Chinese The Lord of the Rings Trilogy fans were highly anticipating this past weekend as Peter Jackson’s ‘The Fellowship of the Ring‘ was due to re-release nationwide – in glorious remastered 4k.
Unfortunately, due to the last second approval by government officials, many Chinese venues did not get the print in time and screenings had to be canceled. Here’s the wrap up from The Hollywood Reporter:
It was another bizarro weekend at the Chinese box office.
The long-anticipated return of Peter Jackson’s The Fellowship of the Ring finally arrived Friday in vividly remastered 4K. But official permission for the rerelease from China’s regulators came so late — just one full day in advance — that marketing for the movie was mostly nonexistent and scores of digital prints failed to reach cinemas on time, forcing a wave of cancelations and refunds to angry customers throughout Friday and into Saturday.
The article continues…
The Fellowship of the Ring, meanwhile, limped into fifth place with just $4.1 million. The opening results for the fantasy classic are a keen disappointment compared to the recent performance of James Cameron’s Avatar, which opened to $23.7 million when it was rereleased in China in March. The perennial appeal of the Lord of the Rings franchise could help Fellowship mount a healthy hold though, much as Avatar did (Cameron’s film has climbed to $60.2 million in second-run sales). Warner Bros. also will get a do-over later this month — assuming all goes to plan (always a big “if” in China) — when Jackson’s The Two Towers re-releases on April 23. Regulators have indicated that the franchise closer The Return of the King will also get a second run in China, but the film — worryingly — still hasn’t been given an official release date.
Guest writer Matthew Bossons brings us this fascinating look at how Tolkien fandom has made its way to China; and he reflects on whether Amazon’s upcoming Middle-earth series is likely to find fans there.
Panjiayuan is Beijing’s biggest and best-known antique market, regularly attracting orc-like hordes of tourists and locals alike to wander the warren of booths and stalls, both indoor and outside. All manner of old and made-to-look-old items are on offer here: jade carvings, stone Buddha statues, ancient coins, Chinese Communist Party pins and propaganda posters, replica Korean war medals and mounds of books.
On a brisk October day, while standing at a hawker stand specializing in old Chinese books – mostly Chairman Mao’s iconic ‘Little Red Book’ – I came across a curious title: The Art of The Lord of the Rings by J.R.R. Tolkien, in English-language and hardcover form. The book, a collection of sketches and maps made by Tolkien, was published in 2015 and compiled by Wayne G. Hammond and Christina Scull – both well-known scholars of the ‘father of high fantasy.’
Here at TheOneRing.net, we thought we would open the New Year with some words of hope, inspiration, and wisdom from the Professor himself.
What follows is a little survey of TORn staffers, and some denizens from the Barliman’s chatroom, to find out which Tolkien quotes were favorites. At the end of the article, you will be asked to submit your own favorite words of Tolkien.
J.R.R. Tolkien Quotes – The Lord of the Rings, The Hobbit and more.
So much of The Hobbit and The Lord of the Rings is spent walking, riding ponies, in a boat or raft, or on a barrel; so there is a healthy number of quotes regarding travel, but these next two are more than that. They signal curiosity, wanderlust, optimism, and a sense of adventure – something Hobbits are not supposed to be interested in, but aren’t we all glad that a few of them are?
Tookish says he finds a perhaps not obvious optimism – one that faces adversity and the unknown with a steady resolve – here in Bilbo’s Walking Song:
“The Road goes ever on and on, Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with eager feet, Until it joins some larger way Where many paths and errands meet. And whither then? I cannot say.”
This writer is a Travel Advisor, and these two quotes have always epitomized what I best love about travel: the wonder of experiencing the unknown. This is exemplified in Frodo’s version of the same walking song, but heard at the end of the tale when the hobbits accompany Bilbo to the Grey Havens:
“Still round the corner there may wait A new road or a secret gate And though I oft have passed them by A day will come at last when I Shall take the hidden paths that run West of the Moon and East of the Sun.”
