This is a follow up to the story announcing Amazon’s release of the LOTR series creative team (see link below), with a breakdown on what this announcement means for the future of the show. Afterwards, there will be a ‘reaction’ story from a Tom Shippey interview that occurred on the same day as the video was released.
Justin, the producer of our TORn Tuesday live streaming series breaks down the Amazon creative team announcement:
“This Creative Team has something for everyone that it almost feels generated by an algorithm to appeal so perfectly to all fan groups. Howe & Shippey lock in the core book, art & film fans.
Amazon got what it explicitly wanted day one — the next Game of Thrones — with 2 of the key people from HBO’s Thrones now on LOTR. Amazon is also following in the (successful) footsteps of Thrones by handing the show to a couple guys who have never produced anything, similar to HBO letting Benioff & Weiss run Thrones with zero producing experience.
JA Bayona is an inspired choice as he is Guillermo del Toro’s protege in dark storytelling. GDT financed Bayona’s first few projects and helped put Bayona on the map. With Amazon, fans may finally get something akin to what The Hobbit was shaping up to be under del Toro. Some Weta folk felt that the costume & prosthetic orc work they did under Guillermo del Toro was the best the workshop had ever done, so it would be wonderful to bring forth some of that practical creativity under GDT’s heir apparent Juan Antonio Bayona.
“Peak TV” fans will appreciate the writers room of people who wrote some of the best episodes of Westworld, Breaking Bad, Better Call Saul, Hannibal. Those are all somewhat dark & twisted fantasies which LOTR second age also is.
Amazon’s corporate development team along with this LOTR writers room and production team is probably the most diverse multi-lingual creative group ever to work in Middle-earth. Tolkien wrote that LOTR is “fundamentally linguistic in inspiration… “ so it is wonderful to have a global group of filmmakers bringing in the next chapter of Tolkien’s legacy.”
Author Tom Shippey
Shortly after the video was released by Amazon, Tom Shippey did an exclusive interview with the folks at Tolkien Gesellschaft and he let a few very interesting tidbits out of the bag.
Shippey confirms this map is from the Second Age, but then also admits we don’t know a lot of detail about the Second Age, and that the end of the Second Age on a map looks much like the beginning of the Third Age. Of course, with Numenor on the Map, that puts us closer to the early or middle part of the Second Age. He stresses that you have to be clear where in Middle-earth history the story will begin so that it matches what this map is hinting at.
Another really important fact is that Shippey clears up a lot about what sort of filming rights Amazon has, and how much freedom they do and don’t have when filling in the empty spots in their stories. Amazon must follow the history that Tolkien did write, such as Sauron invading Eriador, being forced back by a Numenorean force, his return to Numenor and seducing them to break the ban with the Valar. So, they have a road map, but they get to choose the route and fill in all the things seen and encountered on that road.
Shippey doesn’t know much detail on when and where filming will begin, but we previously announced that New Zealand looks to be where the bulk of filming will be. He also mentioned that a Brian Miller was supposed to be the overall director, but since he didn’t feature in the video he surmises that things changed. It is interesting that Shippey seems to share our desire that more news was forthcoming. Yes, all these little teases arouse curiosity, but sooner or later you have to satisfy that curiosity.
Read the article to learn more details from Tom Shippey.
And so it begins! The first news of who will be cast in the Amazon series set in Middle-earth was announced yesterday. According to Variety.com, actress Markella Kavenagh is in talks to join the cast. Kavenagh is best known for her parts in several Australian TV series, including Picnic at Hanging Rock, and in 2018, won the Best New Talent award from the AACTA (Australian Academy of Cinema and Television Arts).
The name of the character Kavenagh’s is set to play is rumored to be Tyra. This has some fans around the internet fretting due to 1) similar to Tauriel of Hobbit fame, the name Tyra isn’t found anywhere in Tolkien’s published literature, and 2) it sounds too much like Arya. However, as our sources tell us, it’s not uncommon to use code names for characters during the auditioning process. Still, even if the character’s name really is Tyra, character names outside of Tolkien’s legendarium are probably inevitable (Lurtz, anyone?), and don’t necessarily reflect badly on the entire endeavor.
