It seems that, with those Tolkien biopics gradually approaching, more and more people are taking an interest in the biographical details of Tolkien’s life.

If that’s your thing, you might enjoy this pretty solid overview from Simon Whistler. (I didn’t know about the tarantula incident, for example, a minor controversy that you can get more background on over on Tolkien Gateway.)

It’s official…”The Fall of Gondolin” by J.R.R Tolkien, edited by Christoper Tolkien, and illustrated by Alan Lee, is indeed being published. It will be released on August 30, 2018. While rumored, the release still comes as a very welcome surprise given that many expected “Beren and Lúthien” to be Christoper Tolkien’s final release. “The Fall of Gondolin” will be available in hardback, deluxe hardback, large print and e-book worldwide as well as a companion Tolkien Calendar. The Guardian has a wealth of interesting background on the story. Further details as well as reaction can also be found at The Tolkien Society.
The Fall of Gondolin by J.R.R. Tolkien

From the HarperCollins Press Release:

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.

Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.

Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.

At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

J.R.R. Tolkien and Edith Bratt, soon to be Tolkien

Tolkien fandom finds itself with an embarrassment of riches in 2018. The Tolkien Biopic has wrapped principal photography and is currently in post-production. There will be a new book out featuring Gondolin, edited by Christopher Tolkien. The most recent update about the Amazon Studios’ TV series is now confirmed to be a 5 season commitment. And then word starts to filter through that there are current negotiations for an actual Middle-earth Theme Park.  Continue reading “There is a cornucopia of Tolkien stories coming this year”

I’m sure it comes as no surprise that on Sunday morning, April 1st you woke up to a bunch of internet websites doing their best to fool you into thinking their words were true, and TORn is no different. We did post two separate stories that were lacking in the veracity department. One post claimed we were moving to a paid subscription business model, which on it’s own is intriguing, but because some message board members were involved, there were links to supporting messages. In fact, the bulk of the story sounded quite reasonable, until you got to the highest subscription level, ‘Mithril’ and one perk is the ability rent a Nazgul, for no more than 2 hours a year, and the reminder to book early for the Halloween timeframe and that TORn is not responsible for terror or destruction. OK, that last bit had me cackling, anyone else? No? Just me then.

The other story, believe it or not, actually fooled our own, beloved Webmaster Calisuri. He can be forgiven, it was clear a lot of people wanted the story about Guillermo Del Toro working on the Amazon Middle-earth stories to be true, which is what made this story so much more believable. There was nothing outlandish in the story, it was about a current subject that TORn had just covered the week before at Wondercon, and it fed into the deep fan desire to see the Middle-earth that could have been. And while we want to come clean with you, the readers of our little website, we especially want to reach out to Guillermo Del Toro to assure him there was no malice intended with this April Fools joke. We knew fans would fall for it, or want to fall for it, because GDT is so beloved as a storyteller and creator of amazingly detailed creative worlds, and in the end, the reach of this story just says how much GDT is appreciated in this fandom. This guy wasn’t fooled.

 

In a big shake-up for the largest fansite of the author J. R. R. Tolkien, TheOneRing.net (TORn) founders have announced they are about to begin beta-testing a subscription service to better align with the business model of Amazon.com for the upcoming Lord of the Rings TV series: a “TORn-Prime,” if you will.

“It’s something we’ve been working toward for a while because we want to continue to deliver a top-class website that services the fans of Tolkien,” says TORn’s new spokesperson, Sarah Mcleod. “We will roll out a beta test with our message boards, then evaluate a model for the entire site.” While the timeline is still under discussion, preliminary plans are for Barliman’s chat and the Home Page to begin offering premium subscriptions during the June-August, 2018 time-frame. The once-popular Green Books will also be revived for premium subscribers.

Continue reading “TORn to explore subscription-based business model”

When Amazon Studios first announced their big production deal last November for a Lord of the Rings television series, there was just one thing missing, a big name attached to the project. There was no Producer, Showrunner or even a Writer or team of Writers to indicate the direction these stories might take and give confidence to fans that Middle-earth would be in good hands. 

It has been confirmed that the Guillermo Del Toro has signed on with Amazon Studios, in conjunction with his Tequila Gang production company, to Executive Produce and write this iteration of Middle-earth. He brings with him his co-writer, Chuck Hogan from The Strain. Del Toro’s long time manager, Gary Ungar says that they have already begun identifying and sifting through possible stories that exist within the Appendices, separating out those that are more fleshed out in other Tolkien properties. Because the deal with the Tolkien Estate and Trust is still in flux, they are currently only looking at storylines they know won’t be a legal issue so they can get down to writing.  

During that time waiting for The Hobbit project to finally get going, Guillermo Del Toro spent nearly two years breaking down The Hobbit and working with pre-production designs for the story he was helping to craft. His visual style and ability to create wild and very unique looks was one of the reasons fans came to really anticipate Del Toro’s take on Middle-earth. We wanted to see what he would do with the Elves and Dwarves and even Men, and we especially wanted to see what he would have come up with for all the monsters. When he finally had to leave the project because it was dragging on too long waiting for a green light, fans felt a sense of loss and mourned The Hobbit that could have been. 

This is why Del Toro is perfect for this project. He already has a deep knowledge of the source material, including what can and can not be included legally, and he’s got designs that never got the see the light of day. Because Peter Jackson and WETA are not going to be involved in the Amazon Studios production, there is little reason to maintain strict adherence to the design motifs put in place for the various races. The only design features required are within Tolkien’s books, and beyond that, Del Toro will get to finally let loose with his own, distinct look and feel with very little constraint. What will his Numenor look like? Will we see a Northern Kingdom or meet a young Aragorn, as Thorongil, as he journey’s about Middle-earth learning the skills he will later need to become King?  

Amazon has already announced that it will be developing a Lord of the Rings series set before the events of the original films. The company reportedly spent $250 million to acquire the rights alone and, according to that same report, marketing and productions costs for two seasons could raise the investment to $500 million. It is still unclear if these stories will be told in a series of anthology like episodes or story arcs, or if there will be a much wider, more epic scope to the narrative. 

Amazon Studios will produce the series in cooperation with the Tolkien Estate and Trust, book publishers HarperCollins, and New Line Cinema.