Tolkien Quotes on Whimsy
Bilbo’s Birthday speech from Ralph Bakshi
Tolkien throws in a lot of whimsy in The Hobbit, and even in The Lord of the Rings, especially in the earlier parts of the story – almost as if he were trying to balance out some of the much more serious drama later in the book.
Asa Swain has always liked this little quote about Gandalf, even though it is not very profound – no matter how true the sentiment is:
“Do not meddle in the affairs of wizards, for they are subtle and quick to anger.”
J.R.R. Tolkien, The Fellowship of the Ring
Kristin Thompson, our resident Tolkien Scholar, likes the ever-popular ending to Bilbo Baggins’ birthday speech:
“I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve.”
Tolkien Quotes on Wisdom
Gandalf and Pippin meet Denethor by Alan Lee
Dwyna says that she realizes that this isn’t a commonly referenced quote, but it speaks to her of how a person can become a hero by playing even a small part in a much larger story. What is started by one person isn’t always ended by the same … we are connected in a bigger tale.
Said by Gandalf during the Council of Elrond:
“But you know well enough now that starting is too great a claim for any, and that only a small part is played in great deeds by any hero.”
And Kristin gives us another great Gandalf quote from later in the story; one that exemplifies not just wisdom, but a sense of responsibility:
“Unless the king should come again?” said Gandalf. “Well, my lord Steward, it is your task to keep some kingdom still against that event, which few now look to see. In that task you shall have all the aid that you are pleased to ask for. But I will say this: the rule of no realm is mine, neither of Gondor nor any other, great or small. But all worthy things that are in peril as the world now stands, those are my care. And for my part, I shall not wholly fail of my task, though Gondor should perish, if anything passes through this night that can still grow fair or bear fruit and flower again in days to come. For I also am a steward. Did you not know?”
Eomer in discussion with Aragorn, Gimli and Legolas
Mary Wessel Walker (Ent_Maiden from Barliman’s) suggested this discussion between Eomer and Aragorn, which she loves because it’s ‘words to live by’ that can be a helpful reminder in day-to-day life. She also says this was a very enjoyable passage in the book, because this is their first meeting and they get so deep so fast.
“Eomer said, ‘How is a man to judge what to do in such times?’
‘As he has ever judged,’ said Aragorn. ‘Good and evil have not changed since yesteryear, nor are they one thing among Elves and another among Men. It is a man’s part to discern them, as much in the Golden Wood as in his own house.”
Rob Welch gives us a real gem from Faramir, in discussion with Sam and Frodo once they reach the Ranger stronghold. Here is what Rob has to say: “It is from The Two Towers, Book 4, Chapter 5 ‘The Window on the West’, spoken by Faramir. I love the line because … as a former police officer, and one who would serve again if I had to, I like the distinction Faramir draws between the necessity of the sword, and the love of it. I can use weapons, but I don’t love them … they are a tool to protect those I care about … whether those are personal, the people I was once sworn to serve, or just my fellow human beings and God’s children that might need me. It may be not a concept that is universally accepted, but I firmly believe that, just as Faramir noted in the passage, there are those who would devour in the world, and we need strong men and women who stand against that … and do for the right love.”
“War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend: the city of the Men of Numenor; and I would have her loved for her memory, her ancientry, her beauty, and her present wisdom”
Window on the West with Faramir, Frodo and Sam; by Ted Nasmith
TORn staffer Elessar has this quote in his email signature:
“All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king.”
Tolkien Quotes on Inspiration
Aaron LaSalle draws this quote directly from Tolkien’s letters:
“No half-heartedness and no worldly fear must turn us aside from following the light unflinchingly.”
Calisuri really likes Thorin’s quote at the end of The Hobbit, when he finally understands the value of a quiet life:
“If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.”
Caitlin O’Riordan says this Haldir quote has kept her going this year:
“The world is indeed full of peril and in it there are many dark places; but still there is much that is fair, and though in all lands, love is now mingled with grief, it grows perhaps the greater.”
