For the one year anniversary of the release of TOLKIEN we are excited to be joined by the director for a LIVE watch-along on #TORnTuesday.
Get your Blu-rays or streaming accounts ready to join Cliff Broadway and director Dome Karukoski for a live discussion of the feature film TOLKIEN on Tuesday, May 12 at 5pm PT / 8pm ET.
TOLKIEN (2019) can be found digitally for purchase on iTunes & Amazon, or can be streamed free with your HBO account. Get your copy ready to play, then tune into to TORn’s Facebook, Twitter, YouTube or Twitch account where we will all press play at the same time!
Starring Nicholas Hoult & Lily Collins, and produced by FOX Searchlight Pictures, TOLKIEN tells the story of John Ronald & his school friends as they navigate school, war, orphan life, romance and friendship.
Several staff members of TheOneRing.net praised its depiction of The Professor’s life and the craftsmanship of the classical style film. Co-Founder of TheOneRing.net Calisuri found TOLKIEN so remarkable that it brought back to him a level of positivity in Ringer fandom that had been missing since 2005.
We are extremely excited to watch this movie with you the fans and the creative behind the film. So queue up your copy of TOLKIEN at 8pm ET on Tuesday!
Today sees the Digital Release of Dome Karukoski’s biopic “Tolkien”. Available now on all the usual digital platforms, the film is also set to be released on Blu-ray & DVD on August 6.
If you purchase the digital release from iTunes, you will own the film in both High Definition and 4K Ultra HD (although you will need an Apple TV device and a compatible 4K television to watch it in the latter format), along with all the bonus features that will also be available on the Blu-ray.
These include an Audio Commentary by director Dome Karukoski, a First Look Featurette, Photo Gallery and Deleted Scenes with Commentary by Karukoski.
If you’re one of the lucky fans attending San Diego Comic-Con this weekend, don’t forget to swing by our presentation tomorrow night, July 20, from 6:45 to 7:45 p.m. in room 6DE. The room is already filling up, so be sure to get there early! For all of you Hobbits, Elves and Orcs who attend in costume, directly after the panel there will be a group photo taken on the steps behind the convention center, facing the Bay and the Coronado Bridge. In true Hobbity fashion, after the Cosplay photo, we’ll also be having in ice cream social at Ghirardelli, 643 Fifth Ave., San Diego, CA 92101. Show up between 8:15pm through about 9pm or so and there may be a few little mathoms handed out as well.
More details about the panel below, and don’t forget to RSVP on the SDCC SCHED page for the panel linked below.
*** TheOneRing.net (TORn) staffers Josh “Elessar” Long (host of Collecting the Precious), Jon “Tookish” Ben-Asher (former associate editor for TORn), Hannah “Took” Greenwood (co-host of TORn Tuesday, associate staff at WETA Workshop), and Josh “Sarumann” Rubinstein (former host of TORn Bookclub) celebrate 20 years of talking Tolkien and all things Middle-earth. They will be discussing all the current known news and maybe a rumor or two, reminiscing about some of their biggest stories and events in the past, and laying out a schedule of some of their 20th anniversary events. The Tolkien movie has already hit theaters, but the Amazon Lord of the Rings (LOTR) series is full-steam ahead in preproduction and this panel’s got some tantalizing news on that front. Bring your favorite stories about a TORn event or story they posted to discuss-they really want to focus on the community that TheOneRing.net has created these past 20 years. Costumes are welcome and encouraged. Cathy “Garfeimao” Udovch (special events coordinator) moderates.
This special edition looks at J.R.R. Tolkien’s history, creativity and his influence on current works in the fantasy genre.
This edition also includes articles on the biopic “Tolkien” in theatres now, and Amazon’s television series in a stunning, high-quality, glossy 100-page issue filled with full-page photos. Another wonderful collectible by Newsweek in its 3rd Tolkien Special Editions on newsstands and store check-out lanes until June 29, 2019. [Topix Media Specials]
Appropriately, there are a lot of complex emotions and thoughts to unpack after watching the latest film to tackle Middle-earth, TOLKIEN.
Let’s get this out of the way: If you have more than a passing interest in J.R.R. Tolkien or his works, you should view the film. You should view it in theaters and you should view it without knowing too much of what is going to unfold — and I will do my best to withhold spoilers, but some are inevitable if I am going to offer fair commentary on the film.
Let’s also get this out of the way: The next person who says “It’s not a documentary,” to me or anyone else with criticisms of the film’s portrayal of Tolkien’s life can go straight to Angband. This quip attempts to dismiss completely valid, rational views of the film, most often the assumed position that someone is about to say film isn’t accurate. Feel free to disagree with criticism, but don’t insult the discussion with a patronizing deflection or insinuate that there were two choices: either documentary accuracy or giving up all hope of accuracy and accepting anything.
