DragonCon begins today – and of course TORn will be there! You’ll find staffers deej and greendragon at TORn’s ‘fan table’, in our usual location: in the Hyatt opposite the entrance to the Art Show. We’ll be there from Friday on, until the very end of the con! This year we have three new shirt designs and a new button, as well as some former designs, and other fun goodies at the table. Drop by and see us!
There are some exciting celebrity guests for Middle-earth lovers this weekend; read on for highlights of events of interest to Tolkien fans during DragonCon this year:
Friday 1st 10am The Wit and Wisdom of Samwise Gamgee
Gardener; friend; husband; potato enthusiast. We all need more Sam in our lives! Marriott room L401-403
Friday 2nd 8.30pm An Evening at Bree
As ever, TORn will be joining the High Fantasy track to host this long standing DragonCon tradition. Party like a Hobbit! Once again, our live acts will be fan favourites The Brobdingnagian Bards, Beth Patterson, and Landloch’d. We’ll also have the Elf Choir, and the costume contest – with a fabulous panel of expert cosplay judges. We’re thrilled that Charles Conley, Joshua Duart and Lacey Santos will be lending us their skill and judgement for the evening! If you’d like to enter the contest, please remember to sign up in advance of the evening, at the TORn fan table or the High Fantasy track room (Marriott room L401-403).
Find us at the inn of the Prancing Pony (aka Hilton Grand West)
Saturday 2nd 1pm The Lord of the Rings: The Return of the King Retrospective
It’s been 20 years (gasp!) since the final part of Peter Jackson’s trilogy was released. Join TORn staffers to look back and get nostalgic together! Marriott room A601-602
Saturday 2nd 4pm Rings of Power discussion
A look back at Season 1, and speculation as to what may be coming in Season 2 of Prime Video’s The Lord of the Rings show. Marriott room A601-602
Saturday 2nd 5.30pm Elijah Wood and Sean Astin in conversation
Marriott Atrium Ballroom
Saturday 2nd 10pm The Tolkien Renaissance
What makes Middle-earth such an enduring favourite with fans? With more shows, movies (and maybe even a theme park) in the works, we’ll explore why Tolkien’s works are evergreen. Marriott room L401-403
Sunday 3rd 10am Hobbits, Harfoots, and More!
Exploring the origins, characteristics, and significance of our favourite hairy-footed folks. Marriott room L401-403
Sunday 3rd 1pm Andy Serkis and Elijah Wood in conversation
Marriott Atrium Ballroom
(There are also photo sessions with Astin, Serkis, and Wood throughout the weekend. Their appearances are fully in line with SAG-AFTRA guidelines, enabling actors to attend conventions but not to promote work.)
Sunday 5pm Hobbit Drinking Songs!
Join The Brobdingnagian Bards and party like a Hobbit! Hilton Grand West
Sunday 10pm Dance Magic Dance
TORn’s own deej shows us how she got her name, as she djs this 1980s themed dance party. Put on your best 80s/fantasy cosplay and come and dance the night away!
There are many more High Fantasy Track events which are Middle-earth related, and other events across the con which will appeal to Tolkien fans. Check out DragonCon’s app for all the details. Hope to see you here for all the fun – come and say hi!
The Annecy Film Festival — which is hosting a “first look” at The War of the Rohirrim on June 13 — has updated its site listing to reveal that the length of Warner Bros. Animation’s (WBA) forthcoming feature anime will be 130 minutes.
That’s actually substantial for an animated film and will place it among the top 50 longest animated films of all time. Length is no indication of quality, but good animation is time and resource intensive. WBA’s committment to a long feature indicates confidence in the story they have to tell.
It also helps explain the long development — the project was first announced in June 2021, and will not premiere until April 2024. For comparison, the newest Makoto Shinkai anime Suzume, began production in March 2020 and only debuted in cinemas earlier this year.
WOTR’s director, Kenji Kamiyama, has also been busy directing other projects: Ultraman, Blade Runner: Black Lotus, and Ghost in the Shell: SAC 2045.
Animation techniques: 2D/3D blending
The other thing of note in Annecy’s overview of the presentation is the animation techniques listed.
