Begun by The Tolkien Society in 2003, March 25th – the date of the downfall of Barad-dûr – is Tolkien Reading Day, a day to celebrate the works and worlds of the Professor. This year, something special is in the works, for your listening pleasure!
In May of last year, we let you know about an exciting project by composer and sound engineer Jordan Rannells. He is creating ‘an immersive audio soundscape‘ – music and ambient sounds to create a world around you, as you read The Lord of the Rings.
Tomorrow you can experience some of this incredible audio adventure. Rannells is joining with the folks from ArdaCraft to create a live stream event, where parts of The Fellowship of the Ring will be read over the corresponding chapters of Rannell’s A Long-Expected Soundscape. This 10-hour (or so!) stream will include guest readers from the Prancing Pony Podcast, James Tauber of the Digital Tolkien Project, and more – including TORn’s own staffer greendragon, who’ll pop in briefly early on in the proceedings! ArdaCraft will be providing the visuals.
The whole thing kicks off at 1pm EDT tomorrow, Saturday 25th March, and you can join the live stream here. The event will only be available live – you won’t be able to catch it later – but of course you can drop in and out as your day permits. Spend a little – or a lot! – of Reading Day immersed in Middle-earth, courtesy of these amazing, creative folks.
Watch the video below for a little more information about the event; then join the fun from 1pm EDT tomorrow.
“Tired he is, thirsty he is, yes thirsty; and he guides them and he searches for paths, and they say sneak, sneak.” (The Two Towers: The Stairs of Cirith Ungol)
First teased in 2020, expected in 2022, The Lord of the Rings: Gollum game will finally be released May 25th this year. Jeremy Edmonds (@TolkienGuide) represented TORn at a recent virtual event with Daedalic Entertainment; he shares his thoughts on the upcoming game:
A few weeks ago, Daedalic invited TheOneRing.net and others to a special hands-on playthrough session of The Lord of the Rings: Gollum, followed by a Q&A session with Tolkien lore expert Damiri Knapheide. With almost an hour of playtime across many levels, I had the chance to see a bit of the world they have created, and the lovely chat with Damiri did nothing to dampen my enthusiasm for a full playthrough on release day, May 25th.
As a casual gamer on the best of days, I was not the easiest guest for our hosts to guide through each level – we had many a laugh at my ineptitude with various controller skills, but I was still having a blast, and didn’t feel like I was in over my head or wouldn’t enjoy the game at my own speed and skill level. The gameplay is focused on stealth, but I was here for the story driven experience – seeing Mirkwood and Mordor through the eyes of talented artists, who clearly have a passion and deep respect for The Lord of the Rings and The Hobbit.
The team chose as their backdrop the period of time between Bilbo’s escape from the goblins in The Hobbit, and when the fellowship enters the Mines of Moria in The Lord of the Rings. What happened with Sméagol/Gollum in those years? The books tell us a few tidbits of information, for example through Gandalf’s exposition and in the Appendices – this game connects those dots into a coherent story. The dual (dueling?) personalities are at the forefront in this game’s morality system, with many opportunities to choose different actions and responses based on your preference for whether you feel like Slinker or Stinker (Sam’s words) at the time. These choices affect the game play significantly – we were told that one level is completely different based on your morality choices to that point.
I was impressed with the narrative department at Daedalic, represented in this session by Damiri Knapheide. It’s a tough job with many people watching carefully – complex rights issues around books (some usable, some not), movie and media representations, and a very particular fan-base. Damiri’s passion and knowledge were obvious to me, and I definitely look forward to having more opportunities to chat with him informally in the future if the opportunity arises. Even in the brief hour I had to wander in their game, there were scores of subtle background nods to the wider corpus, and backstories for prominent lore figures that were alive at this time.
With an estimated 25-30 hour playthrough time and the chance to play multiple times making different choices in the morality system, I only had a glimpse of all the game has to offer. A challenge with a game of this nature, squeezed in between two fixed points in time and character development, the question remains – can Daedalic tell a good story, where your choices have an impact, and yet end with the same Sméagol/Gollum as we know him when he meets up with Frodo and Sam in the books? I look forward to finding out.
Be sure to check out the new story trailer on YouTube.
