Here at TORn we were delighted recently to make a new friend: Ian Leino from Geek Orthodox. Ian is a glass artist who creates incredible stained glass (and window cling replicas), and who has recently become licensed with Middle-earth Enterprises. So he’s launching a range inspired by Tolkien!
Staffer greendragon recently had a chance to chat with Ian, to find out more about his stunning creations, and his passion for all things Tolkien. Here’s what he had to say:
What was your first encounter with the work of J.R.R. Tolkien?
My parents divorced when I was an infant, but when I was four, my Mom started dating a man who would eventually become my step-father. When he would come to visit, he would always read to be before bedtime – but none of those [little] children’s books; he launched right into The Lion, the Witch and the Wardrobe by C.S. Lewis, and introduced me to the world of fantasy. It took a few years to get through the entire Chronicles of Narnia, and by then they had gotten married and we’d established the routine of a family reading time.
With Narnia behind us, the time was right to graduate to the world of Middle-earth, starting with The Hobbit and progressing through The Lord of the Rings, which captured my imagination in an entirely new way. That bond over Middle-earth is one of the things that bound our new family together, and it’s a common interest that we still share.
Why stained glass – is it a medium which particularly lends itself to images of Middle-earth, do you think?
My interest in stained glass started with my first job, which was sweeping up at a glass studio on the weekends when I was in middle school. And it intensified in college when I studied art history with an emphasis on gothic art and architecture. As a medium, stained glass has always been used to evoke a sense of wonder and grandeur. From the heroes of history to the religious parables in cathedrals – we use stained glass artwork as a way of venerating and celebrating what is important to us.
The world and characters of Middle-earth are such a foundational fandom for so many of us that I feel that they deserve a similar artistic treatment. From the sweeping vistas that call us to adventure, to the coziness of a pub sign where we know our friends are inside sharing tales, these moments and places absolutely shine through the medium of stained glass in a way that they can’t in any other medium.
Are there other Middle-earth artists/interpreters who have influenced you?
I likely have the same major touchstones as many other Tolkien fans my age – starting with the striking animation of the Bakshi films, later finding the stunning work of Alan Lee, and then being absolutely immersed in the world of Middle-earth by the amazing creative teams at WETA.
One of my absolute favorite sets of illustrations ever, though, is the 1976 Russian version of The Hobbit, illustrated by Mikhail Belomlinsky. The illustrations are bold and unique with a touch of whimsy, giving the entire book the feeling of a folk-tale. More than anything, I love the breadth of inspiration that is possible while still being true to the original text, and the huge diversity of artwork based around these stories.
How does it feel to be ‘officially licensed’?
It feels amazing! I feel like I should have a more sophisticated answer, but it’s so overwhelming that all I can think is: “amazing!”. I’ve long enjoyed being part of a worldwide fellowship of artists who create original art that is inspired by these books. So it’s an incredible honor to know that the stewards at Middle-earth Enterprises have selected my artwork to help officially represent that world to fans everywhere. I feel a responsibility to be worthy of that trust – being true to the original text and my own vision – to offer a new way of experiencing the world that Tolkien created.
September 22nd is the birthday of both Bilbo and Frodo Baggins. On September 21st 1937, The Hobbit was published. So this weekend is a great time to celebrate in ‘Shire-ish’ style – and we have suggestions for you if you’re near New York or Los Angeles!
On Saturday 21st, TORn’s good friend Donato Giancola is hosting an Open Studio in Brooklyn. This is an incredible opportunity to meet the artist himself, see where he works, and gaze upon his latest large scale Middle-earth painting, Bridge of Khazad-dûm. If you’re very lucky, you may even go home with a Giancola original of your own! Here are the details:
Donato Giancola Open Studio, 11am – 6pm Saturday 21st September
397 Pacific Street Brooklyn, NY 11217
Donato says:
This Fall (or the end of Summer) will see the annual hosting of an Open Studio here at our home and studio in Brooklyn. Open to you, friends, and anyone who you may like to bring along.
