A week has already passed since we launched this year’s Middle-earth March Madness – and now the contest is down to just sixteen collectibles of special magnificence. Let’s take a look at the bracket now:
Connecting to Middle-earth through favourite figures
This region was really tough – sculptural masterpieces facing off! The Balrog defeated Sauron; Bilbo conquered a Ringwraith; and perhaps most surprisingly, the Argonath beat Theoden and Snowmane. Now we’re wondering who will win when, in a repeat of the scene from the story, the Fellowship take on the demon of the ancient world…
Argonath bookends
Experiencing Middle-earth in Print and Music
Well here’s a lesson in humility! The biggest defeat in Round Two was found in this bracket. To be fair, a t-shirt probably didn’t really belong in this group; but TORn’s Prancing Pony Club shirt couldn’t even muster 10% of the vote against The Lord of the Rings soundtracks. Harsh but fair.
Our Prancing Pony Club shirt – soundly vanquished!
Inhabiting Middle-earth through Environments and Replicas
The pairings in this region were very close; how does one choose between the Phial of Galadriel and the Arwen Evenstar pendant? The Noble Collection’s necklace was the ultimate winner; but there was only 10% in it. Even closer, only 6% separated the Illuminating Gandalf Staff from the Red Book of Westmarch replica; the highly detailed book survives to go up against Weta Workshop’s Edoras environment in the Sweet Sixteen round.
The Noble Collection’s Evenstar Pendant of Arwen
Playing in Middle-earth with toys, games and other curiosities
Can anything defeat the might of LEGO Rivendell? Surely a strong contender for Grand Champion this year, in this round the LEGO set easily conquered LotR Trivial Pursuit. Monopoly, however, held up the banner for board games, very narrowly beating the pinball machine.
Is Gandalf a pinball wizard?
How the bracket looks now:
The Sweet Sixteen bracket
Time to vote! But how does it work, I hear you ask. Simple! Click on the button below. This will take you to the voting site, where you can view the entire bracket, region by region. Click on each pairing of items, to view all the details – and there place your vote. Let’s get voting!
You have until the end of the day Saturday April 4th to vote in Round Three; on Sunday April 5th we’ll launch our Elite Eight round! Will your personal favourite for Grand Champion for 2026 still be in the mix? Do your best to make it so – VOTE NOW!
Let us know YOUR thoughts – join us on TORn Tuesday each week during the competition, and tell us how you’re making your choices. And if you want to discuss the votes with other fans, head on over to the Collectibles channel on our Discord.
We hope you placed your votes in the first round of Middle-earth March madness: Clash of the Collectibles! It certainly was hard to choose amongst all those treasures – so many things we’d like to have on our shelves… But half of them have been voted out, and we’re down to 32. Let’s see how Round One played out:
Connecting to Middle-earth through favourite figures
In the first of our four brackets, we gathered statues and figures in a range of styles – even including Royal Selangor’s beautiful pewter goblets, crafted to present their own versions of various well-loved Tolkien characters. The closest dual in this bracket was between two stunning pieces from Weta Workshop – their Smaug the Terrible figure vs the charming image of Gandalf and Frodo, as the wizard arrives ‘precisely when he means to’ at the Shire. Bucolic delight triumphed over fearsome majesty, but only by 2%. At the other end of the range, a tabletop figure of the Rankin Bass Gollum was totally overwhelmed by those Argonath bookends we all know and love – only 8% of the vote went Gollum’s way!
Royal Selangor’s Aragorn goblet
Experiencing Middle-earth in Print and Music
Calendars and LPs and maps, oh my! From Howard Shore’s epic soundtracks to Alan Lee’s stunning art, there were incredible works to choose from in this bracket. It’s really hard to see some of these beauties go! But choices had to be made. The closest face-off in this bracket saw TORn’s own ‘Prancing Pony Club’ t-shirt take on the sheet music for Donald Swann’s musical settings for seven of Tolkien’s poems. That was tough competition for our shirt to face! – but somehow the apparel snuck through with just over half of the vote. Personally, this writer is sad to see the Rankin/Bass Hobbit LP fall at the first fence – I have many fond memories of listening to that LP as a kid! But coming up against The Professor’s own art, it’s not really surprising it should be defeated; it did well to secure even 18% of the vote against an item which could well go on to be this year’s Grand Champion.
The Rankin/Bass Hobbit LP
Inhabiting Middle-earth through Environments and Replicas
For many, replica props are the most coveted collectibles. Who doesn’t dream of wielding their own Sting, or wearing their own Evenstar pendant? Familiar companies such as The Noble Collection, United Cutlery and Badali Jewelry went up against the might of Weta Workshop in this bracket. This section of the round saw the most tight contests, with many vote percentages in the 40s and 50s. Even the Ring itself (as made by Jens Hansen) could not overcome Weta’s incredible Edoras environment – but it was close, with Rohan taking just 52% of the vote.