Here is today’s press announcement for the game release:
The Lord of the Rings: Gollum™ Slinks Out of the Shadows on May 25th
The story-driven adventure across Middle-earth arrives this May for PC and consoles— Sméagol will swear it on the Precious!
Hamburg, Germany, March 23rd, 2023 – Today Daedalic Entertainment and NACON announced that their highly anticipated adventure game, The Lord of the Rings: Gollum, will release to PC, PlayStation, and Xbox on May 25th. A version for Nintendo Switch™ is planned for later this year. Based on the beloved TheLord of the Rings trilogy by J.R.R. Tolkien, the fantasy game takes players on an epic journey across Middle-earth, starring one of the lore‘s most compelling characters: Sméagol – *Gollum, Gollum*.
Check out fresh gameplay from Middle-earth, with insights from the developers inspired by the iconic lore. Daedalic and Nacon will stream a special showcase at 06:30 pm CET on Twitch today.
The Lord of the Rings: Gollum is a story-driven action adventure. Embark on a perilous journey as Gollum, chasing the only thing that is precious to you. Climb, leap, and sneak your way past dangers or into advantageous spots. Gollum is skillful and sly, and torn by a split personality. It is up to you to decide whether to yield to the darker side of Gollum or trust the kinder gentler hint of Sméagol.
Co-published by Daedalic Entertainment and NACON, The Lord of the Rings: Gollum is developed by a small team of passionate Tolkienites at Daedalic Entertainment in partnership with Middle-earth Enterprises. The game will release on PC, PlayStation®4, PlayStation®5, Xbox One, Xbox Series X|S, and Nintendo Switch™. A physical edition for consoles will also be available.
NACON is a company of the BIGBEN Group founded in 2019 to optimize its know-how through strong synergies in the video game market. By bringing together its 16 development studios, the publishing of AA video games, the design and distribution of premium gaming devices, NACON focuses 30 years of expertise at the service of players. This new unified business unit strengthens NACON’s position in the market and enables it to innovate by creating new unique competitive advantages. https://corporate.nacongaming.com/
About Daedalic Entertainment
Daedalic Entertainment publishes and develops high-quality games for all platforms. The company has a diverse line-up of high-quality titles, including classic adventures, RPGs, and strategy and multiplayer games. With an international team of around 100 employees, Daedalic is currently developing a new line-up of innovative games across consoles, PC, and mobile platforms.
Based in Hamburg, Germany, Daedalic is one of Europe’s most acclaimed publishers and developers. With a total of 32 awards in the German Developers Award (including multiple accolades for ‘Studio of the Year’) and 12 German Computer Game Awards for genre-defining games such as Deponia, Edna & Harvey, Silence, Shadow Tactics: Blades of the Shogun, Ken Follett’s The Pillars of the Earth, The Long Journey Home, and State of Mind, Daedalic is a record holder for the two most prestigious game awards in Germany. Recent publishing hits include Barotrauma, Unrailed!, Iratus: Lord of the Dead, Partisans 1941 and more.
Daedalic is currently developing The Lord of the Rings – Gollum. The story-driven adventure tells the story of Gollum from a perspective never witnessed before in any storytelling media, all the while staying faithful to the legendary books of J.R.R. Tolkien.
About Middle-earth Enterprises
Middle-earth created by J.R.R. Tolkien is the definitive, deepest, richest and most beloved fantasy world of our time. As its stewards and custodians, our goal is to consistently deliver a wealth of great content in both new, and known formats; to ensure Middle-earth’s rightful place as the world’s leading fantasy IP and brand, forever.
Inspired by our deep appreciation for the fictional world created by Professor Tolkien, we are dedicated to working with those providing highest quality products in accordance with best green business and sustainability practices, including fair trade, equality in the workplace, and a commitment to protect our earth, its wondrous beauty and the viability of every living creature. Middle-earth Enterprises has been producing and licensing films, merchandise, services, and live stage productions based upon The Lord of the Rings and The Hobbit books, for more than four decades. www.middleearth.com.
Prime Video have announced the final new cast members who will play recurring roles in The Lord of the Rings: The Rings of Power Season Two.
The three actors are, as with previously announced new cast, acclaimed stalwarts of British television and theatre, with impressive credentials and long pedigrees of excellent work. It is exciting to see Rings of Power welcoming such talent to the fold, and bodes well for the quality of the show to come. (You can read about the rest of the new cast members announced for Season Two here and here.)
