Breaking News: The Lord of the Rings – A Musical Tale, which is about to have its US opening of Paul Hart’s staging (at Chicago Shakespeare Theater’s The Yard), is going to be heading to New Zealand later this year.
THE LORD OF THE RINGS – A MUSICAL TALE COMES HOME TO MIDDLE-EARTH
THIS NOVEMBER – IN A 5 WEEK BLOCKBUSTER SEASON AT THE CIVIC, AUCKLAND
WAITLIST FOR TICKETS NOW OPEN!
“THE GREATEST SHOW ON MIDDLE EARTH’ – THE GUARDIAN “AN EXTRAORDINARY RETELLING” – WHATS ON STAGE
The Lord of the Rings – A Musical Tale will play at The Civic, Auckland for a strictly limited season from November 5th, 2024. Join the waitlist NOW to secure your tickets.
The Lord of the Rings – A Musical Tale will premiere in Middle-earth when this eagerly awaited production opens for a strictly limited season at The Civic, Auckland from November 5th. Audiences are encouraged to act fast and join the waitlist for the first chance at securing tickets at www.LOTRonstage.com.
The highly anticipated production has its US premiere this July at Chicago Shakespeare Theater, the prestigious theater that has launched productions such as SIX, Illinoise, and The Notebook ahead of their Broadway debuts. The Lord of the Rings – a Musical Tale had its initial production at The Watermill Theatre in the United Kingdom, receiving rave reviews with The Guardian calling it the ‘Greatest Show on Middle-earth’.
This journey to the magical realms of Middle-earth tells the story of The Lord of the Rings from the Hobbits’ perspective, as J.R.R. Tolkien’s trilogy of books is brought to life on the stage, performed by a stellar cast of multi-skilled actor-musicians.
Created under license from Middle-earth Enterprises (the owner of exclusive worldwide motion picture and stage rights for The Lord of the Rings), this adventure through the epic realm of Middle-earth has been beloved by generations of readers.
With book and lyrics by Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Groundhog Day) and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical), this theatrical event celebrates community, courage and camaraderie to create an unforgettable experience for longtime fans and newcomers alike. “Tolkien would have been so proud” (WhatsOnStage).
‘The greatest show on Middle-earth comes home to Middle-earth!” proclaimed Fredrica Drotos, Middle-earth Enterprises’ Steward Brand & Licensing. “We are very much looking forward to sharing the Hobbits’ epic re-telling with all our friends there; when The Lord of the Rings – A Musical Tale, premieres in Auckland, New Zealand this November.’
As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor, to vanquish evil with his loyal Fellowship. The dynamic folk-inspired score is performed live by the company on stage, weaving together original music with storytelling. The New Zealand premiere comes fresh off the 70th anniversary of the publication of The Fellowship of the Ring, the first book in The Lord of the Rings trilogy which debuted in 1954.
“We are delighted to share Director Paul Hart’s imagining of The Lord of the Rings on stage with New Zealand audiences before it embarks on its journey to entertain audiences around the world.” said Kevin Wallace on behalf of the producers. “This production that originated in the English Shires, before its US Premiere in Chicago, comes to Auckland where we invite New Zealand to join us for Bilbo Baggins’ Long- expected Party.”
Annie Dundas, Director Destination at Tātaki Auckland Unlimited adds “We are thrilled to welcome The Lord of the Rings – A Musical Tale to Tāmaki Makaurau Auckland. This production not only celebrates our unique connection to Middle-earth but also showcases Auckland as a vibrant hub for world-class theatre. We look forward to sharing this extraordinary experience with locals and visitors alike.”
Glen Crighton, Acting Director Performing Arts at Auckland Live continues. “I’m excited that The Civic will be hosting the Australasian premiere of The Lord of the Rings – A Musical Tale. The iconic status of Tolkien’s epic tale can’t be understated, and we look forward to welcoming local and international audiences alike into Tāmaki Makaurau Auckland’s own iconic venue to embark on what promises to be a remarkable theatrical experience.”
The Lord of the Rings – A Musical Tale is presented in Auckland by Kevin Wallace Productions, GWB Entertainment and Middle-earth Enterprises, in association with Tim McFarlane and People Entertainment Group. The Lord of the Rings – A Musical Tale is produced in partnership with The Watermill Theatre and Chicago Shakespeare Theater. The Auckland season of the production is made possible by Auckland Council and the city centre targeted rate, and with support from Auckland Live.
THE LORD OF THE RINGS – A MUSICAL TALE STRICTLY LIMITED SEASON AT THE CIVIC, AUCKLAND FROM NOVEMBER 5TH.
WAITLIST OPEN NOW AT LOTRONSTAGE.COM Based upon the Books by J.R.R. Tolkien.