I will be showcasing the newly finished, large scale Middle-earth canvas, the Bridge of Khazad-dûm, alongside handfuls of new oil paintings including recent work for Tad William’s Stone of Farewell, D&D themed drawings, Empathetic Robot projects, as well as scores of classics from my 30+ year career as an illustrator.
Of lucky significance for this event is that September 21st is also the 87th Anniversary of the publication of The Hobbitby J.R.R. Tolkien!
I cannot be more thrilled by this opportunity to celebrate the writings and art of Middle-earth. Keep your eyes out for some very special offerings as I plan events and give-a-ways for this day including a lottery for copies of Middle-earth: Visions of A Modern Myth, a signed The Hobbit featuring my cover art from the Science Fiction Book Club edition (signed just by me, not Tolkien, sorry!), and other original art and prints to be announced in the coming weeks.
Anchoring the studio for the second year in a row is another massive Middle-earth work, at 66″ x 80″, and this time – framed! The successful Kickstarter which just ended this past week will allow me to offer that special print for visitors to examine first hand and enter a lottery for a free large canvas giclee of the art if you missed out on the campaign!
The Lottery will include numerous items in the offering- from an original oil painting, to a Middle-earth original drawing (Moon-Letters – see the image above), to prints, books and Magic Artist Proof paintings – and more to be added as we get closer to the date. (In-person Lottery drawing will be held at 5pm on Saturday, entrants need not be present to win.)
We are also thrilled that the artist & pianist Colleen Quint will be playing live on our piano throughout the day and artists Kelley Hensing and Carter Gill will be present to assist once again this year! New works from Magic: The Gathering as well as interior art for projects with Grim Oak Press will be on display throughout the studio.
For those who may be Darrell Sweet fans, I have his original acrylic painting of the Hobbit cover hanging in our home. This was the artwork used on the paperback book I first read as a young teenager!
Heavy discounts on prints and select original artworks will be offered. I will also have a handful of sketchbooks around for browsing and a few portfolios filled with large, preliminary drawings and studies will also be on display for perusal. Stop by, take in some art, and kick back in the backyard while you enjoy a lemonade in a little part of the Shire in Brooklyn and raise a toast to Tolkien!
Even if you can’t attend in person, you could enter the Online Lottery!
For all the online audience who may not make it to Brooklyn for the Open Studio, Donato is offering an online lottery for give-a-ways, closing September 21st 11:59 PM ET. To register for the lottery to win one of the incredible gifts (listed below) simply visit Donato’s social media pages (Facebook, Instagram or Twitter) and enter a comment on the respective post for the Lottery. Or email lottery@donatoarts.com with ‘Enter’ in the subject field/message.
Items for the Online Lottery include:
– Original watercolor, Micro Painted Magic: The Gathering Artist Proof
– Bridge of Khazad-dûm 24″ x 28″ foiled and embossed print (US shipping only)
– The Great Dragon Smaug 14″ x 11″ print (US shipping only)
– Trifold Keepsake of the Bridge of Khazad-dûm and 6″ x 9″ print of Gandalf and the Balrog
One entry per person.
Sunday 22nd September – TORn’s annual Baggins Birthday Bash
Come and eat, drink and be Hobbity with TORn! Staffers Garfeimao and Quickbeam (and others!) will be there to greet folks from 11.30am. Bring food for the potluck; or maybe even enter the Baggins Birthday Cake contest. Costumes strongly encouraged. Enjoy this very popular annual gathering of fans; all are welcome!
You can find all the details about the event here. Please note, this is event is FREE, and will be held in the Mineral Wells Picnic area of the park. There may be other happenings at Griffith Park that day – so double check the details so you know where to find us.
No doubt many fans will be gathering for festivity this weekend; let us know how you’ll be celebrating the Baggins Boys’ birthdays!
