We’re delighted to share an exclusive interview from fellow Tolkien fanatic Eirik Bull – a journalist from Norway. He recently sat down with our friend, Weta Workshop’s own Daniel Falconer.
In Eirik’s interview with Daniel they cover a lot of topics, looking at Daniel’s history in working in Tolkien’s amazing world, as seen in Sir Peter Jackson’s brilliant adaptations over 20 years ago. Eirik and our friends at Weta asked us to share this interview – and you can look forward to another interview coming soon, with Sir Richard Taylor. We all hope you enjoy this amazing look at Daniel Falconer’s journey in Middle-earth.
A couple of weeks ago saw those wonderful performances at Radio City Music Hall, of The Lord of the Rings: The Two Towers, with live orchestral accompaniment. Various TORn staffers and friends were there; our friend Constance G. J. Wagner shares her thoughts about the event:
The Two Towers at Radio City Music Hall
February in New York can be wind-whipped and cold — much like the gusts one experiences when standing before the doors of Meduseld in Rohan. This is all an artsy way of describing the walk TO Radio City Music Hall In New York City on February 17th to immerse myself in the “score to screen” live music performance of Howard Shore’s powerful score for The Lord of the Rings: The Two Towers. However, as cold as it was outside on the streets of Manhattan, the fellowship felt among the audience waiting for the performance to start created warmth and energy that crackled with electric anticipation. When conductor Ludwig Wicki came onstage to begin the show, the walls of Radio City vibrated with a fan-fueled roar of expectation and excitement. It would, they felt, be a night to remember.
Hearing the score played live, seeing a choir and soloists bring both intimate and epic musical moments to life in real time, is an experience not to be missed. It deepens the depiction of character and the emotional context of the saga as a whole, particularly since this is a shared experience with all of Middle-earth spread across a 60-foot screen.
The audience cheered the arrival of each hero’s first appearance on the screen, but also gave rousing applause to soloist Kaitlyn Lusk, who dazzled with lyric, numinous vocals and a glittering golden gown to match. Equally impressive was the boy soprano soloist who captured the intensity of the battle cry of the Rohirrim with soaring, impossible notes.
At night’s end, cheers and more cheers for the soloists, the Orchestra of St. Luke’s, the Brooklyn Youth Chorus, the adult choir — MasterVoices, and the conductor rolled through the audience like a great wave with a standing ovation that lasted several minutes.
The experience was immersive and impressive and amazing – particularly for those fans whose viewing of the film may have only been on small screens. For this part of Tolkien’s tale to be presented as literally larger than life with sound to rock the soul … well, it is something for the ages.
Finally, the audience left the theatre filled with anticipation for another round in another year when Return of the King comes to the screen with its own sights, and sounds … and wonder. And so to all the musicians who brought Howard Shore’s score to an audience in such brilliant fashion, one can only offer thanks and say: Elen síla lúmenn’ omentielvo — A star shines on the hour of our meeting.
The Return of the King in 2025?
The Return of the King is the one movie of the trilogy which was not part of the original performances with orchestra at Radio City Music Hall; so, we’re very much hoping we’ll see that movie presented in 2025! Of course, we’ll let you know as soon as we hear!
Weta Workshop will be hosting an exclusive screening of “The Lord of the Rings: The Return of the King” in Auckland on December 5 as part of its celebration of the 20th anniversary of the film’s release.
Co-fouders Richard Taylor and Tania Rodger will be there to offer live alternative commentary and behind-the-scenes tales. There are also a limited number of VIP tickets for a 45-minute pre-movie Q&A session with the pair. The screening will be at Level 5, 88 Federal St (opposite the Auckland SkyTower).
Apparently tickets are already selling fast despite the slightly eye-watering $NZ 109 price so if this is your thing maybe best to not delay. You can pick up yours on the Weta Worshop site.
UPDATE: some readers asked us whether the screning is of the theatrical release or the extended edition. We reached out to find out and Weta tells us that they are screning the theatrical release so that there is more time for people to enjoy festivities before the movie begins. Also there’s only a few tickets left for the VIP Q&A. Best hurry if you want one of those.
In February of this year, we saw performances at Radio City Music Hall of The Lord of the Rings: The Fellowship of the Ring, with live orchestral accompaniment. It has been announced today that February 2024 will see The Two Towers getting the same treatment – and having last time sold out their two dates, and added two more, this time they’re starting with four opportunities to attend. Tickets will go on sale tomorrow; but here at TORn we have an exclusive presale code for you, so you can claim your tickets today!
