One of the things I love the most in my collection are all the behind the scene books, art books, making of type books. It’s so much fun getting a chance to see the process of how these fantastic films were brought to life. Our friends at Weta have a brand new book that fits this genre of book with the Middle-earth: From Script to Screen. This 512 page book covers the world building Sir Peter Jackson and the crew at Weta did to build what we saw in both The Lord of the Rings Trilogy as well as The Hobbit Trilogy. Written by Daniel Falconer with assistance by our own Happy Hobbit Kili (done under her pen name KM Rice) this richly illustrated with thousands of film frames, concept art and behind-the-scenes imagery, many previously unseen, Middle-earth: From Script to Screen follows in the footsteps of the Fellowship of the Ring and the Company of Thorin Oakenshield, visiting the realms and landscapes of Middle-earth and uncovering their secrets. You can Pre-Order this fantastic book right now for $75, and if you do so straight from Weta you will receive a set of exclusive prop replica set dressings by 3Foot7 Calligrapher Daniel Reeve.
One of the companies out there that has some really neat items from various movie franchises is Funko. They’ve touched upon Middle-earth before, with some items from The Hobbit Trilogy as well as a Sauron Funko Pop from The Lord of the Rings. Well last week Funko announced they’re going back to Middle-earth, with even more items from The Lord of the Rings. This time we’re getting the likes of Frodo, a chase variant Frodo, Gandalf, Saruman, Nazgul, Samwise, and my personal favorite The Balrog (this will be a 6″ super pop). These are going to be a blast to collect and will look awesome on the shelf. Fans can pre-order these from various places now, and they’re due out in June of this year. If you want to check out the full release you can go to the Funko Blog.
Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”
In addition to the many fans that posted their reviews on TORn (see yesterday’s article: 15,084 Reviews and Counting), many of our core staff chimed in with reviews soon after FOTR opened. In this article, we bring you reviews by such well-known names as Xoanon, Tehanu, Quickbeam and Ostadan. All of them capture the magic and excitement that we all experienced 15 years ago.
To begin, one lucky staffer, Tehanu, the envy of all of us, was lucky enough to attend the film’s premier in Wellington, New Zealand. Of course, Tehanu (a.k.a. Erica Challis) is one of TORn’s founders and served as our ‘feet on the ground’ and number one Ringer Spy during filming. Here are some of her impressions from the day:
“I’ve been in Wellington for a day or two and I have to tell you, the town is in a Rings uproar. I wouldn’t want to be anywhere else right now. The streets are hung with LOTR banners, everything from the Town Hall to the Evening Post’s headquarters is renamed ‘Middle Earth’ (as is the airport, I believe, though I haven’t seen that myself.) The Rings is on every newspaper, every phone bill, every electricity company billboard, on the ads for Mastercard. There are funny billboards harping on LOTR themes everywhere (“Wellington: Full of orcs, hobbits and elves. …But enough about Parliament…..”). The monster cave troll dominates Courtenay Place from its perch on the awning of the Embassy Theatre, where the plasterers are working round the clock to finish the theatre in time for the Premiere.”
On December 18, 2001, TheOneRing.net introduced a new feature on our site: Ringer Reviews – “A database of reviews from Tolkien fans all over the world, whether you loved, liked or hated the film this is where you can express your feelings in words and celebrate with your fellow fans the release of the first installment in the Lord of the Rings Trilogy.” Twenty-four hours later, fans had posted 3,000 reviews. By Christmas the count was up to 6,700 and on January 19, 2002, a month after FOTR opened, over 10,000 reviews had been submitted.
Today the count stands at 15,084 reviews. Unfortunately, the individual reviews reside on our old site and have been archived. But, we thought it might be fun to revisit some of the overall results, more of which can be found at the Ringer Reviews link above.
A number of other sites around the internet are also celebrating the 15th anniversary of the opening of The Lord of the Rings, The Fellowship of the Ring this week, and/or The Lord of the Rings movie franchise in general. For the convenience of our readers, we put together this one-stop shop for a stroll down memory lane. We’ll bring more to you during the week as we find them. Enjoy!
One of the things I love the most in my collection are all the behind the scene books, art books, making of type books. It’s so much fun getting a chance to see the process of how these fantastic films were brought to life. Our friends at Weta have a brand new book that fits this genre of book with the Middle-earth: From Script to Screen. This 512 page book covers the world building Sir Peter Jackson and the crew at Weta did to build what we saw in both The Lord of the Rings Trilogy as well as The Hobbit Trilogy. Written by Daniel Falconer with assistance by our own Happy Hobbit Kili (done under her pen name KM Rice) this richly illustrated with thousands of film frames, concept art and behind-the-scenes imagery, many previously unseen, Middle-earth: From Script to Screen follows in the footsteps of the Fellowship of the Ring and the Company of Thorin Oakenshield, visiting the realms and landscapes of Middle-earth and uncovering their secrets. You can Pre-Order this fantastic book right now for $75, and if you do so straight from Weta you will receive a set of exclusive prop replica set dressings by 3Foot7 Calligrapher Daniel Reeve.
