On a blustery March afternoon in San Francisco, when the clouds skirting past the tall buildings threatened showers of rain amidst the bashful bouts of sunlight, a handful of wanderers tucked into an office nook for a chat about a game of special significance. Three had come all the way from New Zealand to attend the Game Developer’s Convention (GDC) for the week, while two of the travelers were California locals. It was a merry meeting indeed, and I was delighted to have the opportunity to ask some questions about the upcoming video game Tales of the Shire: A The Lord of the Rings Game™.
Hailed as the first “cozy” game set in the world created by J.R.R. Tolkien, Tales of the Shire is highly anticipated by fans of the gaming genre and The Lord of the Rings afficionados alike. Made in partnership with Private Division, Wētā Workshop are creating a Tolkien experience unlike any other, centered on the quaint, quiet lives of Hobbits in the Shire.
“This is our love letter to Middle-earth,” said Calliope Ryder, the lead games producer for Wētā Workshop, “looking at it through really cosy eyes. We wanted to build something that was about the Shire, that was about Hobbits, with a visual look no one had seen before. There’s a strong narrative and strong elements of gameplay, but the most important part is that it’s peaceful. It’s about slow Hobbit living.”
Hobbitcore delight
Anyone who has followed my webseries Happy Hobbit on YouTube knows that my sister, family, and friends have been all about “slow Hobbit living” and celebrating a simple life for over a decade now. This game was music to my ears. “It sounds like it’s pure Hobbitcore,” I gushed.
“We are very keen to make all the Hobbitcore people happy,” said Morgan Jaffit, Executive Producer, with a broad smile. “That’s very important to us.”
“Hobbitcore” refers to an aesthetic similar to Cottagecore, highlighting slow living, simple food, friendship with the earth, gardening, cozy settings, and of course, quaint adventures: in short, anything that falls under the umbrella of living like a Hobbit in a romanticized fashion.
While Tales of the Shire is far from the first game set in Middle-earth, its gameplay is unique. Previous games such as the wildly successful Shadow of Mordor (2014) produced by Monolith Studios and Warner Brothers Interactive Entertainment, and its sequel Shadow of War (2017) involve gameplay centered on violence, stealth, and killing. While there is a place for such slasher games, having an alternative focused on Hobbits, food, and community is a wonderfully therapeutic accompaniment.
Diversity in gaming
Perhaps it is the female-dominated realm of Cottagecore content giving this impression, but I had a preconceived notion that cozy games, such as my current favorite Wylde Flowers by Studio Drydock, were largely the realm of female gamers, which isn’t the case. As Ryder explained, “If we think about it in demographic terms, the stats that I’ve seen previously say that cosy is roughly 60% women. I think you’d be surprised by the diversity in the cosy setting; It’s more about what motivation that player has to be there, and that’s what we try to deliver.”
These assumptions are not without merit. For decades, gaming was a male-dominated realm, filled with games made by boys for boys. While the gaming industry is still a notoriously toxic space for women, progress is being made, and Ryder’s career is living proof. While plenty of women enjoy slasher games, cozy games have the appeal of being simpler in nature so that, while perfectly suited to longer gaming sessions, one may dip in for 20 minutes between other responsibilities and still feel satisfied having achieved a bit of soothing escapism.
Therapeutic escape
This need for therapeutic virtual spaces became prominent during the global pandemic. The concept for the game was born out of a desire to escape into the Shire amidst the uncertainty and fear of 2020.
“That’s one of the initial inspirations to make Tales of the Shire,” explained Ryder. “It sort of sprang up around that time, and there was this big cosy Cottagecore boom at the time because people want to connect with nature. This was our version of looking at what we know, which is TheLord of the Rings and Middle-earth, [and asking], how can we create something that really gives back, and gives people an escapist experience in a place that they would really want to go to, and leans into that Cottagecore and Hobbitcore aesthetic?”
Make no mistake, this is the game I have been waiting for nearly all my life. “To me, it sounds therapeutic.”
“Exactly,” Ryder replied. “I play cosy games to relax or to process things. And this is a game in which we want people to feel like they can unwind and chill in the Shire.”
Lingering in the Shire
Before the announcement of Tales of the Shire, the closest Tolkien gamers could get to cozy virtual Hobbit content was The Lord of the Rings Online (LOTRO) produced by Standing Stone Games and Middle-earth Enterprises, a massively multiplayer online role-playing game. While segments of LOTRO take place in Hobbiton, and there is certainly much Shire exploration in the open world of the MMORPG, the gameplay centers around quests and is lovingly loyal to the novels, where little time is spent in the idyllic countryside dotted with Hobbit holes and kitchen gardens.
“The engine that drives everything when you look at the journeys across both The Hobbit and The Lord of the Rings is this love of time and place, and it came from Tolkien’s passionate reminiscing of the world that he grew up in,” explained Jaffit. “We don’t spend much time in the Shire on the screen or in the novels, but it’s always there because it’s the thing that drives the engine of everything else. It’s the special thing about which you have a sense of loss, and a sense of wanting, and a sense of home. The Shire is the place that you actually don’t spend much time in but is constantly romanticized. So why not build something there? Everyone’s talking about it all the time. Live there? Yeah!”