The ‘movie ring’ from jeweler Jens Hansen
Playing in Middle-earth with toys, games and other curiosities
Can anything defeat the might of LEGO in this bracket? The stunning Rivendell set took over three-quarters of the vote (against the beautiful playing cards from Kings Wild). There were some fabulous vintage items in this section; alas, the buttons from the 1960s could not defeat the pinball machine, though it was a closely fought dual! And once again, this writer was sad to see a personal fave vanquished so early in the contest – those Burger King goblets hold a special place in my heart, but only one-third of voters agreed with me! So out they go, defeated by the worthy Hobbiton Green Dragon mug.
Who could forget those Burger King goblets?
How the bracket looks now:
How the bracket looks now – down to 32!
Time to vote! But how does it work, I hear you ask. Simple! Click on the button below. This will take you to the voting site, where you can view the entire bracket, region by region. Scroll down to find the buttons to click (under ‘Open Voting’) to view each pairing of items, in all their glory – and there place your vote. Let’s get voting!
You have until the end of the day Tuesday March 31st to vote in Round Two; we’ll take a look at how the vote is going on TORn Tuesday this week, and then launch the Sweet Sixteen the next day, Wednesday April 1st. The choices will get tougher with each passing round – which precious item do you hope to see crowned Grand Champion for 2026? Rally the troops to vote for your favourites – and VOTE NOW!
Let us know YOUR thoughts – join us on TORn Tuesday each week during the competition, and tell us how you’re making your choices. And if you want to discuss the votes with other fans, head on over to the Collectibles channel on our Discord.
Imagine sitting and writing at the desk where J.R.R. Tolkien worked on The Lord of the Rings.
Someone will soon have the opportunity to do just that because the storied desk will soon be up for auction at Christie’s. Perhaps the new owner will consider the mid-Victorian roll-top too precious to use and will keep it as a shrine to the author.
J.R.R. Tolkien’s desk as Featured in Christie’s Auction
The desk was used by Tolkien from 1945-1959 when he was a professor of English language and literature at Merton College, University of Oxford, and later at his residence on Sandfield Road in Headington, Oxford. It is thought to be the desk he used while working on the final revisions for his epic fantasy. Photos of Tolkien sitting at the desk were taken by photographer Haywood Magee in 1955, shortly after the publication of The Lord of the Rings.
On Sunday, Sept. 21st, TheOneRing.net marked another turn around the sun by celebrating the birthdays of Bilbo and Frodo Baggins with our annual picnic at Griffith Park.
Friends from near and far, old and new, joined us for a day of merrymaking and good food. Attendees journeyed from as far as Massachusetts and Chicago, but most were local SoCal Hobbitses, Elves, Dwarves, Rangers, Gondorians, Rohirrim, Númenóreans, and Southrons. The weather was lovely–warm and breezy. Though at one point, the sky threatened rain, it never materialized.
TORN staffers Clifford Broadway (Quickbeam), Cathy Udovch (Garfeimao), Kristi Fojtik (Saystine), Justin Sewell, and Nancy Steinman (Mithril) were on hand to organize the games and contests, but to also enjoy the day. Cliff was our Master of Ceremonies–you may know him (and his voice) from the weekly TORN TUESDAYS webcast. With our new amplified speaker and microphone (thanks to last year’s picnic-goers’ generous donations), Cliff’s reading of Bilbo’s Birthday Speech rang out loud and clear among the trees, delighting all the Bagginses and Boffins… Tooks and Brandybucks… Grubbs, Chubbs… Hornblowers… Bolgers… Bracegirdles… and Proudfoots (PROUDFEET!) in attendance.
These are heady days for fans who enjoy seeing Tolkien’s legendarium interpreted by ‘other minds and hands’! A year ago we reported that the Tolkien Estate had granted permission for composer Paul Corfield Godfrey‘s musical chapters from The Lord of the Rings to be released. We are delighted to reveal today that the recording of these works will be released this September – and is available for pre-order now!
Featuring 35 singers, most of whom are from Welsh National Opera, these chapters (and, in true Tolkien styles, some appendices) make up over 17 hours of music, and use text lifted almost entirely verbatim from Tolkien’s masterpiece. Looking at the cast list, we’re excited to see both Tom Bombadil and his fair companion Goldberry listed! The recording will be available as a 15 CD Deluxe Digibook with 64 page complete libretto and notes from the composer.
Here’s the official press release from Volante Opera:
MUSICAL CHAPTERS FROM THE LORD OF THE RINGS: THE CYCLE COMPLETED
The agreement by the estate of the late J. R. R. Tolkien last year to sanction the recording of Paul Corfield Godfrey’s “musical chapters from The Lord of the Rings” was hailed by listeners throughout the world as a milestone in the field of Tolkien adaptations.