Out latest review covers not one but two statues from out friend at Weta Workshop. The two statues we will be looking at come from The Hobbit Trilogy and specifically The Hobbit: The Battle of the Five Armies. During the final sequences of the film, we get to see some Elves and Dwarves joining forces. To depict this, Weta made individual statues covering a single Mirkwood Elf as well as a pair of Iron Hills Dwarves– but the two statues come with a twist. You can switch out the shoulder armor of one of the Dwarves and combine them to make one massive statue. You can also get both statues individually for $449 with an edition size of 750.
One of the many great things about The Lord of the Rings is the extreme depth of characters you will find. For some collectors their favorite character may just fall into a secondary character status. Our friends at Weta Workshop know this and aren’t afraid to tackle someone who didn’t get a lot of screen time. Today’s review is a perfect example of this with Haldir. While Haldir didn’t get a lot of screen time his impact on the story shouldn’t be thought of as minor. This statue was done right and fans of Haldir should be proud to own him. You can still get him for $399 from the US and EU warehouses and with an edition of 750 there aren’t going to be too many of him left.
Appropriately, there are a lot of complex emotions and thoughts to unpack after watching the latest film to tackle Middle-earth, TOLKIEN.
Let’s get this out of the way: If you have more than a passing interest in J.R.R. Tolkien or his works, you should view the film. You should view it in theaters and you should view it without knowing too much of what is going to unfold — and I will do my best to withhold spoilers, but some are inevitable if I am going to offer fair commentary on the film.
Let’s also get this out of the way: The next person who says “It’s not a documentary,” to me or anyone else with criticisms of the film’s portrayal of Tolkien’s life can go straight to Angband. This quip attempts to dismiss completely valid, rational views of the film, most often the assumed position that someone is about to say film isn’t accurate. Feel free to disagree with criticism, but don’t insult the discussion with a patronizing deflection or insinuate that there were two choices: either documentary accuracy or giving up all hope of accuracy and accepting anything.
Watching TOLKIEN was a powerful emotional experience. As J.R.R. has done for so many, he has profoundly influenced my own life. His words touch us on a deep level. His works laid the foundation of so much else that came after, most definitely including the biggest fantasy property on the block at the moment, GAME OF THRONES on HBO, that is something of a reply to Tolkien from George R.R. Martin. STAR WARS would certainly not exist as we know it without Tolkien. Harry Potter, Dungeons & Dragons and so much else grew from the field he plowed. The Professor is a giant that looms above us all.
So when Nicholas Hoult and Harry Gilby combine to portray Tolkien as a child and as a young man, it was unexpectedly moving; just the simple act of putting Tolkien on screen was powerful. It is a reminder that the nearly mythical professor was scared, lonely, insecure, sad, frustrated, desperate, drunk, charming, combative and impulsive.
Not only does Tolkien live before our eyes but his best mates from his young years, the boys essential to him during his formative era, all live and walk and breathe before our very eyes. In fact the film makes all of them immortal in a way, a reality that I imagine would have tickled Tollers.
And all of this is entertaining and beautiful but …
Watching TOLKIEN was a frustrating, and in some moments, an agonizing experience and I don’t mean in the midst of the drama lost in the story and characters but rather outside the drama and about the drama. And yes, I do get it. Screenwriting is hard. Putting a powerful, emotionally relevant story on screen is hard. The story of J.R.R. Tolkien is hard. Story telling about an period with less data about the man is hard.
But Tolkien was a real life person. Some living now, knew him then, and he left behind letters and notes, video, audio recordings and war and school records. So when the film’s writers David Gleeson and Stephen Beresford, and director Dome Karukoski, chose to tell the story in a way that ignores those records and turns instead to fantasy, it is troubling at the least, distracting and frustrating.
SPOILER but (seriously, film spoiler ahead) the film chooses to depict Tolkien going for something of a walk in the midst of fierce fighting during the Battle of the Somme. He is obsessed, if not crazed, with the idea of finding his friend.
In reality 2nd Lt. Tolkien didn’t abandon his fellow soldiers and instead fulfilled his duty as a signaler for a battalion of infantry, sending instructions and trying to help communication in the chaos of fighting and dying across no man’s land.
Soon after he contracted trench fever — typically via lice — and was taken off the front. One of the most common symptoms of the ailment is leg pain — not quite the disease to inspire tench walking.