Childhood inspiration
Jaffit’s enthusiasm is palpable and doesn’t just originate from a love of a fictional locale. Growing up on a farm in Victoria, Australia, he and his large family, “worked on the land and worked with horses in a small country town. Certainly, my upbringing is about rural town living and what that means. And this is a game about rural living and what that means, and it means something very special because it’s also progressively fading away.”
“Not to make my childhood sound incredibly idyllic,” Ryder added, “but I also grew up on farms in the Waikato region of New Zealand which, if you know much about TheLord of the Rings films, is in the same region the Shire was filmed. Something that would make me really happy is if players can feel just a little bit of what I felt when I was growing up feeding chickens, when I was only this big,” Ryder paused to hold her hand a few feet up from the floor. “They were actually terrifying dinosaurs!”
Having likewise grown up with a family garden, chickens, horses, and other livestock, I have a keen connection with the land and forest surrounding my home. Many people are not as fortunate to have had the same experiences as we three, and providing a digital space for others to connect with an agricultural lifestyle, the cycle of the seasons, and living in friendship with the Earth is a means of keeping a fading way of life alive and accessible.
“I really want our players to get a sense of the best bits captured in my memory of what it was like growing up in Waikato, New Zealand,” said Ryder.
“As we lose our living links to the past, we see that resurgence in interest as we realize that we have to ask for those stories from our parents or else miss the opportunity to hear them,” explained Jaffit. “You have to ask about the stories of the people you meet, otherwise you miss the living link.”
Return to a pre-industrialized world
The irony of discussing how Tolkien created the Shire out of nostalgia for the pre-industrialized world of his childhood, as we shared our mutual love of farm life in that room in San Francisco, against the backdrop of the Silicon Valley, surrounded by skyscrapers representing “big tech,” was not lost on anyone. “We live in such a busy world,” I offered, “and in a world where there’s so much negativity being crammed down our throats from every angle. I think that the timing couldn’t be better for a game like this.”
“It’s a bit bleak that ever since we started, we were being like ‘oh, the timing couldn’t be better,’ but it’s still like that. Now the timing really couldn’t be better,” agreed Ryder. “People need this cosy game. People need cosy things and people need that link [to the natural world] you are describing, and I really hope that they will get a little taste of that experience.”
While not everyone can have access to idyllic spaces like the Shire in real life, a virtual experience brought to life by Wētā Workshop is the next best alternative.
“Wētā Workshop is better at place than anybody on the planet,” said Jaffit. “What this game is about is building a place that is warm and gentle and beautiful, that you can get to visit and be inside and understand and appreciate. I think it’s really special.”
Handcrafted with care
“This game in particular feels very handcrafted,” Ryder elaborated. “So even though we have this enormous IP that is beloved world over, it’s a very handcrafted, loving take on an experience that feels more indie. Many of us working on the game haven’t come from film, or haven’t had other experiences with LOTR, but we do come from the indie scene, and we really infuse that love and care and the closeness that we want to build with community in an organic way.”
“It is a very ‘creativity first’ approach,” I offered, and both Ryder and Jaffit agreed. As a former Wētā Workshop crew member myself (helping pen Middle-earth from Script to Screen with Daniel Falconer), I greatly admire the way the Company not only honors but celebrates the creative process and collaboration. The team behind Tales of the Shire was able to draw upon Tolkien experts Daniel Falconer and Sir Richard Taylor for feedback as the game was developed, to ensure attention to detail and accuracy; both of which are incredibly important to a fanbase known for its love of lore.
Well-known characters – and a mystery duck
Set in the Third Age of Middle-earth, Tales of the Shire promises to have some familiar faces appear. While we seem to have already glimpsed the Wizard Gandalf in the teaser trailer, Tolkien fleshed out a great many of the Shire locals, and gamers can expect to encounter them. “We have some more [obvious characters] I think most people will recognize from the world they know, and then we have a lot of subtler ones for the hardcore fans who are really deep into the lore… and you’ll have some moments with them.”
One seemingly original character who caught the imagination of fans from the very first images released from the game is a duck wearing a Dwarven helmet. TheOneRing.net’s Discord and broader social media in general has been alive with speculation over the mystery duck. “Yeah, she is in herself a bit of a tease of something to come that we haven’t seen yet,” shared Ryder. “She’s a hint. She’s the Easter egg. She’s got a name. I won’t give you a name right now, but she has one.”
While the identity of this Mystery Duck remains a closely guarded secret for now, the presence of other fine-feathered friends didn’t escape my Hobbit senses. “In both teasers, the sound effects of chickens are featured heavily,” I said, before going in for what is likely the burning question all fans want answered. “Can we expect chickens to be integral to the game?”
“They will,” Ryder laughed. “Maybe not as much as we’ve hinted, but they are definitely there. Yeah, we have had quite a bit of fun.”
