We now have our first released art for The Lord of the Rings: The War of the Rohirrim. Not concept art, but final stills of animation that gives us a concrete idea of the visual style and tone that Kenji Kamiyama and his team have settled on.

And I like it.

It seems to me that it hits an aesthetic that straddles the eastern and western animation.

There’s a naturalistic feel to the character designs that feels very grounded and without exaggeration. Eyes aren’t distractingly wide, chins aren’t overly pointed, limbs and heads all feel well-proportioned. The colours are solid and rich, but not distractingly glossy or saturated.

Perhaps it helps that the expressions say “serious business” (we’ll return to that, too).

Perhaps that says more about my own tastes in anime than anything else.

I’ve also seen a couple of people who were at Annecy reference Castlevania as an animation touchstone. I don’t really see it, but perhaps I need to watch more Castlevania.

So I love the character designs, but now I really want to see how they move.

Before I delve into each of the images in more detail, if you have yet to read Staffer Greendragon’s interview with Philippa Boyen’s, don’t forget!

The War of the Rohirrim animation still: Héra

Okay, so first because I can see the name complainers arriving en-masse already: go read my interview with Philippa Boyens – the name is “not so much based on the Greek [goddess] Hera, but a nod to the Anglo-Saxon [word].”

Héra is ourpoint-of-view character. Makes sense given everyone frigging dies. But what’s going on here? Where is it? Let’s attack that second point first.

Location

It’s a dark scene. Perhaps sometime in the evening? It must be winter (or approaching it) because of the snow. Maybe the lighting is torchlight.

There’s a ramp and a wall which makes me wonder if it could be (what shall be known in the future as) Helm’s Deep. But the rope and the wooden structure on the ramp behind Héra don’t match. PJ’s Hornburg had a gate, but not a drawbridge. PJ’s ramp/causeway was also quite steep and curved.

Ultimately, I think we can dismiss it being before the gate to the Hornburg.

Maybe it’s further out – Helm’s Dike. I think Tolkien described Helm’s Dike as a ditch and a rampart, with a breach in it for the stream and the road to pass through. There’s a map on Tolkien Gateway that shows where it would be located.

If it were Helm’s Dike that might better explain the wooden structures. And the hutlike structure behind Hera might be a guard hut on the roadside. It would actually be quite a neat (read “nerdy”) detail if it were Helm’s Dike.

However, it might also be Edoras.

PJ doesn’t give Edoras a lot of quarried stone — notably the foundation of Meduseld itself, and the base of the outer defensive fence (topped with a wooden palisade).

That makes the stone wall we can see behind a puzzle to explain.

However, from a certain angle at the top of Edoras, but just below the Hall itself, you should be able to see the valley cliffs in the distance. That fits with the transition from the wall edge to the cliff that we in our animated still. Hopefully the images below help convey that. I wasn’t able to find the exact same angle though.

But Edoras has a dirt path with concluding stairs, not a stone ramp. And the hut isn’t there on that angle. Instead, it’s a wooden lookout tower.

Architectural details might change over time though. Especially after a siege/sacking — and, spoiler, Edoras is set to cop it in WOTR. So I don’t know if these are significant objections.

But if it is just below the Golden Hall, why is the horse in the background? The stables are not directly attached to the Hall and there’s no room for additional buildings on the Hall plinth. It’s a puzzle.

It could be lower down in the town somewhere, perhaps. The outermost fence seems difficult though because I think the wall would always obscure any wide panorama that would reveal the valley cliffs.

I can’t find any image that suggests that PJ chose to place an inner wall anywhere in Edoras.

I don’t think it could possibly be either Isengard, or Dunharrow. There are probably no other options within the context of WOTR.

Action

Héra is challenging someone, but it doesn’t seem to be a life-or-death situation: the blonde fellow behind her is watching, but not alarmed. There’s a dog at the top of the ramp, but it doesn’t seem frightened either. The figures to the left do seem wary about whatever is happening, but aren’t moving to attack. The bonemasks that obscure their faces bear some resemblance of the helms of Isengard’s orc berserkers — as though they’re some primitive antecedent.

Orcs would probably be a scene of great violence, though. This seems more like a standoff/negotiation.

So perhaps they are actually Dunlendings. Yes, PJ’s Dunlending are universally bareheaded. But they’re also pretty rough and ready looking, and carry very primitive spears. I see one of our bonemask fellows bearing a similarly primitive spear.

