[Note: The conversation has been edited down from the original due to space.]
Justin: Are the articles speculation on your part, or are you hinting at stuff you’ve actually seen? Joanna: In the cover story … and the article that I put up, the “questions answered” one … hardly any is speculation, um, if I’m saying something I’m saying something … when I put down here’s what I asked … then I printed word-for-word the answer I got.
Justin: Was there any discussion with the showrunners of, you know, a certain level of faithfulness? Joanna: … they’re not deviating from that core lore …
Justin: Is the sword that we see Narsil? Joanna: I’m gonna go and be safe and say pretty sure.
Justin: Can you provide any reaction to Lenny Henry as a Harfoot? Joanna: That is something that I would love to see.
Justin: Was the first teaser photo from last summer of the two trees in Tirion, was that intentional misdirection? Joanna: No
Justin: There’s so much comment about hair … let me start with Galadriel’s hair … Joanna: … fandoms are not a monolith, and what one person wants in the fandom is not what another person wants with the fandom … I tend to be very CG resistant in general … when we got to the Harfoots in the episodes I saw … that felt so Willow to me, and that is the highest compliment I can give anything … Do people really want a glow filter on Galadriel all the time? … The hair that you see in the photos and footage that you’ve seen is accurate to what I’ve seen … [but] I have not seen all the finished digital effects …
Joanna: I think the casting of Morfydd Clark is incredible because she’s not super well-known, though if you haven’t seen Saint Maude I really recommend you go see it because she is astonishing in that, and if you want to like get a preview of how, uh, you know a Galadriel that might go toe-to-toe with Cate Blanchett going like photo negative in The Fellowship of the Ring, like, that’s the performance that she gives in that film … she’s such a perfect casting for this because people … aren’t coming in with preconceived notions of her … so she can just become Galadriel.
Justin: What are those people with the antlers? Joanna: Here is what I can say about that, don’t worry too much about it. Justin: Are they an integral part of the story? Joanna: Don’t worry too much about it. They’re a very cool visual. It’s a very cool, practical effect visual.
Joanna: Does hair play an important part in the narrative? Joanna: Like Elf hair? As far as I know, no … I didn’t ask this question specifically … but as far as the story that I’ve seen so far, it does not seem to be related to the plot … I’m guessing … it’s an aesthetic decision.
Cliff: [There’s] all this Galadriel focus … but where’s Celeborn? Joanna: I haven’t seen him. Cliff: They’re saving him for a later season perhaps? Joanna: That would be my guess.
Justin: Is there a vibe of a CW show? Joanna: No. No. No. … that’s the concern that surprised me the most … attached to Bronwyn and Arondir, that people were like, oh, are they giving a CW … this idea of sort of star-crossed lovers is a recurring theme in Tolkien’s work … the rarity of those pairings … is what makes them so special … I can understand why, you know, a slightly forbidden romance would be part of it because that’s a theme that Tolkien was interested in. But it doesn’t smack of CW to me at all.
TORN: Is it possible this only gets one season? Joanna: Zero percent … they payed so much money for this, are you kidding me?
Joanna: There was the Covid, and the question was did they reconfigure the whole show when they shot the back end of the first season, what did they do during that Covid time? … did their understanding of what they want to do with the show fundamentally change? I can only give you the answer that JD and Patrick gave me … They said nothing fundamentally changed, in they plotted out their first season, and nothing … changed in the Covid pause … They took time during the Covid pause to map out Season Two … there wasn’t any massive structural changes. The other misapprehension that I’ve seen floating around is this idea that the first two episodes are sort of one thing, and then the rest of the season is something else. That’s not the case at all. It’s one flowing story. TORN: It’s not a two hour prologue? Joanna: It’s not … Cliff: Even in the new article it says there aren’t many time jumps aside from the first two episodes. Joanna: Am I saying there is no, uh, First Age stuff in this at all? No, Amazon has already told you that there is. But it’s not a massive prologue. No.