Much, of course, has been made that The War of the Rohirrim is being animated in 2D — because everyone panics mightily as soon as the words “3D animation” are even whispered. But 2D/3D blending — typically for effects or backgrounds — has become a staple in even some of themost popularanime, and can look non-intrusive and seamless when executed with skill. Apparently even Hayao Miyazaki’s Mononoke Hime contained a small amount of 3D CG rendering — something I was not aware of until I began looking into just how prevalent the use of CG effects has become in modern anime productions.
Just so long as they avoid horrors such as Golden Kamuy’s notorious CGI bear.
Animiation techniques: rotoscoping
Rotoscoping is another surprise, although Staffer Justin tells me TORn Tuesday reported industry talk that that WETA was using the “Avatar mocap technology” for The War of the Rohirrim.
It seems that talk was on the mark.
When I saw that I instantly thought that it might be used for animating horses, because as people who know far more about the art of animating than me point out, “horses populate the nightmares of animators“. And I think it would be foolish to not expect a film about the Rohirrim to not feature a lot of horses.
I can already sense readers who have seen Ralph’s Bakshi’s animated The Lord of the Rings recoiling in terror. Yet it’s important to acknowledge the time- and money-pressures that Bakshi and his crew worked under: effectively filming then animating the same film twice in a two-year period with a budget of approximately $4 million. (That’s a touch over $18.5 million in 2023 dollars — much less than many modern Disney animations.)
By comparison, Kamiyama and his crew have three years for development and production, they won’t be rotoscoping everything, and they have the substantial benefit of digital animation methods. And, one guesses, they have a larger budget.
One of our Discord regulars also smartly suggested that rotoscoping could be employed for battles, and pointed out a rotoscoped fight sequence (warning: this clip is quite gory and not suitable for children) that popped up in a recent episode of the anime Vinland Saga. It’s impressively natural and I could see something like that in a story as grim as that of Helm.
Just to further illustrate that rotoscoping can look great in the right hands given sufficient resources, check this character acting scene from Attack on Titan. Or this stunning piece of sakugafrom Kaguya-sama: Love is War that gained both popular and critical acclaim back in 2019.
Anticipating Annecy: going behind-the-scenes for 75 minutes
Kamiyama will be joined at Annecy by executive producer Philippa Boyens and producer Joseph Chou for a 75-minute behind-the-scenes presentation into their adaptation of the Helm Hammerhand story that is found in the appendices of The Lord of the Rings. The session will be moderated by fellow producer Jason DeMarco.
Right now, WBA is being very quiet about what they’ll be showcasing.
However, here’s a quick bit of speculation/guesswork that you’re free to take with a grain of salt.
I think the length of the presentation means those attending (not yours truly, sadly) will be treated to a slab of finished animation. I couldn’t see them filling a 75-minute session with just more concept art and character designs.
That animation might be a teaser, or it could be several small segments that the presenters then discuss. I recall that Peter Jackson did this for The Desolation of Smaug and, mostly due to the choice of clips focusing on Martin Freeman’s Bilbo, it was really quite effective at raising anticipation.
I’d expect dialogue and perhaps even music. Stephen Gallagher was revealed as the composer for the score back in February and must have been appointed to the role much earlier.
If it was me, I would choose scenes from places familiar to viewers of Peter Jackson’s films — both fans and casuals — to encourage the mental connection. That suggests Edoras or Helm’s Deep. But the latter might be a bit too far along in the story and reveal too much of the story, so I lean to Edoras. You could show some dramatic scenes with all the key cast — Helm, Wulf, Freca, Héra — that are root to establishing the conflict. The initial concept art that WBA put out showed Edoras being attacked so Kamiyama might tease some of that as well to show how much progress they’ve made.
Since we’re familiar with the location, it’s also possible that we could see Isengard (although, canonically, Freca’s seat of power seems to be another location at the surce of the River Adorn). This could also help set up that there are two sides to the conflict — something that Boyens emphasised was integral to the story they were telling when we spoke this time last year.
This is in addition to more concept art, and, I expect, our first look at some character designs.
Regardless, we’ll very soon know more. It’s been a long wait to get something tangible but it’s nearly over!
About the author: Staffer Demosthenes has been involved with TheOneRing.net since 2001, serving first as an Associate News Editor, then as Chief News Editor during the making of the Hobbit films. Now he focuses on features and analysis.The opinions in this article are his own and do not necessarily represent those of TheOneRing.net and other staff.