So maybe they are accompanying Wulf/Freca to Meduseld at the beginning of the film. Perhaps the individual whom we cannot see is either Freca or Wulf, pressing an unwelcome suit before the all-important council meeting that kicks everything off?

Weapon

Finally, there’s the sword that Héra wields.

I wonder if it might be Éowyn’s sword, mostly based on the way the blade narrows from hilt to tip. Also, it just seems kinda apt. My learned colleague ( 🙂 ), Staffer Greendragon, thinks it’s Theoden’s sword — Herugrim — because of the hilt shape and the double horse motif. And it’s an heirloom sword. Both options seem possible to me in the absence of a definitive comment from production, or alternate angles to examine.

The War of the Rohirrim animation still: The Gathering in Meduseld

Character design observations

I suspect this one is supposed to give us a feel for character art style, as well as Helm’s family. In some ways this is all a family affair.

• Helm is a little less grim-looking than I expected. He looks quite noble, and is powerfully built. His hands, formed into fists, could probably break Orthanc itself.
• Haleth looks about Eomer’s (Karl Urban) age. Looks very serious.
• Héra actually seems older than Éowyn and maybe the eldest, even. She sits at the right hand of Helm, traditionally a more important position than the left? Right-hand man and all that.
• Hama seems a late teen. Something about his manner suggests that He’s probably the reckless one/has something to prove which explains his death during a “sortie” while Helm’s Deep is besieged.
• Helm’s children are all older than I expected as well – except Hama, perhaps.

Action

It looks as though they are receiving an embassy. Initially I thought it might be that of Freca, but having read some reports on the content of the Annecy footage, I now wonder if it’s the emissary from Gondor that’s been mentioned in some places.

The War of the Rohirrim animation still: Wulf

Character design observation

Knowing it’s Wulf takes the fun out of guessing, but the dark hair is typical of Dunlending ancestry. I do wonder how he gained the scar over the right eye. There must be an explanation for that at some point, for sure. Who, or what, was he fighting?

Location

Stonework in the background could be Edoras, or it could be Helm’s Deep (besieging it). Really hard to say. The ropes around the wooden structure behind Wulf seem like some sort of temporary structure however. They could be siege-works. The concept art for the fall of Edoras (now well over two years old!) seems more indicative of a short, brutal siege led by the Mumakil not an extended one that requires siege-works.

Also it is winter though and it is snowing, and the siege of Helm’s Deep occurred during the Long Winter that was notably harsh.

Detail

I like the blurring on the snowflakes. It makes me wonder if they’ve filmed a snowfall and slipped that footage in – it doesn’t look like animation motions smears to me. But perhaps I’m wrong.

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Today in Annecy attending press were treated to glimpses of the upcoming film The Lord of the Rings: The War of the Rohirrim. TORn didn’t have anyone present there, but the good folks at Warner Bros. were kind enough to share with us some of the first movie images being revealed; and we had a chance to sit down again, before Annecy, with producer Philippa Boyens, to chat some more about this hotly anticipated movie – and other returns to Middle-earth, coming in the future.

Feast your eyes on the images! And enjoy the conversation between Boyens and staffer greendragon.

GD: Hi Philippa, thanks for taking this time – and it’s very, very exciting to see some images. We all just can’t wait to see it and are excited for what’s going to be revealed at Annecy –  and these three images that we have to look at. So, I have a million questions but can we plunge straight into the images?

PB: Absolutely.

GD: Great. I’m looking at the first one that was sent to me, which presumably is Hera, our heroine. And the first thing I have to ask you – and I don’t know if you’re going to be able to answer this question: is that Herugrim that we see in her hand there? Is that the 500-year-old heirloom of Rohan that ends up with Theoden?

PB: Well, given some of the concept artists that were involved in this film, I would say that’s probably a pretty good guess. You know the attention to detail that those guys go into. So people like Daniel Falconer and, of course, John Howe, Alan Lee, you know. And then the brilliant Japanese concept artists, not just animators but concept artists as well, have worked on this. We’ve just been spoiled, honestly, absolutely spoiled.