Justin: Jeff Bezos said early on ‘bring me the next Game of Thrones‘, and then they got Bryan Cogman the lore expert on Game of Thrones … Joanna: Bryan also happens to be a really good friend of mine … I’m a huge fan of his … I can see his fingerprints on it [The Rings of Power], but he was very clear he was only there in a consulting position right at the beginning. Cliff: … it led to worry … about the probability of nudity or sexualized elements to the story… Joanna: I don’t think Cogman or anyone in that writers’ room, and there’s so many smart, talented writers in that writers’ room, I don’t think any of them wanted to do like orgies in Middle-earth, ever, or anything like that.
Justin: A lot of people say it doesn’t look like there was a plan…did you get a sense that there is a five season plan? Joanna: I can’t say that for certain, but when they offered up their roadmap … 4-5 big stories they’re interested in telling, involving like Númenor and Sauron and the forging of the rings, and … I think the end after that, right, the Last Alliance of Elves and Men. I think they have the major beats of the whole story laid out.
Cliff: The novelty [of seeing the seven clans of dwarves and their lords] is the most powerful draw for me personally. Joanna: They [the showrunners] are interested in showing us a wide array of cultures of Middle-earth in a wide array of locations … I gasped when I saw Khazad-Dûm, like when I saw the first shot … sort of descending into Khazad-Dûm … I was dazzled by it, and they built that, I know they built that, […] they told me they did.
Joanna: I found a question I feel really comfortable answering … did I have a favorite performance so far? I think Markella Kavenagh who plays Nori Brandyfoot the Harfoot, she’s my standout by far. I just loved everything that she did … and I think stories about Elves and Men and Dwarves are … fun and interesting, but for me, it doesn’t really feel like it’s Tolkien without a Hobbit or Harfoot there, and I feel like once she showed up I was like I’m locked in, I get it. Cliff: But we have to acknowledge it is a bit of a lore squeeze. Joanna: Yup Justin: That’s the fear that a lot of fans have, that there’s so much good stuff in the Second Age, they don’t want this show to be told from the Harfoots’ perspective. Joanna: I don’t think its accurate to say it’s told from the Harfoots’ perspective – the Harfoots that we see are nomadic, and they have a rule they don’t engage with the bigger folk … You’re not going to see a Harfoot forging the rings or fighting a Balrog or anything like that as far as I know … they are not bending the text that far. Justin: Is the show being told from a certain perspective? Joanna: Amazon is very careful over and over again to call this an ensemble cast, and I don’t think it’s inaccurate … Amazon wants everyone to be in on the show, they want the deep dive lore loving […] people excited, and there’s so many little details in there that I think are gonna make people who are engaging on that level excited, but they want those people [fans of the Jackson films] excited, too … I wouldn’t say this is Galadriel’s show, or this is the Harfoots’ show, or Elrond’s show, or this is the Númenor show.
Justin: Can you help fans reconcile the idea that they’re creating new characters? Joanna: If you were just reading the Appendices of what happened in the the LotR trilogy … a character like Rosie Cotton … a character like that is not a big part of the history that you boiled down for the Appendices … but if you’re putting together the whole world, um, you want your Rosie Cotton since she’s important to matters … The Nazgûl, the nine kings, we know so little about them, right? So doesn’t the Amazon show have a really rich opportunity to introduce us to all of those men, and so that when they fall, it is a tragic story? … so when we lose them we will feel the loss of them. That’s pure speculation, but that’s I think a justifiable reason to add nine characters we may or may not have names for … The way they want to present Isildur … let’s spend time with Isildur … so that when it all shakes out the way it does, we really feel that. I find that kind of story-telling really interesting.
Justin: I hear the loin cloth we see on meteor man was a CG. Joanna: Honestly classic … If you’ve got a young actress and an adult man … [the intimacy coordinator might have been for Nori so she would feel comfortable.]
Joanna: Is your question, do I know who Sauron is after three episodes? Justin: Yeah, let’s go there. [Joanna pulls a red card that indicates she can’t answer in front of her face.] Justin: Well there you go.
Justin: Any hints that WETA workshop is involved? [Joanna pulls the red card in front of her face.]
Joanna: I’ll be really curious to see if we’ll be able to tell a demonstrable difference between the seasons shot in England and those shot in New Zealand … JD and Patrick said ‘Our characters are on the move, so you’ll understand it will make sense that maybe we won’t have access to the same vistas’ – I’m paraphrasing.