Written and produced under license from Middle-earth Enterprises, LLC (MEE).
You can read TORn staffer greendragon’s review from the production at The Watermill Theatre last year, here. If you’re going to see it in Chicago, let us know what you think; or maybe you can make a trip to New Zealand to experience the magic there?
It’s Friday 17 May 2024 – and a seismic shift in The Lord of the Rings adaptations has been felt around the world. Here’s all the news you may have missed:
Rings of Power S2 gets a trailer, a date, and a BTS video
Prime Video unveiled season 2 of The Rings of Power at their UPFRONTS, an advertising industry event designed to lure more advertisers to buying commercials during shows. Prime also updated the show’s social media handles from LOTRonPrime to @TheRingsOfPower and released a 3 minute Behind-the-scenes look at S2.
Season 2 of The Lord of the Rings: The Rings of Power debuts Thursday August 29, 2024 with a 3-episode premiere, then settles into weekly episodes for the remaining 5 weeks.
LEGO Barad-Dur tower date and price
The 5,471 piece set is available June 1 for $459.99.
We see you. You can't hide your passion for the new Lord of the Rings: Barad-dûr™ set ☄️ pic.twitter.com/wx7ANVApcS
The first movie in the new WB LOTR license is The Hunt for Gollum, directed by Andy Serkis, who also will play the character again. Produced by Peter Jackson, Fran Walsh and Philippa Boyens, with a screenplay by The War of the Rohirrim writers Phoebe Gittins and Arty Papageorgiou. Read more about how they landed on this particular story in the Legendarium.
In a technical slip up, the automated YouTube and WB copyright system temporarily took down the 15-year-old fan film The Hunt for Gollum, which was back up within hours and is still free to watch.
Rohirrim preview in June while scoring continues remotely
Exec Producer Jason Demarco announced a “big chunk of the film” will be screened at Annecy animation festival in June, and shared a new logo for the movie.
Composer Stephen Gallagher continues to post updates on the scoring of the new Anime LOTR movie coming this December.
Middle-earth Enterprises owner Embracer Freemode shared an in-depth interview with CEO Lee Guinchard, where he lays out the strategy going forward to build The Lord of the Rings into a premium, high quality brand that is collaborative and fan-first.
LOTR Executive Producer Mark Ordesky has teamed up with the Blair Witch creators to launch a new fantasy project: an omni-channel disc-world universe with a dice game on Kickstarter.
Black Milk Clothing has finally restocked its official LOTR apparel, including this Arwen dress.
Christopher Lee feature-length documentary, featuring a brand new interview with Peter Jackson, enters its final Blu-ray pre-order days with a Dracula inspired premium box set.
April 22, 2024 – This week in LOTR news, big business moves and huge reveals. Tales of the Shire Trailer reactions, Embracer rebrands as Middle-earth, Rings of Power cast reunite, LOTR returns to cinemas.
Tales of the Shire gets a teaser trailer
After three years of secret development, Weta Workshop and Private Division finally revealed the look and feel of their new cozy video game Tales of the Shire. Watch the whole trailer on YouTube and see the full announcement in an early post.
Reactions were swift coming in from Happy Hobbit (watch) and Nerd of the Rings (watch). Speaking of, Matt got an exclusive tour of the Weta Workshop games office in NZ, which you can watch below.
Embracer splits into three separate units
Embracer Group, which acquired Middle-earth Enterprises a couple years ago for $395 million (see the deal announcement here) have decided to split the company up into three unique entities, each publicly traded on Swedish NASDAQ.
Asmodee Group — board and card games
Coffee Stain & Friends — publishing & development for live service / indie / AA games
Middle-earth Enterprises & Friends — franchise management and AAA game development
“Friends” of Middle-earth include Embracer-owned Tomb Raider and Dark Horse Comics, as well as many other established big game developers and franchises. While these company names are temporary/holding per the press releases, there is clear positioning to put LOTR rights at the forefront. This will also be the first time regular fans will be able to buy and trade stock in Middle-earth Enterprises. Read more about why this is happening with this interview with the CEO.
Rings of Power cast reunite in London
Ismael Cruz Cordova, the breakout star of season one as Arondir the elf, posted pics with Tyroe Muhafidin, Owain Arthur, Sophia Nomvete and other cast members in London. Could marketing for Season 2 finally be about to start?
It’s really charming to see the cast of LOTR shows and movie grow to be ongoing friends in life.
DUNE Part Two Cinematographer chat with TORN!
Oscar-winning cinematographer Greig Fraser chatted with TORN Tuesday about the Australia and NZ film industry, the legacy of Andrew Lesnie, and recent work on The Batman, The Mandalorian, and Dune. Plus, a wild story about Peter Jackson on set for the Darth Vader scene in Rogue One. Watch on YouTube or below.
