Back in the earlier days of TORn – probably roughly during our Second Age – there were all kinds of exciting events which happened, both when Peter Jackson’s The Lord of the Rings movies were originally in cinemas, and in the years which followed. There was much excitement when the live performances of Howard Shore’s incredible score started; and then they started presenting the movies with live orchestra accompaniment. Those were heady days!

And now – they’re back!

Next February, to celebrate the 21st anniversary of The Fellowship of the Ring, the movie will screen with live orchestra at Radio City Music Hall in New York. Here below are the details from the press release:

21st Anniversary Concert: THE LORD OF THE RINGS: The Fellowship of the Ring In Concert

Academy Award-Winning Score By HOWARD SHORE, performed Live to the Epic Motion Picture with SYMPHONY ORCHESTRA, CHORUS, SOLOISTS

Ludwig Wicki, Conductor

238 MUSICIANS ONSTAGE BENEATH A 60-FOOT SCREEN

Radio City Music Hall, New York FEBRUARY 6-7, 2023

Celebrating the 21st anniversary of The Lord of the Rings: The Fellowship of the Ring, Howard Shore’s Academy award-winning score will be presented live, in concert. Experience the epic motion picture and its legendary score at the historic Radio City Music Hall, beneath a 60-foot screen accompanied by 238 musicians, including symphony orchestra, chorus and soloists, this coming February 6 & 7, 2023.

“The world is changed.” This very first line of The Fellowship of the Ring has new meaning for a fan community waiting for a return to live events. The 2023 concerts will mark the return of The Lord of the Rings, In Concert, to NYC for the first time since 2015. These returning concert events of The Fellowship of the Ring will bring 6,000 fans a night to see, hear, and feel Howard Shore’s epic score from the opening title through the end credits, in person once again.

The Fellowship of the Ring, In Concert, is represented by CAMI Music, who is partnering with Fifth Season and Bowery Presents to bring these performances to life at Radio City Music Hall.

The Fellowship of the Ring, In Concert, will be conducted by Ludwig Wicki, who was the inaugural conductor of The Fellowship of the Ring, In Concert, and specializes in bringing films and their scores to life. Orchestra, soloists, and chorus for the 2023 performances at Radio City Music Hall will be announced at a later date.

Howard Shore commented on the return of The Fellowship of the Ring, In Concert to New York City: “The concerts on February 6th and 7th, 2023 will bring Maestro Ludwig Wicki back to NYC’s historic Radio City Music Hall leading a symphony orchestra, chorus, and soloists. Based in the city of Lucerne, Switzerland, where we first performed the complete score to the theatrical version of the film in 2008, Maestro Wicki is the foremost conductor of this score-to-film concert. Over the years he has worked to perfect this music and his precision, detail and supreme musicianship will be on display at Radio City. I am so very happy to have The Fellowship of the Ring return to New York.”

Tickets are available now – and are selling fast! You can buy them here. We hope to host a post show party – probably on the Tuesday evening after the concert, but maybe we’ll manage both evenings! Stay tuned for more on that! Meanwhile if you want to find out more about these happenings, you can find LOTRConcerts on Twitter, Instagram and Facebook. Hope to see you there!

In order to get into Hall H for the Rings of Power panel, which was scheduled to be the first panel on Friday, July 22 at 10:30am, a group of fans needed a plan to camp out in line. Staffers from TORn, members of the Discord community and a bunch of fans from the UK banded together to have group members take turns standing, or sitting, in line, starting at Midnight Wednesday night, all day on Thursday, and overnight into Friday morning.

It was a blast to see the trailer, but the special footage that accompanied some of the cast discussions really showed us what type of show this is going to be, and those subwoofers that blow through the room during the first video emphasized the Power of the Rings.

Here is an accounting for the exclusive scenes shown to the 6500 fans in attendance.

