Recently we brought you news of a planned short film, to be made in New Zealand, celebrating Tolkien fandom and the friendships found therein. Now we can share that you could be IN the movie!
Starring Bruce Hopkins (Gamling in The Lord of the Rings movies), the film will tell the tale of a father’s grief, and of the unexpected solace found in a community of fans. Exciting news for fans is that they hope to cast the four fan roles with actual fans from within the community – so this is YOUR chance to fly to New Zealand for a once in a lifetime opportunity to appear on film with Gamling himself!
The team behind ‘Society of the Lost and Found’, with lead actor Bruce Hopkins in the center
Supporting mental health
This powerful short film will be looking at the positive effect of community and shared passions on mental health, exploring themes of resilience, friendship, and hope. (The film makers are partnering with New Zealand’s Sir John Kirwan Foundation, which delivers evidence-based mental health education to New Zealand schools, ensuring that young people have the knowledge and tools they need to manage their wellbeing and face the challenges that life inevitably throws at them. Once the film is funded via Kickstarter, a share of any further funds raised will support this excellent foundation.)
Authenticity is key
Their desire to create a movie which accurately reflects the fandom has led to the film makers’ wish to cast from within that group. Director Pennie Hunt has said, ‘It’s essential for the story to cast all four fan roles from the Tolkien community – if possible. After all, this is what the film is all about – and why we want to make it.’ So they are putting out the call – and we’re boosting the signal! This is a genuine, real opportunity for you to fly to New Zealand and take part in a film – if the funding is successfully raised. Here’s what you need to know:
WORLDWIDE CASTING CALL –Tolkien Fans Wanted for New Zealand Short Film
Are you a Tolkien fan who has always dreamed of visiting New Zealand? Do you want to appear in a short film alongside Bruce Hopkins (Gamling in The Lord of the Rings)? We’re casting genuine Tolkien fans from around the world to appear in our upcoming New Zealand short film, Society of the Lost and Found, filming in the stunning location of Deer Park Heights, Queenstown where many of the scenes with the Rohan refugees were filmed.
SOCIETY OF THE LOST AND FOUND is a heartfelt story about finding connection in unexpected places. When a grieving father joins a Lord of the Rings location tour, he discovers friendship, healing, and hope among a passionate community of fans.
As part of the film, we are casting supporting roles and are seeking passionate members of the international Tolkien fandom to apply.
Applications close on Thursday, 2 July 2026 at 11.59pm New Zealand Standard Time.
✈️ WHAT WE OFFER
These are unpaid volunteer roles. For the selected participants, we will provide:
Travel reimbursement of up to NZD $3,000 per person to help cover transport to and from Queenstown
Accommodation during filming
Meals
Local transport
FILMING DATES
29 October (arrival) – 4 November (departure)
✨ WHO WE’RE LOOKING FOR
People with a genuine connection to Tolkien’s stories and community. Some acting or on-camera experience is preferred, but enthusiasm and authenticity matter most.
The application form includes more details about the project and casting process. If you have any questions, please contact us on: wisesamgangees@gmail.com
Please note: The project will only go ahead if the current Kickstarter is successful and production costs are financed. If you’d like to help bring this film to life, you can support the campaign here. Please spread the word!
We can’t wait to meet fellow Tolkien fans from around the world and celebrate this incredible community together.
Disclaimer SOCIETY OF THE LOST AND FOUND is an independent original short film. It is not affiliated with or endorsed by Middle-earth Enterprises, Warner Bros., or the Tolkien Estate.
What are you waiting for?? Apply now, share the campaign with your friends, and later this year you could find yourself filming at Lord of the Rings locations! Good luck!
You can find the ‘Society of the Lost and Found’ folks, and read more about the movie and the team behind it, on Instagram and Facebook
Every Tolkien fan knows how rich and beneficial a love for the Professor’s stories can be. Whether you enjoy escaping alone into Middle-earth through the words on the page, or your fandom has taken you to real life encounters with fellow fans, many of us would attest to the joy and comfort Tolkien’s work has brought to us. Here at TORn, where we are ‘Forged by and for fans of J.R.R. Tolkien’, we’re particularly keen on bringing fans together, for moots of all shapes and sizes – be they virtual connections or ‘parties of special magnificence.’
So when we heard from film makers in New Zealand who want to create a short film celebrating friendships found through fandom, we were immediately intrigued. Add Bruce Hopkins (Gamling in The Lord of the Rings movies, and TORn’s good friend – MC of our ‘One Last Party’ back in 2015!) as the planned star of the movie, and our reaction was, ‘Tell us more!’