The full trailer for the game and release date have yet to be announced, so I remain in suspense amidst my fellow gamers as to the role of chickens and the identity of the Mystery Duck in Tales of the Shire.
Tales of the Shire will be available on PC and consoles, with a mobile version to be released via Netflix. Watch the announcement trailer below.
Kellie is known as “Kili” on Happy Hobbit, but also writes Fantasy novels and hosts a podcast under her pen name, K.M. Rice.
Peter Jackson and other luminaries from all quadrants of the Film Business celebrate the life of Sir Christopher Lee (who played Saruman in both The Lord of the Rings and The Hobbit) in a new feature-length documentary. We caught up with the director of the film, Jon Spira, to get the real story on Lee’s personal mythology.
The new documentary is completely finished, and pre-orders for the DVD and Blu-ray editions are available on Kickstarter now. With self-distribution, the documentary bonus features will include the full, unexpurgated Peter Jackson interview as well as many other goodies. See a clip here:
Director Jon Spira talks with Quickbeam
Quickbeam: When we were making Ringers: Lord of the Fans, we were just walking around and asking all kinds of people, would you like to share your reflections on the the whole Lord of the Rings fandom. Everybody from David Carradine right on down to Peter Jackson and everyone in between was very happy to say yes. The stories just profusely came out of people. Did you find that people were just really eager to talk about Sir Christopher Lee?
Jon Spira: People really wanted to talk about Christopher Lee because he left an indelible mark on everyone he met. He was loved and admired; and and I say that as two very separate things. The people who knew him truly loved him, and the people who maybe didn’t know him as closely, truly admired him. One of the things that I found really kind of heartening and fascinating to learn was that he was somebody who was completely egalitarian. He would talk to anybody, he treated everybody as his equal, and he would sit down. He loved being on film sets, and he was just as happy talking to a runner as he would be talking to the director.
Christopher Lee didn’t differentiate between people he really didn’t see differently from someone who came from genuine aristocracy. He didn’t see that divide in people. And so he he left a legacy of genuine affection. And that was something which really kind of came out in the film.
Allowing Sir Christopher to be His Own Voice
Quickbeam: I love that that you can discover new insights into your subject without knowing you’re going to arrive there. You you begin as a filmmaker, as a documentarian, you start somewhere and you always surprise yourself and ending up with new places and new information you’ve discovered that actually does recontextualize what you’re trying to present (as a filmmaker).
Jon: There’s some apocryphal stuff out there, but most of those crazy lists are completely true. Really weird stuff. Like, he met Rasputin’s killers and he witnessed the last-ever guillotined person in Paris. You know, all that strange stuff is true!
I trust the process now. I don’t always know going into it. I don’t always know what I’m making. One thing that I really knew was that I wanted Christopher Lee to narrate this film somehow. Like, I knew that he had to be the narrator of the story, because I knew that he was the unreliable narrator.
Christopher Lee is descended from Emperor Charlemagne of the Holy Roman Empire, related to Robert E. Lee the Confederate general, and nearly married into the Crown Equerry to the King of Sweden pic.twitter.com/iUa1AxDUsY
(Editor’s Note: Jon helped us clarify that Sir Christopher was indeed NOT related to Gen. Lee)
Sir Christopher’s Deep Fascination with Tolkien
Jon: He was completely obsessed with Tolkien. He read Lord of the Rings when it first came out, like, you know, chapter by chapter. And he read it every year. He would read the whole of Lord of the Rings cycle once a year. He was completely obsessed with it. When it was announced that Peter Jackson was going to make the films, he basically grabbed hold of his son-in-law, who was, to a degree, his defacto manager at the time, and basically said: “You have to get me in these films, no matter what. You have to get me in these films–so get online.” Because he personally was a very early adopter of the internet as well, and using it for his fan base, he was like, “Get online, make sure all the fans are talking about this, and make sure that these people know that I need to be in these films!”
I think one of the greatest parts of the documentary is a part that I didn’t direct. Throughout the film we use lots of animation and lots of kind of crazy stuff to tell his stories, and we got a guy called Dave McKean.
Jon: Yes! The crazy thing is, I said to him, “You don’t need to consult with me on this.” Without much time, I was expecting kind of a series of slightly moving images like an animatic. But his animatic was really good. How is he going to do it better than this? He ended up doing a whole studio shoot. He created full masks for people. He created a set. And he composed a score for it.
The best part is, Dave Mckean chose to animate the moment where Christopher Lee met J.R.R Tolkien!
The filmmakers express gratitude to @archmodelstudio for their great assistance creating this puppet!
On the Future of Saruman
Justin: For these recreation scenes, now there’s A.I. where you can do voice duplication.
Jon: We went even better than that. Have you heard of Peter Serafinowicz?
Justin: Darth Maul?
Jon: He was our first choice. And he was absolutely amazing. He’s very famous over here as a comedian. Had his own comedy show, and he was on a lot of other kind of shows. And he actually does great work.