Moviescore, a site dedicated to tracking film music, reports that New Zealand composer and award-winning music editor Stephen Gallagher has been tapped to score the music for Kenji Kamiyama’s The Lord of the Rings: The War of the Rohirrim.
Gallagher is probably best-known to Tolkien fans for his work on The Hobbit where, as well as working as music editor on all three films, he composed the songs ‘Blunt the Knives’ and ‘The Torture Song’ for An Unexpected Journey.
Perusing IMDB reveals that Gallagher has previously composed music for a range of documentaries and short films, but arguably this is his most prominent compositional role to date.
He also has a decades-long career as music editor spanning big productions like Avatar: The Way of Water, District 9 and Wolf Warrior 2 to niche films such as Amy Berg’s West Of Memphis and Peter Jackson’s The Lovely Bones. Last year, he won an Emmy Award for his sound work on Peter Jackson’s The Beatles: Get Back.
IMDB states that he’s currently based at Park Road Post Production in Wellington — a facility that’s owned by Peter Jackson’s WingNut Films.
The War of the Rohirrim is slated to release on April 12, 2024. Director Kenji Kamiyama is also currently co-directing on the final season of Ultraman with Shinji Aramaki which will debut on Netflix sometime in 2023.
SPECULATION
A speculatory post-script.
I was idly chatting with TORn staffer Justin about the leak/confirm and he wondered if the selection of Gallagher could indicate a return to the style of music that was the hallmark of the Rankin Bass animated features. After all, Blunt the Knives in An Unexpected Journey is very much a homage to the sing-along style of the animated Hobbit of 1977.
Personally, I’m inclined to say no.
I feel that both Blunt the Knives and The Torture Song (as sung by Barry Humphries) owe more to a combination of the children’s tale-nature of Tolkien’s novel and the comedic sensibilities of Peter Jackson (Meet the Feebles, anyone?).
On the other hand, the tale of Helm Hammerhand is far grimmer. It’s also a little tempting to add that Kamiyama animes typically play the material straight, but then the quirky Tachikomas (AI spider tanks/mechs) of the Ghost in the Shell: Standalone Complex animated series are a spectacular outlier. Kamiyama leverages them in multiple ways: surreal comics, action heroes, philosophers, and ultimately as beings capable of self-sacrifice. The “cute” Tachikoma moments don’t devalue the serious ones. In fact, they make them more rounded characters (I dare say, more human — a crucial point to the story Ghost in the Shell explores).
So, if Kamiyama could see a way that a quirky, lyrically focused tune would serve the needs of the Helm story, he absolutely has the chops to pull it off.
Neverthless, I think it’s probably better to calibrate musical expectations more in line with the thoroughly grounded nature of Kamiyama’s acclaimed adapatation of the fantasy story Serei no Moribito. If nothing else, it’s still difficult to get folks to take anime as a serious artform that’s not “just for kids” without hobbling your production with a bunch of cutesy tunes. I’m surer Warner Bros. will be keenly aware of that.
All that being said, we know that Miranda Otto has a very fine singing voice. If, as Éowyn, she’s relating this tale to someone (like her grandchild Barahir) there’s certainly an opportunity for her to sing in the intro, or some lament as the outro at the end. I like that idea.
We’re heading to Los Angeles ComicCon, and so should you! Join TheOneRing.net for our panel “Dispatches from Middle-earth: The Return to Middle-earth” on December 3rd, 2022 from 5:00-6:30pm in Room 303AB.
Join TheOneRing.net, the largest online Tolkien community, as we celebrate the anniversary of Peter Jackson’s The Two Towers and discuss the ever expanding list of new Lord of the Rings projects including TV, film, and games. We have updated details about the War of the Rohirrim animated movie to share with you. We’ll also take a deep-dive into breaking down season one of The Rings of Powerand discuss what might be expected in the second season. Follow us on Discord Discord.gg/theonering or Twitter @theoneringnet for updates.
There’s always a surprise or two when we gather in Middle-earth, and now Númenor, too! Costumes are always welcome. We hope to see you there! December 3rd, 2022 from 5:00-6:30pm in Room 303AB. Elen síla lúmenn’ omentielvo.*
As the co-owner of this website, having been here from the very beginning, I’ve seen my share of online Tolkien community related collective anxiety. Our massive community is not dissimilar to that of Star Wars – we have our whacko fringe segment and we have the numbers to attract a matrix style army of Russian bots.
