Today in Annecy attending press were treated to glimpses of the upcoming film The Lord of the Rings: The War of the Rohirrim. TORn didn’t have anyone present there, but the good folks at Warner Bros. were kind enough to share with us some of the first movie images being revealed; and we had a chance to sit down again, before Annecy, with producer Philippa Boyens, to chat some more about this hotly anticipated movie – and other returns to Middle-earth, coming in the future.
Feast your eyes on the images! And enjoy the conversation between Boyens and staffer greendragon.
GD: Hi Philippa, thanks for taking this time – and it’s very, very exciting to see some images. We all just can’t wait to see it and are excited for what’s going to be revealed at Annecy – and these three images that we have to look at. So, I have a million questions but can we plunge straight into the images?
PB: Absolutely.
HÉRA voiced by GAIA WISE in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
GD: Great. I’m looking at the first one that was sent to me, which presumably is Hera, our heroine. And the first thing I have to ask you – and I don’t know if you’re going to be able to answer this question: is that Herugrim that we see in her hand there? Is that the 500-year-old heirloom of Rohan that ends up with Theoden?
PB: Well, given some of the concept artists that were involved in this film, I would say that’s probably a pretty good guess. You know the attention to detail that those guys go into. So people like Daniel Falconer and, of course, John Howe, Alan Lee, you know. And then the brilliant Japanese concept artists, not just animators but concept artists as well, have worked on this. We’ve just been spoiled, honestly, absolutely spoiled.
GD: I can well imagine! Talk to me a little bit about this character Hera, because I’ve been fascinated by some of the things I’ve read that you’ve said in other interviews, about her being inspired somewhat by the Lady of the Mercians, Aethelflaed. And your talk of that reminded me also of Matilda, the daughter of Henry I, who was known as Lady of the English. So we’ve got these early medieval women who did not end up ruling, but who kept the country together in these powerful, strong ways. And clearly in this image, Hera is being very fierce. It looks like her sword is touching someone’s shoulder that we’re just seeing in the edge of the picture. Tell me a little bit about this strong female character that I’m very excited to see.
PB: Yes, she is a strong female character; but what I really love about her, she’s a very real female character – which I think is a strength of what Professor Tolkien did with the Rohirrim, and we’ve drawn on that. Eowyn was drawn so beautifully. I mean, you know, of course, with Galadriel and Arwen, you’re dealing with immortals, you’re dealing with the quality of, I was going to say the fae, but I won’t say that, but that otherworldly quality that is inherent in the elves. With Eowyn, I always felt that she was drawn in a very real way. And so we’ve kind of tried to continue in that tradition.
She’s not named in the books and we do point that out – I won’t tell you how! – but I do think it’s interesting that often women remain unnamed. There’s an unnamed daughter in Beowulf, for example. That was immediately intriguing; but what i do say is i don’t feel in any way that Professor Tolkien was slighting that character in not naming her. I think he hadn’t gotten around to telling that part of the story; and i do believe that if he had told that part of the story, given that he was a Mercian of sorts himself, how could he not perhaps have drawn on alfred the great’s daughter? And so she felt authentic. Although, having said that, I know he also said that the Rohirrim were not pure Anglo-Saxon derivatives, you know, there’s a lot of other facets to them – including his own imagination that he drew upon.
But I’m so glad you mentioned Matilda, because I think in the same vein, you’re absolutely right, that somehow they had the facility to hold their people together without necessarily having the title of ruler. They were leaders because they showed leadership and courage when it was needed. It’s resilience, you know, often time and time again, they show something special and save their people. , I think that that was one of the things that drew us to her.
And we wanted to make sure that she was as authentically human as she could be. So she’s not without doubts. She’s not without fears. She is constrained by the strictures of the society in which she’s been brought up. She’s beloved by her father – we know that from the very beginning of the storytelling. This is what we’ve come up with, you know; because we have known brothers. We have Haleth and Hama. And we can imagine who they are. And so when it came to Hera, we thought it would be interesting that just as Théoden had that relationship with Éowyn, that kind of the interesting thing following that thread through with Helm. First he loses Haleth, he loses Hama, he loses all his sons.