Dune Part Two is back in IMAX cinemas and available to buy/rent VOD.
The Lord of the Rings Extended Editions coming to U.S. Cinemas
Fathom Events are bringing the 3+ hour long Extended Editions of all three The Lord of the Rings movies to cinemas across the USA June 8, 9, 10. Check your local AMC / Cinemark / Regal or local theater for tickets.
The Lord of the Rings – A Musical Tale, the multi award-winning musical production that has been wowing theatregoers in the UK over the past 12 months, is set for a USA debut in Chicago starting this July.
Paul Hart, who created the acclaimed 2023 staging at the UK’s Watermill Theatre, will also oversee the production at Chicago Shakespeare Theater’s The Yard.
“I can’t wait for this next step in the epic journey of The Lord of the Rings as we craft this new staging for the US premiere production with Chicago Shakespeare Theater for Chicago audiences,” Mr Hart said.
“We loved creating this version which was retold from the perspective of the Hobbits at The Watermill and will now be expanded far beyond those horizons. It will be thrilling to share with new audiences internationally as part of this next stage”
Sam – Nuwan Hugh Perera – and Frodo – Louis Maskell – with Gollum – Matthew Bugg – sneaking in the background… (Photography Pamela Raith)
“Sharing the Watermill’s wonderful expression of The Lord of the Rings on stage with audiences across the globe beginning this summer in Chicago, with the US premiere of Paul Hart’s and Chicago Shakespeare Theater’s collaborative re-imagining, is a dream come true,” says Fredrica Drotos of LOTR theatre-production rights-holder Middle-earth Enterprises.
Just this January, this latest musical retelling of Frodo’s quest scooped eight BroadwayWorld UK/West End awards, including Best New Production of a Musical.
TORn’s own Staffer greendragon gave the Watermill staging a solid thumbs-up in her review last year, while it has also received critical plaudits from The Guardian, The Telegraph, and The Mail on Sunday.
The staging is incredibly inventive, with cast moving through the auditorium – and even climbing over it. Stunning puppets create suitably terrifying Ringwraiths and an astonishing Shelob. Elrond causes the river to rise, the doors of Moria glow, even the Balrog appears; every theatrical trick and device is called into play, including impressive lighting and projections, to create Middle-earth in front of and around the audience – and those watching the night I was there were clearly loving it.
“Paul Hart’s production is something rather wizard… it is filled with battles, fellowship, adventure and emotional intimacy. Terrific lighting, projections and puppetry play a huge part.”
The Mail on Sunday
The Lord of the Rings – A Musical Tale features book and lyrics by Shaun McKenna and Matthew Warchus and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical).
The Chicago season is slated to run from July 19 to September 1 and further global dates and venues will be announced in June. Get your tickets via the official lotrmusical site here.
We’ve teamed up with our good friends at Oscha, who are exclusively licensed to make a range of Middle-earth™ inspired goodies, to giveaway this beautiful throw!
Inspired by the classic illustrations of Middle-earth, this stunning pattern was hand drawn by Oscha’s designers and shows Mordor™ to The Lonely Mountain™, and from the Belegaer™ sea to Forodwaith™: the length and breadth of Middle-earth.
If you’re a regular TORn follower, you’ll have seen Oscha’s treasures before – we’re huge fans of their stunning work. We’re also very excited that their Oscha Wear range is back, including clothes for Men, Women, Children and a range of baby grows! Check out the entire collection here. Just in time for holiday shopping!
The giveaway for this gorgeous throw is open worldwide; Oscha will choose a winner a random, and will ship to that lucky person wherever in the world they may be!
To be in with a chance of winning simply sign up here.
Thegiveaway ends 10am ET (3pm GMT), November 3rd. The winner will be contacted by Oscha.
As you no doubt know by now, there is a new production of The Lord of the Rings musical currently playing at The Watermill Theatre; it opened July 25th and runs until October 15th. Last week, staffer greendragon ventured into the Berkshire countryside and found herself in the Shire. Here’s her review of the production:
Sam – Nuwan Hugh Perera – and Frodo – Louis Maskell – with Gollum – Matthew Bugg – sneaking in the background… (Photography Pamela Raith)
The Lord of the Rings restaged
When The Lord of the Rings musical first appeared, in all its (at the time) ‘most expensive musical ever’ glory, I went to see it in London. I was not convinced. The extravagant, elaborate staging could not conceal the fact that the songs were not particularly memorable, and it just seemed like Tolkien’s story wasn’t really suited to this kind of telling. It was not surprising when the show was not the hoped for success.