This week in Reflections from the Shire we have a guest post from Tolkien lover, and Tiktok and Threads regular, Lea/Silmarilleanne about The Shibboleth of Fëanor and it’s appearance in The Rings of Power episode four. Enjoy!
~ Staffer Kelvarhin
Reflections from the Shire – The Shibboleth of Fëanor
Guest post by: Lea/Silmarilleanne
Keen-eared Tolkien fans may have noticed an interesting linguistic quirk spoken by Adar at the end of episode four of The Rings of Power. He greets Galadriel with a familiar Quenyan phrase – one used by Frodo to greet Gildor Ingolrion in The Lord of the Rings: “elen síla lúmenn omentielvo”, to quote Frodo. But Adar’s is slightly different, raising some interesting possibilities about his original elven identity.
Firstly, there’s the fact that Adar is speaking Quenya at all. This suggests he is a Noldo of Valinor – just as Galadriel is; Quenya the language originated in Valinor and is the the language of the High Elves. It was dropped in favour of Sindarin shortly after the exiled Noldor arrived in Middle-earth, thanks to the ban placed upon it being spoken by the Sindar King, Elu Thingol, after he was informed of the Kinslaying at Alqualondë, the victims of which were his own people, the Teleri. It was never spoken by any of the other elves of Middle-earth, becoming something of an archaic language of lore. Furthermore, Adar calls Galadriel “Altáriel”, the Quenyan form of the name Galadriel – an epessë (a kind of nickname) she was given in Valinor, and which was Sindarised to Galadriel in Middle-earth. This is all to say, were he anything other than a Noldo, it is extremely unlikely he would have spoken Quenya and known Galadriel’s Quenyan epessë.
The most intriguing part of all this though is instead of síla, Adar pronounces the word as thíla – or, more accurately þíla. This usage of the thorn in place of s suggests he is not only speaking Quenya, but a very specific dialect of Quenya – Fëanorian Quenya, known amongst many fans as ‘the Fëanorian lisp’ (indeed, those who spoke this way were dubbed ‘the Lispers’).
In The Shibboleth of Fëanor, published in The Peoples of Middle-earth, volume 12 of the History of Middle-earth, Tolkien at his philological best describes how sociopolitical matters affect language and vice versa. As the Shibboleth explains, the Noldor and the Vanyar, two of the three tribes of elves, once lived together in the city of Tirion in Valinor and shared a language, Quenya. The Vanyar relocated to the city of Valmar to be closer to the Valar, and as a result of this distancing, dialectical shifts occurred between the two peoples. The Vanyar retained the þ in their language, but amongst the Noldor there was a “conscious and deliberate change…based primarily on phonetic ‘taste’ and theory” to s.
The change was attacked and opposed by loremasters, who believed it would cause damage “in confusing stems and their derivatives that had been distinct in sound and sense”. The chief linguistic loremaster at this time was Fëanor, who as well as being a fastidious loremaster also had a very personal reason for objecting to the change. Fëanor’s mother, and first queen of the Noldor, was Míriel Þerinde. While the linguistic shift is said to have happened (or at least began) within her lifetime, Míriel herself adhered to the pronunciation þ, and “desired that all her kin should adhere to it also, at least in the pronunciation of her name”, therefore Þerindë as opposed to Serindë.
However, unprecedented amongst the elves of this time, Míriel died, and refused to be re-embodied. Embittered by this, her husband Finwë himself switched away from þ in favour of s, which had at this point become almost universal amongst the Noldor bar Míriel’s kin. Matters were worsened further when his second wife, Indis of the Vanyar, followed suit. As a Vanya, Indis had hitherto retained the þ in her speech, but she declared, “I have joined the people of the Noldor, and I will speak as they do”. Fëanor, hating Indis and seeing her as somewhat of a usurper in his mother’s rightful place, believed her switch to be a grave insult and belittlement of his mother, and came to view the rejection of Þ as a symbol of rejection of both his mother Míriel, and by extension himself, her son, as the chief of the Noldor next to Finwë.