Get your tickets now
February 14 through 17, 2024, 8pm each night, fans can enjoy Peter Jackson’s The Two Towers back on the big screen, with 238 musicians playing and singing along. To claim your tickets before they go on general sale tomorrow, click here, and use the code TORTWO.
The Return of the King is the one movie of the trilogy which was not part of the original performances with orchestra at Radio City Music Hall; fingers crossed for 2025! Meanwhile, read the press release about the upcoming The Two Towers performances, below – and snap up those tickets while you can!
21st Anniversary Concert THE LORD OF THE RINGS: The Two Towers In Concert
Academy Award Winner HOWARD SHORE’S Score Performed Live to the Epic Motion Picture
SYMPHONY ORCHESTRA, CHORUS, SOLOISTS
Ludwig Wicki, Conductor
238 MUSICIANS ONSTAGE BENEATH A 60-FOOT SCREEN
Radio City Music Hall, New York FEBRUARY 14-17, 2024
NEW YORK, NY — Celebrating the 21st anniversary of The Lord of the Rings: The Two Towers, Academy award winner Howard Shore’s score will be presented live, in concert. Experience the epic motion picture and its legendary score at the historic Radio City Music Hall, beneath a 60-foot screen accompanied by 238 musicians, including symphony orchestra, chorus and soloists, this coming February 14, 15, 16 and 17, 2024.
After four nights of standing ovations at Radio City Music Hall in February 2023, and an ongoing international tour, The Lord of the Rings, In Concert, will be reuniting the Fellowship for the second installment – The Lord of the Rings: The Two Towers. The 2024 concerts will mark the return of The Two Towers, In Concert, to NYC for the first time since its sold out run in 2015. The live performances of Howard Shore’s score of The Lord of the Rings: The Two Towers, In Concert, are unmatched in the movie-going experience – the iconic and ethereal score having been voted No .1 in the Classic FM Movie Music Hall of Fame 2023.
The Two Towers, In Concert, is represented by CAMI Music, who is partnering with Bowery Presents to bring these performances to life at Radio City Music Hall.
The Two Towers, In Concert, will be conducted by Ludwig Wicki, who was the inaugural conductor of The Two Towers, In Concert, and specializes in bringing films and their scores to life. Orchestra, soloists, and chorus for the 2024 performances at Radio City Music Hall will be announced at a later date.
The epic film trilogy The Lord of the Rings – The Fellowship of the Ring (2001), The Two Towers (2002), The Return of the King (2003) – directed by Peter Jackson and based on the beloved J.R.R. Tolkien novel became an international phenomenon. Released by New Line Cinema, the trilogy is among the highest earning films of all time and won a total of 17 Academy Awards. Howard Shore was honored with Academy Awards for Original Score for The Fellowship of the Ring (2001) and The Return of the King (2003), and for Original Song for Into the West, featured in The Return of the King (2003).
Howard Shore commented on the return of The Two Towers, In Concert to New York City: “The concerts on February 14th through 17th , 2024 will bring Maestro Ludwig Wicki back to NYC’s historic Radio City Music Hall leading a symphony orchestra, chorus, and soloists. Based in the city of Lucerne, Switzerland, where we first began performing the complete score to the theatrical version of the films in 2008, Maestro Wicki is the foremost conductor of this score-to-film concert. Over the years he has worked to perfect this music and his precision, detail and supreme musicianship will be on display at Radio City. I am so very happy to have The Two Towers return to New York.”
Tickets will be on sale from 10am tomorrow – but are available to TORn’s followers NOW, with the code TORTWO. Get yours here! Find out more about these upcoming performances by looking for LOTRConcerts on Twitter/X, Instagram and Facebook. Hope to see you there!
We’ve made it to Episode 10 of this very fun podcast; and for our tenth episode, we have a super special guest. I’ve had the chance to chat with him over the years at Comic-Con, but having the amazing Sir Richard Taylor sit down for almost 90 minutes to talk about collectibles was beyond anything for Jim and me. We had a blast chatting; and in the episode, there is even a tease for a new collectible coming. We hope you have as much fun watching this episode as the two of us had filming it.
After presenting their work-in-progress on The War of the Rohirrim at Annecy last week, Kenji Kamiyama, Philippa Boyens and Joseph Chou also stopped off to give a 15-minute sit-down interview with one of the festival’s staffers.
They talk about their approach, the challenge and the reception from the Annecy audience. Thanks to Lasswen on our Discord for the find.
Join the discussion: If you’d like to weigh in with your thoughts on The War of the Rohirrim, feel free to join our Discord server or the currently active thread on our forum message boards.
