It’s the most wonderful time of year, when TheOneRing.net staff pick some of our favorite Tolkien inspired gifts…
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It’s the most wonderful time of year, when TheOneRing.net staff pick some of our favorite Tolkien inspired gifts for our 2021 Holiday Gift guide. From all of us, we wish you a safe and joyous holiday season.
Please note that all prices are in US currency and subject to change.
At the start of August, we told you about NZ Post’s beautiful stamps which were being issued to celebrate 20 years since the release of Peter Jackson’s The Fellowship of the Ring movie. Now NZ Post have shared with us EXCLUSIVE news about their next new release – a set of commemorative coins. Here’s what they tell us:
Come join the Southern California TORn staff and Tolkien fans on Saturday, September 18, 2021, as we celebrate Bilbo and Frodo Baggins’ shared birthday in Griffith Park. The party will kick off at Noon, and run until about 6 pm. The biggest difference this year will be NO POTLUCK. Please bring enough food and drink for yourself and the group you will be attending with. As always, sunscreen, a hat and sunglasses, and maybe a popup for shade are all good things to bring in order to stay comfortable. We are returning to the Mineral Wells section of Griffith Park, which is near the Harding Golf Course. Please head to the Baggins Birthday Bash Facebook event page for directions and a map. https://www.facebook.com/events/193623342558178/
While this event is scheduled for Saturday, September 18, the dual issues of COVID restrictions and/or Wildfires could become an issue this coming week. Should LA County trigger a restriction of large gatherings or a Wildfire trigger evacuations in the region of Griffith Park, we will post a Cancelation notice to the FB page first, and if there is time, post here on the main website as well.
As for COVID restrictions, the LA County guidelines recommend masking outdoors only in the case of a Mega Event, and that has only happened once. We are recommending everyone have a MASK with them, ready to wear near groups of people and remove when eating and drinking. The outdoor setting should afford us more than enough space to social distance if it makes you feel comfortable. We would PREFER if everyone attending was fully vaccinated, but none of us are qualified to verify the CDC card, so we won’t be asking.
Come and join fellow Tolkien fans from around Australia for a Zoom get together of the 'Hern Ennorath' Tolkien group.
Tolkien fans from Australia are building an online community for Australians to discuss Tolkien and Middle-earth topics.
‘Hern Ennorath’ means South Lands of Middle-earth. The name was chosen to reflect where we Aussies live, in the great southern land, in the southern hemisphere and, so far, is made up of three sub-groups
* Brisbane Tolkien Fellowship;
* Canberra Tolkien Fellowship; and
* Melbourne Tolkien Fellowship.
Each of these sub-groups also have their own individual Facebook pages.
The next online meeting is on 23rd September and the topic will be “Music of Middle-earth”. It will start with a quick ‘getting to know you’, before discussing all things music in Middle-earth. From Tolkien’s lyrical poetry to music that has been inspired by Tolkien. The meeting will run for 1 1/2 hours, but everyone is welcome to come and go as they please.
Just follow these instructions to join
Times: 8pm, ACT, NSW, Victoria and Tasmania
7:30pm NT and SA
6pm WA
Join Zoom Meeting
https://us02web.zoom.us/j/88523894355?pwd=TDdIanRpWE1UUEpjU0JucDFYeFVHdz09
Meeting ID: 885 2389 4355
Passcode: 556704
Alternate link
https://us04web.zoom.us/join
Meeting ID: 885 2389 4355
Passcode: 556706
All are welcome, so mark the 23rd of September in your diaries, grab your favourite snacks and settle in for some “Music in Middle-earth”.
There are also plans afoot to hold an online Middle-earth Trivia Night in November, and a national face-to-face dinner and conference in 2022, so stay tuned for further details.
In the first part of this interview we met Julia Golding, founder of Project Northmoor and the Oxford Centre for Fantasy. Here we find out more about the Centre and the teachings of J.R.R. Tolkien. Don’t miss a first look at Julia’s video tour of the barrow of Wayland’s Smithy, which may have been one of the inspirations for the Barrow Downs east of the Shire in The Lord of the Rings. She also takes us to the famous White Horse Hill. (Link at end of article.)
Mithril: I recently completed the first class offered by the Oxford Centre for Fantasy. Along with truly fun and productive lectures and assignments, the course had some fantastic tutors and guest speakers, and I am now part of a community of writers inspired by Tolkien. We even have an online Inklings group the Centre created for us. Was it always your intent to grow the experience into a community? How do you see it evolving?
Julia: I wish I could claim I had a master plan, but actually it has been more an organic growing experience. Our headline thought was this project is about encouraging the next generation of fantasy creatives, using Oxford and the Inklings as examples to inspire us. The idea to create a space for a community of writers came from reading Diana Pavlac Glyer’s book on the Inklings, Bandersnatch. Diana was one of our guest speakers. Her book unpacks how the Inklings supported each other as writers, and also why it eventually folded as a group. I thought after reading this that it would be natural to see if our first students wanted to stay together to continue their journey, using the Inklings example. They clearly can’t meet every week at Magdalen in C.S. Lewis’s rooms as Tolkien and friends did, but they can meet together in their online group. Once the space was set up, I stepped back to let the students become their own thing.
