The schedule for Wondercon went public yesterday, so we are finally able to confirm that we are indeed hosting a panel on Sunday at 10:30am. Below you will find the posting from the Wondercon schedule website, but since the panel was presented, we have added one more panelist.

Mike Urban, also known as Ostadan, will be joining us. He is one of the author’s of TORn’s book “The People’s guide to J.R.R. Tolkien” and will help flesh out the discussion on the upcoming release of a standalone “Beren and Luthien” book. Continue reading “TORn goes to Wondercon in Anaheim, April 2”

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

March_Madness_Soon_GenericSpring is in the air, and it’s finally that time of year when fans get to vote on their favorite Tolkien characters. Yes, Middle-earth March Madness is back for 2017! If you are new to TheOneRing.net, Middle-earth March Madness is our adaptation on the popular NCAA Basketball tournament that takes place every March/April in the United States. It’s our chance to have some fun matching up middle-earth power players against each other. Past winners include Samwise Gamgee, Gandalf,  who won in both 2013 and 2015, Thranduil, and last year’s winner Galadriel, who defeated the mighty Morgoth in the final round.

To mix things up a bit and give some other, very deserving characters a chance, the past winners mentioned above will sit this year out in the esteemed ‘Champion’s Hall of Fame.’ As for this year’s brackets, the four divisions will pit characters against each other based on the following criteria:

Movies Only – characters who appeared only in Peter Jackson’s The Lord of the Rings and/or The Hobbit movies
Books Only – characters who didn’t make the final cut for the movies
Movies and Books – characters who graced both the written page and the silver screen
Wider Mythos – Middle-earth characters not in the movies from Tolkien’s works outside of The Lord of the Rings and The Hobbit.

Our staff are sorting out the field of 64 initial combatants now, and we’ll be posting the first bracket and polls this Monday, March 20. Stay tuned to the front-page of TORn for the announcement to start voting, and follow along on Twitter and FB with #middleearthmarchmadness @theoneringnet

 

 

WizGeekery can be fun and it can also be educational. In the case of the two-day Wizarding Dayz near Salt Lake City, it hopes to be both while helping with literacy and charity as well.

TheOneRing.net will be join what promises to be a magical event Friday and Saturday Feb. 24 and 25, presenting panels and representing Tolkien in the realm of the wizard-themed gathering. It takes place in the South Towne Expo Center in Sandy, Utah.

The three charities, the Utah Parent Center, Canines With a Cause and the Human Rights Education Center of Utah, get a portion of the proceeds according to co-organizer Valerie Walker.

“We threw it out to the community to nominate the charities. We came up with these three charities because they are all based on kids, kids’ needs and kids that don’t belong. That is Harry Potter,” she said.

Walker, heading up Wizarding-Dayz with Carrie Rogers-Whitehead, hopes the first-year event brings out those who love Potter, Tolkien and fantasy in general, and especially those who enjoy reading.

“This event is made definitely for book lovers, people who love reading, people who want to go to a place where there are the things they love. It is good for all ages but for adults you are going to get to go and have good discussions,” Walker said.Tolkien and WWI

TheOneRing will be included in those good discussions with three official TORn presentations:

* How To Travel to Middle-earth
* J.R.R. Tolkien vs. George R.R. Martin
* Tolkien and the Great War

There is other Tolkien content as well, including an over-the-internet panel for Tolkienites (or TORnadoes) to ask expert Michael Martinez ANY Tolkien Question. In fact, if there is interest, perhaps TORn will do a Facebook Live for portions of some of these panels.

Wizarding Days has no shortage of educational material, including from sponsors Utah Humanities and the STEM Action Center of Utah.

For those not aware, STEM is a science-based curriculum based on Science, Technology, Engineering and Mathematics taught all together in an applied approach. In the wizarding world that means discussions and interactive panels rather than just lectures.

Water at Hobbiton Movie set
Water at Hobbiton Movie set

“We are not calling them panels. We want people to come and have discussions about these things they like or dislike. We have great topics that dive deep,” Walker said. “We aren’t skipping a rock across the surface.”

There are also a lot of hands-on items patrons can make and take home including wants, wizard pouches, rune pouches and of course, spell books.

Walker said she took extra care creating a space that isn’t mundane, including the vendor areas, which including roaming performers, but is all planned with a pleasing, welcoming, fantasy theme.

Tickets start at $5 for kids with family passes available and single tickets on sale for Friday and Saturday. A two-day adult ticket is only $25. Click here for more information and to buy tickets.

Donations are also accepted on the ticketing page with all donated funds going directly to the charities according to Walker.

DanielReeveDaniel  has just announced the exciting news on his official Facebook page, that his first solo exhibition is on at the Kapiti Gallery from 15 February until March 19, 2017.  The exhibition will showcase his current work and work from The Lord of the Rings, The Hobbit, and The Lion, the Witch and the Wardrobe.

Continue reading “Daniel Reeve’s First Solo Exhibition”

viggo et alSunday 12th February the British Academy of Film and Television Arts held their annual film awards. Our favourite citizen of Lake-town Luke Evans was there as a presenter; and even more excitingly for Middle-earth fans, Viggo Mortensen was nominated in the Leading Actor category, for Captain Fantastic. (The award went to Casey Affleck, for Manchester by the Sea.)

Mortensen was of course on the red carpet, where he was interviewed by Zoe Ball. Many of you will have seen the fabulous picture (right) of Mortensen hanging out with an elf and some hobbits, the day after the Screen Actors Guild awards. In the Bafta interview, he explained how that came about. Take a look:

 

 

It’s heartwarming to know that the bonds forged amongst the cast of The Lord of the Rings are still as strong today –  just as the friendships and connections we fans have made are unbreakable. I’m told that in Finland they celebrate friendships on Valentine’s Day – seems a good time to raise a glass to Fellowship! Cheers!

 

Photo: Courtesy Sundance Film Festival
Photo: Courtesy Sundance Film Festival

Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.

It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.

The film is summarized like this:

Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.

Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.Elijah Wood in I don't feel at home in this world anymore

On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.

But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.

KillingGround

Hunter plays a key supporting role that the Sundance festival described like this:

When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.

Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights

Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.

The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.

Film 78/52 features Elijah Wood

The festival describes it:

“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.

With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”