Writer and Director Pennie Hunt with lead actor Bruce Hopkins
Society of the Lost and Found – a film about comfort in community
To quote the producers of the film, ‘Society of the Lost and Found‘ is a short film about finding connection in the most unexpected places.’ The movie will be filmed in the landscapes around Queenstown, so familiar to fans of Peter Jackson’s movies. Hopkins will play the role of a grieving father, joining a Lord of the Rings location tour – where he unexpectedly finds connection and hope. The filmmakers are keen to explore ideas of outsiders finding community; of isolation, belonging, empathy, and connection through shared passion. They are also hoping that their film will speak to people who may be struggling with grief or mental health challenges.
But first – they need to raise funds! Though they have various seed funders and sponsors involved already, the producers are looking to raise the majority of the budget needed through crowdfunding. So this is YOUR chance to be part of New Zealand and Tolkien-inspired movie making! Check out the prelaunch page on Kickstarter, and sign up to be notified when their funding launches. We’re sure this is going to be a short film which will resonate, highlighting the things we all love about Tolkien fandom at its best. Add to that beautiful New Zealand scenery and a beloved Lord of the Rings actor, and you have a recipe for a fan favourite movie. Follow along and help it get made!
You can find the ‘Society of the Lost and Found’ folks, and read more about the movie and the team behind it, on Instagram and Facebook.
Available for pre-order from our friends at Weta Workshop is this beautiful statue depicting Radagast the Brown in Rhosgobel. This piece is superbly done, as usual, and perfectly recreates the quirkiness of Radagast and his home. There’s also a very cool easter egg that represents the beautiful place in which the films were made, New Zealand. You can pre-order this amazing piece for $999.
If you have been collecting the classic series, then this second statue of Radagast is for you. This classic series piece is available for $399. Both Radagast statues are due to ship in the first quarter of next year.
For lovers of the monsters of Middle-earth, who need a little eight legged friend in their collection, you could grab the very cool mini-Shelob statue for $179, this statue is also due to ship in the first quarter of next year.
Regular readers will know that The Lord of the Rings: A Musical Tale has been playing at the Chicago Shakespeare Theatre (quick, catch it before it closes on Sept 1!); and will then head down under, first to New Zealand and then to Australia. Staffer Madeye Gamgee went to see the show in Chicago, and was fortunate to have an opening preview conversation with Producer Kevin Wallace.
“This is all about the Hobbits telling their story.”
Pippin (Ben Mathew), Sam (Michael Kurowski), Frodo (Spencer Davis Milford), and Merry (Eileen Doan) dance as only hobbits can.
This Gandalfian counsel from The Lord of the Rings: A Musical Tale producer Kevin Wallace provides an essential lens for anyone engaging in the magic that sweeps across the Chicago stage in this re-imagined production of the epic Tolkien classic. Just as Tolkien himself discovered upon penning, “In a hole in the ground there lived a hobbit,” so too this musical seeks to transform the epic into the intimate, connecting us to joyfully humble hobbit roots through memorable songs, sparkling dance, and music from the performers themselves. “It’s a retelling of their story,” per Wallace; appropriately so given Frodo’s entrusting of the Red Book of Westmarch to Sam and his progeny. The songs go ever on and on.
Originally conceived “as a great piece of commercial art” in its mithril-financed, three-act/3.5 hour initial form for Toronto (2006) and London’s West End (2007-8), ‘The Lord of the Rings Musical’ has seen a renaissance at a much more hobbit-like scale. Now billed more simply as A Musical Tale, the 2023 revival at the Watermill Theatre in Newbury (UK) dropped an entire act, reduced the number of actors by more than 40, and compressed the run time by nearly an hour. (You can find staffer greendragon’s review of that production here.) “Compared to the earlier productions, this is ‘rough’ theater,” Wallace explained. “It’s hobbits telling their story with what’s available to them… It’s actually ‘big’ theater with the illusion of being ‘poor’. You’re allowed to see how we’re doing it.” Which is why Pippin goes to war carrying a cello, a feat which comes off surprisingly well, to the consternation of a few marauding orcs; and we’re talking some serious swordsmanship by the double bass player.
Two and three quarter hours to cover the whole book? Really?
