The Official Day 1 of FantasyCon was yesterday, July 3 and was filled with cosplay, LARPing, music and heraldry. A few awesome Middle-earth costumers visited our booth, and we even had a Dwarf in a Barrel. The barrel and the 4 Hobbits standee proved to be quite popular with those holding a camera, especially the children.
At 11am TheOneRing.net hosted their first panel at the convention with the Preview of The Hobbit: The Battle of Five Armies to an enthusiastic crowd. We fully expect that the trailer will be out by the time San Diego Comic Con rolls around in a few weeks, at which point our Preview panel will be dramatically updated.
Near the end of the day, the entirety of the Tolkien programming track was introduced on stage at the Middle-earth kickoff party. Artists, musicians, writers and TheOneRing.net staff on hand, plus an Avalanche of Dwarves, as John Rhys-Davies put it, a Wizard and a pair of Hobbits converged on the Main Ballroom stage to thunderous applause. Moments later, the entire room went silent, you could almost hear a pin drop, along with one wee Hobbit singing his heart out.
During the panel, numerous questions were asked of many Dwarves, Hobbits and a Wizard, but none were handled with quite so much originality as the one about the Dwarven prosthetics.
The day ended with the Red Party, a less bloody affair than the Red Wedding. Costumed denizens of Westeros and many other realms all danced the night away.
In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site Henneth-Annun.ru, delves into the different varieties used in Peter Jackson’s movies of The Lord of the Rings and The Hobbit.
The Lord of the Fonts
A Lord of the Rings and Hobbit Font Guide
by TheHutt (Peter Klassen)
What would the Lord of the Rings trilogy be without its iconic logo? The chiseled yellow letters are pretty close to perfection where movie logos are concerned. But that’s not the only instance of certain characteristic typefaces used throughout the trilogy and its marketing. Most of them have recurred in the new Hobbit films – but what exactly are they and where can they be obtained?Continue reading “The Lord of the Fonts: a guide to fonts in The Hobbit and The Lord of the Rings”
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Welcome to our collection of TORn’s hottest topics for the past week. If you’ve fallen behind on what’s happening on the Message Boards, here’s a great way to catch the highlights. Or if you’re new to TORn and want to enjoy some great conversations, just follow the links to some of our most popular discussions. Watch this space as every weekend we will spotlight the most popular buzz on TORn’s Message Boards. Everyone is welcome, so come on in and join the fun!
John Howe. Photo: Fataneh Howe. Check out this interview with interview that Ethan Gilsdorf conducted with John Howe over two sessions in January and July last year. It’s a corker.
Howe is, of course, a long-time Tolkien illustrator and is currently working with Alan Lee as Conceptual Designer for The Hobbit movie trilogy.
One of the best statues from The Lord of the Rings Trilogy statue line is The Balrog of Moria statue. This amazing piece came out in 2001/02 with a retail price of $300 and an edition size of a 1000 pieces worldwide. It is one of the most amazing statues to represent any character in Middle-earth and if you have the cash on the secondary market I would strongly recommend getting it. So I thought for the first video review I’d do this statue, since I have just succeeded in getting it back into my own collection. Let me know in the comments below what you think of the video review as I do these in conjunction with some of my written reviews.
Among some of the most profound pieces of Tolkien’s writings are those concerning the concepts of death and immortality, and the ultimate fates of Elves and Men. And a little more than a decade ago, as the tale of Aragorn and Arwen unfolded in The Two Towers, it was the evocative voice of Sheila Chandra that spoke to the hope and heartache of their destinies.
A vocalist of Indian descent hailing from the UK, Sheila Chandra performed “The Breath Of Life” (also titled “The Grace Of The Valar“) as Aragorn’s unconscious form floats downriver while Arwen holds him in thought and sends him a blessing from afar – “May the grace of the Valar protect you“.
The song’s lyrics (adapted from Tolkien’s writings) were written by Fran Walsh:
Shadow lies between us, as you came, so you shall leave from us.
Time and storm shall scatter all things. Sorrowing you must go, and yet you are not without hope, For you are not bound to the circles of this world, you are not bound to loss and to silence.
As our exclusive series of interviews with vocalists from The Lord of the Rings continues, join us today as we talk to Sheila Chandra about how the song, its mood, and her delivery of it were all carefully crafted with the aim of conveying the understanding and mature love that is shared between Arwen and Aragorn.