Tolkien Quotes on Resolve
There seems to be a deeper theme to some of Tolkien’s words; not just hope or inspiration, but also a resolve to keep going, to stay committed to the mission and to each other.
Saystine’s favorite quote comes from Gimli, shortly before they depart from Rivendell. She has always liked it because she says, “Life is not always easy. There are struggles and hardships, but it takes commitment and faith that a better place lies beyond to get you through them all.”
“Faithless is he that says farewell when the road darkens.”
Ashlee chose Sam’s speech in The Two Towers:
“Yes, that’s so,’ said Sam. `And we shouldn’t be here at all, if we’d known more about it before we started. But I suppose it’s often that way. The brave things in the old tales and songs, Mr. Frodo; adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that’s not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually – their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t. And if they had, we shouldn’t know, because they’d have been forgotten. We hear about those as just went on – and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same – like old Mr. Bilbo. But those aren’t always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we’ve fallen into? ‘ `I wonder,’ said Frodo. ‘But I don’t know. And that’s the way of a real tale. Take any one that you’re fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don’t know. And you don’t want them to.”
Gandalf and Frodo
Suzanne, Ashlee and Calisuri all mentioned this next quote; and it is probably something our readers have been anticipating:
“I wish it need not have happened in my time,” said Frodo. “So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”
Tolkien Quotes on Hope
Both Anne and Earl chose an important scene from near the end of the story. Anne says it is her favorite and has sustained her throughout this difficult year. Earl acknowledges that this year has been so incredibly difficult for so many, and his choice had to be about ‘light and high beauty’:
“There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty forever beyond its reach.”
Earl then follows up this scene with a song from Sam in the Tower of Cirith Ungol:
“Though here at journey’s end I lie in darkness buried deep, beyond all towers strong and high, beyond all mountains steep, above all shadows rides the Sun and Stars for ever dwell: I will not say the Day is done, nor bid the Stars farewell.”
Greendragon gives us a short little quote that encapsulates the Hope that Tolkien infused his stories with:
‘… despair is only for those who see the end beyond all doubt. We do not.’
Thorongil asks “How does one choose from so many great quotes? Not an easy task, we all love so many.”
He goes on to say, “Like Elessar, my favorite quote is Aragorn’s poem, ‘All that is gold does not glitter…’ Another is a quote from Legolas (that is fairly relatable to how many of us feel now) when he is chasing the Uruk Hai with Aragorn and Gimli”:
” …do not cast all hope away. Tomorrow is unknown. Rede is often found at the rising of the sun.”
And here is a final challenge to our readers from Thorongil:
“I can’t find them now, but there are a few times in the book that the change in wind is mentioned, and hope is renewed in most cases. My memory is really fuzzy here so please help … I think Legolas says it, Gandalf perhaps in Minas Tirith, or at the Black Gates when Frodo is about to cast the One Ring into Mt Doom, Aragorn arriving at Minas Tirith with the help of the South wind … When things are going bad in my real life it seems they continue to get worse until I feel a change in luck. To myself I always say I look forward to the dawning of a new day and hoping “the wind has changed” in my favor. I took that from Tolkien.”
So, find this post on our Facebook Page and see if you can list the quotes about the Wind being associated with a change in luck or in mood; we may even take a few and add them to this post for future readers. Most of the quotes listed here come from The Lord of The Rings and The Hobbit, but feel free to draw from other sources, including Tolkien’s Letters.
To the Professor
Feel free to join TORn staffers and readers at one of our two Zoom Tolkien Toasts later on today. See our Tolkien Birthday Toast post for zoom times and links.
May the Professor’s words be a light to you in dark places!
Today we are taking a look at an actor with a previous connection to The Lord of the Rings; Peter Tait is not only working on Amazon’s series, but can boast having a role in Peter Jackson’s film trilogy as well – AND a connection to Sir Peter through a short film.