Thus, he became yet more vehement in his objection of the shift, even while his behaviour turned those who had previously agreed with him to the opposing side:
“Had peace been maintained there can be no doubt that the advice of Fëanor, with which all the other loremasters privately or openly agreed, would have prevailed. But an opinion in which he was surely right was rejected because of the follies and evil deeds into which he was later led.”
Fëanor remained steadfast in his opposition, pointedly calling himself ‘Son of Þerinde’ and telling his sons, when they queried the difference in their speech from that of their kin, that they “speak as is right, and as King Finwë did before he was led astray”.
So even before the Rebellion of the Noldor and their exodus to Middle-earth, s in place of þ had become dominant, and this was further cemented in exile: “The s was certainly used in Beleriand by almost all the Noldor,” Tolkien writes, and this is followed by the note “It is not even certain that all Fëanor’s sons continued to use Þ after his death and the healing of the feud” between the Fëanorians and the family of Fingolfin, though it seems almost certain any elf who did retain the thorn would have been counted amongst the Fëanorian followers – thus is raised the question of Adar’s identity.
But Adar saying it to Galadriel adds yet another layer of significance. The Shibboleth of Fëanor further details how Finarfin, Galadriel’s father “loved the Vanyar (his mother’s people)” and that because of this love in his house, þ remained in standard use and he was moved neither one way nor the other by Fëanor’s shibboleth, acting purely as he wished. Galadriel therefore grew up in a household that retained the þ. However:
“opposition to Fëanor,” Tolkien writes, “soon became a dominant motive with Galadriel… so while she knew well the history of their tongue and all the reasons of the loremasters, she certainly used s in her own daily speech.”
In other words, she purposely transitioned to using s to spite Fëanor. Adar’s own usage of it then could also be retaliative or in a similar vein: he is aware of its import and meaning to Galadriel and could potentially be purposely using it as a means of aggravating her.
Certainly, the implications of him speaking Quenya – and specifically the Fëanorian dialect of Quenya – seems to contradict earlier indications in the show about him being one of the first orcs; the first orcs were made from elves taken during the days at Cuiviénen, long before the elves went to Valinor and Quenya the language even existed; at this time, they spoke only Primitive Quendian. It would also seem odd if Quenya is his mother tongue, why his name is Adar, the Sindarin word for father, as opposed to Atar as it is in Quenya. But how deep does the show want to delve? It could be a lot more straightforward – the show is going on the simplified premise of Quenya having been spoken by the elves since those early days, and the dialectical shift having happened since then simply being indicative of Adar’s extreme age. But if Adar is from amongst those first elves, as Galadriel claimed in the first series, that would put him of an age, older even, than Círdan, and yet Adar is very noticeably lacking the beard that is illustrative of Círdan’s long lifespan. On the other hand, if the show really is going this deep on the lore, exactly who is he? Theories of Adar being Maglor abound, since it would tick many of the boxes: Fëanorian speech, Noldo, dark hair, familiarity with the name Altáriel… But surely, even with a multitude of scars on his face, Galadriel would recognise her cousin? There is also, and perhaps most fundamentally, the issue of rights. While the Tolkien Estate has afforded Amazon some leniency and granted access to certain items outside the rights they own – most notably, the name “Annatar”, a word which does not appear in the Lord of the Rings and its appendices, which Amazon owns the rights to – it is another level entirely to grant them access to an entire character.
Regardless of whether Adar’s use of the “Fëanorian lisp” becomes significant and plot-relevant, or remains a little easter egg for keen-eared viewers, it has certainly conjured a lot of discussion, and a wonderful new level of interest in more casual fans, who have begun seeking out a once fairly obscure text like The Shibboleth of Fëanor.
About the author:Lea aka Silmarilleanne is a long-time lover of Tolkien’s works with a penchant for his languages and the House of Finwë. When her nose isn’t buried in a book or a PlayStation controller in her hands, she can most often be found talking Tolkien on Tiktok and Threads.