Annecy interview transcript
Note: I have lightly edited the transcript to remove some of the more redundant speech without, I hope, affecting the fundamental meaning.
[0:05] Interviewer There was once an age without Annecy Animation Film Festival. There was also an age before J.R.R. Tolkien. But lucky for us, we live today. And we have both. With us today we have Mr. Chou, producer of the film, Kenji Kamiyama, Director, and Philippa Boyens producer, also… known for screenwriting a lot with Peter Jackson. So you might be the most experienced of us on the Middle-earth and…
[0:44] Philippa Boyens For Middle-earth. Not for anime. But for Middle-earth. Yes.
[0:49] Interviewer Well, you’re just behind. You’re just after, sorry, a behind-the-scenes presentation with Annecy audience. How did it go? Can you give us your impression for each of you?
[1:04] Philippa Boyens
I mean, I could feel the energy in the room. And I think it was amazing. I think the crowds here are really knowledgeable, which is great. And I respect that. And actually, the biggest cheer was when Joseph asked some of the guys who are actual animators who we’re attempting to kill with the amount of work they’ve got to get done, to stand up. And the audience went wild. And that was amazing to see. It was such a good thing to do. Yeah.
[1:38] Interviewer How did you feel the moments you two?
[1:42] Kenji Kamiyama [Answers in Japanese]
[2:04] Joseph Chou Translating for KK: It’s the second time for him being in Annecy and… but just, just a warm welcome from the audience, and it’s just wonderful for him. And he really is very appreciative of, you know, them just being being so supportive in the moment. And just to see them, you know, in their direction. It’s very good for him. Yeah.
[2:26] Interviewer And for you?
[2:27] Joseph Chou Oh, yeah. I mean, I guess. I mean, they already said it. But I think just being in Annecy, you just, it just feels so nice, because of the warm welcome. I mean, I think the community of animation is a little different from, you know, other artistic communities. But, but, you know, we come here, we do feel like we’re at home and just just being — just seeing the reaction, though, from the, you know, the fans and then in life, actually, you know, just to see their live reaction. It’s something that we don’t get to see when we’re working. So it was wonderful. And it really did give us a huge, huge encouragement, just because we’re not done with the film yet, you know.
[2:34] Interviewer It’s quite amazing because we are in an in an animation film festival, and you are coming today to present a lot of work, but which is not animated yet. So it has this interesting equation in which you present a non-animated work. And this is Annecy’s audience with its reaction that tells you what’s going to be animated or not. Is it a part…
[3:38] Philippa Boyens Of being able to feel what they’re responding to? You mean? Yeah, you definitely got that. I think I could feel the murmur when Helm walked into the room. He’s played, voiced, by Brian Cox. And I think they just they were just swept into it, you could kind of feel it, which was, which was great. So I don’t know whatever you’re doing, keep doing it.
[4:04] Joseph Chou [Translates Philippa’s words into Japanese for KK, who nods and smiles.]
[4:09] Interviewer Philippa, you’ve been following the Lord of the Rings, since its rebirth with Peter Jackson. It’s been an unexpected journey if I may say…
[4:20] Philippa Boyens I like it. Nice. Very good.
[4:22] Interviewer What’s the following part of the journey? Because it seems there was the first part and now it’s the beginning of the second…
[4:29] Philippa Boyens Yeah, this has been such a good way back into the world. I’ve don’t think any of us could have faced jumping into a huge, massive epic trilogy, which was going to take seven years. But it wasn’t — it’s not just about this being, you know, maybe a little smaller in terms of the scale, but it’s still a big film. But it’s been a joy because it’s fresh, and it’s different. And everything that anime is bringing to the story is working really, really well with Professor Tolkien’s world.
Actually, I tell you something that not many people know. And that is that when — I’m not sure I’ve told you guys this — when…
Professor Tolkien, he loved to draw; he was an artist as well. And he was very poor. And he got a scholarship to Oxford University. And that was the first time he had a little bit of money to spend. So he went to his what they called digs in Oxford, his room in Oxford. Guess what one of the first things he bought was? Some Japanese prints, some Japanese woodcuts, to put on his wall.
So I think that it’s, you know, he obviously loved that visual style. And I think weirdly, that sort of must have influenced him in some way. And it’s definitely working. It’s working beautifully.
