Fans will pay the same ticket price to see Peter Jackson’s “The Hobbit,” at 48 frames per second as they will to see it at 24fps, the traditional projection speed of movies for decades. The first of three films, still titled “The Hobbit: An Unexpected Journey,” hits theaters world wide on December 14 with the world premiere scheduled in Wellington, New Zealand November 28.
It isn’t clear yet how many theaters will upgrade to the technology needed to display the film at the higher rate, at at an expense, The Hollywood Reporter sites a source “close to the situation,” saying that U.S. distributor Warner Bros. has received assurances from exhibitors that ticket prices will not go up for the screenings.
Film fans, including those at TheOneRing.net, have been known to prefer traditional 2D films to 3D and others have complained about higher prices for the extra visual dynamics. But unlike 3D vs. 2D screenings, prices will maintain the same rate. Jackson said months ago at CinemaCon where he screened the 48fps footage, that his intention was not to raise prices for the new screenings. Continue reading “‘Hobbit’ will cost the same in 48 or 24 fps”
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According to Tom Scott from the Dominion Post, none of Wellingtons cinemas have yet confirmed that they will be receiving The Hobbit: An Unexpected Journey in 48fps.
Peter Jackson’s spokesman Matt Dravitzki referred The Dominion Post to Warner Bros. The Post was unable to reach Warners, and local distributors Roadshow Entertainment did not return the paper’s calls.
Both the Miramar Roxy Cinema, and Event Cinemas which runs the Embassy Theater (and is expected will host An Unexpected Journey’s world premiere) expect to receive a 48fps copies. They are currently investing in the technology required to screen high-frame rate films.
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The world of visual effects is bracing itself for dramatic change. As Peter Jackson ushers in 48 frames per second with the 14th Dec release of The Hobbit: An Unexpected Journey 3D, effects houses and studio budgets will feel the brunt of the biggest change to film production since ‘talkies‘ set the the industry standard of 24 frames per second.
Hollywood’s big visual effect house hitters Douglas Trumbull (2001: A Space Odyssey) (Avatar) producer Jon Landau, Dennis Muren (Industrial Light + Magic) will be among those participating in an VFX community panel called ‘Siggraph‘, where the implications of higher frame rates will be the hot topic.
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We all listened to and read Peter Jackson’s words from Comic-Con about three possible “Hobbit,” movies carefully. But we didn’t listen to all the words and we missed a few things.
He told us. He told us — he did.
He said exactly what he meant, he said it plainly and the media and fans (and me) tried to figure out what he meant when he told us in plainness. Monday, Jackson dropped an atomic bomb of news and fandom reacted accordingly.
“The Hobbit,” adapted for the screen from the 300-page, 75-year-old book by J.R.R. Tolkien changed from from two movies to three in the blink of a Facebook post.
AMBITION
More on the words we ignored in a minute. We need to figure out when these films break, what it means for fans and websites and studios and cinema and the director, but lets not rush past the size and scope of this news. Lets not walk around Paris admiring all the cafes and churches without also pausing and noticing the big tower in the center of town.
We witnessed, the last few weeks since Comic-Con, something monumental, unprecedented, unparalleled and a little bit crazy. Jackson (and when we say “Jackson” we always mean the director and Walsh, Boyens and a team of others supporting their vision) is in unchartered territory here. Continue reading “The bold ‘Hobbit’ trilogy decision and what to expect”
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Well, wasn’t that a surprise?! Now we’re going to have three Hobbit films to watch, ponder and dissect, not just two.
But what do TORn’s staffers make of the announcement that The Hobbit will be transformed from two films into a trilogy of its own?
Read on below the cut out and see what a few of us are thinking and feeling! Continue reading “TORn staff mull over the Hobbit Three announcement”
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While the third Hobbit film was being finalised between Peter Jackson and Warner Bros, in the background a company called MarkMonitor quietly registered a handful of web domains based on the words The Riddles in the Dark and Desolation of Smaug.
It seems likely this is coincidence — Middle-earth Enterprises could easily be registering them for other intellectual property protection or merchandising purposes. However, we know that two brand-new movie titles are required: could these be them? Continue reading “MarkMonitor registers key Hobbit domains. But why?”
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