GD: I can well imagine! Talk to me a little bit about this character Hera, because I’ve been fascinated by some of the things I’ve read that you’ve said in other interviews, about her being inspired somewhat by the Lady of the Mercians, Aethelflaed. And your talk of that reminded me also of Matilda, the daughter of Henry I, who was known as Lady of the English. So we’ve got these early medieval women who did not end up ruling, but who kept the country together in these powerful, strong ways. And clearly in this image, Hera is being very fierce. It looks like her sword is touching someone’s shoulder that we’re just seeing in the edge of the picture. Tell me a little bit about this strong female character that I’m very excited to see.

PB: Yes, she is a strong female character; but what I really love about her, she’s a very real female character – which I think is a strength of what Professor Tolkien did with the Rohirrim, and we’ve drawn on that. Eowyn was drawn so beautifully. I mean, you know, of course, with Galadriel and Arwen, you’re dealing with immortals, you’re dealing with the quality of, I was going to say the fae, but I won’t say that, but that otherworldly quality that is inherent in the elves. With Eowyn, I always felt that she was drawn in a very real way. And so we’ve kind of tried to continue in that tradition.

She’s not named in the books and we do point that out – I won’t tell you how! – but I do think it’s interesting that often women remain unnamed. There’s an unnamed daughter in Beowulf, for example. That was immediately intriguing; but what i do say is i don’t feel in any way that Professor Tolkien was slighting that character in not naming her. I  think he hadn’t gotten around to telling that part of the story; and i do believe that if he had told that part of the story, given that he was a Mercian of sorts himself, how could he not perhaps have drawn on alfred the great’s daughter? And so she felt authentic. Although, having said that, I know he also said that the Rohirrim were not pure Anglo-Saxon derivatives, you know, there’s a lot of other facets to them – including his own imagination that he drew upon.

But I’m so glad you mentioned Matilda, because I think in the same vein, you’re absolutely right, that somehow they had the facility to hold their people together without necessarily having the title of ruler. They were leaders because they showed leadership and courage when it was needed. It’s resilience, you know, often time and time again, they show something special and save their people. , I think that that was one of the things that drew us to her.

And we wanted to make sure that she was as authentically human as she could be. So she’s not without doubts. She’s not without fears. She is constrained by the strictures of the society in which she’s been brought up. She’s beloved by her father – we know that from the very beginning of the storytelling. This is what we’ve come up with, you know; because we have known brothers. We have Haleth and Hama. And we can imagine who they are. And so when it came to Hera, we thought it would be interesting that just as Théoden had that relationship with Éowyn, that kind of the interesting thing following that thread through with Helm. First he loses Haleth, he loses Hama, he loses all his sons.

And although Hera is, you know, growing up – we killed off the mother, by the way, because she’s not named either. So we imagined her growing up, raised by a warrior king, alongside two brothers who, you know, there would be a genuinely tomboyishness to her nature, that she was allowed to have a bit of a free reign when she was younger. But when it comes down to it, especially now that she’s getting older, she comes face to face with the fact that, you know what, there are strictures in this society and there are roles for women in this society that her father still expects her to fulfill.

So, sure, he let her have a bit of a free reign and she was a bit of a wild child growing up,but never once did Helm think she would do anything other than that. and fulfill her duties and so it’s really interesting that that is part of his journey of his character to sort of suddenly discover that his daughter is stronger than he knew, which is really interesting. I love the relationship between those two characters that we’ve managed to find in there.

GD: And great actors voicing those two characters. [Brian Cox and Gaia Wise]

PB: Oh, my God, wonderful. Honestly, I don’t think anyone else genuinely could have played Hera, but Gaia Wise, she was perfect. She has all of the elements that you want. She’s got so much life in her, and she has that tomboyishness to her, but she also has a kind of, she’s full of curiosity. She’s very intelligent. She’s got a great sense of humor, and so she’s quick, and she’s got a ready laugh, and I can imagine a little bit of wildness about her, but she’s got a heart. You know, that was the thing that got her – she’s got a huge heart.

She fell off her bike. (I hope she doesn’t mind me telling you this!) She got, because she was biking to the ADR session to do some recording, and she actually came off. She got knocked off her bike. She had a big graze on her leg, and I was appalled. I was like, oh, my God, we’ve got to do something. It was absolutely determined to just keep going because I think she was focused. Of course. She was in the zone. She felt, no, look, it’s going to be fine. I’m not, you know, nothing’s broken. And she just got straight into it, and I was just looking at her thinking. Oh my God, you are Hera. The warrior.