Watching TOLKIEN was a powerful emotional experience. As J.R.R. has done for so many, he has profoundly influenced my own life. His words touch us on a deep level. His works laid the foundation of so much else that came after, most definitely including the biggest fantasy property on the block at the moment, GAME OF THRONES on HBO, that is something of a reply to Tolkien from George R.R. Martin. STAR WARS would certainly not exist as we know it without Tolkien. Harry Potter, Dungeons & Dragons and so much else grew from the field he plowed. The Professor is a giant that looms above us all.
So when Nicholas Hoult and Harry Gilby combine to portray Tolkien as a child and as a young man, it was unexpectedly moving; just the simple act of putting Tolkien on screen was powerful. It is a reminder that the nearly mythical professor was scared, lonely, insecure, sad, frustrated, desperate, drunk, charming, combative and impulsive.
Not only does Tolkien live before our eyes but his best mates from his young years, the boys essential to him during his formative era, all live and walk and breathe before our very eyes. In fact the film makes all of them immortal in a way, a reality that I imagine would have tickled Tollers.
And all of this is entertaining and beautiful but …
Watching TOLKIEN was a frustrating, and in some moments, an agonizing experience and I don’t mean in the midst of the drama lost in the story and characters but rather outside the drama and about the drama. And yes, I do get it. Screenwriting is hard. Putting a powerful, emotionally relevant story on screen is hard. The story of J.R.R. Tolkien is hard. Story telling about an period with less data about the man is hard.
But Tolkien was a real life person. Some living now, knew him then, and he left behind letters and notes, video, audio recordings and war and school records. So when the film’s writers David Gleeson and Stephen Beresford, and director Dome Karukoski, chose to tell the story in a way that ignores those records and turns instead to fantasy, it is troubling at the least, distracting and frustrating.
SPOILER but (seriously, film spoiler ahead) the film chooses to depict Tolkien going for something of a walk in the midst of fierce fighting during the Battle of the Somme. He is obsessed, if not crazed, with the idea of finding his friend.
In reality 2nd Lt. Tolkien didn’t abandon his fellow soldiers and instead fulfilled his duty as a signaler for a battalion of infantry, sending instructions and trying to help communication in the chaos of fighting and dying across no man’s land.
Soon after he contracted trench fever — typically via lice — and was taken off the front. One of the most common symptoms of the ailment is leg pain — not quite the disease to inspire tench walking.
This isn’t a small shift in a man’s history, this is a massive, unneeded change about important characterization in the man and developments in the myth he created. There was already drama, conflict and characterization present in the actual history. If only the filmmakers had trusted the story of J.R.R. Tolkien instead of needing to make a fantasy story to replace it.
The film suggests Tolkien had a sort of fever dream during this walk and had visions of his future stories. Some will shrug this off, and he did start writing as he was away from the front, but a hallucinating Tolkien instead of a crafting Tolkien, especially when there was a set-up for it, is less effective. Yes, this can all be viewed as metaphorical, but it can also be viewed as a bad trip that became a good story.
Those aren’t the only inaccuracies; we are treated to a wildly different start of some important writing, that is definitely not an improvement (and from a filmmaking only viewpoint, it feels glued on at the end.) But it also avoids the opportunity to depict The Professor being the a professor. We are robbed of a very on-the-record Tolkien moment of inspiration that changed everything, only to have it replaced by a weakened moment, of problematic motivation.
I will resist the temptation, for spoiler’s sake, to say more and this essay isn’t the place to create a checklist of wrong history, but suffice it to say, some will.
To say that another way, just as big of a problem as being inaccurate about a real person’s story is that the inaccuracies — or straight up fantasy — robs us of getting to know the man, and the man is pretty interesting. The man didn’t need embellishing. And to be clear, I am not objecting to filling in some gaps and I credit the movie for doing that effectively in spots.
I object, as others will, to replacing the known record with storytelling fancy.
Others may legitimately raise concerns about structure or pacing, and while that isn’t something to be ignored, for me, those are forgivable.
None of this is to say there isn’t a fine story with a beautiful love-story in it. There is definitely that. And some dose of fancy or manufacturing of details is certainly inevitable and understandable. But manufacturing important things that contradict what is known is frustrating.
There is heart and abundant beauty present to be sure. In fact, there is a beautiful film here for you to catch in theaters, but it is too often a fantasy film about a real person as much as it is the story of that person.