This isn’t a small shift in a man’s history, this is a massive, unneeded change about important characterization in the man and developments in the myth he created. There was already drama, conflict and characterization present in the actual history. If only the filmmakers had trusted the story of J.R.R. Tolkien instead of needing to make a fantasy story to replace it.
The film suggests Tolkien had a sort of fever dream during this walk and had visions of his future stories. Some will shrug this off, and he did start writing as he was away from the front, but a hallucinating Tolkien instead of a crafting Tolkien, especially when there was a set-up for it, is less effective. Yes, this can all be viewed as metaphorical, but it can also be viewed as a bad trip that became a good story.
Those aren’t the only inaccuracies; we are treated to a wildly different start of some important writing, that is definitely not an improvement (and from a filmmaking only viewpoint, it feels glued on at the end.) But it also avoids the opportunity to depict The Professor being the a professor. We are robbed of a very on-the-record Tolkien moment of inspiration that changed everything, only to have it replaced by a weakened moment, of problematic motivation.
I will resist the temptation, for spoiler’s sake, to say more and this essay isn’t the place to create a checklist of wrong history, but suffice it to say, some will.
To say that another way, just as big of a problem as being inaccurate about a real person’s story is that the inaccuracies — or straight up fantasy — robs us of getting to know the man, and the man is pretty interesting. The man didn’t need embellishing. And to be clear, I am not objecting to filling in some gaps and I credit the movie for doing that effectively in spots.
I object, as others will, to replacing the known record with storytelling fancy.
Others may legitimately raise concerns about structure or pacing, and while that isn’t something to be ignored, for me, those are forgivable.
None of this is to say there isn’t a fine story with a beautiful love-story in it. There is definitely that. And some dose of fancy or manufacturing of details is certainly inevitable and understandable. But manufacturing important things that contradict what is known is frustrating.
There is heart and abundant beauty present to be sure. In fact, there is a beautiful film here for you to catch in theaters, but it is too often a fantasy film about a real person as much as it is the story of that person.
Those knowing little about Tolkien will walk away “educated” and will perhaps find some emotional connection. Hopefully they will wish to learn more and pick up one of several great books about the man, which the director, a fan, has undoubtedly read. But this is TORn, not a collective that knows little about Tolkien.
Karukoski directed something beautiful. The acting is excellent. The lighting and shooting is beautiful. The music is wonderful. The tone is occasionally modern for a period piece but all of that is effective and emotional and there is much to praise.
But we aren’t going to get some other Tolkien biography anytime soon — this is it. We are rewarded with beauty and with pieces of Tokien and we are frustrated by the fantasy depiction of a man — and a story — that deserved greater purposeful fidelity.
Tolkien just opened in the UK this past Friday, and will be opening up nationwide here in the US on May 10. You can read Quickbeam’s review here, or remain completely spoiler free, as you see fit. Suffice it to say Tolkien is a beautifully made film, from the acting, music score and gorgeous settings.
Back in the day, when the LOTR films were coming out, TORn rolled out the idea of Line Parties, a way for fans to meet and interact while standing in line for the movies. Of course, this was long before theaters moved to reserved seating, which has taken some of the fun energy out of the theater going experience. But it doesn’t have to be that way, we all know that movies are better with friends, new and old. So, bring your Fellowship, or make a new Fellowship, and plan to attend opening weekend of Tolkien with fellow fans.
We have partnered up with Legion M, the first fan-owned entertainment company, to host fan Meetups/Line Parties/Moots on opening weekend of Tolkien. You can sign up to attend an existing Meetup here, and if there is none near you, register to host your own. If you decide to host a Meetup, you will need to fill out the form and wait for a Legion M admin to activate your event. Once activated, you will be able to share the link and encourage all of your friends and family to attend. The Meetups with at least 8 attendees RSVPed will earn collectible pins, but you will need to move quickly in order for those to arrive in time for the film screening. Of course, existing Meetups may have already qualified, so do check your area within a good 15-20 mile radius first.
One other enticement is that One Meetup will win a special prize of free movie tickets, with the added bonus of one Meetup leader and one Attendee earning a trip to a Legion M premiere at a city to be determined by Legion M, a 2 night hotel stay and a cash prize towards airfare. Please see the One Meetup to Rule them All contest page for details on this.