GD: I’m looking at the third image we saw, of Wulf outside. He certainly looks like a Dunlending, with the dark hair. I’m looking at that sort of darkness. And you were just saying before about how the Rohirrim are people, they are humans and they have a reality to them and a human quality that, of course, we don’t get in the immortals, the Maiar, the Elves. This is a tale of men.

PB: What’s fascinating is the choices that Wulf makes. There is a moment, I think, where he could have, you know, conquering Edoras, if he’d settled down and become a good and wise ruling king, none of this history would have been spoken of. You know, it would have been a challenge by one lord to a lord whose time had potentially passed.

And, given the culture, (which, again, we set up very early on), this is a people who, although he is a king, they are subservient to Gondor, that in itself creates certain levels of tensions; and that although he is a king, he rules by consent, not by right. And so Wulf, if he’d made the right choices, it would have been a different story.

He doesn’t. He makes other choices, and they’re very interesting choices – and where those choices come from is really fascinating. He’s one of my favourite characters ever that we’ve ever created. He and Hera are so strong. They’re wonderful.

And, of course, Brian Cox is just brilliant as Helm. I have to say, no surprise! Unsurprisingly brilliant, which is fantastic for us and for the fans. I think they’re just going to love him.

GD: So with Annecy coming up – which is very exciting… Of course, we’re all reeling with excitement of the news of the ‘Hunt for Gollum’ movie. And I see that Andy Serkis is going to be there to host a panel with you, at Annecy. I noticed looking back on last year’s Annecy that in an interview there, you said that this movie and this story, this animated film, would be ‘a good way back into’ the world of Middle-earth. Did you have an inkling then that this (The War of the Rohirrim) was, to quote Gandalf, the falling of small stones that would start an avalanche? Did you think there was going to be more coming?

PB: Yes, I did. I did. I myself personally felt up for it. It was one of those things where you go back to something that, I mean, you know, you can lose yourself sometimes in making a film. And you kind of lose, you know, I’ve always found that the books were my comfort read. They were the thing that I always had that I could fall into. And in a way, doing the films destroyed that to a certain level.  

What was interesting is going back into this and going back into a part of the story that was so fresh to me. And I think it’s going to be fresh to the audience and yet familiar, which is also brilliant. It re-energized me. I don’t know what it was, but it made me think, you know what – I do love telling stories within this world. It feels like a natural fit.  

And I love the passion of the fans. I genuinely mean that, absolutely. You can tell all the members of the Torn community of TheOneRing that they’re always sitting on my shoulder.  

GD: But in a good way! 

PB: In the best possible way. Because, you know, you’ve got to have such respect for the passion that’s involved there. And I think it’s entirely appropriate and we should be held to a really high standard. And I think Kenji Kamiyama has not only met that standard, he’s smashed it. He had the bar and then he smashed his way through it and set it somewhere even higher. So it’s fantastic. Can’t wait for you guys to see it.  

GD: We can’t wait to see it. It’s so exciting. You know, this year, TheOneRing.net is 25 years old. It’s our silver anniversary! Who would have thought we would be not only still going, but here having the chance to talk to you about new projects. It’s the gift that keeps on giving! Our staffer Demosthenes [who chatted with PB before] asked me to just casually ask you, are we going to see Saruman?

PB: [laughs] I can neither confirm nor deny that! I really can’t. I think he’s, I have to tell you, he’s very acute and perceptive – and some of the things that he was supposing were very much on the money in terms of when he saw the mumaks and things like that. And I thought that was really interesting. But that one I’m not giving him. Tell him I’m sorry! 

GD: I’ll tell him! Well, it’s so great to talk, Philippa. Have a great time in Annecy, and I hope we can connect again; and we just can’t wait for everything that’s coming up.   Thank you so much.

PB: I’m always happy to talk to you guys, absolutely.

Huge thanks to Philippa Boyens, and to Warner Bros. for affording us this exclusive interview. A closer look at these first images is coming soon!

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In an unexpected journey that rivals Bilbo’s own, TheOneRing.net is thrilled to announce the launch of its very own food truck, bringing the flavors of Middle-earth to the world – well, a portion of the world! Aptly named ‘Middle-earth on Wheels’, the plan is for the food truck to visit conventions and geeky gatherings across America, serving a delectable array of Tolkien-themed treats. Our truck will first appear at NYCC 2024.

