Official Amazon Prime LOTR reveals now include the recent 23 character torsos, a slick title reveal, a single frame image from episode 1 (but not even 2nd Age), a now one-year-old synopsis and a lovely map of wider Arda; all of which may have left Lord of the Rings fans puzzled as to what this billion-dollar TV show is really all about. We asked the fans to list their most burning current questions that we could ask the Showrunners, just 8 months before the show’s debut on September 2, 2022.
Two decades ago, previous Middle-earth director Peter Jackson famously took “20 Questions” direct from the online fandom on AICN; facing innocent inquiries on just about everything. He returned with surprisingly generous answers to assuage the broadest of fan curiosities: offering up the earliest details of what Weta Digital’s MASSIVE software could create and even addressing for the first time “How will Gollum be created?” (we had no idea yet what motion capture miracles Andy Serkis and WETA had in store for us). It was a genuine treat.
In honor of 23 poster images we submit these 23 Questions in that same spirit as twenty years ago.
What weighs heavily on a Ringer’s soul?
Will there be singing in the show? Songs (and poetry) are a big part of Tolkien’s world.
Describe the challenge in writing a show with such extensive established lore – that yet has the least full narrative written by Tolkien himself? How do your writers approach this?
Will we see the various different types of beings within a race (example: Noldor Elves vs. Teleri Elves)?
Where is Sexy Sauron? No, really; where?
Will the production seek to film in other locations globally?
Why Harfoots? Did Halflings in the 2nd Age seem essential for continuity?
Fans are mainly concerned if this show will be true to the lore – Who is the Lore expert(s) on the show?
Will David Salo return as Languages expert?
What percentage of characters will be Tolkien canon versus newly created for the show?
Looks like this is shaping up to have the most diverse casting of any Tolkien adaptation as the scope of the story expands across the planet of Arda. What do the Showrunners have front-of-mind when presenting these new characters and cultures through a wider lens?
With many thousands of years of tumultuous events in the 2nd Age, when will the main timeline of the show focus on?
Is John Howe involved (beyond the marketing Map)?
Are the Showrunners fans of Tolkien? We know that they wrote a Star Trek screenplay, but would love to know more about their personal tastes as geeks.
Are the accomplished people in the Writer’s Room pre-existing fans themselves?
Why did Amazon decide to leave New Zealand as a filming location, especially when it has become so synonymous with Middle-earth all this time?
Is Weta Workshop involved with physical props, weapons, costumes, and practical sets (not just Weta Digital)?
Is Industrial Light & Magic involved with their “Mandalorian” digital screen set technology?
Does this show connect with P.J.’s previous six films set in Middle-earth?
Was Tolkien scholar/author Tom Shippey’s departure from the production amicable?
End credits songs!!! We had some gems in the form of end credits songs for the movies. With a TV show, might we expect something similar at the end of each season?
The Lurtz vs. Azog thing: will we get more practical makeup effects or more CGI creatures?
The stories of the 2nd Age are notably bereft of magical creatures like Dragons and Balrogs. Is there a desire to include fantastical beasts and (houses of) dragons per the recent wave of poplar TV?
To what degree is Howard Shore involved, since one of the most desired components of this entire enterprise is the returning embrace of his music?
Let’s hope all this recent marketing activity means the fans of J.R.R. Tolkien’s works have some more information to fuel their anticipation, sooner rather than later!
We welcome our readers here to join the conversation on our Discord and also join us live for TORn Tuesdays every week at 5:00pm Pacific Time on all our social channels.
Partially hidden behind the show title on one of the new Amazon Prime The Lord of the Rings–The Rings of Power posters is a hammer handle bearing Cirth runes. They appear to say “AWAKE SLEEPING STONE”, which is appropriate since the poster seems clearly to portray a Dwarf, hands permeated with gold dust.
The words on the sword seem to translate as “Awake Sleeping Stone”
Perhaps the meaning behind these words can be discovered in The Silmarillion. When Aulë, one of the Valar, created the Dwarves in secret “in a hall under the mountains in Middle-earth”, he preempted Eru Ilúvatar’s desire that the Elves, the Firstborn of his design, be the first sentient beings in Middle-earth. Instead of destroying Aulë’s creations, Ilúvatar granted them life, but not until after the Elves were awakened. Ilúvatar tells Aulë:
“They shall sleep now in the darkness under stone, and shall not come forth until the Firstborn have awakened upon Earth; and until that time thou and they shall wait, though long it may seem. But when the time comes, I will awaken them…”
J.R.R Tolkien, The Silmarillion, Of Aulë and Yavanna
Or it could be that the inscription on the hammer refers to the Dwarves’ love of delving deep under the earth, awakening the stone to its potential to become vast and glorious halls, such as Menegroth, the realm of King Thingol and Queen Melian, and Moria, or as it is called in the Dwarven tongue, Khazad-dûm.
