Regular readers will know that The Lord of the Rings: A Musical Tale has been playing at the Chicago Shakespeare Theatre (quick, catch it before it closes on Sept 1!); and will then head down under, first to New Zealand and then to Australia. Staffer Madeye Gamgee went to see the show in Chicago, and was fortunate to have an opening preview conversation with Producer Kevin Wallace.
“This is all about the Hobbits telling their story.”
Pippin (Ben Mathew), Sam (Michael Kurowski), Frodo (Spencer Davis Milford), and Merry (Eileen Doan) dance as only hobbits can.
This Gandalfian counsel from The Lord of the Rings: A Musical Tale producer Kevin Wallace provides an essential lens for anyone engaging in the magic that sweeps across the Chicago stage in this re-imagined production of the epic Tolkien classic. Just as Tolkien himself discovered upon penning, “In a hole in the ground there lived a hobbit,” so too this musical seeks to transform the epic into the intimate, connecting us to joyfully humble hobbit roots through memorable songs, sparkling dance, and music from the performers themselves. “It’s a retelling of their story,” per Wallace; appropriately so given Frodo’s entrusting of the Red Book of Westmarch to Sam and his progeny. The songs go ever on and on.
Originally conceived “as a great piece of commercial art” in its mithril-financed, three-act/3.5 hour initial form for Toronto (2006) and London’s West End (2007-8), ‘The Lord of the Rings Musical’ has seen a renaissance at a much more hobbit-like scale. Now billed more simply as A Musical Tale, the 2023 revival at the Watermill Theatre in Newbury (UK) dropped an entire act, reduced the number of actors by more than 40, and compressed the run time by nearly an hour. (You can find staffer greendragon’s review of that production here.) “Compared to the earlier productions, this is ‘rough’ theater,” Wallace explained. “It’s hobbits telling their story with what’s available to them… It’s actually ‘big’ theater with the illusion of being ‘poor’. You’re allowed to see how we’re doing it.” Which is why Pippin goes to war carrying a cello, a feat which comes off surprisingly well, to the consternation of a few marauding orcs; and we’re talking some serious swordsmanship by the double bass player.
Two and three quarter hours to cover the whole book? Really?
Spencer Davis Milford as Frodo and Tom Amandes as Gandalf
The PJ extended edition movies combined run for over 12 hours of content, and listening to the unabridged audiobooks will take you at least 54 hours at regular speed. So how is it possible to pack all of this theatrical Third Age goodness into the flight time between New York and Chicago (and still in time to wrap up before all the local restaurants close)? Kevin Wallace is very familiar with the challenge: “Given the films, we must satisfy our audience’s primary expectations.” Appearances by a very shadowy and flame-flowing Balrog, a stage-filling Shelob, and an especially spot-on and athletic homage to Andy Serkis’ Gollum (by actor Tony Bozzuto) certainly fed these appetites. “The essence of the story, though, is Sam’s and Frodo’s journey. Side sections have to fall away…” So the lands of Gondor and Rohan become “the Lands of Men”, Théoden and Denethor combine to become simply the “Steward of Gondor”, and we lose storylines and characters that many find dear. All you lovers of beacon-lighting, Paths of the Dead/Dead Marshes, and “I am no man” heroics may need a post-play re-watching, particularly of the second two movies, to scratch those particular itches. But even though there’s still no Bombadil, if you’ve ever wondered what John Lithgow’s version of Treebeard would sound like, this is the production for you.
Still, this is no mere cryptic condensation – despite what some less flattering critics have dwelled on since the inaugural performances in London and Toronto. This production certainly rewards any who are already familiar with the LotR story and personalities, whether through the book and/or movies: character connections are easier, e.g., between Merry and Pippin or Frodo and Gandalf; and plot compression leaves room for personal appreciation of excluded side quests and lost details. I found that the musical’s condensed frame actually served to intensify how I experienced some core Tolkien themes: the blending of voices, musical languages, and cultures in a functioning (and whirling) Fellowship; the enchantment and providential intricacy of dance as an element of creation and connection; the longing and reassurance of beauty observable in stellar spheres, sharply contrasted with the darkness that lingers here in Middle-earth (thank you, Kevin, for continuing to defend the inclusion of “The Star of Eärendil” on the song list!); and especially the hope and heartbreak of repentance, sometimes attained as with Boromir, and sometimes approached and then rejected, as with Gollum’s tragic tale. This was beautifully portrayed (far better than anything PJ produced) in Gollum’s self-aborted restoration to a more noble, never-ending story of worthy Hobbit heroes, as sung by Frodo and Sam in the poignant “Now and for Always” as they approach Mordor and Shelob’s snares. Gollum’s plaintive lyrical mimicry, and the mirroring choreography as he and Frodo together reach for some unseen saving grace, all leverage live theater powerfully in a demonstration of their shared addiction, and diverging paths, given the power of the One Ring. We even hear a faint note of self-sacrifice from Sméagol as he falls toward the Cracks of Doom, “Master is free…”
While condensed, this Musical Tale still manages to offer worthy, and unique, moments to integrate into the ways you may have experienced the artistic and thematic power of Tolkien’s story.