The Menu

Inspired by the diverse experiences and tastes of our staff, the menu will vary, with various themes planned, including the seasons in the Shire, spicy dishes of Mordor, and the sumptuous feasts of Rivendell, offering an Elvish twist on classic flavors. The menu to appear at NYCC will include a chicken dish “Amon Hen”; “Salmon Frodo“; “Isengard Unquiched,” “One-ion Rings” (Of course!); and a variety of artisanal bread, so fans can ‘share the loaf.’

Our very own Happy Hobbits, known for their culinary magic making (Check out their YouTube!), will bake fresh bread for each appearance.

But that’s not all – in a revelation as surprising as Gandalf’s fireworks, we can reveal that TORn co-founder Xoanon is not only a master of Middle-earth lore but also a pastry chef extraordinaire, holding the world record for the tallest croquembouche, eerily resembling Barad-dûr, complete with the Lidless Eye, and almost mirroring the height of Weta’s Minas Tirith bigature.

Special Menus and Events

But what of Second Breakfast, you ask? On select days, Middle-earth on Wheels will honor every crucial Hobbit mealtime—Breakfast, Second Breakfast, Elevenses, Luncheon, Afternoon Tea, Dinner, and Supper—throughout all-day festivals and events. Whether you crave the sweet simplicity of Seedcake for Second Breakfast or the hearty richness of a Minas Tirith Meat Pie for Supper, TORn will have you covered. Dates for these special events will be announced at a later time.

On Tuesdays when Middle-earth on Wheels is on the move, don’t miss Tolkien Taco Tuesday—every purchase of a taco gets you another one on the house!

Why a Food Truck?

Why this culinary quest, you ask? It’s all in an effort to combat the ever-mounting Google Business Apps bill! Yup, they raised their prices…again! As a not-for-profit site powered by volunteer staff, TheOneRing.net relies on the generosity of its community and, perhaps now, the proceeds from its gastronomic ventures.

Don’t miss this chance to feast like a Dwarf, snack like a Hobbit, and dine with the elegance of the Elves. The Middle-earth on Wheels food truck is coming to a location near you. Follow the journey on TheOneRing.net and our social media channels.

Because in the world of Tolkien, even the smallest meal can change the world.

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We hope you enjoyed this April Fools’ Day joke for 2023. (Though wouldn’t a LEGO Lord of the Rings be fun…?)

Since it was announced in February of this year that Warner Bros. and New Line Cinema had secured a deal with Embracer Group to create more Middle-earth movies, fans have been waiting eagerly to hear what would be the first movie on the slate. (We already know, of course, about The War of the Rohirrim, due April 2024.) As it turns out, the next feature to be set in Tolkien’s realms is not what one might have expected – though it does stay in the world of animation (and of course we did just see the release of the Rivendell LEGO set). We’re thrilled that TORN has been given the exclusive to reveal: Warner Bros. and New Line Cinema have announced today that a new Lord of the Rings LEGO movie is set to be released in 2025.

Here’s the official press release:

FOR IMMEDIATE RELEASE

NEW LINE CINEMA AND WARNER BROS. ANIMATION’S “THE LORD OF THE RINGS: A LEGO ADVENTURE’ ARRIVES IN CINEMAS ON APRIL 1, 2025

The Studio behind the cinematic blockbuster “Lord of the Rings” trilogy returns with an original animated film, bringing the legends of Middle-earth into the world of LEGO

BURBANK, CA, April 1, 2023 – Warner Bros. Pictures announced today that the animated movie ‘The Lord of the Rings: A LEGO Adventure’, from New Line Cinema and in partnership with The LEGO Group, will release in theaters on April 1, 2025.

This whimsical animated adaptation of the beloved, epic tale is set to hit theaters April 2025, bringing together fans of J.R.R. Tolkien’s legendary saga and LEGO enthusiasts alike, for an unforgettable journey through Middle-earth as it’s never been seen before.