Spencer Davis Milford as Frodo and Tom Amandes as Gandalf
The PJ extended edition movies combined run for over 12 hours of content, and listening to the unabridged audiobooks will take you at least 54 hours at regular speed. So how is it possible to pack all of this theatrical Third Age goodness into the flight time between New York and Chicago (and still in time to wrap up before all the local restaurants close)? Kevin Wallace is very familiar with the challenge: “Given the films, we must satisfy our audience’s primary expectations.” Appearances by a very shadowy and flame-flowing Balrog, a stage-filling Shelob, and an especially spot-on and athletic homage to Andy Serkis’ Gollum (by actor Tony Bozzuto) certainly fed these appetites. “The essence of the story, though, is Sam’s and Frodo’s journey. Side sections have to fall away…” So the lands of Gondor and Rohan become “the Lands of Men”, Théoden and Denethor combine to become simply the “Steward of Gondor”, and we lose storylines and characters that many find dear. All you lovers of beacon-lighting, Paths of the Dead/Dead Marshes, and “I am no man” heroics may need a post-play re-watching, particularly of the second two movies, to scratch those particular itches. But even though there’s still no Bombadil, if you’ve ever wondered what John Lithgow’s version of Treebeard would sound like, this is the production for you.
Still, this is no mere cryptic condensation – despite what some less flattering critics have dwelled on since the inaugural performances in London and Toronto. This production certainly rewards any who are already familiar with the LotR story and personalities, whether through the book and/or movies: character connections are easier, e.g., between Merry and Pippin or Frodo and Gandalf; and plot compression leaves room for personal appreciation of excluded side quests and lost details. I found that the musical’s condensed frame actually served to intensify how I experienced some core Tolkien themes: the blending of voices, musical languages, and cultures in a functioning (and whirling) Fellowship; the enchantment and providential intricacy of dance as an element of creation and connection; the longing and reassurance of beauty observable in stellar spheres, sharply contrasted with the darkness that lingers here in Middle-earth (thank you, Kevin, for continuing to defend the inclusion of “The Star of Eärendil” on the song list!); and especially the hope and heartbreak of repentance, sometimes attained as with Boromir, and sometimes approached and then rejected, as with Gollum’s tragic tale. This was beautifully portrayed (far better than anything PJ produced) in Gollum’s self-aborted restoration to a more noble, never-ending story of worthy Hobbit heroes, as sung by Frodo and Sam in the poignant “Now and for Always” as they approach Mordor and Shelob’s snares. Gollum’s plaintive lyrical mimicry, and the mirroring choreography as he and Frodo together reach for some unseen saving grace, all leverage live theater powerfully in a demonstration of their shared addiction, and diverging paths, given the power of the One Ring. We even hear a faint note of self-sacrifice from Sméagol as he falls toward the Cracks of Doom, “Master is free…”
While condensed, this Musical Tale still manages to offer worthy, and unique, moments to integrate into the ways you may have experienced the artistic and thematic power of Tolkien’s story.
The Road Keeps Going Ever On
The Red Book of Westmarch gets a new owner at the Grey Havens in this production, too!
The Lord of the Rings: A Musical Tale continues to evolve. “Our Watermill production was a beautiful, intricate Swiss watch,” said Wallace. “Now, here in Chicago, we’ve built a more highly sophisticated Swiss clock.” Even with all the sets, puppetry, and props shipped in from last year’s UK production, the US premiere enjoys a larger venue than the Watermill, courtesy of the Chicago Shakespeare Theater’s innovative and flexible stage, The Yard. Director Paul Hart works wonders in leveraging this flexibility, from multilevel balconies built into the set, to Gollum’s gymnastic entrance from mid-audience to begin Act 2, to the lighting and mechanical magic that the set makes possible. The US cast and orchestration has also grown a bit from its Watermill roots, adding four new cast members/musicians (including that dangerous double bass). “It’s a production with Chicago ownership, reflecting the demographics and acting talent of the city,” added Wallace.
So where does the Road lead once the Chicago production wraps on September 1? The Civic Theater in Auckland has already scored a similar limited run as Chicago’s, with shows from the 5th though the 24th of November. And just announced is an Australia premiere, with performances beginning at the Sydney State Theater on January 7, 2025. And whither then? Well, wait and see!
“This production is not only a phenomenal opportunity, but also a huge responsibility. You just don’t want to take it for granted… In time, others will take the words and the music and ask, ‘How will I tell that story?’ But we’re still in our infancy with this one.” Suffice it to say that Kevin Wallace has dreams. Big dreams. Take some jewelry to Mordor big, unsurprisingly.
The Lord of the Rings: A Musical Tale continues through September 1 at the Chicago Shakespeare Theater. You can find tickets on their website, here.