Justin: With new Lord of the Rings coming from Peter Jackson and Prime Video, is the technology advanced enough to digitally recreate Christopher Lee’s Saruman? Or do you think recasting Saruman in these new tales is a better path?
Jon: I think recasting. I’ve talked to a lot of people and I’ve looked at deepfakes a lot, but he has qualities that can’t be echoed. I always think back to Rogue One where they kind of tried to do Peter Cushing, and you just go: “But it’s not him!” And at the end they did Carrie Fisher and you just go: “But it’s not her.” It feels off. You can’t recreate life. Not close up. Not that kind of thing. You can’t. The human eye is something which can’t be replicated because it’s the window to the soul. Everything that’s ever happened to someone is kind of behind their eyes.
It’s great for creating creatures and it’s great for creating original things. But if you’re trying to replicate a human being, I honestly don’t think it’ll ever get there. I think there is an anarchy in organic chemistry which will never quite be replicated.
Order the Compete Documentary on Blu-ray
You can watch the entire 90-minute conversation with the director of The Life and Deaths of Christopher Lee on YouTube. Clifford “Quickbeam” and Justin dive in deep with Jon Spira about the myths and legends about Lee, his core drives in life, and how much LOTR fandom really meant to him. Order your copy of the full documentary + bonus features, including interviews with Peter Jackson and Lee’s family, on Kickstarter now.
It’s Friday 17 May 2024 – and a seismic shift in The Lord of the Rings adaptations has been felt around the world. Here’s all the news you may have missed:
Rings of Power S2 gets a trailer, a date, and a BTS video
Prime Video unveiled season 2 of The Rings of Power at their UPFRONTS, an advertising industry event designed to lure more advertisers to buying commercials during shows. Prime also updated the show’s social media handles from LOTRonPrime to @TheRingsOfPower and released a 3 minute Behind-the-scenes look at S2.
Season 2 of The Lord of the Rings: The Rings of Power debuts Thursday August 29, 2024 with a 3-episode premiere, then settles into weekly episodes for the remaining 5 weeks.
LEGO Barad-Dur tower date and price
The 5,471 piece set is available June 1 for $459.99.
We see you. You can't hide your passion for the new Lord of the Rings: Barad-dûr™ set ☄️ pic.twitter.com/wx7ANVApcS
The first movie in the new WB LOTR license is The Hunt for Gollum, directed by Andy Serkis, who also will play the character again. Produced by Peter Jackson, Fran Walsh and Philippa Boyens, with a screenplay by The War of the Rohirrim writers Phoebe Gittins and Arty Papageorgiou. Read more about how they landed on this particular story in the Legendarium.
In a technical slip up, the automated YouTube and WB copyright system temporarily took down the 15-year-old fan film The Hunt for Gollum, which was back up within hours and is still free to watch.
Rohirrim preview in June while scoring continues remotely
Exec Producer Jason Demarco announced a “big chunk of the film” will be screened at Annecy animation festival in June, and shared a new logo for the movie.
Composer Stephen Gallagher continues to post updates on the scoring of the new Anime LOTR movie coming this December.
Middle-earth Enterprises owner Embracer Freemode shared an in-depth interview with CEO Lee Guinchard, where he lays out the strategy going forward to build The Lord of the Rings into a premium, high quality brand that is collaborative and fan-first.
LOTR Executive Producer Mark Ordesky has teamed up with the Blair Witch creators to launch a new fantasy project: an omni-channel disc-world universe with a dice game on Kickstarter.
Black Milk Clothing has finally restocked its official LOTR apparel, including this Arwen dress.
Christopher Lee feature-length documentary, featuring a brand new interview with Peter Jackson, enters its final Blu-ray pre-order days with a Dracula inspired premium box set.
The Hunt for Gollum Producer Peter Jackson has opened up to Deadline on why this story, and this character, are right for this crucial moment to extend a Middle-earth resume that’s reaped $6 billion at the box office. It is a follow-up discussion to the Middle-earth shattering announcement of two new The Lord of the Rings movies from last week.
“The Gollum/Sméagol character has always fascinated me because Gollum reflects the worst of human nature, whilst his Sméagol side is, arguably, quite sympathetic. I think he connects with readers and film audiences alike, because there’s a little bit of both of them in all of us. We really want to explore his backstory and delve into those parts of his journey we didn’t have time to cover in the earlier films. It’s too soon to know who will cross his path, but suffice to say we will take our lead from Professor Tolkien.”
Peter Jackson, via Deadline
The new feature film, The Hunt for Gollum (tentative title), seems to be a natural follow up from the writing and producing team behind The War of the Rohirrim. Newcomers Phoebe Gittins and Arty Papageorgiou wrote Rohirrim under the watchful guidance of Oscar winner (and Phoebe’s mother) Philippa Boyens, and the results have been impressive enough that they are already been engaged to work on this second Middle-earth film.