Ring Verse video and sound:

Bear McCreary conducts, Sandy Cameron is the rocking’ cool violinist. Photo by B. Wampler

The panel began with Bear McCreary conducting a small orchestra with choral and violin solos of several minutes of his newly created music for the series, which was released a couple of days ago. Once the music ended, Stephen Colbert was introduced as the moderator, and very soon we’ll be giving a rundown of those cast and showrunner Q&A sessions in a separate article. But the first group of guests comprised the show runners and producers of the show. One said that the thing he had most wanted to see on screen was the moment when Sauron puts on the One Ring and invokes the Ring verse for the first time, sending a ripple across all of Middle-earth, a moment when the Elves especially, realized they’d been had. 

Shortly after this, we got our first Exclusive video footage, and it is this moment recreated for us in Hall H. 

Findrod overlooking Tirion upon Tuna and the Two Trees

The sequence opens with the image we’ve all seen, of Finrod walking up the grassy hill to see the Two Trees, and at this point the black curtains on the side walls pull back to reveal the screens that stretch more than half the length of the hall (approximately the distance of two semi-trucks back to back). This allows us to see the mountains and valleys to either side of the main image of the city and the Two Trees. 

This is cast images on the side screens, but during the opening montage they were an extension of Valinor’s hills and valleys.

But then we push in closer to see the trees better, and they are fading. As the light begins to dim, and the leaves fall, there is a giant shadowy figure of Morgoth in the sky. We are then transported to a realm of burning ground that seems to be disintegrating, and the Ring Verse appears in a golden circle on a black background. 

We hear the first line, read by Morfydd Clark, ‘Three Rings for the Elven-kings under the sky’, a quick glimpse of an elven realm, and the Ring Verse enlarges and rushes towards us as a giant burst of sound emanates from some very large subwoofers at the front of the stage, the whole room shakes and you can literally feel the blast on your face. 

She reads the second line, ‘Seven for the Dwarf-lords in their halls of stone’ and a quick glimpse of Moria in it’s glory, then the same rush of the Ring verse rushing towards the screen and the burst of sound from the speakers, just a wave of sound rushing the screen. 

Next comes the third line, ‘Nine for Mortal Men, doomed to die’, and a look at Numenor from above, and again with the Ring Verse and Sound bursting through the room. 

And finally, we get the final lines, ‘One for the Dark Lord on his dark throne, In the Land of Mordor where the Shadows lie’ and a glimpse of destruction before the final burst of sound with the Ring Verse. 

And thus, everyone in the audience, and everyone who came back onstage were just dumbstruck by that experience. It was one of the most visceral experiences to ever happen in Hall H.

Elrond and Durin IV’s relationship: 

Elrond competes in a Rock smashing contest in Khazad-dum

Elrond and Durin IV, set up like a prize fight as Elrond walks past male and female dwarves singing and chanting, but not necessarily in a good way, then big cheers when Durin IV enters. Again, very much like the bravado of two competitors before a big fight. 

Durin IV announces the challenge, to break rocks until one or the other cannot. If the Elf loses, he is banned from ALL Dwarven realms, if he wins. . .Durin IV sniggers, as if to say that is very unlikely, and then the big rocks are carted in.

Durin IV gives a big swing and easily splits his rock, Elrond hesitates just a moment and then gives a big swing as well. . .fade to black

Elrond and Galadriel’s relationship:

Reunion of two friends, in front of a tapestry depicting Sailing into the West.

Elrond greets Galadriel, and then each looks at the tapestry of a ship sailing into the sunset, and mentions in somber tones what it is supposed to be like, of a song welcoming one to this realm. The moment is very contemplative, and almost fearful on the part of Elrond. 

Then in a lighter tone, Elrond says he expected Galadriel to be covered in mud and dirt, she replies “more like frost bite and troll blood”

Galadriel and Halbrand saved from the sea: 

Filming of the shipwrecked Galadriel and Halbrand before the rescue.

We got context of that regal ship sailing into the Numenorean port. It is Elendil’s ship, the circular sails have the sunburst sigil on them, and two guests were aboard, the rescued Galadriel and Halbrand. Elendil recognizes Galadriel as one of the Eldar, and she asks what ship this is, he tells her and it does not ease her mind. Halbrand then asks where it is they are going, he doesn’t recognize anything about the port. 