[6:01] Interviewer And, actually, I’m not sure, as you say, that a lot of [people] know that Tolkien might have been influenced by the Japan way of…
[6:13] Philippa Boyens No! I remembered it, and I went and checked it. It’s a reference that was made in his biography [ed: by Humphrey Carpenter]. And I thought, yeah, that makes sense. It makes, it makes sense, right? And I gave Kamiyama a book of his artwork, that Professor Tolkien actually drew, as a present…
[6:40] Interviewer And it’s, it’s really interesting, because as a very young reader of Tolkien, and I remember that there was those drawings, always. It’s, it was not a novel, but it was a novel with hints of imagination.
[6:56] Philippa Boyens For The Hobbit, yes. Yes. [It was] his work. Absolutely. Yes.
[7:00] Interviewer And now that The Lord of the Rings is coming back to, to the drawings, to animation, there is a lot to explore, actually. A new Middle-earth to draw…
[7:13] Philippa Boyens There is. And, also, we need to remember that Professor Tolkien would only have conceived of any kind of film being animated, that he would have had no conception really have it any other way. And, actually, the very first Lord of the Rings films that ever existed, were both animation, you know. So it feels, it feels right. And I know that Peter Jackson and Fran Walsh were, you know, hugely supportive of this project. Because they, they knew that this was, you know, a good direction to go. And instead of retreating old paths to do something exciting like this. So yeah, it’s really, it’s been great so far. So far.
[8:00] Interviewer You are mentioning the previous animated version of The Lord of the Rings. I can think of Ralph Bakshi in 1978…
[8:10] Philippa Boyens and the Rankin Bass [film].
[8:12] Interviewer And is this a huge influence on what you are doing today with The Lord of the Rings?
[8:20] Kenji Kamiyama [Answers in Japanese]
[8:36] Joseph Chou Translating for KK: So, not particularly in terms of style, but, but really just trying to render the world in animation. I mean, [that] you’ve got to render it into drawings and the challenge of it. And so maybe that … is something that influenced him. Well, it is a huge challenge, and that there are all these things that you’ve got to learn — there is a lot to do. And it’s a huge challenge. And that’s something he took away from those titles.
[9:04] Interviewer When you give birth to new parts of a legend, how do you manage to write the new chapters? We know that there are a few books in Tolkien’s work. And one, one title is tickling me. It’s Unfinished Tales. How do you get to finish the tale actually with authority says okay, that’s the good end. Is there a Christopher working with you?
[9:36] Philippa Boyens [Christopher] was very responsible, I think, for preserving — not just the integrity of his father’s work — but also I think he was responsible for pulling together the threads of his father’s unfinished work. And he put out some beautiful… So, after Professor Tolkien’s death, Christopher was able to take all those papers, take all those writings and give us more, which was to everybody’s benefit. The world’s benefit, I think.
But, for us, I think we… you have a responsibility, obviously, to the source material. But you also have a responsibility to the film. And we have a responsibility to the studio too — they put a lot of money into this. So, you know, that’s always been a bit of a conflict there. But, you know, we’ve got to somehow make that … story work on film. First and foremost, it needs to work on film. With this story and why it works so well, I think, is because we only have about three or four paragraphs that are really, really relevant to the story. We know a bit about the characters. We know about Helm, we know that he had two sons, we know that that he was challenged by one of his nobles called Freca who suggested Wulf marry his daughter.
And here’s the interesting thing. We know there’s a daughter, but we don’t know her name. We know nothing else about her, which was actually a gift for us. Because we could then take her, take what we knew from the way Professor Tolkien wrote other female characters like Éowyn, and draw upon some history that was very relevant to the Rohirrim and create her and tell her story. So, hopefully, it’s a mix of being as faithful as we possibly can to his original works.
But there was a quote that Professor Tolkien himself said, and he wrote it in one of his letters (to, I think it was a fan) that he hoped other lines would come to this mythology he had created, wielding music and drama, and art, which is perfect. So I think he was open to that idea. Because if you’re going to keep a story alive, if you’re going to keep a mythology — because he didn’t just write stories, he wrote a vast world of imagination — then you need to, you need to let other people in. And, nothing we do can take away from the magnificence of what he’s done. All we can do is share our interpretation. It’s just like Shakespeare can be reimagined a million times.
And, you know, it doesn’t take anything away from him. So hopefully, our little morsel that we’re dropping into — he called story “a pot of soup”. So we’re checking in our morsel into the pot of of soup of story.
And we’ll see if people want to drink it!
[12:57] Interviewer Thank you very much for Thank you. Mirror of the meeting. We are really glad to have you here in Annecy and we cannot wait for you coming back with the rest of the work.
The War of the Rohirrim Annecy panel. Source: Jason DeMarco.