Peter Jackson and partner Fran Walsh are not officially involved in Rohirrim, but the activity around Weta from all their old collaborators may have been enough inspiration to get back into the game. Just as his original plan for The Hobbit was to hand off directing duties to someone else, Jackson has brought in Gollum himself Andy Serkis. “Their search for excellence never ends, and now I get to help reach that bar again. It was Philippa who first called me actually and said, look, this is what we’re thinking. And I was just flushed with a sort of, oh my God, I’m going back in there,” says Serkis.
Andy was already shooting his shot early last year, telling BroBible he was ready to come back on one condition: that Jackson is involved.
The Imaginarium production company, founded by Andy Serkis and Jonathan Cavendish, will help bring The Hunt for Gollum to life. They previously made Mowgli on Netflix and have three state-of-the-art motion capture studios in London, used on everything from Planet of the Apes movies to Napoleon. Andy is excited to film Gollum with complete mobility and freedom that the latest technology from Apes and Pirates movies now allow, and he is hyping up a more expressive full-body performance for this new iteration of the character.
Andy Serkis has kept busy directing feature films Venom: Let There Be Carnage, Mowgli: Legend of the Jungle, Breathe, and Animal Farm. Fans who have watched PJ’s The Lord of the Rings Extended Edition Appendices will of course know Serkis was Second Unit Director on The Hobbit films. He has also received accolades playing Caesar in the recent Planet of the Apes movies, setting a new standard for digital character performance.
How does The Hunt for Gollum fit with the LOTR trilogy?
“We don’t want this film to be just the fourth film in the trilogy. This film has to work in its own way,” Jackson tells Deadline. “I know there’s plenty of people out there who will be like, oh no, why are they doing this? Why are they going back in? Well, that’s our job. Our job is going to have to be to prove why we think that it’s a good idea.”
So it’s absolutely thrilling to be able to go back and do a deep dive into his world again, and specifically into Gollum’s psychology. I know we’re all interested in investigating on a deeper level who that character is, and on top of that, to be able to direct and hopefully create a film which has its place within the canon, but also something that’s fresh and new and a different approach.”
Jackson confirms the films will shoot in and around New Zealand.
What characters will be in TheHunt for Gollum?
“We are just literally having very early state script discussions and ideas of exactly where and how we’re going to drop anchor with [Gollum] and his journey and how he is or comes into contact with other characters, and the characters that we know and don’t know. So still, I would hate to say anything that’s going to commit us at this point, because it’s literally all up for grabs.”
“We have the right to The Lord of the Rings and the appendices, and that’s it,” says Philippa Boyens. “Fans always get nervous that there’s only so much story that is in there. But look at War of the Rohirrim. It’s a page and a half at first glance in the books. But there are lots of threads in there throughout the book.”
But really, why Gollum?
“Gollum’s story is one of the most compelling to us in terms of a character that we couldn’t go as deeply into as we wanted to before, which sounds strange when you say that, given how familiar he is to everybody,” Boyens told Deadline. Gollum had 34 minutes of screen time in the LOTR trilogy, just above Legolas and Gimli who both have 31 minutes, plus he’s featured in The Hobbit in a big way. According to LOTRProject Gollum is the most-mentioned antagonist in both The Hobbit and The Lord of the Rings books. Only eight characters receive more mentions across all the books, and they are all the main heroes. Of course, the data may be skewed because he always coughs his name twice.
Read the whole interview with Andy, Peter, and Philippa at Deadline.
Prime Video released the first trailer for The Lord of the Rings: The Rings of Power second season. And TORn staff have thoughts! Take a look at the trailer, and read our reactions below…
greendragon says:
0.08 – is Durin talking about Sauron, or could he be referencing the Balrog?
0.11 and 0.26 – seems Sauron can take on all kinds of forms; worms, butterflies, even a very pretty Elf…
0.20 – do Elves ever draw a weapon without a flourish?!
0.38 – Celebrimbor and Sauron – the two great forgers of rings, going toe to toe?
0.46 – cool to see Sauron in his Annatar form
0.54 – is this the sea monster we encountered in S1? Who is in the water?
0.58 – what is causing destruction in Khazad-dum? Surely it’s not the Balrog already?
0.59 – Yay Elendil! One of my favourite characters from S1. Lloyd Owen does a fantastic job.
1.07 – dwarven rings! So are these the rings we will see forged in S2, having seen the Elven rings in S1?
1.12 – the eagles are coming! Also, Trystan Gravelle (Pharazon) is SO good.
1.16 – pretty good job for Adar continuity, given that it’s no longer Joseph Mawle in the role, but is now Sam Hazeldine. And what is he flanked by here? The creature on his right looks very skeletal; a Barrow-wight, perchance…?
Overall – lots to think about, and it’s pretty compelling. I’m excited for August 29th!!
Look closely, there are Numenoreans halfway down that cliff
Garfeimao says:
The final scene from Season 1 of Sauron arriving in Mordor opens the trailer, showing that not a moment has passed between the two seasons.
Durn IV is first narrator, speaking of the return of an Ancient Evil
The Black Mass that is moving on the ground looks like a pile of deadly worms or vipers and emanates evil
Whose hands have blood on the palms, is this one of the Mystics using blood magic?
