This Saturday at 6pm EDT (New York time), Hall of Fire returns to our read-through of The Fellowship of the Ring. We rejoin our questing Hobbits as they grapple without the fall-out from Frodo’s inadvertent disappearing act in the Prancing Pony’s common room, and try to work out the motivations of the mysterious ranger, Strider. (Details on how to join the chat are found down below)
All that is gold does not glitter,
Not all those who wander are lost.
FoTR Book 1, Chapter 10: Strider Continue reading “Hall of Fire FoTR chapter chat: Strider!”
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For JRR Tolkien, languages evolved at least in part in reaction to the history of their speakers. Looking at recent photos and screenshots of the cities of Dale and Esgaroth, I was struck by the thought that for Peter Jackson’s design team, Middle-earth history could exert a similar effect on architecture.
Curious how the architectural set design choices for the Hobbit might reflect the history of these two cities, I asked Barliman’s chat regular and archaeologist Jenniearcheo to provide a few professional insights on some of the set images that have found their way onto the internet.
This brief essay is the result. We hope you enjoy it.
Warning: SPOILERS.
Continue reading “Dale and Laketown: the tale of two cities”
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If you want the chance to join us in Wellington to experience all the excitement of the World Premiere for The Hobbit: An Unexpected Journey, you need to act quickly. With all the news and buzz surrounding comic con, spots on the tour have been very sought after. The Tour takes place the last week of November, includes hotel, our very own Premiere party, and about half your meals and all the transfers. What it does not include are tickets to the actual Premiere, which is an Industry event. There will also be a tour to the Hobbiton movie location, which is a must see now that it’s been restored to it’s filmic glory. The link below will give you better details on the dates, the itinerary and the pricing, which is ‘Land Only’.
NOTE: For full details on the trip, click here.
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In January, Lord of the Rings Online an expansion to the MMO called Riders of Rohan. Launching on September 5 this year, the game expansion adds the regions of East Rohan, Amon Hen and the Eaves of Fangorn Forest, a new mounted combat system plus a new, original score by award-winning composer Chance Thomas.
Thomas’ work should be familiar to anyone who’s already played the Lord of the Rings Online Games: Shadows of Angmar and Mines of Moria. Writer Layton Shumway recently visited a recording studio near Thomas’ Utah home and learned just how much effort the maestro behind the music of Turbine Entertainment’s Lord of the Rings Online puts into his craft. Continue reading “Inside the music of LOTRO: The Riders of Rohan”
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After a successful run in Washington DC last
year Andrew Upton, Cate Blanchett and Richard Roxburgh have brought the Sydney Theater Company’s production of the famous Chekhov play Uncle Vanya to New York City. And it’s wowing audiences in the Big Apple.
Opening as a part of the Lincoln Centre Festival at the weekend, critics have praised the “uniformly brilliant cast” that includes Cate Blanchett and Hugo Weaving.
Cate Blanchett and Richard Roxburgh are still slightly terrified by the play ‘It’s excruciating,’ says Blanchett. ‘What I find the most difficult thing to exist within is what Tamas [Ascher, the Hungarian director] describes in Chekhov as the “stupid silences” where everyone just falls into a silence that is utterly stupid, and their stupidity is revealed to them, and they are staring into a void.’ The production continues at the New York City Centre until Saturday.
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[Part 1 in a series from The Frodo Franchise Author Kristin Thompson]
Me and My Book
I’m a film historian by trade. I got my Ph.D. in film studies in 1977 and have written several textbooks and academic books on various topics in the field. In 2007, my book The Frodo Franchise: The Lord of the Rings and Modern Hollywood, by Kristin Thompson, came out from the University of California press. As we all wait for the release of the first part of The Hobbit, I thought some of you might be interested in some of my experiences while researching the book. I had a lot of access to the filmmakers for interviews and was given facilities tours during the last part of the post-production on The Return of the King.
I first conceived the book in 2002, when it became obvious to me that Peter Jackson’s film (I call the three parts one film, as he does) was going to be very, very important historically for a wide variety of reasons. The technology (the techniques developed to animate Gollum, the selective digital color grading) would be revolutionary. The internet campaign was pioneering, as was the filmmaking team’s approach to cooperating with the video-game designers. It was a big franchise film—and a fantasy at that—and yet it won the respect of critics and Academy-Award voters as no such film ever had. (The Fellowship of the Ring had won “only” four Oscars, but I knew even then that The Return of the King would be awarded lots.) Somebody should write a book about it, I thought. But probably nobody would, not the way it should be done, with interviews with the people involved. Not while the film was still in production. I concluded that it was up to me. Was it possible, though, to get the kind of access I would need? I set out to find out.
In January of 2003, through a mutual friend, I was put in touch with producer Barrie Osborne. Fortunately, he was interested in having such a book written. Without him, my project would have been dead in the water. Continue reading “Researching THE FRODO FRANCHISE: Part 1, Off to Wellington without a Handkerchief”
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