Justin: There’s a fear that if they share crews because they’re in the UK, it will look like other shows. Joanna: They are building a home studio in the UK … it will make production easier … In terms of will this show look like the Witcher or Wheel of Time … These are portraits [the posters and photos in Vanity Fair], they’re not the moving images that you’re going to see … When I saw the Wheel of Time screeners that we got which were finished … I spent a long time thinking about why that film, that show, didn’t look as good as I thought it should … there was something slightly off, I thought … it looked ‘costume-e-y’ … I did not feel that way watching [Amazon’s] The Lord of the Rings footage.
Justin: Are there any photos that almost made the cut? Joanna: There were many, many, many, many, many … conversations about … which photos were going to be in this piece and which weren’t … we had a beautiful portrait of Benjamin Walker as Gil-galad … I love all the photos … I would have put like all the photos we got [in the article] … I want to give you every single name of every single actor playing every single character … Amazon is like, hey, it’s February, we want to keep doling these cookies out … and let other outlets have some fun in sharing.
Justin: Cliff, what is your one ask? What do you wish you would have seen? Cliff: I want to see Celebrimbor with a hammer and tongs working over some molten ring-making chaos. I want to see the Elven smiths behind him watching, learning while he’s doing this ring-craft, and then, into the frame, reaches one long, slender hand with the golden robe and guiding Celebrimbor’s hand to a different position with the tongs … I want to see Annatar teaching Celebrimbor this most specific thing.
Justin: Can you give us one no context spoiler? Joanna: Oh that’s really fun! Hmmm … I’m sorry; if I come up with something, I’ll tweet it to you…
Cliff: We’re on the threshold … I’m going to quote Dune … “A beginning is a very delicate time…”
While TORn staff and guests have been busily analysing the new Rings of Power teaser trailer on Youtube, the first print roundups have emerged online.
First, Vanity Fair has a great dissection that leverages their insider knowledge to provide some keen — and provocative insights on the contents.
The opening shot shows a ship passing through an ornate gateway into a bustling port city. It’s a thriving metropolis, the westernmost civilization of mortals in the Sundering Seas, situated on the star-shaped island of Númenor.
All this time we’ve been listening to the trailer’s only dialogue, a female voice saying “Have you ever wondered … what else is out there? There’s wonders in this world beyond our wandering. I can feel it.” As she finishes speaking, we cut to a shot of actress Megan Richards, which is editing language for: This is the character who said that thing. So, either she really does say that thing in the series, or the editors of this teaser want us to think she said that thing.
Based on our ongoing analysis, right now it seems likely that the Polygon contains some incorrect guesses. Stay tuned, we’ll have something in print soon!
…that is perhaps the greatest success of this teaser trailer. It feels like The Lord of the Rings. While we learned of The Lord of the Rings: The Rings of Power trailer well ahead of the Super Bowl, we had no way of knowing that it would be able to transport us back to a story many of us grew up with. Back are the sweeping forests, the grand palaces of the Elves, and the grand caves and caverns of the Dwarves. Like the Lord of the Rings trilogy before it, it seems that Rings of Power may once again succeed at balancing the serenity and dangers of Middle-earth.
The teaser is only a minute long but it manages to pack in a ton of information and glimpses at some never before seen moments in LoTR canon. Most noticeably, we get our very first look at the realm of Númenor, and at a much younger Galadriel and Elrond who movie fans will recognize from Peter Jackson’s trilogy. In addition to familiar faces, several new characters made exclusively for the show are also featured.
Here’s how Prime Video describe the teaser themselves:
The 60-second commercial spot offered Super Bowl viewers their first-ever audio-visual glimpses of J.R.R. Tolkien’s fabled Second Age, unveiling a brand-new legend from Amazon Studios and showrunners J.D. Payne & Patrick McKay set to begin on September 2. Featuring a selection of characters from the ensemble cast—such as Elves, Dwarves, and Orcs—and Arda-spanning environments, the teaser trailer takes viewers on an action-packed journey filled with wonder and excitement in true cinematic splendor.
You’ve undoubtedly read Vanity Fair article “Amazon’s Lord of the Rings Series Rises: Inside The Rings of Power” by Anthony Breznican and Joanna Robinson.