We’ve been digging through the Green Book archives a bit to find relevant articles discussing the ‘purity’ of Tolkien and his works. We came across this classic from Green Book author, Anwyn, where she addresses the questions that came out of watching the 2003 MTV Movie Awards. If you aren’t familiar with it…read on!
The Hobbits Accept ‘Best Movie’ at the 2003 MTV Movie Awards
I admit it. I’m at a loss for a stunning literary topic, one that will provoke your emotions, stimulate your mind, and offer some insight into Tolkien’s life or works. I sat down this evening with my brain half fried, knowing that I had a deadline to meet, and started flipping channels. Lo and behold, what did I pass but the MTV Movie Awards, and hark, who should be sitting behind Kirsten Dunst but the intrepid trio of Sean Astin, Elijah Wood, and Billy Boyd? Moreover, what award should they be announcing at that very moment but the award for “Best Movie?” I stayed to watch, having not bothered the first time they ran it.
I admit it. My finger is not on the pulse, as they say, of the pop-culture acclaim the Lord of the Rings movie phenomenon has generated and continues to stoke. I have not followed marketing trends; I couldn’t tell my father what TTT had grossed at the box office when he asked. I know, in a general way, that these films are wildly popular beyond the book’s fan base, that the movies have started their own fire that, due to the modern climate, burns higher than the literary one created when Tolkien was still living. What I don’t know is whether or not that’s a good thing.
The intro was cute. Keanu Reeves was charming. And the winner is … The Lord of the Rings: The Two Towers. Elijah, Billy and Sean, looking MTV cool in untucked, unbuttoned shirts, bounded up on stage, where Sean apologized for Gollum’s previous tirade. “That dude is out of control!”
I admit it. I didn’t watch TORn’s clip of Gollum’s “acceptance speech.” I read a transcript and was horrified enough that I had no desire to watch it. Why? you ask. It was funny! you say. Perhaps. But the issue, in my mind, was not whether or not it was funny, but the fact that Tolkien is barrel-rolling in his grave at having one of his characters co-opted into speaking such filth. Puritan, you remark. Perhaps. “Purist” would be closer to the mark, I think. The hallmark of Tolkien’s work is the very purity of his language, and to find the most vile of modern insults coming out of the mouth of a digitally created Gollum disgusted me and, I think, would have appalled and disgusted Tolkien.
The boyishly handsome trio accepted the award on behalf of the production and left the stage. I came to my computer wondering. This new popularity: good or bad?
There is no need to speculate about what Tolkien himself would have thought. Though the popularity of his books, in his day, was smaller in scope and lesser in frantic, frenzied intensity than that we are observing now in response to the movies, he still had to fend off a wave of targeted questioning and obsession with minutiae, causing him to make remarks about his “deplorable cultus” and the dangers of becoming involved in the stories “in a way I’m not.” That tendency is more alive and well than ever today, thanks partly to the very wonderful establishment with which I am connected and others like it on the internet. “Fan fiction,” which I assume to have existed before the web but which certainly has suffered an unbelievable popularity explosion since, with access to an immediate and free forum, proves this in and of itself, as do the myriad questions we get at Green Books every day.
My colleague Quickbeam and many others have come down to the baseline opinion that if it encourages people to read Tolkien, then the indignities that come with the Hollywood marketing machine are well endured. But arepeople reading Tolkien as a result of all this hype? The evidence that I see is mixed.
Viggo reads ‘The Return of the King’
We get many letters at GB that include notes like “I am now reading the books to my [sons, daughters, nephews, nieces, grandchildren], and they LOVE them. They would never have been interested in them before the movie.” That’s wonderful, and of course I couldn’t be anything but pleased. But we get a greater number of notes, questions for the Q&A, that clearly show that their authors have not read and have no desire to read—only to know more about the world that their current idols [insert Elijah, Orlando, Billy, Dominic, Sean, Sean, or Viggo here] inhabit in these films. “Who is Aragorn and where did he come from?” “Who are Legolas’s parents? Does he ever fall in love? Is it true that he dies in the third movie?” and my personal favorite, “Can you give me a complete history of Elrond? Who is he, where did he come from, who are his parents, what is his significance?” Don’t tell me that these folks have any intention of reading—this stuff could be readily found if they’d ever even cracked a book.