And although Hera is, you know, growing up – we killed off the mother, by the way, because she’s not named either. So we imagined her growing up, raised by a warrior king, alongside two brothers who, you know, there would be a genuinely tomboyishness to her nature, that she was allowed to have a bit of a free reign when she was younger. But when it comes down to it, especially now that she’s getting older, she comes face to face with the fact that, you know what, there are strictures in this society and there are roles for women in this society that her father still expects her to fulfill.
So, sure, he let her have a bit of a free reign and she was a bit of a wild child growing up,but never once did Helm think she would do anything other than that. and fulfill her duties and so it’s really interesting that that is part of his journey of his character to sort of suddenly discover that his daughter is stronger than he knew, which is really interesting. I love the relationship between those two characters that we’ve managed to find in there.
(L-r) HÉRA Voiced by GAIA WISE, HELM HAMMERHAND voiced by BRIAN COX, HALETH Voiced by BENJAMIN WAINWRIGHT and HAMA voiced by YAZDAN QAFOURI in New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
GD: And great actors voicing those two characters. [Brian Cox and Gaia Wise]
PB: Oh, my God, wonderful. Honestly, I don’t think anyone else genuinely could have played Hera, but Gaia Wise, she was perfect. She has all of the elements that you want. She’s got so much life in her, and she has that tomboyishness to her, but she also has a kind of, she’s full of curiosity. She’s very intelligent. She’s got a great sense of humor, and so she’s quick, and she’s got a ready laugh, and I can imagine a little bit of wildness about her, but she’s got a heart. You know, that was the thing that got her – she’s got a huge heart.
She fell off her bike. (I hope she doesn’t mind me telling you this!) She got, because she was biking to the ADR session to do some recording, and she actually came off. She got knocked off her bike. She had a big graze on her leg, and I was appalled. I was like, oh, my God, we’ve got to do something. It was absolutely determined to just keep going because I think she was focused. Of course. She was in the zone. She felt, no, look, it’s going to be fine. I’m not, you know, nothing’s broken. And she just got straight into it, and I was just looking at her thinking. Oh my God, you are Hera. The warrior.
GD: I’m looking at the third image we saw, of Wulf outside. He certainly looks like a Dunlending, with the dark hair. I’m looking at that sort of darkness. And you were just saying before about how the Rohirrim are people, they are humans and they have a reality to them and a human quality that, of course, we don’t get in the immortals, the Maiar, the Elves. This is a tale of men.
WULF voiced by LUKE PASQUALINO New Line Cinema’s and Warner Bros. Animation’s epic anime adventure “THE LORD OF THE RINGS: THE WAR OF THE ROHIRRIM,” a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures
PB: What’s fascinating is the choices that Wulf makes. There is a moment, I think, where he could have, you know, conquering Edoras, if he’d settled down and become a good and wise ruling king, none of this history would have been spoken of. You know, it would have been a challenge by one lord to a lord whose time had potentially passed.
And, given the culture, (which, again, we set up very early on), this is a people who, although he is a king, they are subservient to Gondor, that in itself creates certain levels of tensions; and that although he is a king, he rules by consent, not by right. And so Wulf, if he’d made the right choices, it would have been a different story.
He doesn’t. He makes other choices, and they’re very interesting choices – and where those choices come from is really fascinating. He’s one of my favourite characters ever that we’ve ever created. He and Hera are so strong. They’re wonderful.
And, of course, Brian Cox is just brilliant as Helm. I have to say, no surprise! Unsurprisingly brilliant, which is fantastic for us and for the fans. I think they’re just going to love him.