Staffer Madeye Gamgee and his wife Rosie (Emily and Jim Wert) bookend longtime TORn friend/birthday girl Prof. Constance Wagner, and our new friend Michael Kurowski post-preview. And Samwise sure sports some stylish shoes when not in hairy feet!
(FRODO (Spencer Davis Mildford, at Chicago Shakespeare Theatre); Photograph by Liz Lauren)
Here’s what the press release tells us:
THE LORD OF THE RINGS – A MUSICAL TALE CONFIRMS AUSTRALIAN PREMIERE
[Thursday 15 August] The Lord of the Rings – A Musical Tale, the stage production based on J.R.R. Tolkien’s epic trilogy beloved by generations of readers, will make its Australian premiere at the State Theatre Sydney from 7 January 2025.
Longtime fans and newcomers alike will journey to Middle-earthTM in the company of Hobbits, as J.R.R. Tolkien’s trilogy of books The Lord of the Rings is brought to life on stage by a cast of multi-skilled actor-musicians, in a theatrical event that celebrates community, courage and camaraderie. “Tolkien would have been so proud” – WhatsOnStage
Created under license from Middle-earth Enterprises (the owner of exclusive worldwide motion picture and stage rights for The Lord of the Rings), producers confirmed Australia secured the production following its highly anticipated US premiere at the Chicago Shakespeare Theater. “A MUST-SEE SHOW to put on your summer list” – Chicago Stage & Screen.
The Lord of the Rings – A Musical Tale had its initial production at The Watermill Theatre in the United Kingdom, receiving rave reviews with The Guardian proclaiming it ‘The Greatest Show on Middle-earth’ and the Mail on Sunday calling it ‘Something rather wizard”. The production will also play in Auckland, New Zealand, at the end of 2024.
The Australian production arrives following the 70th anniversary of the publication of The Fellowship of the Ring, the first book in The Lord of the Rings trilogy which debuted in 1954.
“The Lord of the Rings – A Musical Tale is a celebration of storytelling at its finest, most electrifying and enigmatic; and we are so pleased to support this epic adventure as it travels to the magical continent of Australia from its origins in Middle-earth. At the risk of sounding cliché, this truly is a show you cannot miss,” Fredrica Drotos, Steward of MEE, emphatically declared.
“It is time for Australia’s actors and actor-musicians to tell their version of The Lord of the Rings – A Musical Tale in Paul Hart’s wonderful theatrical production, and we are looking forward to their bringing Middle-earth to audiences at the State Theatre, Sydney”, said Kevin Wallace of Kevin Wallace Productions on behalf of the producers.
As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor, to vanquish evil with his loyal Fellowship. The dynamic folk-inspired score is performed live by the company on stage, weaving together original music with storytelling.
Auditions have already begun in Australia to find the next generation’s iconic roles from the beloved trilogy, including Hobbits Bilbo and Frodo Baggins, Gollum, Galadriel, Gandalf, Arwen and Aragorn.
On behalf of Australian co-producer GWB Entertainment, Torben Brookman said, “This is a production that will delight The Lord of the Rings fans of all ages, whether you are 8 or 80, there is something for everyone in this brilliant telling of J.R.R. Tolkien’s classic tale. It is the perfect show for the summer in Sydney and we could not be more delighted to bring the production to Australia.”
The Lord of the Rings – A Musical Tale features a book and lyrics by Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Groundhog Day) and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical).
The Lord of the Rings – A Musical Tale is presented in Australia by Kevin Wallace Productions, GWB Entertainment, Middle-earth Enterprises, Tim McFarlane, KHAM Inc, People Entertainment Group, The Watermill Theatre and Chicago Shakespeare Theater.
THE LORD OF THE RINGS – A MUSICAL TALE
STRICTLY LIMITED SEASON AT THE STATE THEATRE SYDNEY
FROM 7 JANUARY 2025
WAITLIST OPEN NOW AT LOTRONSTAGE.COM
As a reminder: you can read TORn staffer greendragon’s review from the production at The Watermill Theatre last year, here. Staffer Madeye Gamgee saw it – and loved it – in Chicago. Who is going to see it in New Zealand or Australia? Don’t miss it!
Breaking News: The Lord of the Rings – A Musical Tale, which is about to have its US opening of Paul Hart’s staging (at Chicago Shakespeare Theater’s The Yard), is going to be heading to New Zealand later this year.
THE LORD OF THE RINGS – A MUSICAL TALE COMES HOME TO MIDDLE-EARTH
THIS NOVEMBER – IN A 5 WEEK BLOCKBUSTER SEASON AT THE CIVIC, AUCKLAND
WAITLIST FOR TICKETS NOW OPEN!