If you haven’t, go here now and ogle the series of stunning production photos and get some hints as to what’s in store for us. And then, once you have, hurry back and read on because a selection of our staffers have given their candid impressions on the Vanity Fair revelations.
Quick note: Your first article on Vanity Fair is free to read so you can digest everything in full — there’s no catch. But if you like what you read, and want to support good journalism, a yearly sub is only $15.
Great literature stands on its own merits. But there is so much from Tolkien that is not known by the wider audience, many of whom think Middle-earth is just a story about brave little Hobbits who save the world at the end of the Third Age. The bulk of Tolkien’s lesser-known output concerns the First age, with only cursory information ever written for most of the Second.
Amazon purchased rights to create stories in this little-explored Second Age. By necessity, they need to create storylines and characters from whole cloth. I look forward to seeing these new tales play out. My only personal criteria in judging them are these three:
First, will the series get more people to read the pre-Third Age tales by Tolkien? Second, will it increase the desire of the general public to see adaptations of tales from the First Age? Third, will I smile when I watch it, and want more?
Only the completed first season, indeed, only the completed series will answer these questions. Not photos. Not trailers. I wait, with the same nervous but excited anticipation that I had for the early 2000s Rings trilogy.
The collected fragments of JRRT’s imagination pre-LOTR are scattered and changeable to begin with. To me, this means that any work based on these notes can deviate. Despite Christopher’s attempts to document, footnote, and caveat every single scrap of his father’s writing, the one thing Christopher underlines is that it’s clear that not even Tolkien had one solid timeline in mind for his characters. There is no one, true canon, here.
I am willing therefore to hold off on judgement before viewing the Amazon interpretation of his characters and world. The Vanity Fair article and other evidence indicates that we’ll see a compressed Second age story — from Galadriel adrift in the Sundering Sea after Morgoth’s capture ends the First Age (sure, why not?), all the way through 3441 years to the day Isildur cuts the ring from Sauron’s finger.
Galadriel’s timeline in the Second Age differs depending upon whether you take into account the pre-1960s appendices or the post-1960s one, and her timeline obviously differs in various versions of the notes collected by Christopher.
My initial reaction was to wonder where Celeborn and young Celebrían (born in SA 300) are, because they should be by Galadriel’s side at various points in the Second Age. But given the fact that Galadriel’s journey around Middle-earth looks like a confused yarn tangle as she moves from Lindon to Eregion to Imladris to Dol Amroth to Imladris again… OK sure she probably has some time to float around in the Sundering Sea alone to wreak vengeance upon Morgoth’s minions.
Why not? She really isn’t with Celeborn for some of the time in the Second Age, so I will stop being fussed by it.
I am very excited to see how Amazon will handle the Aulendil plot, where handsome “pupil of Aule” Sauron meets Galadriel and attempts to win her trust before he wiggles into Celebrimbor’s good graces and creates the Rings…
And finally, Elves are imaginary, my friends.
The article confirms that Amazon does not have any rights to the Silmarillion, Unfinished Tales, Histories of Middle-earth, or any other works outside of the Lord of the Rings and its appendices and the Hobbit. So they are crafting a coherent story from what essentially is a bunch of outlines, brief references, etc. The only way to do that is to create non-canon characters to interact with canon characters in order to move the story forward. The Tolkien Estate has said that Historic events that are known can’t be changed, but the showrunners will be able to decide for themselves how much or how little time they spend on some events over others.
I’m not as concerned about the time compression, because I don’t believe they are compressing the whole of the Second Age. After all, the story is called The Rings of Power, so the story should just be focusing on Sauron, in disguise, shopping the notion of collaborating to make magical rings, being denied here and accepted there, the creation of those rings and possibly the distribution of them, ending with the creation of the One Ring. This event does not encompass the entirety of the Second Age, so less compression than you think, and most likely fewer grand Second Age stories even being told, unless a character actually chooses to talk about something we don’t really see.
I still can’t figure out that first still image we saw a few months back, except that it is probably in a flashback, and that the image is from Galadriel’s point of view, looking at her brother, the city and the Two Trees. Heck, if she’s been shipwrecked and in the water, what better way to get some prologue style flashbacks into the existing story.