GD: So with Annecy coming up – which is very exciting… Of course, we’re all reeling with excitement of the news of the ‘Hunt for Gollum’ movie. And I see that Andy Serkis is going to be there to host a panel with you, at Annecy. I noticed looking back on last year’s Annecy that in an interview there, you said that this movie and this story, this animated film, would be ‘a good way back into’ the world of Middle-earth. Did you have an inkling then that this (The War of the Rohirrim) was, to quote Gandalf, the falling of small stones that would start an avalanche? Did you think there was going to be more coming?
PB: Yes, I did. I did. I myself personally felt up for it. It was one of those things where you go back to something that, I mean, you know, you can lose yourself sometimes in making a film. And you kind of lose, you know, I’ve always found that the books were my comfort read. They were the thing that I always had that I could fall into. And in a way, doing the films destroyed that to a certain level.
What was interesting is going back into this and going back into a part of the story that was so fresh to me. And I think it’s going to be fresh to the audience and yet familiar, which is also brilliant. It re-energized me. I don’t know what it was, but it made me think, you know what – I do love telling stories within this world. It feels like a natural fit.
And I love the passion of the fans. I genuinely mean that, absolutely. You can tell all the members of the Torn community of TheOneRing that they’re always sitting on my shoulder.
GD: But in a good way!
PB: In the best possible way. Because, you know, you’ve got to have such respect for the passion that’s involved there. And I think it’s entirely appropriate and we should be held to a really high standard. And I think Kenji Kamiyama has not only met that standard, he’s smashed it. He had the bar and then he smashed his way through it and set it somewhere even higher. So it’s fantastic. Can’t wait for you guys to see it.
GD: We can’t wait to see it. It’s so exciting. You know, this year, TheOneRing.net is 25 years old. It’s our silver anniversary! Who would have thought we would be not only still going, but here having the chance to talk to you about new projects. It’s the gift that keeps on giving! Our staffer Demosthenes [who chatted with PB before] asked me to just casually ask you, are we going to see Saruman?
PB: [laughs] I can neither confirm nor deny that! I really can’t. I think he’s, I have to tell you, he’s very acute and perceptive – and some of the things that he was supposing were very much on the money in terms of when he saw the mumaks and things like that. And I thought that was really interesting. But that one I’m not giving him. Tell him I’m sorry!
GD: I’ll tell him! Well, it’s so great to talk, Philippa. Have a great time in Annecy, and I hope we can connect again; and we just can’t wait for everything that’s coming up. Thank you so much.
PB: I’m always happy to talk to you guys, absolutely.
Huge thanks to Philippa Boyens, and to Warner Bros. for affording us this exclusive interview. A closer look at these first images is coming soon!
On March 18 this year we began Middle-earth March Madness 2024: Magical Moments. TORn staffers had been working behind the scenes to choose and then vote on a plethora of happenings from The Hobbit and The Lord of the Rings trilogy, which could be considered magical events. We whittled that number down to 64, and created seeding based on the staffer votes, and back in March we opened the contest to YOUR votes.
Now, after six rounds and thousands of votes cast, we have a winner. Of all the moments when magical powers are used in Middle-earth, one has been chosen as the ‘most magical’. If you watched TORn Tuesday last night, you saw the winner revealed there. But if you’ve stayed ‘spoiler free’, we can now reveal the Middle-earth March Madness Champion for 2024 is…
Our good friends at Volante Opera have been in touch with very exciting news! You may remember, in 2022 and 2023 we brought you news of their work with composer Paul Corfield Godfrey, to bring to life his operas of stories from The Silmarillion.
Godfrey had for many years been working on operatic excerpts from The Lord of the Rings – and during lockdown, he and the Volante Opera folks had even begun recording excerpts, ‘just in case’; but the Tolkien Estate had not granted permission for those works to be released.
We can now exclusively reveal that Godfrey and Volante Opera Productions have been granted permission to release recordings and scores of these works.
There are thirty ‘chapters’, intended to be performed over six evenings. The text is (of course) abridged, but uses as closely as possible Tolkien’s own words; and fans can even look forward to an appearance by that most elusive of characters in adaptations, Tom Bombadil!