But Galadriel does, she recognizes the carved stone faces they sail by, the glorious waterfall next to what may be a statue of Ulmo, and announces to Halbrand that it is the island nation of Numenor. This sequence also gives us a heavy dose of the grandeur of the music Bear McCreary is creating for Numenor.  

Arondir in chains: 

Arondir chained, but on offense here.

The Arondir scene where his ankle is chained is an Orc prison gang thing, several elves, and maybe some men are all chained and working at what looks like a quarry. The Orcs have those white membranous cloaks (could it be flesh?) on to protect them from the sun, but they don’t work well

We see one Orc wince from sun exposure and retreat to a covered area made of wooden beams and canvas. Arondir looks at another elf, giving a signal, and they and other prisoners attempt a jailbreak using the long chains to whip the Orcs off their feet.

The prisoners cross their chains and then take turns smashing with their hammers where the chains intersect. One chain breaks and that prisoner takes off running and scales the walls of the pit, until he is shot down.

Thus comes the scene where Arondir pics up an axe and leaps high overhead, but not to attack an Orc. No, he goes for the wooden crossbeam and collapses the structure protecting the Orcs. . . fade to black

Nori and the Stranger

Nori appears at the top of the burning crater and looks down to see the ‘Stranger’ curled up in a fetal position unconscious. Her friend Poppy comes up from behind and tells her to get away from the edge, it’s dangerous. Nori says that they should help the man below, and Poppy says that they can’t, he’s a giant and it isn’t safe. 

At that moment, the edge of the crater collapses and Nori falls into the crater, landing amongst the flames. As she scrambles to regain her feet, she realizes the flames don’t burn, they aren’t hot. This gives her enough courage to approach the figure at the center of the flaming crater. 

She slowly reaches out to touch him, while Poppy pleads for her to stop. Nori pokes his face and nothing happens, and again Poppy pleads for her to come back. Nori says that we can’t leave him here, not for the wolves to get, and then suddenly he wakes enough to reach out and grab her arm. 

Nori turns back to him, stunned and surprised, he looks just as perplexed and starts to cry out, the camera cuts back and forth between them, while the cries of surprise or pain or confusion escalate, the fire goes out. And then, Nori is able to pull away, and the Stranger falls unconscious again, and the flames return. 

Poppy urges Nori to get out as fast as she can, and Nori says we have to help him, and Poppy retorts ‘how are we to carry a giant’, but Nori says that they can, that this is who they are, and Poppy reminds her ‘no, this is who you are’. 

This last interchange between Nori and Poppy is very much like the Shire we know, where most of the Hobbits never go anywhere and never have any adventures, and then there are the Bagginses and Tooks, who do go places and have adventures. 

Thus ends the Dispatches from Hall H at San Diego Comic Con, at least as far as the exclusive video content goes. There will be a synopsis of all the cast and showrunner Q&As forthcoming.

Whether you have run the previous two races or not, you can still participate in this one, so limber up and join your fellow ringers and take on the 5 Meters Through Moria Challenge. This course will follow the fellowship of the ring’s dark and dangerous journey through the mines of Khazad-dûm. Once prosperous and echoing with song and the ringing of pick-axe, these dark caverns are now inhabited by orcs and cave trolls and something much, much worse. So be on your guard as you make your way to the final bridge and cross once more into daylight.

This Virtual 5k Race (3.1 miles) can be run or walked at any location you choose (please follow your town’s current rules). You can run, jog, walk in your neighborhood or your backyard, use a treadmill, climb the stairs in your home, or use an elliptical – whatever is most convenient and safe for you. 30 minutes of exercise can also count as 1 mile. Run your own race, at your own pace, and time it yourself – our 5k’s are on the honor system.

Before you start each race, download a RACE BIB here or from TheOneRing.net’s “The World and Works of J.R.R. Tolkien” Facebook page. Write your name or nickname and/or race time in the white box, then you can stop by our Facebook page and post a photo wearing your bib, or post in the comments below.