Weeding through all … of … that … noise (if that sounds exhaustive, that’s intentional) is so hard to accomplish in 2022. Apparently with age, comes wisdom, and apparently with wisdom comes the ability to dissect myself from most of the drama in the lead up to ‘The Rings of Power.’
Sure, did I occasionally get caught up in the tasty morsels of ‘Tolkien with nudity’ or the ‘Gam(of Thrones)ification’ of Tolkien? I admit – it caught me every few months. But all in all, through most of this journey to September 2nd, I found myself more concerned about aggressively protecting the ‘good’ in our community. Protecting those of us who don’t tell you how to enjoy your Tolkien. Aggressively pursuing the bad actors, trolls and goblins of the online space. Yup, I’m looking squarely at you Twitter. Your cesspool of existence had me pretty close to closing down our official account a few times!
Calisuri & Xoanan get One Rings
Just a Casual Fan…
All that said, I decided to write my thoughts on ‘The Rings of Power’ today because I feel I may represent a segment of our community that simply is Tolkien adjacent these days. Sure, we were avid fans and very active 20 years ago, but work, families, and simply time have calmed that passion down…just a tad.
I should also mention, for the umpteenth time, that I am a ‘Hobbit’ and ‘Lord of the Rings’ reader. I tried to read the Silmarillion ages ago…not again. Nope, I didn’t read the Histories of Middle-earth or the new books that mystically appear every few years. I’m just a fan of Tolkien’s most popular works – judge me if you will.
With the multiple premiere’s happening around the globe, TORn staff were attending and reporting through the generosity of Amazon. Last week, I had actually scored a pass to the NYC Premiere, but after an enjoyable vacation I came back with a cold worthy of Sauron’s envy. I had even bought a sweet outfit for the occasion, but alas, it was not to be. (Nope, it wasn’t COVID, oddly enough.)
So like everyone else, I waited patiently until the show premiered last night on my Amazon Prime account. I should also note, that I’m such a casual fan these days, that I ended up watching the first half of the Penn State vs. Purdue American football game (PS – Penn State is where this website found its genesis), before deciding to check to see if ‘The Rings of Power’ was out a bit early. And yay…it was!
So it begins. Lights off, Apple AirPods Pro Max activated, and let’s do this!
My first thought… my first reaction… Welp… this is exactly what I wanted to see. They got me. I’m in.
I’m going to share a minor-spoiler stream of thoughts. I’m doing this for those of you who are like me – casual, Tolkien adjacent fans. Folks who may not be the most educated Tolkien scholars of the bunch – nor – *gasp* – really want to be. Folks who don’t want to participate in the drama of the community and just want to watch a good show and celebrate with the community.
So my quick review: this show nails it.
I wanted – no, needed – a thread – a connection to the films I so loved 20 years ago. ‘The Rings of Power’ delivers big time.
Just a few clear reasons why…
We get Galadriel, one of the best characters in all of Tolkien’s works, as the lead, the main focus of the series. I’m pretty sure I had not seen Morfydd Clark in any other show/movie before this show, and she is simply a gem. The strength she exudes with just a stare is mesmerizing, and her acting prowess is top notch. This series is in great hands with her in the lead role. The decision to focus on Galadriel from the very start is genius. I truly want to know her story, and I can’t wait to learn more.
We get breathtaking action and visuals. How cool is it to see battle sequences of Middle-earth in such gigantic scale. Did I really just watch a Fell Beast take out a giant eagle?!
We get amazing music from the talents of Bear McCreary. Throughout both episodes, it is clear Bear understands the musical ethos that is required for this world. So amazing. (Yes – already listening on loop while working!)
We get a taste of the innocence and simplicity of Hobbits with the whole Eleanor Brandyfoot plot. Markella Kavenagh is wonderfully cast in this role as a bright eyed mischievous Hobbit…err…Harfoot. In fact, when I look at her, I think of those quick takeaway shots of those cute Hobbits watching fireworks. (Pretty sure those were PJs kids?) And I’m pretty sure, by the end of this series, we are going to get the clear implication that Bilbo and Frodo are descendants of Eleanor. (Oh wait, my lack of Tolkien knowledge might be coming through…is that already spelled out in a genealogical chart somewhere?)
