Principle photography was completed on this film a little over a year ago and the first test audience screenings began in June, so we’ve been waiting quite a while for this release date to be announced. This film will open on May 10, 2019 in a limited release, as is usual for indie films. This is good news if you live in big cities that typically get art films, but others may have to make a little more effort to get out and see it. Once we get word on just how many theaters it will open in and whether it will go into a wider release, we will share that news here. Also, there are those among us who have seen the film, and once permission has been given you can expect a review or two. But first, just what is this film about and when is it set? Continue reading “Save the Date: May 10, 2019 for “Tolkien”, the Biopic about J.R.R. Tolkien will finally hit theaters”
Category: Production
This past week, the New Zealand Government and executives from Amazon TV held a meeting in an effort to address concerns about a lack of studio capacity in Auckland. This planned 5 season LOTR series is a big production that will require quite a lot of studio space for filming, post production facilities and local crews, so of course they want to make sure the resources exist that they need. It appears that a decision or deal may be made within the next month, so we don’t have long to wait. You can see the source of this story at Stuff.Co.NZ.
You may be wondering why Auckland and not Wellington, but that is easily explained by the fact that the Avatar trilogy of films currently in pre-production will soon be moving into full production. While the Amazon LOTR production will be big, Avatar is going to be much bigger, and there may or may not be enough room for both as far as studio and post-production facilities go.
This leads to a much bigger debate on whether or not this new series should look and feel much like the existing Middle-earth films or whether it should blaze its own path for design and locations. The appeal to any production of not having to look for too many new locations can’t be understated. Film and TV productions are always having to research and locate interesting places that fit what the production needs, so the fact that so many locations in New Zealand have already been established as feeling like Middle-earth is a boon. But then, there are hundreds of beautiful places around the world, and with chunks of filming now happening in studios, does it really matter where those studios are? Is it possible that Amazon can do location filming in New Zealand and Studio work in London, Hollywood or Vancouver? Or why not film in British Columbia, or Northern Ireland or Slovenia for that matter?
Good news is never late. It arrives precisely when means to. If you’ve been following our friends from Weta then you know the last little bit has had some very cool news for collectors. One of the most popular statues from The Hobbit line came from the character of Tauriel. She sold out pretty quickly and on the secondary market can come at a pretty high price. Fans have been asking for a new statue of the character, and that wish has finally been granted. You can grab the new Tauriel for $349, which is a fair amount under the price on ebay. She comes with an edition size of only 800 pieces so she’s likely to not be around too long, and you can expect her to land in your collection in March of next year.
You may not know his name, but outside of being a co-investor in the LOTR films, Samuel Hadida through his Davis-Films production company and his Metropolitan FilmExport distribution company in France helped make or distribute numerous films you would have heard of, including the Resident Evil franchise, True Romance, and the Silent Hill films and this year’s Hunter Killer. This reporter first encountered Samuel Hadida at San Diego Comic con when he brought Solomon Kane to Hall H in 2009. He was a champion of indie and genre films, and without his output deal with New Line Cinema, Lionsgate and Dreamworks, we might not have ever gotten the LOTR or the Hunger Games films.
Mark Ordesky, Executive Producer on the Lord of the Rings films said of him;
“Shocked and saddened. Sammy was so dear and brimming with life. One of many memories is indelible: His company was a co-investor in The Lord Of The Rings trilogy and needless to say the stakes were high. After we premiered the first public footage in Cannes 2001, Sammy lifted me off the ground and kissed me in his excitement. He lived and bet his passions and I’ll miss him terribly. We should all aspire to love our lives and jobs as much as he did. My deepest sympathy to his brother, Victor, and all who loved him.”
We at TORn also send out a heartfelt ‘Thank You’ for his courage in being a financial partner on the LOTR film, and send our condolences to his family and friends on his passing at such a young age. You can read more on his work at Passing of French Distributor Samuel Hadida
Our friends at Weta Workshop have once again delivered a character that fans have been putting on lists of missed characters for years now. This particular character, if you happened to order the recent Treebeard statue, will make for a great pairing. Who is this character? It’s none other than a very cool looking Orc Grishnakh.
Limited to only 500 pieces worldwide and a price of $399 this one most likely won’t be around long. Sculpted by Jamie Beswarick this statue looks amazing with every piece we saw on screen included in the sculpt. Fans can also use the payment plan system to help them get this and with a release date of April 2019 you’ll have time to pay it off.
The 1978 animated adaptation of The Lord of the Rings, created by acclaimed filmmaker Ralph Bakshi, is celebrating its 40th Anniversary, and the director took time to speak at length with The Hollywood Reporter about the journey to get the film made, beginning with his love of Tolkien and how the novels influenced one of his earlier projects.
“As far as realistic adult fantasy, Tolkien certainly was the best I’d ever read,” says Bakshi, who regularly consumed sci-fi and fantasy like Robert E. Howard’s Conan the Barbarian pulp novels in the ‘50s. “There was a very big fantasy kick going on in the underground and in popular culture [in the ‘60s and ‘70s]. That kick eventually had me make the picture Wizards.”
The $1.3 million budgeted, politically acute Wizards incorporated a number of Tolkienesque characters in its post-apocalyptic setting, from fairies and elves and dwarves to the title characters themselves.
Continue reading “Ralph Bakshi looks back at “The Lord of the Rings” for its 40th Anniversary”