The fifteen CD set should be available in 2025. Meanwhile, you can enjoy Volante’s previous recordings of Godfrey’s Silmarillion settings, available to purchase on their website; and here’s a trailer, with aural ‘glimpses’ of what treats we have in store.
Here’s the official press release from Volante Opera:
AT LAST – AN OPERATIC TREATMENT OF THE LORD OF THE RINGS
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer has been working on sketches, fragments and episodes of what was envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion Paul was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. This adaptation takes place over thirty “chapters” designed to be performed over six evenings – over fifteen hours of music.
This work is currently in the process of recording by Volante Opera and it is anticipated that Prima Facie will release a demo recording of the complete cycle, in the same manner as their Silmarillion recordings, in 2025.
Cast
The professional singers, some thirty in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo, Emma Mary Llewellyn as Arwen, Laurence Cole as Boromir/Denethor, Martin Lloyd as Treebeard/Herb Master, Helen Greenaway as Lobelia/Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-wight, Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of roles. Angharad Morgan will also be reprising her role as Galadriel from The Silmarillion. Our new cast members and their characters will be introduced as the recording process continues.
Those who have enjoyed the composer’s large-scale setting of The Silmarillion will be pleased to discover that the music inhabits the same musical world as before, with many ideas and themes continued and expanded into The Lord of the Rings. The “musical chapters” also incorporate other works by the composer such as his earlier Tolkien songs (already available on CD) which now assume greater significance in the course of the whole structure.
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil, the Barrow-wight and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment.
Further tales from Tolkien in music
Also coming early 2025, a complete recording of Paul Corfield Godfrey’s solo piano works played by renowned British concert pianist Duncan Honeybourne. This will include, amongst other works, the epic piano rondo Akallabêth, a solo piano version of the Wedding March from The Fall of Gondolin, and a new work composed specifically for Duncan and this album – ‘The Passing of Arwen’.
For more information about the work please visit: www.paulcorfieldgodfrey.co.uk For more information about the recording by Volante Opera Productions please visit: www.volanteopera.wales Updates about the recording process will be posted to our social media feeds: DISCORD: https://discord.gg/J6bQFHygr7 FACEBOOK: Volante Opera Productions, The Music of Paul Corfield Godfrey INSTAGRAM/THREADS: @volanteopera TWITTER/X: @OperaVolante, @TheCorfield Recordings and scores of Epic Scenes from The Silmarillion and Akallabêth and other Tolkien Works are available from Volante Opera Productions’ website.
Check out Volante’s website for lots more information, including more details on casting/characters, chapter breakdown, and synopsis. So much to look forward to; we can’t wait to hear these pieces in full. Now we hope they may be brought to the stage one day… Meanwhile here’s Godfrey’s ‘Lament for Boromir’ – enjoy!
Texts by J.R.R. Tolkien from The Lord of the Rings and The Adventures of Tom Bombadil by permission of the Estate of the author, HarperCollins Publishers and Middle-earth Enterprises.
We come to it at last – the great battle of our time… Well, at least of this year’s Middle-earth March Madness 2024: Magical Moments. TORn staffers picked 64 happenings from The Hobbit and The Lord of the Rings trilogy, which could be considered magical events. (Though what exactly counts as ‘magic’ in Middle-earth is, of course, up for debate!) These moments were seeded based on staffer’s votes, divided into four bracket (one for each book), and so it began. Now, three weeks later and with thousands of votes cast, we are down to the final two. Let’s see how the Semi-finals played out:
The Hobbit Division vs The Two Towers Division
The first time Bilbo experiences the power of the Ring, becoming invisible when seeking to escape Gollum, deep under the Misty Mountains, was the winning moment of The Hobbit bracket. It faced the victor from The Two Towers region, no less a moment than the return from the dead of Mithrandir, coming back to Middle-earth as Gandalf the White. Two absolutely iconic moments – and you might have expected a tight battle. In fact, the power of the Ring was no match for the wizard; The Two Towers contestant took 70% more votes than its opponent. So Gandalf the White strides into the final. Who or what will be his adversary?
