Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”
In addition to the many fans that posted their reviews on TORn (see yesterday’s article: 15,084 Reviews and Counting), many of our core staff chimed in with reviews soon after FOTR opened. In this article, we bring you reviews by such well-known names as Xoanon, Tehanu, Quickbeam and Ostadan. All of them capture the magic and excitement that we all experienced 15 years ago.
To begin, one lucky staffer, Tehanu, the envy of all of us, was lucky enough to attend the film’s premier in Wellington, New Zealand. Of course, Tehanu (a.k.a. Erica Challis) is one of TORn’s founders and served as our ‘feet on the ground’ and number one Ringer Spy during filming. Here are some of her impressions from the day:
“I’ve been in Wellington for a day or two and I have to tell you, the town is in a Rings uproar. I wouldn’t want to be anywhere else right now. The streets are hung with LOTR banners, everything from the Town Hall to the Evening Post’s headquarters is renamed ‘Middle Earth’ (as is the airport, I believe, though I haven’t seen that myself.) The Rings is on every newspaper, every phone bill, every electricity company billboard, on the ads for Mastercard. There are funny billboards harping on LOTR themes everywhere (“Wellington: Full of orcs, hobbits and elves. …But enough about Parliament…..”). The monster cave troll dominates Courtenay Place from its perch on the awning of the Embassy Theatre, where the plasterers are working round the clock to finish the theatre in time for the Premiere.”
Not to sound as alarmist as Fredegar Bolger rousing the Hobbit-folk in the wee hours of a peaceful Shire morning, but perhaps the time has come for fans of Howard Shore’s scores to sit up and reconcile themselves to a very dismaying possibility – that the unheard music of Middle-earth might well in fact never be heard.
It’s Earl, your soundtrack-obsessed TORn-staffer, and the reason I’m venturing to make this statement is because of the recently announced Limited Collector’s Edition of the movies, which makes it almost excruciatingly clear that the Warner Bros studio is so very, very far removed from knowing what fans really, truly want, and are willing to pay for.
TheOneRing.net’s table at the convention. Thanks to all who stopped by!
It’s hard to believe a week has passed already since HobbitCon Vier in Germany. Staffers deej and greendragon were delighted to be there, meeting fellow fans and sharing the fun. As promised, here are some tales of the weekend for those of you who couldn’t be there – or who were there and just want to look back!
HobbitCon was held in the Hotel Maritim in Bonn, April 1-3. Folks started arriving on the Wednesday before, and there was an atmosphere of anticipation as more and more people, often laden with suitcases full of costumes, showed up to be reunited with friends.
On Friday the con officially got underway, and the big ‘kick off’ was the Opening Ceremony that evening. All the guests were invited on stage – TORn’s staff had no idea they would have to speak, but greendragon dusted off her German to say a few words! Of course the crowd was really waiting to see the guest actors; in attendance this year were Mark Atkin, Dallas Barnett, John Bell, Billy Boyd, Jed Brophy, Sadwyn Brophy, Adam Brown, John Callen, Lori Dungey, Ryan Gage, Mark Hadlow, Stephen Hunter,William Kircher, Craig Parker and John Tui. Mark Ferguson was a seemingly indefatigable host for the weekend! (You can read full details of all the guests at HobbitCon’s website, here.) Continue reading “HobbitCon 4 – a merry meeting!”
Today, Sir Peter Jackson turned 54 years old! We here at TORN hope he had a most wonderful day and wish him many happy returns. (May the hair on his toes never fall out!)
Thank you, Peter, for all you’ve gifted us with – from the very first online preview for The Lord of the Rings to the Extended Cut of The Battle of the Five Armies. May the coming year, and those after, be most prosperous for you. Continue reading “Happy Birthday Peter Jackson!”
The first time I watched The Hobbit: An Unexpected Journey Extended Edition, I mistook a hobbit in the marketplace scene for Sean Astin. Upon pausing the film, however, I realized it wasn’t Sean at all but rather an actor who strongly resembled him… holding a baby. I’m certain the filmmakers also noticed this resemblance, which begs the question: is this Gaffer Gamgee and Samwise?!
Remember, Hobbits are a longer-lived race than Men. They come of age at 30, after all. In The Fellowship of the Ring (book), Frodo celebrates his 50th birthday shortly before embarking on the Quest to destroy the One Ring. The events of The Hobbit are said to take place roughly 60 years before Frodo steps out his front door on that fateful day. Sam is stated to be younger than Frodo in the books, but given the altered timeline of the films, Samwise (who looks older than Frodo in FOTR) could be around 60 years old when he joins his friend on the adventure, which could justify this (possible) baby cameo.
Samwise is ready for an adventure!
After all, Jackson’s Middle-earth films are a magical place in more ways than one: that stumbling man in Bree is still eating a carrot 60 years later, unchanged by time!
What do you think? Is this baby Sam Gamgee? Or perhaps baby Hamfast (Gaffer) and his father? At the very least, they must be some Gamgee relation!
Sam and his daughter Eleanor at the end of ROTK
Only one thing is abundantly clear: baby hobbits are adorable.
