For the first time in North America, the complete film trilogy The Lord of the Rings will be presented live, in concert, at the David H. Koch Theater at Lincoln Center, New York, April 8-12, 2015. Beneath a giant screen, the Academy Award-winning scores by Howard Shore will be performed by 250 musicians, on stage, including symphony orchestra, chorus and soloists, in two trilogies, Wednesday-Friday, April 8-10, and Saturday-Sunday, April 11-12. The production is created by CAMI Music, and follows acclaimed concert presentations of the first two films of The Lord of the Rings trilogy at Radio City Music Hall (2009 and 2010).
The Lord of the Rings, In Concert, at Lincoln Center, features the 21st Century Symphony Orchestra & Chorus of Lucerne, Switzerland, conducted by Ludwig Wicki, which specializes in bringing films and their scores to life, and performs an annual program of film concerts at the KKL Luzern. Soloists and chorus for the 2015 trilogy performances at Lincoln Center, as well as related forums and other events, will be announced at a later date.
August is a busy month for birthdays in the LOTR/Hobbit movie-verse. So from all of us here at theonering.net, we’d like to wish everyone a very Happy Birthday.
Many thanks to Ringer Piet for bringing this video of The Hobbit: The Battle of the Five Armies Panel to our attention. Before you get your hopes too high, the teaser trailer has been excised from the video, so it only shows the Panel, but it’s still worth watching for that. Meanwhile we’ll all keep hoping they’ll release the trailer online soon.
Collider recently spoke with Weta Digital senior visual effects supervisor Joe Letteri and visual effects supervisor Dan Lemmon about their work on The Hobbit: The Battle of the Five Armies.
In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site Henneth-Annun.ru, delves into the different varieties used in Peter Jackson’s movies of The Lord of the Rings and The Hobbit.
The Lord of the Fonts
A Lord of the Rings and Hobbit Font Guide
by TheHutt (Peter Klassen)
What would the Lord of the Rings trilogy be without its iconic logo? The chiseled yellow letters are pretty close to perfection where movie logos are concerned. But that’s not the only instance of certain characteristic typefaces used throughout the trilogy and its marketing. Most of them have recurred in the new Hobbit films – but what exactly are they and where can they be obtained?Continue reading “The Lord of the Fonts: a guide to fonts in The Hobbit and The Lord of the Rings”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
In addition to being a Tolkien enthusiast and an artist, Cockshaw is also a film score geek. In this article he draws on the analysis of musicologist Doug Adams to reflect on how Shore deftly employs musical constructs to bring Middle-earth to our ears. Continue reading “The Ring resounds in Middle-earth”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
August is a busy month for birthdays in the LOTR/Hobbit movie-verse. So from all of us here at theonering.net, we’d like to wish everyone a very Happy Birthday.
Collider recently spoke with Weta Digital senior visual effects supervisor Joe Letteri and visual effects supervisor Dan Lemmon about their work on The Hobbit: The Battle of the Five Armies.
In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site 