oranzanz centerFor those of you who weren’t able to attend the Sunday Radio City events in NYC, message board member greendragon sends in this wonderful recap of the presentations that rounded out weekend. Having been lucky enought to attend, I would be remiss if I didn’t add to her report that her beautiful singing as part of the first presentation: The Music of The Hobbit, enchanted us all and, as our mistress of ceremonies, she was gracious and entertaining. Thanks, greendragon!

From greendragon: By now you’ve probably read many reports about the fabulous weekend in New York City, when many Tolkien fans gathered together to hear Howard Shore’s music played in Radio City Music Hall, with The Fellowship of the Ring projected on a huge screen behind.  The culmination of this magical weekend, on Sunday 11th October, was a day of presentations on Tolkien, the movies and the music.  We were fortunate, on a sunny Sunday in Manhattan, to be heading for a spectacular venue.  Angel Orensanz Foundation for the Arts maintains an amazing building on Norfolk St, which they had generously donated for our use that day.  This former synagogue is absolutely beautiful – you can read more about the venue here:

Continue reading “A wonderful Sunday of panels at the Angel Orensanz Foundation”

As the excitement of the wonderful weekend many of us shared in New York City for the Radio City Fellowship of the Ring concerts winds down, TORn would like to officially thank the generous businesses that donated prizes for various events held throughout the weekend. Follow the links to check out their great merchandise: Royal Selangor – pewter Frodo goblet, pewter Galadriel goblet; Jens Hansen – silver chain from their LOTR collection; Impact Books – “Forging Dragons” book of dragon artwork by John Howe; author Ethan Gilsdorf – copies of his book “Fantasy Freaks and Gaming Geeks”; Fantasy Flight Games – Lord of the Rings – the Confrontation board games; artist Colleen Doran – “Gimli’s Gift” prints; Design Toscano – $25 gift certificate; Alpha Video – Christopher Lee oldies DVDs; Weta Workshop – key chains; Mythology Body – soaps; Vampirathemovie.com – temporary tattoos designed by Daniel Reeve; Shop New Zeeland – manuka honey samples; Connolly’s Pub – pens; Idaho Potato Commission – various ‘tater’ related prizes. Thank you all!

Oscar-winner Guillermo Del Toro may be a big guy in Hollywood circles but the director of The Hobbit is only too happy to help some of the local film industry’s “little guys”. He has pledged his name and support to a Q&A fundraising event for Wellington producer Bonnie Slater and director Sam Kelly’s first feature film, One for the Road. Billed as New Zealand’s first musical drama, it’s slated to shoot early next year and follows the fortunes of a struggling, small town band.

“We’re thrilled to have Guillermo’s support,” Slater says. “He has not done any event of this kind in New Zealand before and it’s a coup to have attracted him to headline our fundraiser and help promote our cause. More..

Dr Dimitra Fimi, Associate Lecturer: University of Wales Institute, Cardiff writes: Festival in the Shire: A celebration of all things Tolkien inspired! Announcing the biggest and most exciting event for Tolkien enthusiasts in 2010: Festival in the Shire is a conference, exhibition and fair celebrating themes inspired by J.R.R. Tolkien, which will be held in mid-Wales, in Machynlleth’s historic Y Plas house and grounds between 13 and 15 August 2010. Continue reading “Announcing ‘Festival in the Shire’”

avatarSay whatever you wish about James Cameron or his movies (“Terminator 2,” “Aliens,” “Titanic” “The Abyss”) but he doesn’t play things safe. He showcased some 3-D footage of the upcoming “Avatar” (December 18) at this summer’s Comic-Con and then in one of the convention’s all-time highlights, took the stage with Peter Jackson to talk about technology, film and the future. Our friends at Weta have been heavily involved and will share some credit or blame for the success or failure of his latest, risky $230 million film. Dana Goodyear at The New Yorker has an excellent profile of the film director with a dose of Weta thrown in. Read it here