The Fellowship of the Ring Division vs The Return of the King Division
This showdown was a much tighter contest then the other Semi-final. Just SIX votes made the difference between the contenders during much of this round – even as the numbers rose, that margin stayed more or less the same. It’s a duel between the defeat of the Witch-king by ‘No Man’ and Gandalf’s overthrowing of the Balrog. Will we have an all Gandalf championship battle?
The answer is … yes! At the last moment, coming in just under the wire, and having been trailing for most of this round, the wizard won by ONE VOTE. Eowyn overcame the Lord of the Nazgul, but could not defeat the Maiar. And so an event which started off seeded all the way down at #6 in its bracket confronts a #1 seeded event in the Final. It’s The Fellowship of the Ring vs The Two Towers, a kind of ‘before and after’ – the battle against the Balrog, and the return thereafter:
Gandalf Confronts the Balrog with Glamdring and the Flame of Anor (6)
VS
Gandalf the White Returns from the Dead (1)
Staffer Madeye Gamgee was excited by this nail-biting thriller of a Semi-final:
What a magical finish for our penultimate round! I cannot recall ever having such a tight matchup in the history of Middle-earth March Madness. The Witch-king’s Fall to “No Man” had led during the entirety of its Final Four Round, but the lead was always “walking on the edge of a knife”, hardly ever more than 10 votes. And in perhaps the upset of the tournament, the FotR champion, only the number six seed in its own region, pulls off the last second victory, squeaking by the iconic moment on the Pelennor Field by a single vote. Sadly perhaps for Éowyn and Merry fans (and possibly a ‘crushing blow’ for Witch-king fans…), our March Madness tournament officials have yet to figure out instant replay technology. What a Balrog Burner of a match!
The return of Gandalf the White from his journeys beyond thought and time easily handled the contest with Bilbo’s Ring of Invisibility, despite its darker Power lurking in the background. At least for this tournament, the One Ring will not rule them all.
Which leads us to a dream matchup between two versions of possibly the most magical icon of the Third Age: Gandalf. Can Gandalf the Grey keep his momentum going? Slaying a Balrog is no small thing. Or will Gandalf’s resurrection as an Istari more evenly matched against Sauron prove that he has brought more than just a fool’s hope to this magical tournament?
It should be very clear by now that the ultimate tournament outcome lies in the hands of the fans. And even the smallest single vote can change the course of the future.
Place your votes! As with the Semi-final, we just have one bracket to vote. Use the embedded experience below, or click here. Then click the ‘Vote Now’ option that appears at the top left of the page. Let’s get voting!
Which Magical Moment will be the Champion for Middle-earth March Madness 2024? You decide! Would you like to see the wielding of Glamdring and the flame of Anor sweep to victory? Or is Gandalf’s return from the dead unbeatable magic? Rally the troops and place your votes! Voting will be open until the start of TORn Tuesday on Tuesday April 9th; we’ll take a look back over the contest and reveal this year’s Grand Winner during the show. But which moment will it be? That’s up to YOU – vote now!
And then there were four… It is semi-final time in Middle-earth March Madness 2024: Magical Moments – from 64 starters, we’re down to just our bracket winners remaining. Which magical happening has emerged triumphant from each division? Let’s take a look:
The Hobbit Division
Alas! Speaking personally, I (staffer greendragon) was really hoping the Moon Runes would win this bracket. TORn staffers had voted those glowing, secret runes the #1 seed in this group; but the power of the Ring is of course not easily overcome, and the #2 seed took the lead and held on to it. The margin wasn’t huge – this was the closest contest across all the brackets this round, and only a little over 50 votes came between them – but Bilbo’s disappearing act is the winner here.
Bilbo’s Ring Turns Him Invisible (2)
The Fellowship of the Ring Division
We saw the widest margin of the Elite Eight in this bracket; no amount of saying ‘Mellon’ could overcome Gandalf’s epic conquest of the Balrog. The last act of Gandalf the Grey (seeded #6) garnered twice as many votes as Durin’s magical doors (which were actually seeded higher, at #5), so the wizard goes through to the Final Four.