I love the diversity in the casting and I’m especially looking forward to seeing more of the Dwarven princess. I was never expecting a beard because my head-canon from 30+ years of reading before the movies never pictured a female dwarf with a beard. It’s fascinating to see this is a deal-breaker for so many. Same for short hair on elves.
I remember all the uproar when the Lord of the Rings movies first came out, that they were not “faithful” to the books. Interesting to see this repeated by movie-firsters, who now deplore that the Rings of Power isn’t “faithful” to the original movies.
I was interested to read that the show plans to compress the hundreds of years of the Second Age. I’m OK with that because there is not enough of Tolkien’s content to pull together a coherent story. I appreciate the point made in the article that the multiple cast changes would be confusing.
I see a similar attention to detail in the pictures released so far that made the original movies so believable. Of course, the costumes, swords, jewelry, etc that we’ve seen so far are different; I still very much like what I have seen so far.
Overall, I’m very intrigued and look forward to more reveals.
I’m really interested to see how the new characters develop. I’m also quite happy to see the greater diversity amongst the various peoples of Middle-earth. This is because, right from the very first time I read The Lord of the Rings, over 40 years ago, I always assumed that’s what the peoples of Middle-earth were like, with just as much diversity as our world has.
I can’t help wondering about the time compression. I can understand the difficulty of trying to show over 3000 years of Middle-earth history, and facing having so many characters dying from old age, but it’s intriguing to figure out how this compression of time is going to work without it becoming a bit messy.
Curious as to where Celeborn is, whilst Galadriel is off hunting orcs. Maybe he became a stay-at-home dad to Celebrían.
I really don’t have a problem with short hair on elves. Tolkien never actually specifies that all of the Eldar have long hair. Someone on Facebook was claiming that Glorfindel’s hair streaming behind him, as he rode his horse, was proof that all elves have really long hair. Well, when I went riding in my teens mine used to do that too, and my hair was only shoulder length at the time.
I can’t wait to see Khazad-dûm in all its glory.
I do still have some reservations about the show, but I’m willing to wait until I’ve actually watched it before I make any judgements. The same as I did with the Peter Jackson movies.
I’ll start with the diversity we saw in the images. I personally loved what I saw. Based on what I’ve read of Tolkien over the years these characters could easily fit into the books. So for me I think that Amazon is doing solid with this. If folks want to get mad then get mad that they made Elrond a blonde. Otherwise getting your knickers in a twist over invented characters and not already established ones seems like a giant waste of energy.
I also love the detailing we see in these photos. If looks like it’s going to be a world that’s actually lived in. The armor looks fantastic as well as the weapons. I’m hoping this means that our friends at Weta Workshop are doing the work. That means these seasons should have some quality items on screen in this regard. This is also good for cos-players as they’ll have some quality items they can work to create.
One of the big things I think is the time compression. I’ve already seen some folks complaining about this. Why? In order to hit the marks for this you were going to have to have this happen. Otherwise this show would have to last well beyond my lifetime. So as long as proper care is taken this should workout and give us something folks can enjoy.
I’m a movie-firster. So based on some of what we’re seeing changes to Elrond and some looks to weapons some haven’t seen yet. This doesn’t appear to be set in the same sandbox as the Peter Jackson films. For me that is a massive disappointment. Why? I find those films to be about as perfect as you can find. They translated the text rather beautifully I find (after having read the books multiple times now). If Amazon didn’t take a page out of the Disney/Marvel playbook and connect everything a-la the MCU, they’ve missed a big chance. PJ already showed you how you could turn out a kick-ass product that is respectful of Tolkien and makes folks happy. Will this show still be good? Maybe. Will I still enjoy it? Maybe. That still doesn’t mean I won’t be disappointed and feel like this was a massive missed opportunity.
Staffer Nancy “Mithril” Steinman
One thing I realize about The Rings of Power is that the show has only the barest of outlines to work with. The Lord of the Rings “Appendix B: The Second Age” is only twelve-and-a-half pages long. These pages hit highlight points only, leaping across huge gaps in time. The sole note about Galadriel is half a sentence long, yet the Second Age lasts 3,441 years, and she is in Middle-earth that entire time. With this information and a few poems, the showrunners have to create “50 hours of television” per J.D. Payne.