The Road Keeps Going Ever On
The Red Book of Westmarch gets a new owner at the Grey Havens in this production, too!
The Lord of the Rings: A Musical Tale continues to evolve. “Our Watermill production was a beautiful, intricate Swiss watch,” said Wallace. “Now, here in Chicago, we’ve built a more highly sophisticated Swiss clock.” Even with all the sets, puppetry, and props shipped in from last year’s UK production, the US premiere enjoys a larger venue than the Watermill, courtesy of the Chicago Shakespeare Theater’s innovative and flexible stage, The Yard. Director Paul Hart works wonders in leveraging this flexibility, from multilevel balconies built into the set, to Gollum’s gymnastic entrance from mid-audience to begin Act 2, to the lighting and mechanical magic that the set makes possible. The US cast and orchestration has also grown a bit from its Watermill roots, adding four new cast members/musicians (including that dangerous double bass). “It’s a production with Chicago ownership, reflecting the demographics and acting talent of the city,” added Wallace.
So where does the Road lead once the Chicago production wraps on September 1? The Civic Theater in Auckland has already scored a similar limited run as Chicago’s, with shows from the 5th though the 24th of November. And just announced is an Australia premiere, with performances beginning at the Sydney State Theater on January 7, 2025. And whither then? Well, wait and see!
“This production is not only a phenomenal opportunity, but also a huge responsibility. You just don’t want to take it for granted… In time, others will take the words and the music and ask, ‘How will I tell that story?’ But we’re still in our infancy with this one.” Suffice it to say that Kevin Wallace has dreams. Big dreams. Take some jewelry to Mordor big, unsurprisingly.
The Lord of the Rings: A Musical Tale continues through September 1 at the Chicago Shakespeare Theater. You can find tickets on their website, here.
Staffer Madeye Gamgee and his wife Rosie (Emily and Jim Wert) bookend longtime TORn friend/birthday girl Prof. Constance Wagner, and our new friend Michael Kurowski post-preview. And Samwise sure sports some stylish shoes when not in hairy feet!
(FRODO (Spencer Davis Mildford, at Chicago Shakespeare Theatre); Photograph by Liz Lauren)
Here’s what the press release tells us:
THE LORD OF THE RINGS – A MUSICAL TALE CONFIRMS AUSTRALIAN PREMIERE
[Thursday 15 August] The Lord of the Rings – A Musical Tale, the stage production based on J.R.R. Tolkien’s epic trilogy beloved by generations of readers, will make its Australian premiere at the State Theatre Sydney from 7 January 2025.
Longtime fans and newcomers alike will journey to Middle-earthTM in the company of Hobbits, as J.R.R. Tolkien’s trilogy of books The Lord of the Rings is brought to life on stage by a cast of multi-skilled actor-musicians, in a theatrical event that celebrates community, courage and camaraderie. “Tolkien would have been so proud” – WhatsOnStage
Created under license from Middle-earth Enterprises (the owner of exclusive worldwide motion picture and stage rights for The Lord of the Rings), producers confirmed Australia secured the production following its highly anticipated US premiere at the Chicago Shakespeare Theater. “A MUST-SEE SHOW to put on your summer list” – Chicago Stage & Screen.
The Lord of the Rings – A Musical Tale had its initial production at The Watermill Theatre in the United Kingdom, receiving rave reviews with The Guardian proclaiming it ‘The Greatest Show on Middle-earth’ and the Mail on Sunday calling it ‘Something rather wizard”. The production will also play in Auckland, New Zealand, at the end of 2024.
The Australian production arrives following the 70th anniversary of the publication of The Fellowship of the Ring, the first book in The Lord of the Rings trilogy which debuted in 1954.