Rediscovering the piece, in its new, MUCH smaller and more intimate staging, I am closer to being convinced. First of all, the setting is stunning. The audience arrive in a beautiful, bucolic location, where food and drink can be enjoyed by a slowly winding river. A large ring of woven willow decorates the front lawn of the venue. As show time approaches, everyone heads to behind the building – following signs to the ‘birthday party’. So the performance begins outside – where we are all guests at a Long-expected Party. (Though for some reason, it was referred to as a ‘long awaited party’. Perhaps this was a slip of the tongue? As this production is fully licensed by Middle-earth Enterprises, they certainly have the right to use the Professor’s phrase.)
The Shire is the perfect place for music, and so the show gets off to a very strong start. We are swept up in the party atmosphere; I delighted in seeing the Sackville-Bagginses looking suitably annoyed when they learned that Bilbo was making Frodo his heir, and Bilbo’s disappearance was very well handled. As the Shire-folk rushed around, wondering where he had gone, we joined them in their search – heading inside to the rustic wooden theatre.
This very small auditorium – with just under 100 seats downstairs and about the same again upstairs – is brilliantly used in every way possible to tell the epic story. The staging is incredibly inventive, with cast moving through the auditorium – and even climbing over it. Stunning puppets create suitably terrifying Ringwraiths and an astonishing Shelob. Elrond causes the river to rise, the doors of Moria glow, even the Balrog appears; every theatrical trick and device is called into play, including impressive lighting and projections, to create Middle-earth in front of and around the audience – and those watching the night I was there were clearly loving it.
Gimli – Folarin Akinmade – sings a lament in Moria. (Photography Pamela Raith)
An outstanding cast
The cast were mostly excellent. Stand outs for me were Nuwan Hugh Perera as a funny, warm, pitch-perfect Samwise; John O’Mahony’s charming Bilbo; and Matthew Bugg, whose astonishingly athletic and aggressive Gollum managed to be fully his own embodiment of the character, rather than being trapped in an Andy Serkis impression. I loved Folarin Akinmade’s Gimli, and wished the script allowed more time for his relationship with Legolas (Yazdan Qafouri) to be played out; one very touching moment between them towards the end of the show made me want more of these characters. Peter Dukes (Boromir) and Aaron Sidwell (Aragorn) were particularly moving in Boromir’s death scene. Louis Maskell didn’t entirely convince me as Frodo, being perhaps slightly overwrought; but it’s a demanding role which carries much of the show, and overall he proved himself equal to the task. Peter Marinker as Gandalf seemed to be still finding his way into the role, in the early performance I saw.
Condensing the plot
If you’re a Tolkien purist, you’ll may find fault with this version of the story. To fit the entire plot into one evening of theatre naturally requires much pruning and condensing – poor Tom Bombadil and Celeborn don’t make the cut, again! Denethor and Theoden are blended into one, as are the battles of Helm’s Deep and the Pelennor Fields. I think the condensation of the story is skilfully handled; I was more bothered, in a picky purist sort of a way, by the Hobbits wearing sandals – though I do understand the need for safety for actors’ feet!
The costuming – with influences of Bollywood in the elven outfits – is similar to the original production, and the revolving stage is still there (albeit in much smaller form). The show looks and sounds stunning; the cast are also the band, and though it may sound like a strange idea, somehow it works seamlessly when Pippin (the charming and highly energetic Amelia Gabriel) picks up an accordion and starts to play. Certainly in the Shire and at Bree, the songs work wonderfully. I’m still not sure about the rest of the music. Retelling such an intense, literary tale in musical form is not easy; Les Miserables comes to mind as the most obvious, successful literature-to-musical transformation. The writers of The Lord of the Rings musical haven’t quite pulled off this difficult transition, for me. It just doesn’t seem entirely plausible when Arwen and Aragorn sing a (rather Disney-ish) love duet on the eve of battle; but perhaps I’m just cynical.
A climax, and a tearjerker ending
The one song which stayed with me from the original production was Now and for Always – and that is still the high point of the show, beautifully and movingly performed. As the show approached its end, and the Hobbits returned to the Shire, to clear up the damage caused by Sharkey and his ruffians, we headed back outside with them. A sail was now unfurled where once a party banner had been; and I was moved to tears as Frodo made his farewells, and left Sam to carry on the story.
The lights in the party tree… (Photography greendragon)
In spite of my few misgivings, overall this is a beautiful, moving evening of theatre, and a wonderful chance to immerse yourself in Tolkien’s great story. It’s worth the price of admission just to be transported to the Shire. I imagine the producers may be hoping this production will transfer elsewhere after its run at the Watermill Theatre; but even if it does, this is the perfect setting in which to see it. Do go, if you can.
The Lord of the Rings will play at the Watermill from Tuesday 25 July until Sunday 15 October 2023. Tickets are on sale via watermill.org.uk/The-Lord-Of-The-Rings.