“THE GREATEST SHOW ON MIDDLE EARTH’ – THE GUARDIAN “AN EXTRAORDINARY RETELLING” – WHATS ON STAGE
The Lord of the Rings – A Musical Tale will play at The Civic, Auckland for a strictly limited season from November 5th, 2024. Join the waitlist NOW to secure your tickets.
The Lord of the Rings – A Musical Tale will premiere in Middle-earth when this eagerly awaited production opens for a strictly limited season at The Civic, Auckland from November 5th. Audiences are encouraged to act fast and join the waitlist for the first chance at securing tickets at www.LOTRonstage.com.
The highly anticipated production has its US premiere this July at Chicago Shakespeare Theater, the prestigious theater that has launched productions such as SIX, Illinoise, and The Notebook ahead of their Broadway debuts. The Lord of the Rings – a Musical Tale had its initial production at The Watermill Theatre in the United Kingdom, receiving rave reviews with The Guardian calling it the ‘Greatest Show on Middle-earth’.
This journey to the magical realms of Middle-earth tells the story of The Lord of the Rings from the Hobbits’ perspective, as J.R.R. Tolkien’s trilogy of books is brought to life on the stage, performed by a stellar cast of multi-skilled actor-musicians.
Created under license from Middle-earth Enterprises (the owner of exclusive worldwide motion picture and stage rights for The Lord of the Rings), this adventure through the epic realm of Middle-earth has been beloved by generations of readers.
With book and lyrics by Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Groundhog Day) and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical), this theatrical event celebrates community, courage and camaraderie to create an unforgettable experience for longtime fans and newcomers alike. “Tolkien would have been so proud” (WhatsOnStage).
‘The greatest show on Middle-earth comes home to Middle-earth!” proclaimed Fredrica Drotos, Middle-earth Enterprises’ Steward Brand & Licensing. “We are very much looking forward to sharing the Hobbits’ epic re-telling with all our friends there; when The Lord of the Rings – A Musical Tale, premieres in Auckland, New Zealand this November.’
As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor, to vanquish evil with his loyal Fellowship. The dynamic folk-inspired score is performed live by the company on stage, weaving together original music with storytelling. The New Zealand premiere comes fresh off the 70th anniversary of the publication of The Fellowship of the Ring, the first book in The Lord of the Rings trilogy which debuted in 1954.
“We are delighted to share Director Paul Hart’s imagining of The Lord of the Rings on stage with New Zealand audiences before it embarks on its journey to entertain audiences around the world.” said Kevin Wallace on behalf of the producers. “This production that originated in the English Shires, before its US Premiere in Chicago, comes to Auckland where we invite New Zealand to join us for Bilbo Baggins’ Long- expected Party.”
Annie Dundas, Director Destination at Tātaki Auckland Unlimited adds “We are thrilled to welcome The Lord of the Rings – A Musical Tale to Tāmaki Makaurau Auckland. This production not only celebrates our unique connection to Middle-earth but also showcases Auckland as a vibrant hub for world-class theatre. We look forward to sharing this extraordinary experience with locals and visitors alike.”
Glen Crighton, Acting Director Performing Arts at Auckland Live continues. “I’m excited that The Civic will be hosting the Australasian premiere of The Lord of the Rings – A Musical Tale. The iconic status of Tolkien’s epic tale can’t be understated, and we look forward to welcoming local and international audiences alike into Tāmaki Makaurau Auckland’s own iconic venue to embark on what promises to be a remarkable theatrical experience.”
The Lord of the Rings – A Musical Tale is presented in Auckland by Kevin Wallace Productions, GWB Entertainment and Middle-earth Enterprises, in association with Tim McFarlane and People Entertainment Group. The Lord of the Rings – A Musical Tale is produced in partnership with The Watermill Theatre and Chicago Shakespeare Theater. The Auckland season of the production is made possible by Auckland Council and the city centre targeted rate, and with support from Auckland Live.
THE LORD OF THE RINGS – A MUSICAL TALE STRICTLY LIMITED SEASON AT THE CIVIC, AUCKLAND FROM NOVEMBER 5TH.
WAITLIST OPEN NOW AT LOTRONSTAGE.COM Based upon the Books by J.R.R. Tolkien.
Written and produced under license from Middle-earth Enterprises, LLC (MEE).
You can read TORn staffer greendragon’s review from the production at The Watermill Theatre last year, here. If you’re going to see it in Chicago, let us know what you think; or maybe you can make a trip to New Zealand to experience the magic there?
