available at 9 PM PT THURSDAY NIGHT on September 29, 2022. This is equal to 5 AM UK Time FRIDAY MORNING, September 30, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Week 6: Episode 7

Episode 7 will be available at 9 PM PT THURSDAY NIGHT on October 6, 2022. This is equal to 5 AM UK Time FRIDAY MORNING, October 7th, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Week 7: Episode 8

Episode 8 will be available at 9 PM PT THURSDAY NIGHT on October 13, 2022. This is equal to 5 AM UK Time FRIDAY MORNING, October 14th, 2022.

Other location conversions:

Auckland: 4.00pm Friday; Sydney: 2.00pm Friday; Tokyo: 1.00pm Friday; Singapore: 12.00 NOON Friday; Mumbai: 9.30am Friday; Cairo/Paris: 6.00am Friday; London: 5.00am Friday; Rio de Janeiro: 1.00am Friday; New York: 12.00 MIDNIGHT Friday; Chicago: 11.00pm Thursday.

Viewing plans

With this schedule, you should be able to plan a Viewing Party or two, for Debut night and Finale night, if not all 7 weeks. If you choose to do so, please do share in the fun with our Twitter/Facebook/Discord social channel of choice and let us know your thoughts. There will also be some live posting, especially in our Discord on show nights, so come play along during the show, or directly afterward for a discussion on what you have just seen.