As well as loving Tigers, I’m also a life-long Horse-lover. I’ve been riding since I was six and…
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As well as loving Tigers, I’m also a life-long Horse-lover. I’ve been riding since I was six and members of my family have run an Arabian horse stud for as long as I can remember. So when we were contacted by ‘Gypsy Royal Stud’ I jumped at the chance to talk to them about their beautiful horses. Because they were one of the horse breeders that Peter Jackson turned to when he was looking for animal actors for The Hobbit.
This new story caught my eye because of its parallel with the original situation that got THE HOBBIT published in 1937 — all because of a child’s honesty in reviewing the book! Over at The Guardian website their Children’s Book section features all-kid reviews. Rather smart to provide children a proper voice in a marketplace directed at them. Young writer Krazy Kesh turns in a delightful review of THE HOBBIT after experiencing the thrill of the first movie in the “Hobbit” film trilogy [click here to read]. Continue reading “DEJA VU: 12 Year-old Writes Delightful Review of THE HOBBIT”
As you are aware, many Hobbit cast members have their own twitter accounts. After Evangeline Lilly participated in a live Twitter Q&A the other day, we thought it would be a great time to remind you of the official accounts. As far as we know each actor manages their twitter personally, offering a great way to keep up with them. Continue reading “Company of Tweets: Follow Your Favourite Hobbit Actors on Twitter”
Mark Lee at Overthinking It follows up his Words in Books per Second of Movie analysis of The Hobbit, The Lord of the Rings and other successful movies with some additional analysis examining IMDB ratings, plus the trend in adaptations over the decades.
In last week’s article, I started with a simple question: how do book lengths, as measures by word count, compare to their adapted movie run times, as measured by seconds? I was mostly looking for a statistical basis to express my displeasure at The Hobbit: An Unexpected Journey (and by extension, parts 2 and 3 of this unnecessary trilogy), but I wound up comparing the density of the Hobbit movies, as measured in Words in Book per Second of Movie (WIBPSOM), to other prominent movie adaptations of books: The Lord of the Rings, The Hunger Games, and the Twilight franchises.
The findings were interesting in and of themselves (TL;DR: The Hobbit Books have way smaller WIBPSOM values than the other franchises), but they begged for a larger scale analysis, both in size of dataset and scope of inquiry. To address the size of the dataset, I found all of the (English language) entries on this list of best-selling books that have theatrically-released, non-silent movie adaptations. After including multiple movie adaptations of the same movie and excluding movies where I couldn’t find any data on book length as measured by word count, I came up with a dataset of 59 movie adaptations of best selling books.
As for scope of inquiry, well, let’s get down to brass tacks: is there any relationship between the density of a book’s movie adaptation, as measured by WIBPSOM, and the quality of the movie, as measured by its IMDB rating?
In a word, the answer to this intriguing question is an emphatic “no.”
Comic-Con 2013 brought us multiple new items that are going to be released for sale over the course of the next year. One of the new items that you could purchase while at the show or order for in-stock purchase via the Weta Workshop website is the Bofur the Dwarf statue. Bofur is one of three new Dwarven statues that was displayed at Comic-Con, along with Kili (Kili Review) and Gloin ,who is due to go up for order later this year.
PACKAGING
The overall graphic layout for Bofur’s box stays the same as we’ve seen with previous entries in the line. Per the format we’ve come to know, the front of the box gives you a great shot of Bofur, graphic work for the title of the movie, and of course the Weta logo. The sides of the box for Bofur also present a familiar format with different looks at the statue. While the other side of the box presents some of the various products you can get in The Hobbit: An Unexpected Journey line of collectibles. The back of the box contains a great story on Bofur as well as information regarding details of the character and statue. The Styrofoam on the inside is typical with what we’ve become used to getting with these statues.
SCULPTING
Lindsey Crummett is back at it again with Bofur. This will be the third Dwarve she’s sculpted in this series following Baling and Kili. As we mentioned in our Kili review she is also responsible for the amazing Azog the Defiler on Warg we saw during Comic-Con 2013. As been the case so far with every item she’s worked on Bofur is another exceptional addition to our collections.
