The creative forces behind television’s “The Amazing Race” wants to put Tolkienites, including TheOneRing.net readers, in a competition based reality show with a fantasy flair. TheOneRing.net spoke with casting director Paul Gordon about the new series that is coming to a major television network this year. Expect an announcement and promotion soon.
“There is a potential for people to live out their dreams and we want to give them a platform,” Gordon said.
The concept of the show, called “The Quest,” is to put fans of genre entertainment in a competitive environment tailored to highlight participants’ love of fantasy and adventure.
“It is cool, it is “The Amazing Race” in Middle-earth.”
A “Lord of the Rings,” Executive Producer is also on board. The project has been on the drawing board for a while, but now all the pieces are together – except finding the cast.
“We don’t do profile shows – this is not ‘Jersey Shore.’ This is not ‘Honey Boo Boo.’ The drama here is not, ‘That B!#@% stole my milk!’ There is no contrived drama, we don’t need it.”
Instead, the show wants to find people willing dive in fully and accept the quest to be a hero.
“We want people who are willing to go there with us. We want people who love this stuff. We are definitely looking for personalities – competitive people – not people sitting in a house. You are competing. Where it is LARP or D&D or baseball or basketball, you are going to get revved up.”
TORn tried to find a lead on age or interest or demographic or type that would help land roles but Gordon insisted that on a big network, they were casting a wide net, looking for personality and especially one character trait: “We love people who are competitive – we want this to be important, we want to see them go for it. They might be quiet competitive, might be sneaky competitive, there are many different ways to be competitive.”
He also tried to stress that there are television shows around that poke fun at those invested in niche entertainment and that is not this show.
“Big networks go after everybody (for their audience) and we also look at it as a teaching show. People look at things like DragonCon as unusual – we want people to understand why people do this.
“People laugh at this and say that is not our thing and a lot of what we like to do is teach people.”
“It is so similar, it is shocking to me. It is more familiar than you realize. There are whole sections at Eagles games – people go there and pretend they are something else and think they affect this thing. If they only knew how similar they are!”
Those wishing to enter the selection process can do so by email or by showing up in select cities at early-season conventions to meet with the Emmy winning folks behind the camera. Anybody able to show up in person at the following events, he promised, will be considered.”If you show up to an event, we will look at every single person. ”
The production will be looking in the following cities:
Seattle (coinciding with EMP Fantasy Exhibit Opening) – April 25
Chicago– C2E2 – April 27
Texas – Dallas Comic Con – May 18th
Phoenix – Comic Con – May 25
New York – No event planned yet, will hold VIP invite event for those in the area who apply
Philadelphia – Wizard Con – May 1
This Thursday Gordon will be in Seattle to meet potential candidates, mail TheQuestCasting@gmail.com with the subject RSVP Seattle. They want your name, age, location, a photo, your interest and why you would be perfect for the show.
But anybody in fandom can send in an application to TheQuestCasting@gmail.com, Seattle or no. Include in that email: Your name:
Your age:
Your email:
Current location:
Current photo:
Your hobby/fascination: (Tolkien, Game of Thrones, LARPing, Cosplay) What makes you perfect for a show like this:
If they like what they see, they can schedule an interview or, worst case, they will Skype with candidates.
“We have 13 Emmy’s, nine with Amazing Race. No one (in reality shows) can say that. We are doing award-winning stuff and we never do a show that is fake.”
Profiles Television is behind the show.
So where will all this happen?
“I can’t tell you,” Gordon said, “But it is pretty freaking cool.”
Once again it has been a long time since I posted in this series, but what with the run-up to The Hobbit: An Unexpected Adventure and the reaction to it, TheOneRing.net has been a busy place, and now we’re coming up on The One Expected Party on Oscar night! But I’ll delay no longer.
In the first entry I recalled getting the permission to interview the filmmakers and going down to start my work, back in September-October of 2003. The second one dealt with my first interview and tours of the Three Foot Six office building and the Stone Street Studios. Now, more of the facilities I visited.