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose acclaimed cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer had been working on sketches, fragments and episodes of what was originally envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion he was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. The adaptation extends to thirty “chapters” designed for performance over six evenings – more than fifteen hours of music.
Cast
This recording of the complete work by Volante Opera has now finally been completed and Prima Facie will release a demo set of the complete cycle, in the same manner as their Silmarillion recordings, in a single volume on 5 September 2025. The professional singers, some thirty-five in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo and Éomer, Emma Mary Llewellyn as Arwen and Goldberry, Laurence Cole as Boromir and Denethor, Martin Lloyd as Treebeard and the Herb Master, Helen Greenaway as Lobelia and Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-Wight and Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of parts. Angharad Morgan is also reprising her role as Galadriel from The War of Wrath. Other new cast members include Rhodri Prys Jones as Legolas, Gareth Long as Gimli, David Fortey as Pippin, Dyfed Wyn Evans as Merry, James Schouten as Faramir and Elrond, Gavin Davies as Thëoden, Gareth Lloyd as Saruman, Peter Wilman, Owen Webb, Alastair Moore, Francesca Saracino and Steffan Lloyd-Evans in various other solo roles and Howard Kirk as Tom Bombadil and Quickbeam.
Plot
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil and the Barrow-wight, the love story of Éowyn and Faramir and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment. The issue includes not only the complete musical score, but also a substantial booklet containing full details of the recording (including the text as set) and a supplementary appendix disc giving more extended versions of some of the more substantial narrative poems. As with the earlier issues of The Silmarillion the cover art has been furnished by Ted Nasmith.
Physical copies directly from Volante Opera Productions available for pre-order now; orders from other retailers will be closer to the release date.
Digital purchase will be available to pre-order seven days before release date of Sept 5th. Streaming platforms will be very limited but specific platforms will be itemised closer to the release.
And just to make September 5th seem even longer to wait – here’s a teaser trailer to whet your appetite! (You can see a longer trailer here.)
Artists appear by arrangement with Welsh National Opera
The Paul Corfield Godfrey Trust was founded in 2021 with the objective of promoting the compositions of the composer, by the commissioning for musical works by the composer; the publishing of works by the composer (Zarathustra Music); the promotion and performance of works by the composer; the recording and distribution of works by the composer and the promotion of the composer’s music by means of lectures, tours and other events. Trustees: Paul Corfield Godfrey, Simon Crosby Buttle, Julian Boyce. Officers of the Trust: Klara Claesson, Larissa Martins Costa, Phillip Walch.
Back in the middle of March we began our annual tournament of Middle-earth March Madness: with this year’s theme being The Art of Middle-earth. Three weeks and thousands of votes later, the Grand Champion 2025 has been decided.
Here’s how the bracket looked this year:
Down to the last battle
The Final
Alan Lee’s Edoras faced Turner Mohan‘s Lúthien and Morgoth; a very familiar scene from a well-known artist, and a First Age scene from a lesser-known artist. Both are stunning works, filled with shadows and light; but starkly contrasting. One is a landscape with no figures; the other shows two figures with no discernible landscape.
EdorasLúthien and Morgoth
Their journeys to the final battle were also very different. The closest fight Edoras had to face was against Donato Giancola’s Walls of Moria, which claimed 45% of the vote. In the rest of the matchups, Alan Lee’s piece won by margins in the 70s and 80s percentage-wise. Mohan’s piece, on the other hand, only ever won by numbers in the 50s; in the second round, only ONE vote separated Lúthien and Morgoth from its competitor, Angelo Montanini‘s Radagast the Magician. A beautiful piece and a very worthy competitor, nonetheless Lúthien and Morgoth had to fight harder to make it to the final.
So it is perhaps not a surprise that this year’s Grand Champion of Middle-earth March Madness is:
Staffer Madeye Gamgee shares his thoughts on the winner:
It has been a steady, even overwhelming Ride of the Rohirrim finally bringing the gritty endurance of the Lúthien/Morgoth faceoff to the end of its exciting underdog run! The most serious competition that Edoras faced during the tournament came against Donato Giancola’s The Walls of Moria, a 55/45 matchup; even while Mohan’s Lúthien and Morgoth escaped from two of its matchups with a combined total of six votes. This has been by far the most competitive contest across the entire field that I can remember over many years of Middle-earth March Madness — a testament to the wide appeal and high quality of every artist featured. Here’s hoping that prints of some of their works have found new homes! I know they have in mine! Did you find a new piece to hang on your wall?
Special thanks to artists Jerry VanderStelt, Ted Nasmith and Donato Giancola, who took the time to chat with us on livestreams, and to tell us about their work and their love of Tolkien. (You can see those conversations on our YouTube channel.) And of course thanks to all of YOU, who joined the fun and voted! See you for more Middle-earth March Madness next year!