Here’s the official press release:
Ciarán Hinds, Rory Kinnear, and Tanya Moodie Join Cast of Prime Video’s The Lord of the Rings: The Rings of Power for Season Two
Mar 20, 2023
All three acclaimed actors join the existing cast of the global hit seriesin recurring roles for the forthcoming second season, currently in production in the UK
CULVER CITY, California—March 20, 2023—The Lord of the Rings: The Rings of Power, which has been viewed by more than 100 million people worldwide and has been an unprecedented global success as the top Original series for Prime Video in every region in its first season, has announced that acclaimed actors Ciarán Hinds, Rory Kinnear, and Tanya Moodie have joined the series’ cast in recurring roles for the forthcoming second season, currently in production in the UK.
CIARÁN HINDS
CIARÁN HINDS
Nominated for both an Oscar and a BAFTA Award as Best Supporting Actor for his performance as “Pop” in Kenneth Branagh’s film Belfast, acclaimed actor Ciarán Hinds has had an illustrious career on both stage and screen. He has starred in such films as Steven Spielberg’s Munich, Martin Scorsese’s Silence, There Will be Blood, Road to Perdition, Harry Potter and the Deathly Hallows, Tinker Tailor Soldier Spy, In Bruges, The Phantom of the Opera, The Cook, The Thief, His Wife & Her Lover, Persuasion, First Man, Amazing Grace, Zack Snyder’sJustice League, and The Eclipse, a role for which he was awarded Best Actor at the Tribeca Film Festival. He is also known for his voice role as “Grand Pabbie” the Troll King in the animated films Frozen and Frozen II.
Television audiences know Hinds from his roles as “Mance Rayder” in Game of Thrones (HBO) and “Julius Caesar” in Rome (HBO) as well as starring roles in The English (BBC/Prime Video), Ivanhoe (A&E), Above Suspicion (ITV), Political Animals (USA), and Prime Suspect 3 (ITV). He most recently appeared in the comedy-drama series The Dry (BritBox).
Hinds’ wide-ranging theatre credits include Uncle Vanya, Translations, The Girl from the North Country, Hamlet, Cat on a Hot Tin Roof, Burnt by the Sun, Closer, The Seafarer, and many others. He toured internationally in Peter Brook’s company in The Mahabharata and has played leading roles at the Royal Shakespeare Company, the Royal Court, the Donmar Warehouse, and the National Theatre.
RORY KINNEAR
RORY KINNEAR
Rory Kinnear is an award-winning British actor, perhaps best known for his role as “Bill Tanner” in the James Bond films Quantum of Solace, Skyfall, and Spectre. Kinnear recently starred in Alex Garland’s Men, which premiered at the Cannes Film Festival and saw him nominated for a BIFA award. Other recent film credits include Bank of Dave, Mike Leigh’s Peterloo, Broken (for which he won Best Supporting Actor at the BIFAs), and the Academy Award- and BAFTA Award-nominated The Imitation Game. Kinnear’s TV credits include Inside No. 9 (BBC), Penny Dreadful (Sky Atlantic), Southcliffe (Channel 4, for which he was nominated for a BAFTA for Best Supporting Actor), Charlie Brooker’s Black Mirror (Channel 4), and the dramaLucan (ITV) in which he starred in the title role. He can currently be seen in Taika Waititi’s series Our Flag Means Death (HBO Max).
Kinnear is hugely respected for his theatre work, winning Best Actor at the Evening Standard Theatre Awards in 2010 for his performances in Measure for Measure (Almeida Theatre) and Hamlet (National Theatre), and again in 2013 for his performance as “Iago” in Othello (National Theatre), for which he also received an Olivier Award for Best Actor. He previously won an Olivier Award for Best Supporting Actor for his performance as “Sir Fopling Flutter” in The Man of Mode in 2008, and was nominated twice before for his performances in Hamlet and Burnt by the Sun. Most recently, Kinnear starred in Force Majeure at the Donmar Warehouse. Kinnear is also an award-winning playwright, penning his debut play The Herd in 2013. He made his directorial debut with the English National Opera’s production of The Winter’s Tale in 2017.
