EDITOR’S NOTE:This is the first of many set visit reports that will publish weekly from now until the premiere of “The Hobbit: The Desolation of Smaug.” We will update this post with photos from the set visit as soon as possible.
Ian McKellen as Gandalf.
WELLINGTON — Thousands of creative hands will have touched “The Hobbit: The Desolation of Smaug,” by the time it hits movie screens. For those making the film it means long hours, pushing the limits of creativity, people and technology. It is accurate to say every frame is filled with passion, lots of passion.
Despite all the love for the project from every quarter, there is a group that may be the least-heralded, most overlooked, and yet whose passion for the project is surpassed by no man — or woman. They will receive no awards, no fame, no recognition and yet, they loved their work on “The Hobbit,” and legions of fans would have willingly taken their place in a heartbeat.
They are called “extras,” and for these films that meant extra passion, extra time and extra fun.
How would I know? Well, I was one of them!
I am a staffer here at TheOneRing.net (TORn), contributing for over a decade to the all-volunteer, not-for profit website forged by and for fans of J.R.R. Tolkien. In that time I formed a bond of trust and friendship with people on all sides of the production.
Warners Bros. and the production team on “The Hobbit,” invited me, as a representative of TORn, to not only visit the set but to be embedded there as a journalist for five weeks. Every working day for a month and a week in 2012, I woke up and reported to set near Wellington, New Zealand where Peter Jackson and his team of filmmakers were putting together the film adaptation of J.R.R. Tolkien’s beloved children’s book, “The Hobbit.”
I can hardly believe this happened even though I remember it with incredible clarity. It seems surreal now — as it did every day when I arrived, showed my badge to security and walked into the grounds where Middle-earth would be created for audiences world wide. Each day was appreciated.
We all like to keep some things secret (and keep them safe); movie studios are no different. As we get closer to the release of The Hobbit: The Desolation of Smaug, Warner Bros. are finally lifting embargos and allowing interviews and content to be posted, which reveal spoilers, and drop hints, about what we can expect when the next film hits the big screen in December.
Our own staffer MrCere spent three months on set last year; stay tuned for some exclusive reports from him, coming soon. Meanwhile, here are several interviews on which the press embargo has just lifted, covering a two-day set visit for members of the press early last year.
Please note, there are movie spoilers to be found within. You have been warned!
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not.
As folks observed after the debut of the second Desolation of Smaug trailer, Guillermo del Toro is back in the credits for his work on the screenplay. There’s a co-producer nod for the late Eileen Moran as well. Highlight the space below to read the key omissions, and some fairly hefty spoiler analysis of what those omissions could mean for the movie.
Air New Zealand is showing The Hobbit: An Unexpected Journey EXTENDED EDITION before any of the rest of us have a chance to get our hands on it! And one lucky fan got to see it. Based on what she could remember, here’s her account — from her blog, ‘fortysixthhour’ – of the new scenes you can expect. TORn’s own comments are added in [bold and square brackets]:
It’s almost here! Before we get to The Desolation of Smaug, we can start that Unexpected Journey all over again with the Extended Edition of the first Hobbit movie! The digital download of the movie will be available October 22nd – that’s just next week! – with the Blu-ray 3D and DVD versions to follow on November 5th in the US, November 11th in the UK.
The word from the official press release is that this extended version ‘Features a 13-Minute Longer Cut and Nearly Nine Hours of New Special Features.’ The digital download will be available exclusively on iTunes from 22nd October, before being made widely available on 4th November.
The press release quotes Peter Jackson:
“I’m thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features,” said Jackson. “It’s exciting to present this expanded and enriched version of An Unexpected Journey to allow fans to fully immerse themselves in the movie, before seeing the second part of the trilogy.”
Here’s what we can expect in those nearly nine hours of special features:
• Commentary with Peter Jackson, Director/Producer/Screenwriter and Philippa Boyens, Co-Producer/Screenwriter
• The Appendices – A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.
• New Zealand: Home of Middle-earth [A documentary film we assume, though the press release doesn’t say anything else about this feature.]
Once the Extended Edition is available in ‘hard copy’ in November, you’ll be able to choose from a 5-disc Blu-ray 3D set that features the Blu-ray 3D and Blu-ray versions of the Extended Edition, or a 5-disc DVD set. The Blu-ray 3D and DVD both include UltraViolet versions of the movie, allowing download and instant streaming.
As soon as we have more details to bring you about the Extended Edition – for example, any different sets or packaging, and any international variations – we will of course bring you that news! Meanwhile, just over a week and we can see those extended scenes… Let the countdown begin!
NZSO recording DOS. Orchestral recording for The Desolation of Smaug soundtrack in the Wellington Town Hall has concluded. It also seems as though the choral(?) work occurring in London for the soundtrack is almost complete. It’s all very hush-hush though.
Additional Orchestrator and Conductor Conrad Pope reported on his Facebook:
With the superb first trumpet of the NZSO, Jon Dante celebrating the end of a series of some 29(?) sessions with the NZSO. Making music with the NZSO was wonderful and I look forward to working with them again — not only are they a superb concert orchestra, they are a remarkable “film orchestra” — they read difficult music accurately right out of “the chute”. But now, after 3 pictures, recording sessions in Wellington and London, since June — it’s time to sleep in, rest up and fly home and await the next assignment.
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not. 