The likeness of Bofur is pretty darn good. You get the solid likeness that James Nesbitt has while wearing the entire getup to play Bofur and you also have that ornery smile that he has in multiple parts of the movie. The work on the hair is also nicely done once again giving the real life appearance as well as the work done on his very unique looking beard. Bofur’s outfit is a little closer to Bombur but you also get some nice blend of leather with the cloth. So you get some great design work on the edging of his outfit in the sleeve area and on his vest. His boots have a great fur design on them, which comes through from the actual costume. I also love the little details of this piece with the little leather pouch having great stitch work, his awesome scarf, and that cool hat which blends the wool/leather look.
Bofur also comes ready for battle as he’s about to swing that giant mace. I’m really impressed with the detail in this wepon. The wooden detail in the staff of this weapon has a great worn wood look to it and near the top it appears to be wrapped some leather. Of course the end has been recreated to match the prop from the movie in spectacular fashion. It has all the beat up metal markings sculpted into it that make it appear to have actually been used.
PAINT
Bofur continues the streak of very well painted statues from Weta Workshop. The skin tones use the proper paint mixture to not only make the statue look like a shrunken Dwarf. I also love the work done on the eyes of Bofur in that they help sell the ornery look that he has. Once, again I think after making sure that you create a mini-Dwarf is making the outfit look real. The paint department did this in spades. The outfit has a real dirty look to it that helps show off the wear and tear this outfit has scene, but you do not lose the little details in the outfit. You also get the proper color of the outfit as we saw it on screen. Bofur’s weapon also has a fantastic paint job with it helping to create a old used weapon. The wood has the proper worn look as does the metal piece at the top both working with the sculpting job.
Overall
Bofur retails for $249, which is in line with most of the statues so far in the line. I’ve loved Bofur from the start with his unique look and personality in the film. He looks great and helps create a really great looking Hobbit display. I want to add that with every release in this line Weta is just continuing to show how great they with these statues.
SPECIFICATIONS
Bofur is limited to just 1000 pieces worldwide and in-stock ready to purchase. Get your order in now before he sells out.
Dimensions:
10.6″ x 9.1″ x 5.9″ (H x W x D)
27 cm x 23 cm x 15 cm
Weight:
2.2 lbs (1.0 kg)
PHOTOS
you will see images that must be from Jackson’s personal collection of his early work including a shot with Kate Winslet on “Heavenly Creatures.”
We call it a kitchen sink interview because it contains so much depth and covers a wide array of topics, touching on many of Jackson’s most important films while keeping in focus that his work on Middle-earth movies is so far, his greatest triumph and what he is most likely to be known for.
The Q&A with writer Jeffrey Ressner ranges over the Kiwi’s whole career with fascinating bits on his earliest days:
My first movie, Bad Taste, was really made up as we went along over four years, and it didn’t even have a script. Not having actors or a script tends to be somewhat limiting. [Laughs]
Jackson adds to the lore that surrounds the making of the “Lord of the Rings,” films with an amazing story about how his shooting studio in New Zealand came to be:
We thought, ‘Well, if The Lord of the Rings happens, this is exactly the sort of place we’d need. This is absolutely incredible.’ But it was very expensive. At the time it was just Fran and I, and if we committed to it and for some reason the film didn’t happen, we’d be in big, big trouble. I mean, we were mortgaging our house just to make the down payment on the place. One day the real estate agent was showing us around; the paint factory had been closed for six months, so it was mothballed and covered in dust. The cafeteria was dull and gray, and there were a lot of old Formica tables with chairs stuck up on top of them. Just before we left, I saw a paperback book sitting on one of the cafeteria tables—it was a copy of The Lord of the Rings. I called Fran over and pointed to it, and we looked at each other and then said to the guy, ‘OK, we’ll take it.’ And that became Stone Street Studios.
He also drops this gem that almost sent me back to my Blu-ray player:
I have to say, I saw a bit of my Kong about a year ago, and I actually think the last half-hour—those scenes in New York through the end of the Empire State Building sequence—is probably the piece of filmmaking of which I’m the proudest.
There is a lot more to this interview if you follow the link above. It may be one of the best Jackson interviews in print. We at TheOneRing have a good one in our pocket we hope to share before we see Smaug again in theaters, but this DGA piece is highly recommended.
If you missed the link, try this: http://www.dga.org/Craft/DGAQ/All-Articles/1303-Summer-2013/DGA-Interview-Peter-Jackson.aspx.