The Film Unit
My third full day in Wellington was Wednesday, October 1. Melissa Booth called and said I could come to the new Film Unit building to meet Barrie Osborne. He, as I cannot stress often enough, was the one responsible for getting me New Line’s permission to interview the filmmakers for my book. This meeting, though, wouldn’t be for an interview. (I interviewed Barrie twice for the book, first a couple of weeks later and again during my third Wellington visit in December, 2004.) He was driving out to the old Film Unit facility that afternoon to give the people working there, sound mixers, editors, and other post-production crew members, a pep talk.
As most readers know, the race to finish The Return of the King was on by that point, and a lot of people were working long hours. I was told that Barrie often gave these pep talks, and the filmmakers really appreciated them; it was part of what gave the production that feeling of being one big family. I could at least introduce myself to Barrie and ride with him to the Film Unit; the half-hour drives there and back would allow us time to talk about my project. Continue reading “Researching The Frodo Franchise: Part 3, Places Full of Magic”
This week, Vanity fair is looking at Oscar nominated films in a recurring feature called “Sketch to Still.” The series focuses on the creative process of making movies. This week they are talking to Oscar nominee Peter Swords King about his work in makeup and hair design for Peter Jackson’s The Hobbit movies.
The dwarves’ look is also influenced by their lifestyle. “They drink a lot—their manners are really bad at the table. Any person who’s drunk all their lives, their nose is going to get quite red. All they do is eat meat. It’s not a very good diet. They live outside, so they’re beaten, battered, and bruised,” says King.Once the sketches were perfected, the filmmakers began casting. At this point, the hair-and-makeup team fit the actors for wigs, as well as prosthetics.
On a day usually marked by celebrations, we are very sad to report the untimely death of our Kiwi friend, Mike Hopkins, who worked alongside American compatriot Ethan Van der Ryn as Sound Editors on the LOTR Trilogy. Mr. Hopkins (pictured on the left with Van der Ryn) would go on to win Academy Awards for Sound Editing on two of Peter Jackson’s films: The Two Towers and King Kong. He and his friends were rafting in the Tararua Range when their watercraft capsized. The complete story can be found here at Stuff.co.nz.
Ringer fans have in the past met Mr. Hopkins at public events and our own Oscar Parties held for LOTR cast & crew, where he showed extraordinary humility and appreciation for the love showed by our unique fandom. The staff of TheOneRing.net are deeply saddened at this tragic news and extend their sympathy and prayers to Mr. Hopkins’ surviving family and friends. We wish him godspeed on his new journey, certain that he can make the thunder of Heaven sound that much sweeter to the ears of the Divine.
Christmas brings to mind the timeless, poignant image of a mother cradling her newborn child.
At this rather apt time of year then, TORn’s music geeks are pleased to bring you an exclusive interview with Hilary Summers.
An alto hailing from Wales, UK, Hilary recorded “Gilraen’s Song” that plays over the scene where Aragorn kneels in reverence before his mother Gilraen’s memorial in Rivendell, and whose lyrics hark back to the words once spoken by Gilraen herself.
Little boy, little one, night is falling, come into my arms, let me hold you safe. But still you run through the twilight, lost in your play, slaying demons in the shadows. Little boy, little one, full of grace, full of joy, oh, my heart will break,
For I see it in your eyes… you are your father’s son, not your mother’s child.
Join us in this exclusive interview as we talk to Hilary about her experience recording the song for The Lord of the Rings.
In amongst all the excitement and celebration of the new Hobbit movie, tonight the very sad news has broken that Eileen Moran, an Executive Producer at Weta Digital, died in New Zealand on Monday this week. Moran worked extensively with Peter Jackson and the Weta team, including on The Lord of the Rings movies and The Hobbit movies. She missed the Hobbit premiere last week because she was in hospital. You can read more here. Everyone in the TORn community would like to extend deepest sympathies to her family, her loved ones, her friends and her colleagues.
“We want people who are willing to go there with us. We want people who love this stuff. We are definitely looking for personalities – competitive people – not people sitting in a house. You are competing. Where it is LARP or D&D or baseball or basketball, you are going to get revved up.”