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If you’d like to discuss “The Shibboleth of Fëanor” further, or just want to discuss all things Tolkien in a welcoming, troll-free environment check out TheOneRing.net’s Discord or message boards.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Last week Rings of Power returned to our tv screens, when the first three episodes were released on Thursday 29th of August. Once again it has attracted its share of responses from those who love the show and those who don’t. Perhaps the most surprising result of ROP’s return has been the reaction to one, quick, scene showing an Orc holding a baby.
While Tolkien never fully resolved the origin of the Orcs, owing to his own theological beliefs that nothing is entirely evil, he did provide ideas on their origins. Their creation story changes from Orcs being created from stone, and being soulless, to them being corrupted elves or men, containing souls. However, in every iteration he always speaks of them being “bred”.
The very first idea of the Orcs, as mentioned in The Book of Lost Tales, had them created by Melko,
“all that race were bred by Melko of the subterranean heats and slime.”
This text also speaks of members of the Noldoli (Noldor elves) being twisted by Melko and combined with the Orcs, until they believed themselves to be one kindred.
This idea was later expanded upon in Morgoth’s Ring, with the Orcs being corrupted Eldar, captured by Melkor after their first awakening. These Eldar were taken to Utumno and
“broken… and by slow arts of cruelty and wickedness were corrupted and enslaved. Thus did Melkor breed the hideous race of the Orkor in envy and mockery of the Eldar”.
Similarly, Morgoth’s Ring also discusses the creation of the larger Uruk-hai, stating that the Men who were under Morgoths rule would be made to mate with Orcs to produce the larger more cunning Uruks. It also states that this was rediscovered by Saruman who inter-bred Orcs and Men, to create Men-orcs, who were large and cunning, and Orc-men, who were treacherous and vile. Which is quite different to how their creation was depicted in the Peter Jackson films.
It is quite horrifying to us to envisage such inter-breeding, but Tolkien did, repeatedly. The showing of an Orc baby is merely acknowledging Tolkien’s own words that Orcs breed, they mate and produce young.
There have been arguments online that this is trying to make us more sympathetic towards the Orcs, as the existence of Orc babies implies that Orcs have gentle feelings. Why? Because they breed? There are humans who have children who don’t have any gentle or “maternal” feelings towards them. Yet they raise these children, not well, but they do raise them. While not all children raised by parents like this will go on to emulate their parents behaviour, sadly, many of them will, which leads to this learned parenting behaviour becoming the norm. When the brutish nature of Orcs is considered, it is quite likely that their children are raised in a similar manner. Provide food, shelter, and clothing, and not much else. Those that survive would go on to continue their brutish and vile natures, which increases with each successive generation, until we arrive at the Orcs of the Third Age in Lord of the Rings.
The fact that Orcs produce young in no way implies that the Orcs are not horrific. None of their acts of atrocity are played down. All that it shows is this is how more Orcs are created, they breed. They don’t just spring fully formed out of a sac in the ground.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Greetings from Atlanta, fellow Bagginses and Boffins, Tooks and Brandybucks, wizards and elves, Rohirrim and Beornings, Men and Women of the West, Nazgúl and Uruks, and other glorious embodiments of the diverse denizens of Middle-earth! And Proudfoots! (‘Proudfeet!’) It’s Labor Day Weekend, which means Smaug is stirring in the form of the singular Con forged by fans for fans (why, just like TheOneRing!): it’s Dragon Con time!
Now in its 37th year, and much like the world of fantasy in general, Dragon Con has always leaned heavily into its Tolkienian roots, with Middle-earth inspired programming, cosplay, partying, and a global Fellowship serving to inspire many of the 70,000 or so fans who converge on downtown Atlanta every year. And the 2024 version will be no different! Here’s a quick rundown all the Tolkien goodness that will be happening this year, indeed when there seems to be an explosion of so much we can celebrate!
Movie Guests: The Hobbits Are Coming to Dragon Con!
