WETA Digital has released a new video on their YouTube channel, showcasing the multitude of visual effects work…
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WETA Digital has released a new video on their YouTube channel, showcasing the multitude of visual effects work done on the second chapter in Sir Peter Jackson’s Hobbit Trilogy – The Desolation of Smaug.
The elements covered range from the Kingdom of Erebor, Laketown and the Woodland Realm to Smaug, the barrel chase, and the CG character animation. Continue reading “‘The Hobbit: The Desolation of Smaug’ Visual Effects Reel from WETA Digital”
It became one of the most talked about scenes in Peter Jackson’s second Hobbit film (for both fans and detractors). Now WIRED has posted a new video that gives a behind the scenes look at the construction of the seven minute barrel sequence from The Hobbit: The Desolation of Smaug. The two and a half minute video discusses the complex editing process as well as the visual effects work done for the sequence. Continue reading “WIRED goes behind the scenes of ‘Desolation of Smaug’ Barrel Escape — VIDEO”
Last night our friends at Weta Workshop released several new items that fans can now add to their Middle-earth collections. Continue reading “Collecting The Precious – Weta Workshop’s Fili Statue and Smaug’s Golden Coins”
In anticipation of the Home Video release of The Hobbit: The Desolation of Smaug, Warner Bros. have created a very cool motion movie poster.
Continue reading “WB’s Desolation of Smaug motion movie poster”
What do you get people who have everything? The extremely talented folks in front of and behind the camera in the film industry typically have very nice jobs. They get to travel all over the world, they make a decent salary, they are beloved by millions, and they get to create great art. Come awards season, if their work has been deemed excellent by their peers, they are nominated in their respective fields. And then they are wined and dined and gifted until their houses are full of chochkis, or sometimes really cool stuff. So I ask again, what do you get these people?
Well, if you are TheOneRing.net, you simply get them a little Luck, in the form of a pin they can wear at the ceremony, or not, as they see fit. Most of them wait to put their pins on until they get to one of our parties. It always sort of acts as an automatic pass to get in, we don’t have to look their names up on the list.
We wouldn’t have these pins to give if it weren’t for our wonderfully geeky and talented friends at Badali Jewelry, who began this tradition with the Fellowship of the Ring, and above you see the 5th installment of the Good Luck pin. Today several of these pins were delivered to current nominees, through torrential rain in case anyone was wondering. If you find that you are a nominee and you don’t have one of these waiting for you at your hotel, feel free to ping us at Oscarparty@TheOneRing.net so we can rectify the situation.
To the right you see Peter Jackson winning one of his 3 Oscars on February 29, 2004 while wearing the ROTK Good Luck pin. So that might just be a hint that wearing the pin during the ceremony is Good Luck.
Here at TheOneRing.net we would like to extend our heartfelt congratulations and wish you the best of luck to everyone listed below. While you are all sitting at the Dolby trying not to bite all of your nails off, we will be over at the Cat & Fiddle cheering you on, and drinking a toast to you, as we always do come Oscar night.
The Hobbit: Desolation of Smaug nominees
Sound Editing – Brent Burge and Chris Ward
Sound Mixing – Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson
Visual Effects – Joe Lettery, Eric Saindon, David Clayton and Eric Reynolds
Middle-earth nominees in other projects
Best Actress – Cate Blanchett in Blue Jasmine
Short: Live Action – The Voorman Problem, which stars Martin Freeman
Middle-earth personage as a Presenter
Benedict Cumberbatch
Digital Trends takes a look at The Hobbit: The Desolation of Smaug and the way director Peter Jackson brought the film’s fearsome, fire-breathing dragon to life.
From the moment that plans were first announced for a live-action adaptation of J.R.R. Tolkien’s The Hobbit, fans of the 1937 novel began pondering the ways in which the mighty dragon Smaug could be brought to life on the big screen with all the majesty of his literary counterpart. Continue reading “Building a better dragon in The Hobbit: The Desolation of Smaug”