Even if The Silmarillion were available to Amazon, only two chapters are relevant to the Second Age. Mentions of named characters contain little insight into their daily lives or emotions. How can new material not be invented to fill in the gaps? How many viewers would continue to tune in for multiple seasons of a show that has no depth or breadth?
The posters and released photos reveal nuanced characters and costumes with wonderful details, so I’ll give the show the benefit of the doubt that they will be able to do the same with story. On a side note, I’m pleased to see that most of the costumes don’t have long, draping sleeves. Although Ngila Dickson’s designs for Peter Jackson’s films are gorgeous, after wearing those sleeves for cosplay, I know how impractical they are and always wondered how the actors (and characters) managed.
I’m excited for one possible aspect of the expansion of the story I think the Vanity Fair article indicates -– we will get to see life in the lands to the south of Gondor. The captions under the photos of Bronwyn (Nazanin Boniadi) and Arondir (Ismael Cruz Córdova) give a clue. They say Bronwyn lives in the “Southland” in the village of Tirharad (“harad” translates as “south” in Sindarin, and “tir”, “to look or guard”). To me, this means we will get to see Harad from a perspective other than that of a land filled with stereotyped “evil” Haradrim warriors. Harad is a vast land that would have been populated with all kinds of people, and in the Second Age, the Númenóreans mixed with this culture, for both benevolent and selfish purposes.
For myself, I am hopeful that the stories we want to hear will be told, even if the timeline is compressed, and even if they are not exactly as Tolkien might have written them.
It is exciting to FINALLY have a real look at what we’ve been talking about for two years!!
The thing I am most excited about IS the diversity in these characters. Representation matters SO much and seeing such a range brought to Tolkien’s world brings me a great deal of joy. No-one should be offended by seeing a wide array of skin tones, period. A great deal of the initial reaction online deeply disappointed me. Tolkien’s work at it’s core represents UNITY and people coming together from all corners of Middle-earth for the greater good. Inclusion IS the greater good and I’m thrilled to see Amazon doing an apparent good job at that.
The image of Galadriel in the armor I absolutely love, I’m sorry but I do. Ignore how the background looks/color grading/etc. Just her in the armor was exciting to see. We KNOW that Amazon is not strapped to only the materials they have approval to use and that they will be creating new characters, stories and even directions/roles for characters that already exist. I don’t see a negative to making Galadriel have a bad ass warrior queen reality.
Artistic license and creative freedom needs to be allowed. There is no way to make every single person happy, even with the best of intentions. We saw that with PJ’s Middle-earth and we will definitely see it with Amazon. Everyone needs to a deep breath before the plunge (see what I did there?) and reserve judgment until actually seeing an episode. I have a lot of thoughts regarding the images we have been shown, but without more information? I’m keeping my opinions to myself until I understand the breadth of the direction they are taking with this series: both visually and with the stories being told (canon or not).
The love story plot line… I will say my initial reaction is that I’m not too keen on this. I hated it in the Hobbit, but we shall see.
My introduction to Tolkien’s work was through the storytelling of Peter Jackson, the lens of Andrew Lesnie and the talents of every artisan and artist who worked on the film trilogy. I read the books immediately after seeing Fellowship in theaters with my mom (who worked so hard to convince an 11-year-old Potterhead that I would love The Lord of the Rings even more. She was right). When I read the books, I saw Peter Jackson’s Middle-earth. That is what I have seen every re-read since. It will be very hard for me to “see” this series as of the same world that I have been obsessed with for 20 years if it doesn’t look close enough to PJ’s version… but IT DOESN’T HAVE TO BE THE SAME (I keep telling myself and the world). Different CAN be good. We won’t know until we see it. There can be a place for BOTH in a fan’s heart.
I am cautiously optimistic at this point. I need to see a trailer to form a more informed opinion, but I hear that’s happening soon? 🙂
This is Halbrand, played by Charlie Vickers and described in Vanity Fair as ‘a mortal castaway … who is a new character introduced in the show … Halbrand is running from the past.’ His leather armour and horse head sword are strongly reminiscent of Rohan; perhaps his people are ancestors of the horse lords?