So if people are not reading, what’s the fuss about? Special effects, swordplay, hot guys, and hot chicks, apparently. Again I hear that scraping, swishing sound … Tolkien is rolling.
I am not intending any commentary here on Jackson’s films themselves. My opinions on that score are well documented elsewhere. My concern is with the ultramodern hype that has followed.
I admit it. There’s not much reason to care whether or not the marketing machine runs at full efficiency and creates these millions of screaming Orli drones. After all, what does it hurt Tolkien’s books or my enjoyment of them? From one perspective, it doesn’t hurt one iota. From another perspective, it hurts to see characters that I regarded as the highest of the high, the pinnacle of heroic epic, degenerated into pop-culture icons. And it is not so with some of my other favorites. Anne of Green Gables, Elinor and Marianne Dashwood of Sense and Sensibility, and others have all been brought with sensitivity and grace to the big screen. And sensitivity and grace are not lacking in the majority of Jackson’s characterizations, either. So the difference must lie in the public reaction to them and to the supposedly clever accolades, like Gollum’s fling at the MTV awards, that follow.
Forgive me, dear readers, if I am indulging in a ramble without a point. This musing is simply part of a bigger question—how healthy is all this fandom, anyway? “Frenzy and intensity,” I said above to describe the modern fanboy and fangirl machines, and it’s true. The nearness of people to one another through the media and internet allows them to mass-embrace one concept in a way they never could have done a century ago. Is this healthy for our individual and collective minds and spirits? The screaming, the shoving for a picture or an autograph … I digress. Those are issues connected with all popular Hollywooders, not with Lord of the Rings alone, of course. And I guess that’s the crux of the matter—something formerly so exalted in the realm of literature alone has been brought to a level equal to that of the Backstreet Boys or Britney Spears. I guess that’s where the real rub lies. Like the rub of a tweed jacket upon the inside of a coffin. Tolkien is rolling.
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Speaking of translating Tolkien’s world to TV and cinema, we dug into our archives to find a rather relevant masterpiece from Green Books staffer Ostadan – originally posted November 4th, 2004. Enjoy!
Golden copy of the “Universal Gateway”, Chapter 25 of the Lotus Sutra kept in Taiwan National Palace Museum. One of the many excellent works of Kumarajiva
“Translation is like chewing food that is to be fed to others who are unable to chew themselves. As a result, the masticated food is bound to be poorer in taste and flavor than the original.” [attributed to Kumarajiva, translator of Buddhist texts into Chinese. Translated.]
Unu Ringo ilin regas, Unu ilin prenas, Unu Ringo en mallumon ilin gvidas kaj katenas.
Let us look at this translation more carefully. If we were to take each word and translate it to English directly, it would read,
One Ring them rules, One them takes, One Ring into darkness them guides and chains.
Esperanto’s word order is more liberal than English, especially in verse; a more grammatically correct English translation would be “One Ring rules them, One takes them, One Ring guides them into darkness and chains them.” Those familiar with the English text will see many evident differences — the use of present tense; the reduction of “them all” to simply “them”; the change of “find” to “take”, and so on. Why should this be so? The main reason is that Bertil Wennergren, who translated the verse, was attempting to retain not only the sense of the text, but the rhyme scheme and general meter of the original. Esperanto, which uses suffixes as markers for such things as tense and part of speech, has few single-syllable words. In contrast, there is only one word of more than one syllable, “darkness”, in the entire English version of the Ring couplet (and few, indeed, in the entire Ring-verse). If any semblence of the poetry of the original is to be retained, then the meaning of the text must be altered somewhat to fit the restrictions imposed by the verse form and the language of translation.