Once you have completed each race, let us know! Download your Finisher Certificate here and share another photo.

Also, check back next Friday for the fourth and final race. If you complete all four races, an additional special certificate can be yours! If you’re so inclined, reading the section in “The Fellowship of the Ring” that corresponds to this race might add a bit of color to your journey. Above all else, have fun. On your mark, get set, go!

If you weren’t able to join the first two races, don’t despair! Click on these links to earn your Shire Sprint and Racing to Rivendell bib and certificate. Complete all four races by May 29 and earn an extra crowning certificate.

Bibs and certificates designed by TORN staff member Mithril, aka Nancy Steinman.

Updated 11/3/17 – From time-to-time you, the fans, email TORn about events of interest to other fans of J.R.R. Tolkien and/or Peter Jackson’s Lord of the Rings and The Hobbit movies. As a service to our readers, we decided to created this new feature: a listing of upcoming events to keep everyone apprised of where they can hook-up and commiserate with other fans, learn a thing or two, or just plain enjoy the fandom that we’ve all come to know and love.  From Howard Shore concerts in Paris, to fan get-togethers in Kentucky and South Carolina, to exhibitions in Staffordshire, U.K., it’s all listed here! The list will be updated periodically as past events drop off and future events are added. If you know of an upcoming event, please let us know either in the comments section of this story, or by emailing spymaster@theonering.net. – TORn, ‘Together in Tolkien’

Continue reading “Fall/winter Tolkien/LOTR events: your ‘go-to’ list”

Yes we’re all about Middle-earth here at TheOneRing.net – but we know that many of our fellow fans (and staffers!) are also big fans of a certain galaxy far, far away! So in honour of Star Wars Day, we thought you might like to know about some very exciting performances coming up at Lincoln Center:

In September and October this year, the New York Philharmonic will be presenting the World Premiere Star Wars Film Concert series. There will be nine concerts, led by acclaimed conductor David Newman: two screenings each of Episodes 4, 6 and 7, and three screenings (because it’s the best – discuss!) of Episode 5. The New York Philharmonic tell us:

Since the release of the first Star Wars movie nearly 40 years ago, the Star Wars saga has had a seismic impact on both cinema and culture, inspiring audiences around the world with its mythic storytelling, captivating characters, groundbreaking special effects, and iconic musical scores composed by Williams. Fans will be able to experience the scope and grandeur of these beloved Star Wars films in a live symphonic concert experience, as the Star Wars Film Concert Series premieres from September 15 through October 7 at David Geffen Hall in New York City. Legendary composer Williams is well known for scoring all seven of the Star Wars saga films, beginning with 1977’s A New Hope, for which he earned an Academy Award for Best Original Score. His scores for The Empire Strikes Back, Return of the Jedi, and The Force Awakens each were nominated for Oscars for Best Original Score.

Don’t miss this is your chance to watch A New Hope, The Empire Strikes Back, Return of the Jedi and The Force Awakens on the big screen, accompanied by live orchestra; those of us lucky enough to have seen The Lord of the Rings film concerts know how special such occasions are. Tickets are on sale to the general public TODAY – you can purchase them online here or by calling (212) 875-5656! Follow @NewYorkPhilharmonic on twitter.

Click here for details of dates and times, and to buy tickets. 

1 howard shore OscarDue to the holidays, we’ll be continuing our stories related to the 15-year anniversary of the release of FOTR into this week. No series about The Fellowship of the Ring would be complete without mentioning the amazing music of Howard Shore and some of the talented people who brought it to life.

From the minute the screen lit up to the end of the credits, Shore’s Oscar-winning score held us spellbound. As the music accompanied the action of the movie, unique themes for the cultures of Middle-earth, even The One Ring itself, wove themselves through the movie seamlessly. Haunting solos and full-voiced choirs added both poignancy and excitement to the film. If you’re like me, you literally wore out your first CD of the score! Fortunately, there were a number of opportunities to acquire other editions such as The Lord of the Rings: Fellowship of the Ring Complete Recordings.

Continue reading “The music of Fellowship of the Rings”