“The Lord of the Rings – A Musical Tale is a celebration of storytelling at its finest, most electrifying and enigmatic; and we are so pleased to support this epic adventure as it travels to the magical continent of Australia from its origins in Middle-earth. At the risk of sounding cliché, this truly is a show you cannot miss,” Fredrica Drotos, Steward of MEE, emphatically declared.
“It is time for Australia’s actors and actor-musicians to tell their version of The Lord of the Rings – A Musical Tale in Paul Hart’s wonderful theatrical production, and we are looking forward to their bringing Middle-earth to audiences at the State Theatre, Sydney”, said Kevin Wallace of Kevin Wallace Productions on behalf of the producers.
As the Hobbits celebrate Bilbo Baggins’ eleventy-first birthday in the Shire, he gifts his nephew Frodo his most precious belonging – a gold ring. This fateful moment launches Frodo on a legendary and perilous quest across Middle-earth to the darkest realms of Mordor, to vanquish evil with his loyal Fellowship. The dynamic folk-inspired score is performed live by the company on stage, weaving together original music with storytelling.
Auditions have already begun in Australia to find the next generation’s iconic roles from the beloved trilogy, including Hobbits Bilbo and Frodo Baggins, Gollum, Galadriel, Gandalf, Arwen and Aragorn.
On behalf of Australian co-producer GWB Entertainment, Torben Brookman said, “This is a production that will delight The Lord of the Rings fans of all ages, whether you are 8 or 80, there is something for everyone in this brilliant telling of J.R.R. Tolkien’s classic tale. It is the perfect show for the summer in Sydney and we could not be more delighted to bring the production to Australia.”
The Lord of the Rings – A Musical Tale features a book and lyrics by Shaun McKenna (Maddie, La Cava) and Matthew Warchus (Groundhog Day) and original music by Academy Award winner A.R. Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä, and Tony Award winner Christopher Nightingale (Matilda the Musical).
The Lord of the Rings – A Musical Tale is presented in Australia by Kevin Wallace Productions, GWB Entertainment, Middle-earth Enterprises, Tim McFarlane, KHAM Inc, People Entertainment Group, The Watermill Theatre and Chicago Shakespeare Theater.
THE LORD OF THE RINGS – A MUSICAL TALE
STRICTLY LIMITED SEASON AT THE STATE THEATRE SYDNEY
FROM 7 JANUARY 2025
WAITLIST OPEN NOW AT LOTRONSTAGE.COM
As a reminder: you can read TORn staffer greendragon’s review from the production at The Watermill Theatre last year, here. Staffer Madeye Gamgee saw it – and loved it – in Chicago. Who is going to see it in New Zealand or Australia? Don’t miss it!
Become a Numenorean and sail to Middle-earth with us
After a successful Cruise to Middle-earth in November of 2008, and a sequel cruise in December 2012, it is time to complete the Trilogy. This Journey to Middle earth starts on January 2, 2023, in Sydney, Australia as you board the Celebrity Eclipse, and runs 12 nights long, ending in Auckland, New Zealand on January 14, 2023. This is not a LOTR convention at Sea, but more of a Mobile Middle-earth Moot where we get to see the real-world Middle-earth while enjoying the benefits of a luxurious cruise ship.
The Celebrity Eclipse comes with a 1/2 acre of live grass called the Lawn Club
This 12-night cruise will take you to such filming locations as Hobbiton and Edoras, with the option to visit the WETA Workshop in Wellington on a private tour. Other ports visited will be Melbourne, Dunedin, and the Bay of Islands. And for those choosing to arrive in Sydney a few days early, you will be able to celebrate the New Year’s Celebration near the Sydney Opera House and the Harbor Bridge for fireworks (not included, but I can assist in securing a hotel and flights).
Departs Sydney on January 2, 2023 and ends in Auckland on January 14, 2023
Once the cruise is finished, there will be an optional 2-night post-cruise stay in Auckland so that we can experience WETA Unleashed, and have a farewell dinner in the restaurant at the top of the Sky Tower in Auckland, and have a private tour and dinner in Hobbiton. This allows folks to choose a Cultural or Geological tour option in the port of Tauranga (Rotorua) rather than Hobbiton from the ship, which will be rather short and bunched together with other cruise passengers that might not be as geeky as those in our group. If you choose this post-cruise tour, there will be an additional cost, and you will need to remain in New Zealand at least until January 16, 2023.
