Well, we’re back – with Episode 2 of our collectibles themed podcast. (If you missed it, you can find Episode 1 here.) In this episode, we talk about the importance of having a clear concept of what you want your collection to be, what you want in that collection, and being open to when a special piece crosses your path. We think this topic is important when collecting, because it’s very easy to feel the need to have everything, and thus get overwhelmed and burned out. We hope you enjoy the podcast – and we’re already working on episode 3!
As we all know, this year is the 20th anniversary of the release of Peter Jackson’s The Fellowship of the Ring, first in his Lord of the Rings film trilogy. To celebrate, New Zealand Post are bringing out some spectacular new stamps, with brand new artwork inspired by the movie – and we’re delighted to have an EXCLUSIVE first look for you here at TheOneRing.net. Fans will NOT want to miss adding these gorgeous works of art to any collection!
Tolkien art meets with the very latest technology! Spiderwebart and Greg Hildebrandt have been in touch to let us know that the painting ‘The Ring of Galadriel’ (1975) is for sale now, as an NFT. (Purchase would also include the original acrylic paint on board.) This is a rare chance to own a unique and famed piece of Middle-earth art, which also inspired George Lucas. Here’s an official statement about the painting:
The Ring of Galadriel was originally created in 1975 by master fantasy painters Greg and Tim Hildebrandt. First appearing in Ballantine Books’ 1976 Tolkien Calendar as the month of May, the design of this painting was based on classic imagery. The Brothers Hildebrandt derived inspiration from great works such as The Madonna, Botticelli’s Angels, along with Maxfield Parrish’s lighting and statuesque figure style. Researching medieval attire, they chose to use long draped sleeves to add a graceful majesty to our heroine. There is also a nod to the great English Academy artists in the rendering of her hair. Galadriel has an attitude of beauty, power, and strength as she is the Elf Queen who possesses one of the greatest powers in Middle Earth. The purchase of this NFT also entitles the buyer to the original acrylic paint on board 36×36 inches, framed, signed
The Tolkien art of the Brothers Hildebrandt helped establish the genre of fantasy art and made their names world-renowned. After responding to an open call for artists, Tim and Greg Hildebrandt were chosen to create 43 paintings for Ballantine Books’ J.R.R Tolkien calendars over a period of three years in the late ’70s.
During this same time, a young filmmaker by the name of George Lucas was in need of a striking movie poster to help sell his latest film. He had taken notice of the first two Lord of the Rings calendars and sought the brothers out to create a painting that would help sell it. The brothers created what became one of the most recognizable movie posters in cinematic history for the film Star Wars.
Over the years both Greg and Tim have created several iconic pieces for books and movies including work for companies like Marvel, Lucasarts, and Universal. Now an octogenarian, Greg Hildebrandt still sits at his table each day, busy as ever.
Middle-earth fans will not want to miss this amazing book from artist Jay Johnstone – Tolkienography: Isildur’s Bane & Iconic Interpretations (with commentary by Thomas Honegger).
It’s an amazing volume, filled with rich, luminous artwork. It was reviewed in the latest edition of theJournal of Inkling Studies (Volume 10, issue 2); here’s a little of what writer Lance A. Green had to say:
Tolkienography invites a deep immersion in Tolkien’s myth through the artwork of Jay Johnstone, who has been painting Tolkien-themed illustrations for about thirty years. Together with Thomas Honegger’s commentary, Tolkienography offers a novel artistic rendering of Tolkien’s sub-creation, provoking new interpretations of its characters and essential themes. Printed with colourful clarity, the styles and techniques of Johnstone’s pieces are different enough to avoid any redundancy for the viewer. Colours, spacing, and characters are varied with each turn of the page, as are the painting techniques, which range from more contemporary styles to those mirroring medieval forms, including frescos and Byzantine iconography. Johnstone’s oils and charcoal works certainly capture the imagination: the charcoal and chalk of the Council of Elrond (25), the oil on canvas of Isildur’s death in the river Anduin (35, 39), and the binding of Melkor (41) all wonderfully convey character and scene. An immense oil and gold-leaf rendering of Gandalf atop Shadowfax riding into Helm’s Deep (49–50) is one of the most striking paintings in the book, afforded two full pages in order to capture its immensity. Yet the artwork that crowns and guides Tolkienography is the Byzantine-styled iconographic paintings of Tolkien’s characters.
Lance A. Green, Journal of Inkling Studies Vol 10 Issue 2
The Journal is published by Edinburgh University Press; you can find more of the article here. If you’d like your own copy of Johnstone’s beautiful book, don’t delay – it’s a limited print of 500 copies! At only £45 – and signed by the artist! – it really is a steal for such a spectacular book. You can order it – and see more art from Johnstone – at his website, here.
Artistic Tolkien fans united on twitter this year for #Tolkientober to share new illustrations and representations of Middle-earth. Both fun and personal, the charge was led by Molly Ostertag who here pulls a small sample of the 1000’s of outstanding drawings.
EDITORS NOTE: Guest author Molly Knox Ostertag was invited to showcase the great artistic work done by fans worldwide for #Tolkientober. She is one of 2020’s Forbes 30 Under 30 media professionals, a NYTimes best-selling author and a leading illustrator for Disney animation.
A common theme of 2020 (besides mounting existential dread and the strange feeling that it’s lasted several centuries) has been people finding comfort in a return to their teenage passions. This is my sole excuse for why I have become as obsessed with Lord of the Rings this year as I was when I was 12 and would literally lie on the floor with giant speakers on either side of my head, playing the Return of the King soundtrack and crying about the Grey Havens.
I’ve been having fun drawing and writing and indulging this obsession, but there’s a limit to how much hobbit fanart a bored lesbian in lockdown can produce. Craving more content in much the same way Thorin & Co crave their ancestral treasure, I started a drawing challenge for October called #Tolkientober (I couldn’t think of a better name; please let me know if you come up with one). Each day had a theme, sometimes obvious things like ‘a dwarf’ and sometimes more interpretative, like ‘a guardian’. With weekends off, of course – no one better than Tolkien understood the importance of having periods of rest and healing in between efforts.
Big thanks to everyone who entered the contest run by our good friends at Oscha Slings, to come up with a new Middle-earth design! We hear there were many lovely entries, and it was very hard to make a choice; but we can now announce the winner. Here’s what the folks at Oscha tell us:
‘We’d like to thank everyone who entered the competition, it was wonderful to see the range of ideas and talents! The winner is *drumroll*….
‘Cari Johnston with her (yet unnamed) mirrored depiction of the journey to Lake-town and the Lonely Mountain, from The Hobbit. It’s such a clever design, with so many story-telling elements, that has been well executed to work as a baby sling.
‘We could see a lot of enthusiasm for designs that were already on our list, so hopefully you will eventually get something that you’ve been dreaming of, for instance horses, eagles, and Gandalf!
‘We hope you can agree that Cari is a worthy winner, and that you will look forward to seeing the design woven!’
Congratulations to Cari, and thanks to all who entered. Don’t forget to check out the many wonderful Middle-earth goodies (including face masks!) at Oscha Slings.