It’s a long-expected celebration as we welcome three excellent and admirable hobbits back to our annual party! Billy Boyd and Elijah Wood have been here before, with 2023 serving as a Frodo first for the con. It’s great to have him back, along with an inaugural visit by Dominic Monaghan. We’ll enjoy reminiscences and revelry, past shenanigans and current updates from gentlemen who still bow to no one! Find them at various times across the weekend.
Alas they’re not bringing Orli with them to Atlanta…
Media Project Updates and an Event: So Much Happening!
International South, Hyatt, 7pm Thursday 29th – watch The Lord of the Rings: The Rings of Power
Prime Video was so courteous to schedule the opening of Season Two of The Lord of the Rings: The Rings of Power on the same day that Dragon Con kicks off! They were especially gracious to allow us to host a Release Day Watch Party in a large ballroom space in one of the host hotels where we’ll get to all three of the first episodes on a big screen with 400 or so of our closest friends. There will be swag!
L401-403, Marriott, 11.30am Monday 2nd – The Rings of Power panel
TheOneRing.net will also be hosting a panel on Monday offering an opportunity for reactions and speculations from a crackerjack panel, including our good friend Willie Jenkins aka KnewBettaDoBetta.
L601-602, Marriott, 1pm Friday 30th – The War of the Rohirrim panel
Just as exciting is the upcoming December release of The Lord of the Rings: The War of the Rohirrim, the anime collaboration between the same team that brought us both the LotR and Hobbit movies, along with director Kenji Kamiyama. We’ll have a dedicated panel to discuss the recently released trailers, and special recorded interview with producer Jason DeMarco as he digs into some details with staffer greendragon. (Also look for swag…!)
Centennial One, Hyatt, 11.30am Saturday 31st – Middle-earth Updates with TORn
We’ll even do some speculating about the recently announced next movie release coming in 2026, the PJ-produced, Serkis-directed The Hunt for Gollum. That will happen as part of a general update from TheOneRing.net staffers at Dragon Con, along with some good friends, covering a vast smorgasbord of things we have to look forward to in the Tolkienverse.
Some Scholarly Conversations: Academics Can Party?
Tolkien fans are noteworthy for also loving to dive deeply into Tolkien lore, characters, themes, and discussions as part of their experience. We’ll be scratching that itch on a number of fronts:
L401-403, Marriott, 1pm Saturday 31st – Here at the end of All Things: Tolkien’s Apocalyptic Visions
Our good friend, professor, and author, Constance Wagner, was asked recently about contributing to an upcoming publication discussing apocalyptic themes in fantasy literature. The inquirer wasn’t sure there really was much in Tolkien’s legendarium that dealt with that kind of thing. After Constance calmed down, she recruited a couple of us to join her in road-testing just how apocalyptic Tolkien can be, and across all the Ages of Middle-earth starting with the Music of the Ainur. And what better place to do that than among Dragon Con friends! We may have to hand out cookies to lighten the mood a bit, though.
L401-403, Marriott, 11.30am Sunday 1st – On Fairy Stories
Tolkien’s On Fairy Stories serves as a fundamental apologetic for the importance, depth, and suitedness of these stories in their application to the human condition. Plus they’re good reads. We’re looking forward to engaging with other fans on these foundational ideas.
L401-403, Marriott, 4pm Sunday 1st – The Collected Poems of J.R.R. Tolkien
With the publication of the massive three-volume edition of The Collected Poems of J.R.R. Tolkien mere weeks away, we take an hour to focus on what we can expect from this monumental effort from scholars Christina Scull and Wayne G. Hammond. And we’ll probably do a bit of group confession of how many of us skipped the poems during our first LotR reading or two. We may even listen to Tolkien himself reciting some of his verses.
Parades, Partying, Dancing and Singing: Always Trust an Elf! Or a Hobbit!