Tree roots reaching for someone (Celebrimbor maybe) in the dark before we see a bunch of orcs marching through the woods with torches
A portal opens in Celebrimbor’s chambers, is someone walking through?
Galadriel’s narration says “he’s been among us all along”
Sauron as an Elf in a black-feathered outfit walking calmly as other elves are running
A black-haired woman in the water and a sea monster, could she be a version of Sauron, a human sacrifice, or a nightmare?
A cataclysm in Khazad-dum with parts of the stone ceiling crashing on one of the bridges in the city.
Elendil struggles through a mob of people
Gil-Galad, Galadriel and Cirdan
The Three Elven rings on the hands of Gil-Galad, Galadriel and is the third Cirdan?
Durin III with a Ring (oh crap)
Arondir, doing the awesome Elf acrobats, shows up to help Isildur
A Giant Eagle lands behind Pharazon, who then unsheaths his sword, this doesn’t bode well
Theo is crying, gotta wonder what has happened to make that happen
A cascade of fire bombs heading toward a city (Eregion?)
The Stranger is standing by a well in the middle of the desert and pounds his staff on the ground for power and a windstorm
Someone is holding onto a rope trying not to fly away in strong winds full of dust (are these two scenes connected or just red herring editing?)
A bloodied elf dropping a handful of rings into a fire, is it Celebrimbor injured? Is it a version of Sauron? Is it just a random elf? Are they trying to destroy those rings, or will they land next to the fire and not in the fire?
WeeTanya says:
My initial reaction:
Thematically, it’s picking up exactly where it left off. Sauron is overlooking his realm. The Harfeet are still a-wandering, the mystical cults from the East are still mystically culting, and a lot of this feels the same. But there’s also a time shift — Durin recognizes that the Balrogs have awakened, and Galadriel and Action Elrond are in a sickly green forest fighting some unseen foe, Numenor seems to be on the way to falling, and the rings are very definitely being forged. I wonder if this backtracks a bit into season 1 to pick up some of Celebrimbor’s story with Halbarad — we hear Celebrimbor saying, “He worms his way inside your mind, and the rest of him slithers in.”
But then there’s blond, long-haired Sauron who has been “there all along” with…Celebrimbor? Creating the rings? I mean, canonically he does this, and Galadriel is suddenly confused by it — does this mean Sauron has been playing several roles throughout Season 1, but we just never saw him in his fair Elven form? Also, at one point Elf-Sauron flexes his arms and something goes “boom” — does he reveal that he’s been turning Ost-in-Edhil into his own evil fortress all along, or does darkness descend all at once?
I think we see the start of the fall of Moria, which is confusing — shouldn’t this be much later in the 3rd age? Will the dwarves begin to disperse, will we see their exodus? Anyway the dwarven king accepts his dwarven ring. Will TROP go with the thread that this ring poisons the dwarves and makes them blind to the evil in the depths of Moria, and a lot of them stay? I am very curious about this plotline.
Numenor is Numenoring! Why does Ar-Pharazon have a pet eagle? Shouldn’t he want absolutely nothing to do with eagles, as emissaries of the Valar?
Elessar says:
I love that we’re seeing from the jump in this trailer that Sauron’s power is being built in a way that really will emphasize his threat. Hopefully that’s not a trick of the trailer. I also love that we’re going to see Annatar as well and that it’s the same actor from last season. Does Celebrimbor survive season 2?
I’m also excited to see more of what the some love show to the Númenóreans in this. I cannot wait to see all that goes with these folks. Working towards the formation of Gondor is something I’m very much looking forward to. I’m also excited see more of the Dwarves. Was that the fall of Moria? Am I getting more Balrog? (Please 🙂 )
All in all I’m looking forward to things.
Kili and Bard say:
My sister was out of town so I filmed a reaction video with my boyfriend Rónán!
And you can see the full trailer breakdown on TORn Tuesday from last night for more analysis!
Edited to add reaction to the Behind-the-Scenes video
Garfeimao – Season 2 BTS video:
Morffyd says that Galadriel feels more connected to the peoples of Middle-earth and that it will drive her even more
Gil-Galad looking very somber
Sauron is out in the open, making everything happen
The new Adar is less deathly looking, but then, that might just be the fact it was BTS cameras and not FX treated film showing him.
Durin IV is adrift, his relationship with his dad is gone and his pride has taken a hit
Ismael says that Arondir has taken a blow to his spirit (there is a funeral pyre, could Bronwyn be dead?) Is that why Theo is crying in the trailer?
Miriel marches down the stairs in an elaborate gown, has her sight returned, or is she just that good at faking it?
Emma states that, at least in Numenor, the chess board has been set and the pieces are moving
Ben states that the Gloves have come off in season 2, as far as the Elves are concerned
Gil-Galad orders a watch at every crossing, he must not escape (the search for Sauron is on)
I was wondering who the old, grey-haired elf was, but I can now see the chest armor and it’s Adar, but it looks like this might be a flashback scene because his hair is so different.