Continue reading “Julia Golding Interview Part II”This is part one of a two part interview with Julia Golding, founder of Project Northmoor and the Oxford Centre for Fantasy, which is dedicated to creativity and the study of Oxford’s most famous fantasy writer, J.R.R. Tolkien. Like Tolkien, she studied at the University of Oxford where she received a Doctorate in English Literature. Her CV includes British diplomat and Oxfam policy adviser, as well as multi-award winning author of children’s and young adult novels, with over a half a million books sold worldwide, which have been translated into many languages.
Mithril: What is your first memory of reading Tolkien?
Julia: Your question reminded me that I had a first unsuccessful attempt at reading The Hobbit too young on my own (around 6 or 7) which put me off Tolkien. I wish someone had read it to me – or steered me towards a recording –because it took me a long while to rediscover The Hobbit. But then came the summer when I was ten. I decided to try Tolkien again but started with The Lord of the Rings. I have a vivid memory of lying on a sofa in my childhood home in Essex, suburban Southeast England. I can even conjure up the feeling of the sofa fabric and the cool room with the sunny road outside. I was enchanted, completely lost in his world. I got to the end, and immediately went back to The Fellowship of the Ring, because I couldn’t stand for the experience to end – so I carried on lying down reading. It really was a turning point for me; ever since then he has helped inspire my passion for creating worlds in fiction.
Mithril: You’ve written over 60 novels, and once said “[Tolkien] is a key influence over the way I write and the reason I became an author.” Can you delve into this a bit more?
Julia: It is connected to his example as a creator of myth. He wrote about us being sub-creators, how we can be a little like a god to our own worlds. I love the idea that we each have the ability to create these microcosm universes, decide the rules and nature of the worlds, invent the peoples, their behaviour, culture and languages. Tolkien led by example. His enduring appeal to me is as a uniquely creative mind whose subcreation has unrivalled internal consistency, length, breadth and depth.
I was also inspired by how he wrote about the things that mattered to him by using them to power the structure holding up Middle-earth. He didn’t come at you with an obvious allegory and bash you over the head with the application; he famously wrote in the Preface to The Fellowship of the Ring that: ‘I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence.’
That doesn’t mean, of course, there aren’t values or messages to be drawn, but these are those connected with the reader’s experience. You can be a person of faith, no faith, and from the whole range of world cultures, and still there will be something important there for you. He found great power in such stories as those where the hero sacrifices themselves, displays humanity to the enemy, or fights a battle where victory is also a kind of defeat – all of which can be linked to source stories ranging from the Bible to George MacDonald and William Morris, via Old Norse sagas and Anglo-Saxon poetry. This method of using the things you find powerful as a code underlying your own story showed me how to draw on what I care about to create something uniquely mine – and hopefully the reader senses this and cares too.
Mithril: You hold a Doctorate in English Literature from the University of Oxford. While there, did you study Tolkien’s works?
Julia: I studied Tolkien when I did my undergraduate degree, which was in [the University of] Cambridge back in the mists of time. I wrote a final year paper on Tolkien and C.S. Lewis looking at their different approaches to mythopoeia. I didn’t become a professional writer for another fifteen years, but that third-year thesis stayed with me.
Mithril: You are the founder of Project Northmoor, a center for creative studies with a focus on fantasy and J.R.R. Tolkien. How did the idea for this come about? Can you talk about the process of pulling it together?
Julia: This all came out of the attempt to buy Tolkien’s house, which began in November 2020, launching in December that year – all in super-quick time as we were trying to buy it before anyone else did. I live close by the house. When I cycle past, I have always thought it would make a perfect creative writing centre and would be a wonderful way to honour Tolkien’s legacy. There isn’t anywhere like that in the UK, which is astonishing considering his global importance as a writer. When we started the campaign to buy it, we decided the idea of having a literary centre in Oxford was a valid goal even if we didn’t achieve our aim for the house. We wanted to provide a place for those who love Oxford fantasy to come for inspiration. When we didn’t make the target in the first three months, we had to stop as the vendor wanted to take another offer. Such a shame as we really gave it our best shot! Many Tolkien fans around the world were really generous but there just weren’t enough of us to get us over the line. We then went to plan b and began looking for another venue for the centre. However, that meant we started off online. That was a blessing in disguise as it made us think outside the box of what residential creative centres usually offer. We could be global from the outset, building a wonderful community of creatives who are inspired by Tolkien and other Oxford fantasy writers.
In the second part of this interview, we’ll share a video where Julia visits a barrow which may have helped inspire the Barrow Downs scene in The Fellowship of the Ring.
