Here’s a nice story from stuff.co.nz: Sir Peter Jackson has come to the rescue of a historic Wellington church. Jackson and wife Fran Walsh have bought St Christopher’s Church in the suburb of Seatoun for $1.06 million in a move that saves the earthquake-prone church and neighbouring hall from potential demolition. The couple made their latest purchase to ensure the buildings would not be lost from the peninsula, trust chairman Richard Stubbs said. According to Stubbs, the community would have faced a huge fundraising effort were it not for Jackson and Walsh stepping in.
“They’ve rescued it. They’ve totally relieved us of that obligation, and that means we can get on and run the facilities … their involvement here is absolutely pivotal. They’ve done this for the people of the peninsula, and indeed for Wellington.”
Read the rest of the article on the stuff.co.nz website here.
We’ve just heard the sad news that Andrew Lesnie has died of a heart attack at the age of 59.
The filmmaker from Sydney, Australia, won an Academy Award for Best Cinematography for his work on Peter Jackson‘s “The Fellowship Of The Ring” in 2002. He is most associated for his work with Peter Jackson on the adaptation of J.R.R. Tolkien’s “Lord of the Rings,” trilogy and on “The Hobbit.” But his film catalog is much larger, including the just released Russell Crow-directed film, “The Water Diviner.”
He also served as director of photography for the Australian “Babe,” movies which led Jackson to him. In an interview with DigitalProducer.com, Jackson talked about the series of events, including Lesnie leaving “Mission Impossible 2,” to come to the Tolkien films. Said Jackson:
“I’d never worked with him or even met him before, but he’d shot the Babe films and I thought they looked amazing, the way he’d used backlight and the sun and natural light to create a very magical effect. And Babe had that larger-than-life feel about it that I wanted. So when we began looking for DPs in early 1999, I first decided to get either an Australian or New Zealand DP as they’d be used to the way we make films. Every country is slightly different in that way, and I immediately thought of Andrew. But he was shooting MI2 in Sydney, so I was a bit stuck then. But then after three weeks he left MI2 — apparently there was a lot of friction on the set, and we called him the next day and persuaded him to fly over to meet. Then we showed him all the designs and sets and he got very excited, and I liked him a lot.”
Jackson and Lesnie made the six Tolkien films together but they also collaborated on “King Kong,” and “The Lovely Bones.” Other notable films he worked on:
“Rise of the Planet of the Apes,” and “I Am Legend,” among others.
He can be seen as a painter acting in the Sean Astin-directed short film, “The Long and Short of It.” He made a cameo in “Return of the King,” as a Corsair of Umbar sailing to battle. By all accounts and from personal observations, Lesnie was excellent to work with. He is immortalized through his work.
All of us here at TheOneRing.net send our best wishes and condolences to his family and friends.
Below is the video of Lesnie winning his Academy Award for “Fellowship,” where he is graceful, humorous and thanks many people person-to-person before walking on stage to accept the award. It is a fine example of his professionalism and good nature.
On March 28, 2015 TheOneRing.net livestreamed an interview with animation pioneer Ralph Bakshi to discuss the first-ever “The Lord of the Rings” film (1978), and to parse the differences between homage and rip-off (and the not-so-nebulous chains of inspiration from one artist to another).
Bakshi revealed to us that his Studio’s “LOTR” character designs and artwork were sent down to Three Foot Six in New Zealand; elevating the conversation of his impact on the live-action epic.
We know that many fans are in New York this week, enjoying the fabulous Lord of the Rings in Concert performances at Lincoln Center. For those of you who can’t be there, here’s a short video to enjoy, which captures the excitement of seeing these great films with live orchestra:
We hope that everyone who is there is having a great time in the Big Apple!
In the USA, from March 24th, the last in Peter Jackson’s Middle-earth movies will be available for you to take home. (It’s been available in digital version in many countries since March 3rd; but from Tuesday you can get your hands on a ‘hard’ copy.)
Many fans, of course, like to wait for the Extended Edition release before purchasing a copy; but speaking personally, my collection isn’t complete unless I have the theatrical cut as well. I was thrilled to get my hands on a review copy of the Blu-ray Combo pack, which includes copies of the movie on Blu-ray, on DVD and a Digital HD copy – as well as various extras. Continue reading “The Hobbit: The Battle of the Five Armies DVD/Blu-ray review – RELEASE DATE MARCH 24”
We’re delighted to bring you an excerpt from Cinefex‘s forthcoming behind-the-scenes account of The Hobbit: The Battle of the Five Armies.
Joe Fordham’s 26-page feature in Cinefex 141 includes in-depth interviews with the film’s effects artists — and Peter Jackson — and is accompanied by 28 behind-the-scenes photos and frame clips from the movie. Many of them are exclusive to Cinefex.
We’ve just heard the sad news that Andrew Lesnie has died of a heart attack at the age of 59.
We’re delighted to bring you an excerpt from