Yesterday we had speculated that the above image might show Halbrand; but we then confirmed that it is in fact the son of a created human character, Bronwyn, and the hilt he is holding is hers. We’re still wondering why this Bronwyn would have such a sinister looking object, which appears to be marked with dark speech. There is surely some interesting backstory to come here, about this ‘broken heirloom’…
One further comment to make about the above image, which we know shows Galadriel, played by Morfydd Clark, and described in Vanity Fair as ‘Commander of the Northern Armies’. We remarked yesterday on the eight pointed, Feanorian star on her chest (not seen in the character poster image, but seen in the image from Vanity Fair, below), and wondered what it might signify. Staffer Garfeimao had also pointed out that, below the two trees of Telperion and Laurelin on her dagger hilt, there are three pearls or gems. Could these represent the three Silmarils? And if so, why do we see these markers of Feanor and the Silmarils on Galadriel’s armour and weaponry? Are these simply ancient heirlooms she continues to use, or are the showrunners suggesting they have a special significance for her? Much to ponder!
This is Owain Arthur as Prince Durin IV, ‘prince of the bustling subterranean realm of Khazad-dûm’. As we noted, his hammer hilt reads ‘Awake Sleeping Stone’.
Dwarf princess Disa, played by Sophia Nomvete. Durin’s wife?
Galadriel, played by Morfydd Clark, and described in Vanity Fair as ‘Commander of the Northern Armies’. There had been rumours of short hair for Galadriel – the Vanity Fair images show us otherwise! We also see an eight pointed, Feanorian star on her chest. Significant…?
Elrond, played by Robert Aramayo. Vanity Fair describes him as, ‘a politically ambitious young elven leader’ – and he does have short(ish) hair.
This is silvan elf Arondir, a newly created character, who is played by Ismael Cruz Cordova. His closely cropped hair is the shortest of the lot; his earthy, rugged attire sets him apart from the other elves we have seen. Clearly silvan elves are not quite like their high elven kin…
This is Bronwyn, a created human character, and Arondir’s ‘forbidden love’. She is described as a ‘single mother and healer’ – we see her apothecary’s sickle in this image. She’s played by Nazanin Boniadi.
The Rings of Power includes ‘Two lovable, curious harfoots, played by Megan Richards and Markella Kavenagh’. The two character posters above seem most likely to be them.
As we already knew, ‘Brit of Jamaican descent, Sir Lenny Henry, plays a harfoot elder’. Could this image show him? Perhaps the clutched scroll is an indication of his elder wisdom?
From VF: ‘Another story line will follow a sailor named Isildur (Maxim Baldry) years before he becomes a warrior and cuts the soul-corrupting ring off Sauron’s hand, then falls victim to its powers himself.’ Could the rope here suggest a sailor?
The Rings of Power will feature ‘the elven smith Celebrimbor ([played by] Charles Edwards)’. Could either of these seemingly elvish characters be Celebrimbor? Most likely not the one all in gold; this is rumoured to be Gil-galad, and certainly he seems kingly. So do we see Celebrimbor in red?
(My original thinking was this – but see below for an update!)
This one is total guesswork… VF says we encounter, in the ‘Sundering Seas … a mortal castaway named Halbrand (Charlie Vickers), who is a new character introduced in the show. Galadriel is fighting for the future; Halbrand is running from the past. ‘ There aren’t many of the character posters which look like they might be from the world of men. Could THIS be Halbrand? Could the evil looking, broken blade be part of the past from which he is running? (We do see a wooden chest on the raft, when he and Galadriel meet at sea – so it’s possible he bears with him artefacts from his past…)
UPDATE – VF reached out to let us know that this image in fact shows Bronwyn’s (seen above with sickle) son, and the hilt he is holding is hers. But WHY would she have such a sinister looking object…? Some interesting backstory to come there, methinks, about this ‘broken heirloom’…
Finally, VF tells us that our two Harfoots ‘encounter a mysterious lost man whose origin promises to be one of the show’s most enticing enigmas’. Of all the character posters, this to me is the most enigmatic. So I’m putting my money on this dishevelled, grubby character being our mysterious being…
Vanity Fair’s just published an article on Prime Video’s The Lord of the Rings: The Rings of Power. Click here for ‘the first look at a billion-dollar saga set thousands of years before J.R.R. Tolkien’s legendary trilogy’. We’ll bring you our own closer look at this article shortly!