Grand Ballroom, Courtland Grand, 8.30pm Friday 30th – An Evening at Bree
Dragon Con (unlike many of those “CC” alternatives around the country), is especially knows for its literal 24-hour partying spirit, both informal and officially sponsored. One of those latter parties, indeed one of the longest standing parties across Dragon Con’s history, is our annual Evening at Bree. Always happening on the first full-day of the Con, this Friday evening festival combines live bands (since back in those the Emerald Rose glory days! – this year we’ll have Landloch’d, Beth Patterson, and the Brobdingnagian Bards playing), dancing that’ll bring joy to the most curmudgeonly hobbit, a costume contest showcasing jaw-dropping cosplay talent, and a mini-concert from Bree’s own Elf Choir who gather to rehearse and present iconic fantasy tunes all on the same day. It’s a great way to kick off the Con in a celebratory mood.
Elf Choir performing at Evening at Bree in a previous year – photo courtesy of Geek Behind the Lens
Grand Ballroom, Courtland Grand, 5.30pm Friday 30th – Sing with the Elf Choir
That Elf Choir, in addition to their larger contingent who perform at Bree, also has a dedicated group of master singers, garbed in elven cloaks and sporting ethereal lanterns, who make their way through the Dragon Con masses on their long and melodic journey into the West. Fortunately, the Grey Havens are proving elusive, and they’ll be back again this year.
Grand East, Hilton, 7pm Sunday 1st – Hobbit Drinking Songs
One of the most riotously reeling renditions of Shire shenanigans happens with the Brobdingnagian Bards’ annual concert (and excuse to dance spontaneously): Hobbit Drinking Songs. They’ve been at it long enough that many in the audience join in, at least on the choruses. And they have CDs!
Grand East, Hilton, 10pm Sunday 1st – High Fantasy Goblin Ball
One of the last parties we’ll be joining this weekend is one where staffer deej will be taking the lead: The High Fantasy Goblin Ball! We always like to pick a theme for these dance parties, usually picking a favorite decade where deej focuses her musical stylings. We’re back to the 80s this year, and using a Goblinesque orientation in whatever forms our attendees might choose. The mashup cosplay has gotten pretty hilarious in years past. The Eye of Sauron in shutter shades, anyone?
Home for this Tolkien-inspired programming, and for many of us Tolkien-addicted people, is one of Dragon Con’s 35 or so dedicated fan groups, or “tracks”: The High Fantasy Track. Home base is right in the center of all the action, on the lobby level of the Marriott Marquis (L401-403). Should you be attending Dragon Con this year, come by and say hi to fellow fans there!
Grab some merch – celebrate 25 years of TORn!
You should also, of course, visit staffers greendragon and deej at TheOneRing.net’s fan table in the Atlanta downtown Hyatt, down on the Exhibit Hall level just across from the Art Show (our usual spot). There you can get some fabulous merch – shirts, buttons, and more! Show your political allegiance by voting Gollum/Smeagol 2024; or show your love for TORn with our 25th anniversary shirt and mug.
We’re looking forward to seeing friends old and new! Now forgive us as we go finish up that last flourish on our cosplay!
In January I was reading a skeet on Bluesky about how people feel after every re-reading of The Lord of the Rings. Do they still feel the same emotions, have the same reactions as they did when they first read it?
Some of the responses reflected that you can never feel or react the same way as you did during your first reading, as everything you were reading was new and fresh to you, which is very true. A much-shared readers lament is that you can never feel the way you did the first time you read a well-loved story.
Several responses went onto clarify that every re-read still affects them, though in different ways. Could this be due to being older? Having a greater understanding of world-issues? Being able to comprehend more nuances from Tolkien’s writing?