Gandalf Confronts the Balrog with Glamdring and the Flame of Anor (6)
The Two Towers Division
Gandalf on Gandalf action was the order of the day in this regional final! These moments are two kinds of resurrections – Mithrandir’s own, returning as Gandalf the White; and the rediscovery of his strength by Theoden, as Gandalf releases him from Saruman’s spell. The choice was pretty clear right from the start of voting, with the wizard’s return from the dead taking the lead and keeping it. Gandalf the White goes through to face an invisible Bilbo.
Gandalf the White Returns from the Dead (1)
The Return of the King Division
It looked like those Riders of Rohan might sweep all the way to ultimate victory, repeating their 2020 glory, when they were Champions in the battle amongst scenes from Peter Jackson’s Middle-earth movies. But it was not to be. By a larger margin than might have been expected, taking 1.5 times as many votes, the triumph of ‘No man’ over the Witch-king won this regional final.
The Witch-king Is Destroyed by “No Man” (1)
Eowyn slays the Witch-king, by Stephen Walsh
Staffer Madeye Gamgee had these thoughts on what we’ve seen so far – and what is to come!
Other than the FotR region, the OneRing staff ended up forecasting our final seeds fairly well, with two # 1 seeds (the Resurrection of Gandalf the White and the Death of the Witch King), and one #2 (Bilbo’s Discovery of the One Ring). The lowest seed left in the tournament comes from the FotR Region, the epic battle between the Flame of Udûn and the Flame of Anor wielded by Gandalf.
We’re left with some truly epic magic in the Final Four, and it’s really anybody’s tournament to win:
The first appearance of the One Ring, its true power still largely veiled
One of the most epic Maiar battles in the entire legendarium, as Gandalf and the Balrog face off on the Bridge of Khazad-dûm
The return from death by the super-charged Gandalf the White as he replaces Saruman as the true leader of powerful resistance against the reign of Sauron
The fulfillment of long prophecy of the fall of the Witch King of Angmar, a combination of a humble hobbit wielding a spell-lace Númenórean blade, and desperate Dernhelm revealed to deliver her final coup de grâce to destroy Sauron’s chief lieutenant
Will it be a Gandalf vs. Gandalf finale? Only if his White-robed persona can overcome the Power of the Ring, and his Balrog-battered bridge match can move past the crowd favorite, a climactic contest between Éowyn and the Lord of the Nazgûl. Could we see Gandalf the White versus Gandalf the Grey in the championship match?
Will the One Ring prove its Power at last, with the Black Speech echoing across Middle-earth? Ash nazg durbatulûk indeed!
Will we see one of Tolkien’s most beloved scenes and themes, the triumph of the weak over seemingly insurmountable strength, embodied by a Shieldmaiden of Rohan, resound in victory even as her opponent wails and fades, powerless before her?
Only the magical Tolkien fandom can tell.
Place your votes! Now that we are down to the Final Four, we’ll just have one bracket to vote. Use the embedded experience below, or click here. Then click the ‘Vote Now’ option that appears at the top left of the page. Let’s get voting!
You have until the end of the day Saturday April 6th to vote in Round Five; Sunday 7th we’ll open voting for the Championship round. And then join us for TORn Tuesday on April 9th, when we’ll reveal this year’s Grand Winner! But which moment will it be? That’s up to YOU – vote now!