In regards to the runes that appear on the hammer, they are a system of writing called the Cirth, or the Angerthas. They were created by Tolkien and appear in a chart in the Lord of the Rings in ‘Appendix E: Writing and Spelling’. Historically, runes were used across Northern Europe during the Middle Ages by the Anglo-Saxons and Vikings. Tolkien borrowed from these sources and others to create his own unique set of runes. In Tolkien’s legendarium, the origins of the Dwarven runes as we know them date back to the Sindar and Noldor Elves, and the Dwarves did not come to learn them until the beginning of the Second Age, which fits in with the show’s timeline. The Elves later abandoned Cirth for Tengwar, used commonly to write Quenya and Sindarin. Cirth only represented the sounds of Sindarin, and were primarily used for engraving into stone, metal, or wood, the reason for the straight edges and angles of the letters. The Dwarves of Moria added to and expanded the Angerthas to serve their own language and purposes.
In translating the poster, there were two runes that confused the meaning at first. The first was the rune used for “ng” in “Sleeping”. The poster uses the rune for “nj” instead of “ng”. According to the LotR appendices, the “ng” rune was one of the newer cirth introduced by the Dwarves of Moria, though it does not say at what date. It does say “This Angerthas Moria is represented in the tomb-inscription.” Assuming this references Balin’s Tomb, the “ng” rune might not have been in popular usage until later than the series may portray. The second thing that tripped me up was the rune used for the silent “e” in “Awake” and “Stone”. The symbol for the silent “e” is given a value of “*” on the chart in the appendices, and it was only through further research that I was able to confirm the corresponding letter and sound.
It’s really wonderful to return to Arda! There is so much to look forward to when The Rings of Power airs this fall – and even sooner if these posters are any indication.
Amazon’s Prime Video is gearing up for the much anticipated Lord of the Rings show, coming this September; and today they have revealed the title for the show. It is The Lord of the Rings: The Rings of Power.
This, however, is to be no ordinary tv show; the budget and time already invested, and anticipated investment to come, make that clear. So it is only fitting that the title reveal was no ordinary reveal… The title was in fact (as the official press release states) ‘forged from real molten metal running like fiery rivers through hand-carved wooden ravines to craft its silvery letter forms.’ You can watch a dramatic video of this happening, here:
As an indication of the showrunners’ desire to connect with the fanbase, TORn staffers Justin and Quickbeam were fortunate enough to be invited to witness this moment in person; and TORn can now share with you some EXCLUSIVE behind the scenes glimpses of this epic moment, in the images and quotations below.
First, some more from the official press release, which goes with this magical reveal:
Prime Video’s The Lord of the Rings: The Rings of Power officially has a name and it hints at what’s to come.
The television series’ complete title was revealed today, and the significance behind the subtitle will not be lost on J.R.R. Tolkien fans, foreshadowing an epic story that welds the major events of Tolkien’s Second Age together: the forging of the iconic rings.
‘This is a title that we imagine could live on the spine of a book next to J.R.R. Tolkien’s other classics. The Rings of Power unites all the major stories of Middle-earth’s Second Age: the forging of the rings, the rise of the Dark Lord Sauron, the epic tale of Numenor, and the Last Alliance of Elves and Men,’ said Showrunners J.D. Payne & Patrick McKay. ‘Until now, audiences have only seen on-screen the story of the One Ring – but before there was one, there were many … and we’re excited to share the epic story of them all.’
Just as so many elements of the show itself were hand-crafted, Prime Video chose to physically forge the title in a blacksmith foundry, pouring fiery molten metal into hand-carved wooden ravines shaped to the letterforms. … The bespoke title treatment appears crafted in a silvery metal, with lines of Elvish script inscribed along the crest of each letterform.
Of course, this newly revealed title gives fans much to talk about, speculating about both content and tone of the coming series. Let’s just consider here, however, the nature of this reveal. It is extraordinary that the film makers should go to such lengths, pouring (ha, pun intended) their passion for the series into this artisanal moment. A large, highly skilled and experienced team, including director Klaus Obermeyer, special effects adviser Douglas Trumball, and special effects supervisor Lee Nelson, and using advanced 4K camera systems, worked with metal foundryman Landon Ryan, a highly skilled craftsman with 28 years of experience. Ryan says:
“With art, so much of it is about experimentation and materials and using materials in a way that they’re really not designed for and seeing where the limits are. With this [project], it was the freedom to do things that you wouldn’t do in a normal world, because they don’t make sense. But in this sense, it was to achieve a certain look or feeling.”