Those knowing little about Tolkien will walk away “educated” and will perhaps find some emotional connection. Hopefully they will wish to learn more and pick up one of several great books about the man, which the director, a fan, has undoubtedly read. But this is TORn, not a collective that knows little about Tolkien.
Karukoski directed something beautiful. The acting is excellent. The lighting and shooting is beautiful. The music is wonderful. The tone is occasionally modern for a period piece but all of that is effective and emotional and there is much to praise.
But we aren’t going to get some other Tolkien biography anytime soon — this is it. We are rewarded with beauty and with pieces of Tokien and we are frustrated by the fantasy depiction of a man — and a story — that deserved greater purposeful fidelity.
I have a confession to make. I’ve become a relatively bitter Tolkien fan in the past 20+ years. Since founding TheOneRing.net with Corvar, Tehanu and Xoanon, I’ve gone through a devolution of my own personal fandom, that was neither apparent at the time, nor welcomed as a result. You see, when we started, so many ages ago, I had read The Lord of the Rings religiously every year since age 13. Every single year. It was a welcome escape from the challenges of 13-year-old-boy-dom. After all, I was a pretty damn awkward kid. I looked forward to the summer when I’d pore through the pages of Tolkien’s master work, and be whisked away on a journey in which I felt I was passionately participating.
When the idea of TheOneRing.net came to fruition, I was able to get that same satisfaction through simply enjoying the dawning of the internet age with other Tolkien fans online. I consumed everything and anything that was shared, written, argued, engaged, etc. That become my cup of Tolkien consumption for many years, lasting through the end of The Return of the One Party. Yes, through those years, I did not read a word of Tolkien – but the thriving community of TheOneRing.net kept me more than fulfilled.
Then came the in-between years – we can call them the dark times – that time when our personal interests fall to the side as we build up our family and professional lives. (Don’t get me wrong, those are great things on a personal level, but for my Tolkien fandom, that time was pretty dark.) I didn’t read a word of Tolkien, and I didn’t consume the output of the community that had sustained me for so many years. The significance of Tolkien in my life took a back seat.
Along came the excitement and rush of The Hobbit films! A return to the grandeur of the early 2000s, a thriving community engaged with a new vision…or was it really? The reality for many of us old-timers (BTW – I’m not ‘THAT’ old), was that the venture through The Hobbit films felt a bit more like Thorin’s struggles (*cough* gold fever) than true excitement. For me – and maybe not for you – it felt forced … non-organic. The community still thrived, however, and a whole new generation of Tolkien fandom was born.
But for me … I was done. Well, obviously not ‘done’ done. But I had reached my limit. I hadn’t read a word of Tolkien for years … decades … and I saw too much behind the curtain of the ‘business’ of Hollywood gleefully to ignore the obvious truths that evade most. (We won’t go into those here – let’s just say, behind the curtain is pretty ugly.)
Then comes the news of a biopic of Tolkien. *roll eyes* This bitter Tolkien fan immediately thinks, ‘Oh great. How are they going to diminish the legacy of one of the greatest authors and minds of all time? Will they make him out to be a racist? A religious zealot? Pull out some other horrific tidbit of information that could attempt to ruin a legacy?’ Yea, bitter. ‘What modern sensibility will we crucify Tolkien with today?’
Pretty sure that is as bitter as bitter gets. (Was anyone else there with me?)
When I was offered an opportunity to see Tolkien at the Montclair Film Festival in Montclair, NJ last night, I was just as bitter. It was cool that I would get to go see it early, but I was pretty well set for something annoying. Yes, a few other staff had already seen it and set praises upon it, but this bitter old fan chalked that up to youthful enthusiasm for community relevance. (Sorry folks, but that’s the truth!)
What I saw on the screen last night was quite unexpected. It was inspiring, tearful, joyful and engaging. It was exquisitely directed, and skillfully acted.
What I saw on the screen was a story I hadn’t known. It was obviously not just a reporting of Tolkien’s life; no, this was a unique interpretation of a famous life, pieced together from a relatively undocumented time. This is something that engaged this bitter fan from the first scene of WWI hell, to a realistic conclusion well before Tolkien’s published fame.
This is NOT a geek film. This is NOT a greedy attempt to piggy back on the success of LOTR, Hobbit or other fantasy films. This is a wonderful work of cinema that not only fully re-charged my interest in learning more about the one who started it all, but also my interest in re-reading the books.
Today, I made sure that The Lord of the Rings and The Hobbit books are front and center on my Kindle app. Guess what I’ll be reading later?
Congratulations to director Dome Karukoski (My new hero?) on an amazing film, worthy of the name of ‘Tolkien.’