TANYA MOODIE
TANYA MOODIE
Tanya Moodie is an acclaimed British actress who won the Royal Television Society’s Breakthrough Award for the role of “Meg” in the BAFTA Award-winning comedy Motherland (BBC). Her numerous television roles include starring as “Hunter” in the miniseries adaptation of Neil Gaiman’s Neverwhere (BBC), as well as roles in Tin Star (Sky Atlantic), A Discovery of Witches (Sky One), The Man Who Fell to Earth (Showtime), and Sherlock (BBC).
Some of Moodie’s recent film roles include J.J. Abrams’ Star Wars: Episode IX – The Rise of Skywalker as “General Parnadee” and Sam Mendes’ Empire of Light as “Delia.”
In the theatre, Moodie is a two-time Olivier Award nominee for Outstanding Achievement in an Affiliate Theatre for her roles in Intimate Apparel and The House That Will Not Stand. She played “Gertrude” in Simon Godwin’s production of Hamlet for the Royal Shakespeare Company. Her performance as “Rose” opposite Lenny Henry in August Wilson’s Fences in the West End earned her a WhatsOnStage Awards nomination for Best Actress. She was nominated for a UK Theatre Award for Best Performance for her role in Trouble in Mind, and she has received additional Best Actress nominations from the London Evening Standard Theatre Awards and the UK Theatre Awards. Moodie studied at London’s Royal Academy of Dramatic Arts, where she was later employed as an associate teacher and council member.
All eight first season episodes are now available to stream exclusively on Prime Video in more than 240 countries and territories in multiple languages.
The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings books, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared reemergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf capital of Lindon, to the breathtaking island kingdom of Númenor, to the farthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.
The first season of The Rings of Power has been an unprecedented success, viewed by more than 100 million people worldwide, with more than 24 billion minutes streamed. The highly anticipated series attracted more than 25 million global viewers on its first day, marking the biggest premiere in the history of Prime Video, and also debuted as the No. 1 show on Nielsen’s overall streaming chart in its opening weekend. The show has also broken all previous Prime Video records for the most viewers, and has driven more Prime sign-ups worldwide during its launch window than any other previous content. Additionally, The Rings of Power is the top Original series in every region—North America, Europe, APAC, LATAM, and the rest of the world. The season finale also created a global cultural moment, with multiple series-themed hashtags, including #TheRingsofPower and others, trending in 27 countries across Twitter for over 426 cumulative hours throughout the weekend.
Season Two of the series is produced by showrunners and executive producers J.D. Payne & Patrick McKay. They are joined by executive producers Lindsey Weber, Callum Greene, Justin Doble, Jason Cahill, and Gennifer Hutchison, along with co-executive producer Charlotte Brandstrom, producers Kate Hazell and Helen Shang, and co-producers Andrew Lee, Matthew Penry-Davey, and Clare Buxton.
It was the most expensive stage show to date when it opened in Toronto in 2006; but after just one brief year in London, The Lord of the Rings musical closed in July 2008. Now it is being revived, at a small theatre in Berkshire, UK.
The Watermill Theatre, near Newbury in Berkshire, will present an immersive, partially outdoor production of the musical this summer. Their website states that it will be a ‘brand new intimate production’; it will of necessity be massively scaled down from the $25million West End production. Even if the Watermill Theatre had the budget, they don’t have the space which the Theatre Royal Drury Lane production required. The Watermill Theatre’s website tells us, ‘Bursting out of the theatre and into the Watermill gardens, be immersed in the magical landscape of Tolkien and join an ensemble cast and large-scale puppets on an epic journey celebrating the power of friendship and common goodness to conquer unimaginable evil.’
It’s exciting to think that the work will be seen by more people than were able to see it during those brief two years in Toronto and London. It’s not the first attempt to revive this musical; back in 2013, Playbill announced a world tour, planned for 2015 and starting in New Zealand, but nothing more was heard. This time, however, the dates are set (July 25 – Oct 15 this year), and tickets go on sale later this month.
TORn staffer ImladrisRose was in attendance at Monday night’s performance: and it reminded her of all the very best things about the Tolkien fandom, and the joy it has brought us all. Here are her thoughts on the experience.