“It was such a pleasure seeing {Klaus’} vision and then coming up with ways to help him achieve what he was looking for. Experimentation and the willingness to try different things was a lot of fun. I am so thankful that I got to experience metal on that level. Because that’s my world. I pour metal every day and it’s a new understanding.”
TORn staffers Quickbeam and Justin witness an epic reveal
Special effects adviser Douglas Trumball is an Academy Award winner, and has worked on classics such as 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and more. He tells us:
We all had in mind this idea of molten metal brilliantly glowing -so that there’s no question that what you’re looking at is a hot metal. What we settled on was to mix some of these metals to get a certain color and a certain brightness. It was a combination of bronze and aluminum.
Knowing that a legend such as Douglas Trumbull worked on this project, you realise the extent of the care and attention which was given to what is, in the grand scale of the entire project, a relatively small moment. But it’s a crucial one, getting the ball rolling in 2022, the year of the launch of this series. Speaking personally, the level of lavish artistry shown here makes me very optimistic for what lies ahead. The visual and audio tone shown in the title reveal video seem entirely in keeping with what we expect from Middle-earth; and the enduring, metal letters neatly mirror the enduring artistry and legacy of the Professor himself.
With many more exciting reveals coming, we the fans can really allow ourselves to start to get excited. So it begins…
Staff from TheOneRing.net will be presenting panels, in-person, at two separate conventions in Southern California over the next week and a half.
First up is San Diego Comic-con’s Special Edition event this coming weekend. Our panel will be on Friday night, November 26 at 7 pm, and will be in room 7AB. If you have ever wanted to go to SDCC, but have been unable to get tickets, they are still available for this event. It’s a great way to get your feet wet, as it were, and buying a pass to the Special Edition will allow you to be on the Past Attendee list when the 2023 SDCC goes on sale. To check out our listing in the schedule, click here.
Our second stop on this whirlwind tour of SoCal conventions will be the Los Angeles Comiccon the following weekend, on Saturday morning, December 4 at 11 am, and will be in room 410. Both panels will be very similar, unless any new announcements about the Amazon LOTR drop between this weekend and the next. Feel free to visit us at both, but at least this way fans in both LA and San Diego have options to hang with the wonderful Fellowship that makes up Tolkien fandom.
Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets.
So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Art of Fate
by: Milan
How can so much darkness exist, while there is light?
How can the Black Eye of Mordor stare, while hobbit children skip through the grass?
Do all the troubles wash away down the River Anduin, great and wide, mysteriously,
Or do they pop up like hobbit children in a game of hide and seek, ready to come out for Elevenses?
How does life move on, to the beauty of the Lorien,
To come into the songs of old,
To relinquish the art of fate,
To come back stronger than you came,
What will the minstrels sing?
What will they say in their songs when you’re gone,
When you look into Galadriel’s Mirror, what will you see?
A sad reflection of yourself, of everything you are,
The destruction of your home, a black eye of fowl menace,
Who are you? Can you face yourself for me?
Weren’t we all just hobbits, letting our days unwind, in a safe haven for a time,
When the Carrion fowl take your body,
What will you think?
Will you watch from your ship at sea,
Or paddle forward, to find what awaits you in lands of bliss,
What will be your regrets, your wishes, your lies to yourself?
-Milan
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Middle Earth haiku
by: H Herz
Strider's valiant, but...
Not all who wander can cook.
Where's second breakfast?
www.henryherz.com
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If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
The Brisbane Tolkien Fellowship invites you to participate in our Zoom meet-up with our special guests John Callen and Sarah McLeod from The Hobbit/Lord of The Rings Movies, on the 31st October, 2021.
Sarah McLeod – Rosie Cotton
John Callen – Oin
We are initiating this event to replace our Evening in Middle-earth which is our major annual fundraiser for Kids in Care, supporting “The Pyjama Foundation”.
Due to Covid, for the last two years we have had to cancel our event, but this year we are running it virtually, online via Zoom and are delighted that we will be joined by John Callen and Sarah McLeod.
Our event, “Evening in Middle-earth”, first began in 2013 and in that time our small club has raised over $12 000 for our nominated charity and donated many children’s books also.
We hope you can join this special online event and enjoy a conversation with our guests.
The Zoom will run for one hour but can be extended to an hour and a half if required.