The Stranger appears briefly and Markella says it’s great to be back, both continuing their journey
Celebrimbor tells Galadriel that he’s had an unexpected visitor? It appears to be an elf coming through the open portal
Gotta love the comedy duo of Durins III and IV
John Howe is excited by the prospect of new places and territories in Middle-earth to explore
Elendil and other Numenoreans down by the rocky shore, what is everyone looking at?
Maxim talking about how the set is almost too scary to go into, tunnels filled with spider webs and orcs caught in those webs. Is this Shelob’s Lair? It is one way out of Mordor. . .
Incredible set design shown, and Bear McCreary talking to the singers about how when they are on this set and in costume, they are going to discover more things to do
And then we see Disa and her trio singing to the stones.
Robert talks about doing new things that plunge you into the story, as we see him and other Elves in full armor in a battle.
We see Celebrimbor and Durin IV together in what looks like a part of Khazad-dum (I want Narvi)
Maxim says it’s been a long wait, some bad things have happened and some good things have happened, but we are Back in Middle-earth.
Footage of the highly anticipation LOTR anime film debuts at Annecy, for a second year in a row. Special guests include Andy Serkis, Philippa Boyens, Kenji Kamiyama, Joseph Chou and Jason DeMarco.
The Lord of the Rings: The War of the Rohirrim preview will take place 12 June 2024 at 4pm local time. Link to the event page. But first: a new logo treatment for the movie!
Executive Producer from WB Feature Animation, Jason DeMarco, says it’s more than a trailer – a “nice big chunk of the movie.”
If you’re at Annecy this year, come see our War of the Rohirrim panel! Mr ANDY SERKIS will hold a convo between Kenji Kamiyama and Philippa Boyens (and myself), and we will be showing a nice big chunk of the film. CANNOT WAIT! See you there. https://t.co/UFbL6IZATj
— NUNEKIN KAMUI DEMARCO (@Clarknova1) May 13, 2024
Warner Bros. Feature Animation sends word of their plans for the big French animation industry event.
WARNER BROS. ANIMATION, CARTOON NETWORK STUDIOS, HANNA-BARBERA STUDIOS EUROPE ANNOUNCE PROGRAMMING SLATE FOR ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL
Andy Serkis to Host Filmmaker Conversation and Extended First Lookof the Highly Anticipated New Line Cinema and Warner Bros. Animation’s
The Lord of the Rings: The War of the Rohirrim
Inside Look at the Upcoming DC Studios/Max Original Animated SeriesCreature Commandos
World-Premiere Screening of The Day the Earth Blew Up: A Looney Tunes Movie, First Look at The Amazing World of Gumball, Sneak Peeks, and More!
Warner Bros. Animation (WBA), Cartoon Network Studios (CNS), and Hanna-Barbera Studios Europe (HBSE) will return to the Annecy International Animation Film Festival with a showstopping slate of animated content showcasing the studio’s rich history, diverse styles, and world-class artistry.
Programming highlights include first looks at the highly anticipated New Line Cinema and Warner Bros. Animation’s original anime feature The Lord of the Rings: The War of the Rohirrim, the upcoming DC Studios/Max Original Creature Commandos, The Amazing World of Gumball, and the World Premiere of The Day the Earth Blew Up: A Looney Tunes Movie.
Full Annecy programming slate
The Lord of the Rings: The War of the Rohirrim – Filmmaker Conversation and Exclusive Extended Look with Special Guest Andy Serkis
Oscar winner Philippa Boyens (The Lord of the Rings and The Hobbit trilogies), award-winning filmmaker Kenji Kamiyama (the Blade Runner: Black Lotus and Ghost in the Shell: Stand Alone Complex TV series) and producer Joseph Chou (Blade Runner: Black Lotus TV series) return to Annecy to unveil the first footage from the highly anticipated original anime feature, The Lord of the Rings: The War of the Rohirrim. In a special appearance, Andy Serkis (The Lord of the Rings trilogies) will join filmmakers as they reflect on their creative journey in translating the cinematic wonder of Middle-earth through the visually sweeping lens and artistry of anime.
From New Line Cinema and Warner Bros. Animation, The Lord of the Rings: The War of the Rohirrim explores and expands the untold story behind the fortress of Helm’s Deep, delving into the life and bloodsoaked times of one of Middle-earth’s most legendary figures; the mighty King of Rohan – Helm Hammerhand.
Animation work is currently underway at Sola Entertainment. The film will be distributed theatrically worldwide by Warner Bros. Pictures on December 13, 2024.
Creature Commandos – Making of Session
From Executive Producer and writer James Gunn, Creature Commandos is the upcoming Max Original animated event series, based on DC characters and produced by DC Studios and Warner Bros. Animation which follows Amanda Waller as she forms a black ops team out of monstrous prisoners. Prepare for an in-depth look from Rick Morales (supervising producer) and Balak Yves (supervising director) into the artistry and creative processes behind this highly anticipated series kicking off a new era of storytelling in the DC Universe.