Esteemed actors Sir Ian McKellen and Andy Serkis will both return to their respective roles as Gandalf and Gollum. The all-star voice cast also includes:

• Jim Broadbent as Bilbo Baggins, the eccentric and adventurous hobbit who sets the stage for Frodo’s journey
• Austin Butler as Frodo Baggins, the courageous and unexpected hero on a quest to save Middle-earth
• James D’Arcy as Samwise Gamgee, Frodo’s loyal gardener and self-appointed guardian
• Simon Pegg as Meriadoc Brandybuck, the wisest of Frodo’s three Hobbit companions
• Nick Frost as Peregrin Took, the youngest of the Hobbits on this quest, mission, thing
• Chris Pine as Aragorn, the mighty and charismatic heir to the throne of Gondor
• Genevieve O’Reilly as Galadriel, the fierce and fabulous Elven queen, with unmatched power and style
• Michael Shannon as Denethor, the troubled steward of Gondor whose descent into madness is as captivating as it is chilling

A playful reimagining of the classic story, ‘The Lord of the Rings: A LEGO Adventure’ comes more than 22 years after the culmination of Sir Peter Jackson’s ‘Lord of the Rings’ trilogy based on the iconic books by J.R.R. Tolkien. The films are among the most successful and acclaimed of all time, winning seventeen Oscars including eleven for “The Lord of the Rings: The Return of the King,” tying the record for a single film. This new movie promises to be a blockbuster adventure that captures the heart and spirit of the original story, while adding a touch of humour and creativity that only the world of LEGO can provide.

“With Sir Ian McKellen and Andy Serkis reprising their iconic roles as Gandalf and Gollum, we wanted to sew a thread of familiarity into this particular production,” said Toby Emmerich, Chairman, Warner Bros. Pictures Group. “At the same time, we wanted to bring new and surprising voices to the other characters to give them a fresh and unique take. We’re confident that this talented group of actors will breathe new life into this classic tale, and we can’t wait for audiences to experience this new journey through Middle-earth.”

Animation work has already begun; more exciting voice casting will be announced imminently.  The film will be distributed theatrically worldwide by Warner Bros. Pictures and New Line Cinema.

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Following yesterday’s initial casting announcement from Warner Bros., Witcher actor Shaun Dooley and Laurence Ubong Williams have revealed their respective roles in the forthcoming feature-length anime, The Lord of the Rings: The War of the Rohirrim.

Dooley is set to voice the Dunlending chieftain/Rohirrim lord Freca. Freca is the father of the key antagonist of the story, Wulf. His actions at Edoras lead to a crisis between the Rohirrim and the Dunlending that eventually lead to war.

On Instagram, Williams confirmed that he will voice Helm’s nephew, Fréaláf Hildeson. Similar to Éomer assuming the kingship after Theoden’s death at the Pelennor Fields, Fréaláf eventually becomes king of Rohan after the deaths of Helm and both his sons during the conflict with Wulf.

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According to Deadline, Brian Cox is set to perform the English voice role for Helm Hammerhand in Warner Bros. Animation’s upcoming anime feature, The Lord of the Rings: The War of the Rohirrim.

Helm Hammerhand is described as the protaganist of the tale, but the real surprise is the inclusion of Miranda Otto. Otto will reprise her Éowyn role from Peter Jackson’s The Lord of the Rings and serve as the film’s narrator.

In addition, Gaia Wise voices Hammerhand’s daughter, Hera. Luke Pasqualinoi will voice the Dunlending chieftain Wulf.

The story outline given to Deadline is as follows:

The anime feature, directed by Kenji Kamiyama, is set 183 years before the events chronicled in the original trilogy of films. A sudden attack by Wulf, a clever and ruthless Dunlending lord seeking vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg — a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Hera, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.

Helm’s daughter is not named in Appendix A of The Lord of the Rings. However, the story describes how relations between Helm and Wulf’s father Freca sour dramatically after Freca attempts to use her as a political pawn. Her ultimate fate is one of the mysteries of the ensuing war.

Warner Bros. Animation has also released a new piece of concept art that appears to show Helm at the gate of his eponymous fortress. It’s reminiscent of this scene during the depths of the Long Winter:

One night men heard the horn blowing, but Helm did not return. In the morning there came a sun-gleam, the first for long days, and they saw a white figure standing still on the Dike, alone, for none of the Dunlendings dared come near. There stood Helm, dead as a stone, but his knees were unbent.

The Lord of the Rings: Appendix A.

The voice ensemble also includes Lorraine Ashbourne (Netflix’s Bridgerton), Yazdan Qafouri (I Came By), Benjamin Wainwright (BBC One’s World on Fire), Laurence Ubong Williams (Gateway), Shaun Dooley (Netflix’s The Witcher), Michael Wildman (Fast and Furious Presents: Hobbs & Shaw), Jude Akuwudike (Beasts of No Nation), Bilal Hasna (BBC’s Sparks) and Janine Duvitski (ITV’s Benidorm).

The film will be released on April 12, 2024.

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