We get an Elf military that is stationed throughout areas of Middle-earth to protect her ungrateful residents? Noice! Wait – a Legolas 2.0 with Ismael Cruz Córdova’sArondir? YES. If you aren’t excited to see him kick some major arse in this series, check your pulse. BTW – he’s okay right? I mean…we did get a bit of a cliffhanger with him in Episode 2. (Obviously we do)
We get to see a whole thriving Dwarven culture. Am I really under the mountain and watching the genesis of semi-familiar names and their eventual (spoiler!) downfall? After all, I did see that Balrog in the trailer…you all are going to delve too deep…aren’t you…?
We get some REALLY impressively designed baddies. That orc/goblin that shows up in Bronwyn and Theo’s house…nightmare fuel. The ‘worm’ of the ocean – can I can get a fine art print of that in someway? That brief look right before taking out the raft…yikes!
Who the heck is this Meteor Man? How cool would that be if that’s Gandalf? Probably won’t be – but I’m game for having no clue, and finding out as the show unfolds. I do get a baddie vibe, but obviously they are trying to lead the viewer in that direction.
Hold up. I was worried this show might not be something I could watch with the family. Sure, the baddies are a bit scary, but as of right now, this is a family (10+) show. Well done, Amazon!
Two episodes in, and there is so much to love about this series.
You know you got it right when…
The biggest compliments I can give this series are twofold:
I did not look at my phone the entire time. This is pretty impressive, considering the Penn State game was very close at halftime and I had relatives and friends dinging my phone and watch. The ‘tap’ of the watch was going mad at some points during the show, but I was so engaged in the show, I didn’t bother. And also…I ALWAYS look at my phone during shows.
I usually will make myself some popcorn during shows. I’ll get up, walk away from the TV with my headphones on and watch from the kitchen. Nope – not in this case. Popcorn was only made when the first episode ended.
In summary, I’m fully in. Well done to the entire team involved in this production. Sure, it was insanely expensive, but for this Tolkien adjacent fan, you’re nailing it.
If you are a casual fan of Tolkien and Peter Jackson’s The Lord of the Rings, you are going to absolutely love ‘Rings of Power.’
DragonCon is upon us! For the first time since 2019, the full Dragon (almost – numbers are slightly limited again this year) is being awakened. And TORn staffers are there to share the fun.
You can find staffers deej and greendragon at TORn’s ‘fan table’ (which we believe will be in our usual spot, in the Hyatt opposite the entrance to the Art Show) throughout the con. We’ll have new button and shirt designs on sale, and all kinds of fun things for fans to look at. You can also sign up at the table for the Evening at Bree costume contest! (Sign up is also available in the High Fantasy Track Room, Marriott L401-403).
Events of interest to Tolkien fans during DragonCon are as follows:
Thursday 1st 7pm TORn’s Rings of Power preview
A last chance to speculate what’s coming in Prime Video’s highly anticipated show, before it becomes available to watch at 9pm ET. Spoiler-free speculation! Marriott room A601-602
Friday 2nd 5.30pm Behind the Scenes of The Rings of Power
TORn staffer greendragon hosts a panel with very special guests artist John Howe and dialect coach Leith McPherson, talking about their work on The Lord of the Rings: The Rings of Power – and beyond. Hilton Grand West
Friday 2nd 8.30pm An Evening at Bree
TORn is delighted to join the High Fantasy track again to host a long standing DragonCon tradition. Party like a Hobbit! We have three live bands this year, to get toes (hairy and otherwise) tapping – The Brobdingnagian Bards, Beth Patterson, and Landloch’d. We’ll also have the Elf Choir, and of course the costume contest. If you’d like to enter, please sign up in advance of the evening, at the TORn fan table or the High Fantasy track room. Our panel of judges this year will be cosplayer Joshua Duart, together with very special guests John Howe and Leith McPherson.
Saturday 3rd 1pm War of the Rohirrim
Find out more about this exciting anime film, telling the tale of Helm Hammerhand – coming April 2024. Marriott room L401-403
Monday 5th 10am Rings of Power After Hour
Discuss and reflect on the first two episodes, and what may or may not be to come this season and beyond!
Let the games begin! Please come and say hi if you’re in Atlanta; see you in the belly of the beast!
