For those attending viewings of ‘The Dark Knight Rises’ this weekend, you may find yourself listening to the end of Howard Shore’s ‘The Bridge of Khazad Dum’ playing as part of the brand new ‘Man of Steel’ teasers. If you have seen The Lord of the Rings: The Fellowship of the Ring, you know (SPOILERS) that when Gandalf falls at the bridge, we have an amazingly emotional and dramatic score to accompany this significant event. I get chills just thinking of the scene. Now, for better or worse, that same theme is used to build emotion for the next attempt to revive the Superman franchise. How do you feel about it? Share your thoughts in the comments, our forum and on Facebook! If you somehow managed to go through the last 10 years without owning Howard Shore’s award-winning score, we highly suggest you pick up today! (There are obviously many versions of the score to own, so browse around a bit) [LOTR:FOTR Score
Category: Production
Talking to USA Today’s Brian Truitt in San Diego, Peter Jackson talks about raising the bar for The Hobbit, with a new movie technology. Peter Jackson says using 48 fps “gives you an illusion of life that’s so much more vivid than 24 frames does,” he says.
“The entire industry is in some respect waiting to see what happens with The Hobbit. I’m very happy to be the guinea pig.”
Jackson predicts that by the time The Hobbit is released, there will be several tent-pole studio movies that will be using the technology.
If not, he says that the industry might as well throw in the towel. Read more [here]
Ringer Morgan tells us that Daniel Reeve the calligrapher and mapmaker from The Lord of the Rings and The Hobbit will be signing copies of his maps and chatting about his involvement in the films at the Weta Cave in Miramar (Wellington) this Sunday.
As well, Weta conceptual designer Greg Broadmore will be signing copies of his over-the-top steampunk extravaganza Dr Grordbort presents: TRIUMPH — unnecessarily violent tales of science fiction adventure for the simple and unfortunate on next Wednesday. Apparently there will be “a splendid high tea” as well. Entry is free.
In true retro-steampunk style, Broadmore’s alter-ego Dr Grordbort has declared: “attendance compulsory on penalty of flogging!”. Be there, or be on the run I guess!
Weta Cave artist signing details:
Daniel Reeve: Sunday July 22, 1pm to 3pm.
Greg Broadmore: Wednesday July 25, 6pm to 7pm.
Ringer Kellyduck sends us this link to what appears to be a substantial partial transcript of the press conference the Hobbit crew gave at Comic-Con last weekend.
I don’t think this is the entire press conference, but it is certainly a substantial part. We also now have some partial video too. (Sorry folks, I know you all want it to see it, but there’s still no showreel footage.)
At the 2012 San Diego Comic-Con, Peter Jackson — joined by The Hobbit cast members Martin Freeman, Andy Serkis, Ian McKellen, and Richard Armitage — said there are other parts of Tolkien’s stories he’d like to be able to tell. Sitting down for a small press conference after the Hall H presentation, Jackson talked about his hopes for shooting more footage. Along with his cast, Jackson discussed revisiting the world he brought to the screen in the Lord of the Rings trilogy, technological advances, and the 48 frames per second debate.
Choice quote from Martin Freeman: I was struck by just how emotional people were talking about the film, talking about anticipating the film. With each question came a preamble about what the previous films have meant in people’s lives. So all cliches aside, it’s a really nice thing to be part of something that actually touches people, genuinely touches people. It’s quite a lovely thing.
MrCere breaking in here. I was planning to report this whole press conference but real life, travel and DragonCon have prevented it and now this transcript is here, so anything I write seems less useful to readers now. The transcript isn’t word-for-word, it has removed the “uhms” and a similar words so the quotes are cleaned up, but it is accurate and easier to read this way. The questions are much more cleaned up. For example: The first one was mine and I said I would love to hear the response from the panel about Hall H, especially from those who were there for the first time. Martin Freeman spoke up, answered then the moderator moved on. (I especially wanted to also hear from Richard Armitage since we talked about things like Comic-Con while in New Zealand but sadly the moment was lost.) Anyway, I didn’t listen to the whole recording but it seems complete to me. Oh, but I do have some photos after the break.
[Partial transcript | [Partial video] | [TORn’s Ultimate Round-up] Continue reading “Comic-Con ‘Hobbit’ press conference transcript”
In this One News report Richard Taylor, Pietro Marson and Rod Sheeny (Weta Workshop Animatronics) talk about how Weta Workshop is using 3D printers to make weapons and props for The Hobbit and the Lord of The Rings trilogy.
Animatronics engineer, Rod Sheehy, says that the printing technology is an advantage because it keeps costs down with the items made in-house, saving a lot of time and Taylor says that they’ve used the tech to make helmets, sword hilts and axes. Thanks to Ringer Marc for the heads-up!
Hobbits are taking to the skies once again, but instead of riding giant eagles they are flying Air New Zealand.
The airline has cut a two-year deal with film studios New Line Cinema and Metro-Goldwyn-Mayer to promote the two upcoming movies, The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again. Passengers to and from the United Kingdom and North America will get to fly on two film-branded Boeing 777 aircraft and watch a special edition of the in-flight safety video, both made with the help of Weta workshop.
A Boeing 777-300 will be transformed into a flying billboard for the first movie and a Boeing 777-200 for the second movie.
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