Of course, within the story, the famous couplet is itself only a translation, with a slight change in meter, of the Black Speech found on the Ring:
Gandalf says that his rendering in the Common Speech is “close enough” to what is said on the Ring. So the question arises: is the Esperanto translation similarly “close enough”? A “purist” might say, no: there are too many details lost or even changed by this translation, and Tolkien’s linguistic work has been undermined; someone reading the Esperanto text would come to very different conclusions about the vocabulary and grammar of Black Speech from those reached by English-speaking readers. But someone of a more “revisionist” bent sould say that the Esperanto Ring-inscription tells, probably as well as possible given the constraints of a verse translation in Esperanto, the same story as the original English. After all, it is certainly plausible that Celebrimbor, hearing these words spoken from afar as Sauron first took up the One Ring, would indeed know just how he had been betrayed and what Sauron’s true purpose behind the Rings of Power was.
J.R.R. Tolkien
In a real sense, any translated work is a collaborative effort between the original author and the translator, much as a symphonic performance is a collaboration between the composer and the conductor. In a work as complex as The Lord of the Rings, the translator must be aware of the stylistic and linguistic techniques that Tolkien is using, and create them anew in the language of translation. For the result to have any artistry at all, the translator has to be as creative and capable in the language of translation as Tolkien was in his own. The result will not be pure Tolkien; it will be Tolkien as interpreted and re-told by the translator. Arden Smith’s irregular column in the journal Vinyar Tengwar, entitled “Transitions in Translations”, has documented a wide range of successful and unsuccessful translations. In some, little care is taken in style or nomenclature — one might be reminded of the infamous Japanese subtitles for the Fellowship of the Ring movie. In others, the translator may go as far as inventing Tengwar and Cirth modes for the language of translation and will re-draw the title page inscription in translation, as well as re-lettering the translation of the West-gate of Moria in the illustration. But in all cases, the result is not, and cannot be, identical to the experience of reading the original English text.
A “purist” might therefore conclude that because a translation necessarily loses some of the nuances and richness of the original, nobody should read Tolkien’s work in translation, and that the translators themselves are wasting their time in a futile exercise at best, or a fraudulent representation of their own works as being J.R.R. Tolkien’s at worst. To the purist, Tolkien’s original work is the only “true” account of events in a world that seems nearly as real as the ancient history of our own world, and deviation from that account seems to be somehow a distortion of a primary truth. But most people would agree that, given a certain minimum quality of translation, the defects inherent in reading a work in translation are outweighed by the availability of the book to people who cannot read it in English and would not be able to experience Middle-earth in any form without the translation, like the unfortunate soul in the quotation from Kumarajiva, who requires someone else to chew their food if they are to avoid starvation. Some of these people may even be motivated by a good translation to search out an English edition and laboriously work through it.
By now, the reader has probably anticipated the author’s conclusion from these musings about translation: the art of the filmmaker has much in common with the art of the translator. The requirements of film — or at least an artistically and commercially successful one — dictate particular rhythms and modes of expression in the storytelling that the original author contemplated no more than Tolkien considered how the Ring-verse would fit the rhythms of Esperanto or other languages. Even more than a translator, the filmmaker is a collaborator with the author, reinventing and recreating the author’s work so that it can be expressed as artistically as possible in the “language of film”. The result will not be purely Tolkien’s work, and will inevitably lose much of the delicious “flavor” of the original. It may even have serious defects in several particulars; but the real question is whether, like the Ring-verse translation, it tells the same essential story, “close enough”. If it does, then it does what any good translation does: it brings a great work to people who otherwise would not read it on their own.
“I cannot read the black and white letters,” he said in a quavering voice.
“No,” said Jackson, “but I can. The letters are English, of a narrative mode, but the language is that of the Epic Romance, which I will not utter here. But this in the Cinematic Tongue is what is said, close enough…”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