We’re already half way through Middle-earth March Madness 2024: Magical Moments – and now just eight contenders remain, as we reach the final round in each division. So how did the third round play out? Let’s take a look:
The Hobbit Division
We could have seen the final in this bracket being between the Moon Runes and the setting sun, both indicating the way into the Lonely Mountain. It was not to be; though the Moon Runes did beat the conversation with Smaug, the power of the One Ring could not be undone – by a very narrow margin of just over 40 votes, Bilbo’s disappearing act defeated the revealing of the secret door on Durin’s Day. So we have the first and second seeds in this division up against each other for the ‘regional final’:
Moon Runes Appear on Thrain’s Map (1)
Bilbo’s Ring Turns Him Invisible (2)
The Fellowship of the Ring Division
Last round we saw the closest battle in this bracket; but here in the Sweet Sixteen, both contests had pretty wide margins, with around 300 votes difference between the winners and the losers. This time, the Ring turning Bilbo invisible did NOT beat an entryway associated with Durin; the door to Moria is through to the regional final. Meanwhile water and fire had a show down – Gandalf’s river horses vs his confrontation with the Balrog. It’s the battle with the ancient demon which is still in the contest:
Durin’s Doors Open at the Right Password (5)
Gandalf Confronts the Balrog with Glamdring and the Flame of Anor (6)
Password into Moria, by Ted Nasmith
The Two Towers Division
The march of the Ents has come to an end! As we expected might happen, Gandalf’s return to life defeated them, with two thirds of the vote. More wizardly skill won the other Sweet Sixteen duel in this region, with Gandalf’s healing of Theoden taking three quarters of the vote against the Ent-draught.
Gandalf the White Returns from the Dead (1)
Gandalf Heals Theoden from Saruman’s Curse (3)
The Return of the King Division
Two massive battles in this bracket: two acts of destruction (the Fall of the Witch-king vs the final destruction of the One Ring) in one duel, with far lower seeded events (Rohan arriving to battle vs the regeneration of the Shire) making up the other.
Both contests were fairly close. For a while it looked as though Sam and his work in the Shire might be victorious, but those Riders from Rohan once again swept to victory, with about 100 votes between them in the end. The Witch-king and the Ring had half that number of votes between them – and this time the power of the Ring WAS undone! Ultimately voters felt that the wraith’s defeat by ‘No Man’ was a more powerfully magical moment than Mount Doom’s melting powers. So our final match-up in this division is:
The Witch-king Is Destroyed by “No Man” (1)
Rohan Arrives on the Pelennor Fields as the Rooster Crows (14)
Eowyn slays the Witch-king, by Stephen Walsh
Staffer Madeye Gamgee shared some of his thoughts on what lies ahead:
Moving on to the Elite (or Einior — Sindarin for Elder) Eight:
Gandalf continues to be the big dog of this Magical Moments tournament, with a direct contribution to three of our final eight magical moments, plus a strong assist at the Doors of Durin
The power of the One Ring proved more feeble than some could have guessed, with only Bilbo’s original discovery of the Ring of Power in the Hobbit making it to the final eight.
Three of the four #1 seeds as ranked by the OneRing staff have made it to the final eight: Moon Runes, Gandalf the White, and the Witch King Goes Down. The staff also successfully called a number 2 and 3 seed which are still alive in the tournament (Bilbo’s Invisibility Ring and Theoden’s Healing).
The FotR region seemed to befuddle our staff, though, with all four top seeds already out of the tournament. That leaves a #5 seed (Durin’s Doors) and #6 (a Balrog Battle) to fight it out for the Final Four spot.
The “Cinderella” of the tournament, the #15 seed Rohan arriving on the Pelennor Fields, may be simply a sleeper. A perpetual fan favorite (and one of JRR Tolkien’s as well), those stirring horns of the Rohirrim as the rooster crows still resonate. But can they overcome Eowyn’s “I am no man” moment?
There’s still some mighty magic yet to come!
Place your votes! In case you need a reminder, here’s how it works: click on one of the orange division buttons below. Then click the ‘Vote Now’ option that appears above the divisional bracket. This year, as with last year, you get to vote in each divisional match-up in one convenient and visual interface. Note – you need to click each division to vote in their respective brackets. So let’s get voting!
You have until the end of the day Tuesday April 2nd to vote in Round Four; on TORn Tuesday that evening we’ll discuss the likely results and the story so far! Wednesday 3rd we’ll open voting for the Final Four. Will Rohan ride their way to victory? YOU decide – vote now!