For myself it’s probably a combination of all of these, after all, I was only 8 years old when I first read LOTR. The complexities of the world-building have grown on me as I’ve gotten older, and I’m far more appreciative of these now than I was as a precocious 8-year-old. My main reason for reading LOTR back then was to join in with the discussions my mother and older brothers were having about LOTR. My mother tried to get me to read The Hobbit, but I just wasn’t interested: Mum and the boys were discussing LOTR, and I wanted to join in with that. I did say I was precocious 😉
This led to a life-long love of Tolkien’s work. Many of my fondest memories are related to LOTR. My brothers and I saved up to buy our mum a box set of Tolkien’s books when The Silmarillion was published, those books now live on my bookshelf, along with all my other copies. Many of my responses when re-reading LOTR reflect where I was at that time in my life. Re-reading the books my brothers and I bought our mum reminds me strongly of when I first read LOTR and how much I enjoyed discussing them with my mum and brothers. They also remind me of the wonder she introduced us to when she first shared her love of LOTR with us, and how excited we all were to buy her the box set, so she finally had her own copies.
Now, every time I re-read them; I’m constantly finding new insights. I’ve mentioned the world-building, something that all fans of Tolkien’s work love, the themes of friendship, fellowship, enduring love, and simple joys are what resound with me and lead me back to read these books over and over again.
I’ve mainly mentioned LOTR, as since that was the work that the fans over on Bluesky were discussing, but I also regularly re-read Tolkien’s other Middle-earth books. My favourite is The Silmarillion, probably because I’ve always been a bit of a history geek too, so I really love the deeper insight into Middle-earth that The Silmarillion provides. I’ve honestly lost count how many times I’ve read it, and LOTR. At one point I could quote whole sections of it from memory, but that was a few years ago, before children and other RL interests came along. Still, I can remember quite a bit of its lore. Every time I re-read The Sil I uncover deeper meaning, beauty, and sorrow and it draws me firmly into Middle-earth.
I must admit that I appreciate The Hobbit much more now I’m an adult, than I did as a child. Being a quite advanced reader from a very young age, I absolutely hated anything that I felt was “talking down” to children. As an 8-year-old, that’s how it struck me, I disliked the narrator talking directly to me and skipping things they felt I was too young to witness or understand. Now it just seems a quaint way of telling the story and doesn’t distract me from the tale. I find I can more fully enjoy Bilbo’s travels “there and back again” a lot more from an adult perspective, and I notice and enjoy the nuances far more than I did as a child. Maybe that’s just me.
I know many fans that have come to Tolkien’s works via Peter Jackson’s movies, and, more recently, via Amazon Studios’ The Rings of Power TV. One of the first questions I was asked when I finally crept out of Lurkwood and joined our Message boards was if I was a “book-firster or a movie-firster”. The question wasn’t asked to belittle me, it was asked out of genuine interest as to how I discovered Tolkien, and led to a truly enjoyable discussion about Tolkien’s work and how wonderful it was that more people were discovering his work due to the release of the films. That, while I enjoy the films, the books will always hold the number one spot in my heart, and it’s this first love that draws me back to Middle-earth over and over again.
We’re seeing this again with the TV series, with people finding out about Middle-earth for the first time and wanting to know more. We regularly have new members join our Discord chat, wanting to know about Tolkien’s books, which order they should read them in. Then they share their joy with us all as they read the stories. I have no doubt that we will see another influx after The War of the Rohirrim is released in December.
We are so lucky today to have so many more adaptations set in Middle-earth. As a child the only film I ever saw was the Bakshi Lord of the Rings. While I left the cinema with many questions for my mother, over changes and omissions, it didn’t rob me of my original love: the books. I did immediately re-read the books, and was surprised at how Bakshi’s film, while not perfect, led me to a greater appreciation of the written work.
It’s wonderful, and a privilege, watching others begin their journey into the wonder that is Middle-earth, and having new memories added to my own ongoing journey. As I, and others, have found, I am sure that those who have come to discover, and love, Middle-earth through the recent adaptations will discover the greater realm that awaits them within the written works. At least, this remains my belief and hope.
I wish them well as they embark on their own journey of discovery, of deeper understanding and wonder of the amazing world that we’ve been gifted by J.R.R. Tolkien. This wonderful Middle-earth. I envy their new discoveries, their first steps into this immense literary world, but rejoice that they are joining our Fellowship. Welcome!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