The Day the Earth Blew Up: A Looney Tunes Movie – World Premiere Screening
That’s not all folks! Porky Pig and Daffy Duck, one of the greatest comedic duos in history, are making their hilarious return to the big screen in the sci-fi comedy adventure, The Day the Earth Blew Up: A Looney Tunes Movie.
From Warner Bros. Animation, director Pete Browngardt, and the creative team behind the award-winning Looney Tunes Cartoons, The Day the Earth Blew Up: A Looney Tunes Moviestars Porky Pig and Daffy Duck as unlikely heroes and Earth’s only hope when facing the threat of alien invasion. The movie unfolds a rich Porky & Daffy story that fans have never seen before: In this buddy-comedy of epic proportions, our heroes race to save the world, delivering all the laugh-out-loud gags and vibrant visuals that have made the Looney Tunes so iconic, but on a scope and scale yet to be experienced.
The Amazing World of Gumball – Making of Session
More Gumball! The comedic misadventures of Gumball, Darwin and the quirky residents of Elmore continue in The Amazing World of Gumball (wt). Join Ben Bocquelet (Executive Producer), Matthew Layzell (Executive Producer), Emma Fernando (Series Producer), Xav Clarke (Composer), Sarah Fell (SVP, Series, Hanna-Barbera Studios Europe) for an inside look at the long-awaited return of these beloved characters.
Spotlight on Warner Bros. Animation, Cartoon Network Studios, and Hanna-Barbera Studios Europe – Studio Focus
Warner Bros. Animation, Cartoon Network Studios, and Hanna-Barbera Studios Europe showcase their high-profile slate of current and upcoming film and series projects. Learn how these three storied studios aim to be the broadest purveyor of animation in the world, producing content that touches every audience group and every platform. Grab industry insights, exciting news, and exclusive first looks from the always original Cartoon Network Studios, the iconic characters of Warner Bros. Animation, and the whimsical world of Hanna-Barbera Studios Europe.
Adult Animation at Warner Bros. Discovery – Studio Focus
Adult Swim, Max, and Warner Bros. Animation spotlights their strategy and efforts in the booming adult animation space. Michael Ouweleen (President, Adult Swim), Suzanna Makkos (Head of Adult Animation, Adult Swim), and Peter Girardi (Executive Vice President, Alternative Programming, Warner Bros. Animation) preview current and upcoming projects and share their team’s strategies to ensure Warner Bros. Discovery remains the destination for adult animation.
100 Years of Shorts – Annecy Classics Screening
A curated program celebrating the proud legacy of short form at Warner Bros. Animation, Hanna-Barbera, and Cartoon Network Studios featuring animated shorts from Friz Freleng, Tex Avery, William Hanna & Joseph Barbera, Chuck Jones, Genndy Tartakovsky, and more!
# # #
About Warner Bros. Animation
Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s current series include Batman: Caped Crusader, Bat-Family, Batwheels, Bugs Bunny Builders, Creature Commandos, Gremlins: Secrets of the Mogwai, Harley Quinn, Jellystone!, Kite-Man: Hell Yeah!, Looney Tunes Cartoons, Merry Little Batman, My Adventures with Superman, Teen Titans Go!, Tiny Toons Looniversity, and Velma. The studio is currently in production on two feature films – The Day The Earth Blew Up: A Looney Tunes Movie and the upcoming original anime feature film The Lord of the Rings: The War of the Rohirrim, with New Line Cinema. WBA’s full-length theatrical film Teen Titans GO! to the Movies was released in summer 2018. As home to the iconic animated characters from the DC, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Movies — for DVD, Blu-ray® and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 40 Emmy® Awards, the George Foster Peabody Award, a BAFTA Children’s Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 21 Annie Awards (honoring excellence in animation).
About Cartoon Network Studios
Established in 2000, Cartoon Network Studios (CNS) is a global animation and interactive studio recognized for its innovative approaches to IP development and world-building. Fostering a creator-driven environment, CNS is home to hundreds of visual artists who have been a part of the studio’s many critically acclaimed and groundbreaking animated series, including Adventure Time, Craig of the Creek, Steven Universe, Regular Show, The Powerpuff Girls, and We Bare Bears. CNS has also produced notable Adult Swim hits such as Genndy Tartakovky’s Primal, Samurai Jack, and Harvey Birdman, Attorney at Law. CNS has been honored with multiple awards and accolades, including Emmy®, Peabody, GLAAD and Annie Awards. Internationally, the studio also garnered the BAFTA Children’s Award, Italy’s prestigious Pulcinella Award and Annecy Festival’s Cristal Award.
About Hanna-Barbera Studios Europe
Hanna-Barbera Studios Europe is Warner Bros. Discovery’s flagship animation studio within EMEA. Based in London, the studio is home to quality local productions distributed worldwide, including The Amazing World of Gumball, The Heroic Quest of the Valiant Prince Ivandoe, and Elliott from Earth. Its content has been honored with BAFTA, Emmy, Emile, Annie, Prix Jeunesse, Rockie and Annecy awards
Discussion is fired up for a teaser trailer
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