Photograph by Ashlee Rose Scott
The Lord of the Rings: The Fellowship of the Ring 21st Anniversary Concert at Radio City Music Hall in NYC
The Lviv National Philharmonic Orchestra of Ukraine was at the helm, bringing Howard Shore’s incredible score to the packed house in Manhattan. Led by conductor Ludwig Wicki, Shore’s sweeping pieces, expertly performed by the Ukrainian ensemble, filled the concert chamber with pure magic as we were watching the film play out before us. Soloist Kaitlyn Lusk had quite the feat before her, but performed her piece with grace and ease. The Mastervoices Adult Choir sent chills through the theatre on multiple occasions, whether it be in the halls of Khazad-dum or the Departure of Boromir. The Brooklyn Youth Chorus and their shining stars brought us a deeply haunting experience through the fall of Gandalf, and with every moment they were given to shine.
The concert was a euphoric experience, one that will not soon be forgotten by anyone in attendance. Nothing compares to a live performance like this, seeing your favorite piece played out before you, feeling the synergy of the room. Uniting under one roof for a love of the arts and The Lord of the Rings…
I’ve been a part of this fandom since my mom “dragged” me to see Fellowship opening night. I was a ride or die Harry Potter fan and wasn’t willing to consider anything could impress me more. Let’s just say that I remember audibly gasping as the Fellowship rose over that mountain peak, the Fellowship theme triumphantly booming, and by that point in my first screening, I was obsessed (thanks mom!).
Twenty-one years later, my love of all things LOTR has taken me around the globe, launched my film career, given me an immense amount of opportunity and a community that I adore (looking at you, TORnSibs). I’ve seen the rise and fall, the ebb and flow of this fandom, and overall, Ringers are a group of excellent and admirable folks. With the recent release of a certain big Amazon show, I became disheartened by a lot of what I was seeing within our beloved fandom. As someone who spent many hours with my fellow staffers, moderating comments, it was causing me to lose that love and spark that I have felt for Ringers for 20 plus years. It shone a light on the underbelly of not just a fandom, but the world in general. LOTR has always been an escape from all of our societal nonsense, but this time period was a stark reminder that even within a community you love, there can be toxicity. I LOVE a good debate about anything and everything, but when things become about hate rather than discourse, your point is lost on me. In Middle-earth, all are welcome….
Monday night’s concert reminded me of why I love this fandom so much. It’s been probably ten years since I’ve been to a screening of Fellowship and this crowd was thrilled to be there! Not only would the audience erupt into cheers after hearing a favorite piece of the score performed (which, let’s be honest, is pretty much the entire score!) or after Lusk wrapped a solo, the crowd would literally go wild when a new character came onto the screen! So much so that at times you couldn’t hear the film or the orchestra!
A stand out for me was when members of the Fellowship arrived to the Council of Elrond. Aragorn received a 7/10 volume for cheers, Legolas 8/10, but Gimli received a full 10/10 in crowd reaction! My husband remarked that he was shocked Gimli got significantly more love than Legolas, to which I replied “Gimli has more substance and better dialogue!” To each their own. Fans next to my husband jumped at Bilbo lunging for the ring, and then commented that they had forgotten that part of the film. While next to me at the exact same point, a fan laughed and remarked that he always thought that part was funny. Two completely different reactions to a moment, but both existing in harmony with one another.
The majority of people there that night (I’m quite sure) have seen these films, read these books, countless times. Yet experiencing it together, as one unified group, made it seem somehow new again. The ambiance of the venue, the exquisitely performed film score, the fans reacting in utter joy and exuberance throughout… all of this made the evening a true night to remember… and I’m forever grateful.
Last September we brought you the exciting news of screenings of The Fellowship of the Ring, to be performed with live orchestra at Radio City Music Hall in New York. Time has flown by, and now those special performances are NEXT WEEK!
The good news is, two extra dates have been added; the shows are now Feb 6, 7, 8 and 9. It has also been announced that the orchestra for the performances will be the Lviv National Philharmonic Orchestra of Ukraine! AND there will be a post-concert talk, with conductor Maestro Wicki, each evening. For those of you lucky enough to be able to go, there are still some tickets available; click here to get yours!
AND – if you’re hoping to meet up with fellow fans, either before or after the concert, on Monday 6th Feb we have reserved the upstairs at McCarthy’s bar (46th and 6th). Go along before or after – the kitchen stays open until 2am! – head upstairs, and find your kindred spirits! (Or just spirits at a well stocked bar…) Have fun!