Garfeimao and Bella in front of Bagend in 2018
If you choose to arrive on the morning of the cruise, you will have to depart North America on December 31, 2022, to arrive by January 2, 2023, or you can depart earlier and spend a couple of days in Sydney. If you wish to be in Sydney for the actual New Year’s celebration, you will want to depart North America no later than December 29 for a December 31 arrival. For those interested parties in Europe or Down Under, the time difference will affect you differently.
I am arranging an exclusive day tour to visit with WETA in Wellington for us when the ship is in port, which will include a private workshop. There will be a motorcoach to pick us up just outside the port area in the morning and take us over to Miramar to tour the facility, taking in not just LOTR projects, but some of the many other film projects WETA has worked on over the years. This will be topped off with a hands-on workshop on crafting leather and chain maille armor before the motorcoach will take us back to the city center for a self-guided tour inside the Te Papa Museum. You will not want to miss Te Papa, besides it being a world-class museum, there is a Gallipoli exhibit created by WETA that must be seen to believe, and the museum is free. We will then make our own way back to the ship before it departs. This tour can be purchased as a customized package not included in the cruise fare. A quote will be available shortly.
The original 2008 Cruise to Middle-earth group, the 5-year-old in the center just finished his first year of college.
On the ship, there will be a few days at sea, with no port stops, so I’ll be planning a few group activities that you can choose to join or not, depending on whether you would prefer to go to the spa or partake in other Ship Hosted activities. There will be a Tolkien Toast on January 3, 2023, to commemorate the Professor’s birthday, and then there will be a few games and group discussions, and maybe singing along to some of Tolkien’s songs found in the books. And this cruise takes place just a couple of months after the Rings of Power airs, so lots to discuss and maybe an additional location or two to be seen. For those of you with Middle-earth costumes, feel free to bring them, especially if they are on the lighter side, for packing purposes. There will be a Costumed Cocktail reception, and for those without costumes, a geeky t-shirt will suffice. The bonus is that you can also wear the costume either in Edoras or Hobbiton or bring two costumes and do both.
Other cruises thought our group were performers and wanted to follow us to our show
The nitty-gritty information for this group is that it has been on sale for several months, so some room types are no longer available. The Cruise pricing fluctuates regularly, based on available discounts for persons who qualify (past passenger, Senior or military rate, etc.) and just what rooms are still open for booking. An interior room right now is starting at $2179 per person, a Balcony room starts at $2429 per person and a Concierge Balcony (more perks) starts at $2869 per person. The private tour to WETA during the ship’s port stop in Wellington will have its own price, to be finalized very soon, and the customized 2-night post-cruise tour in Auckland to Hobbiton and other activities is currently priced at $1170 per person, but that will go down with a few more people booked into the group. There is a small planning fee of $50 per person if booked by May 31, and then it goes up to $100 per person on June 1.
To make an inquiry, please contact me at Garfeimao@TheOneRing.net
Come and join fellow Tolkien fans from around Australia for a Zoom get together of the 'Hern Ennorath' Tolkien group.
Tolkien fans from Australia are building an online community for Australians to discuss Tolkien and Middle-earth topics.
‘Hern Ennorath’ means South Lands of Middle-earth. The name was chosen to reflect where we Aussies live, in the great southern land, in the southern hemisphere and, so far, is made up of three sub-groups
Each of these sub-groups also have their own individual Facebook pages.
The next online meeting is on 23rd September and the topic will be “Music of Middle-earth”. It will start with a quick ‘getting to know you’, before discussing all things music in Middle-earth. From Tolkien’s lyrical poetry to music that has been inspired by Tolkien. The meeting will run for 1 1/2 hours, but everyone is welcome to come and go as they please.
Just follow these instructions to join
Times: 8pm, ACT, NSW, Victoria and Tasmania 7:30pm NT and SA 6pm WA
All are welcome, so mark the 23rd of September in your diaries, grab your favourite snacks and settle in for some “Music in Middle-earth”.
There are also plans afoot to hold an online Middle-earth Trivia Night in November, and a national face-to-face dinner and conference in 2022, so stay tuned for further details.
Wrapping up our our series on Amazon’s new cast members is the lovely Sara Zwangobani. Sara is an Australian actress who is best-known for her roles in a number of Australian TV series and soap operas. From recurring roles to guest appearances, Sara has appeared in Monarch Cove, Love My Way, and Don’t Stop me Now, among others.
Sara Zwangobani
Sara also has a number of stage roles under her belt, one of the most interesting of which included playing a female Marc Antony in Bell Shakespeare’s production of Julius Caesar in 2018, which toured around Australia. She also has a Lord of the Rings connection, having played the part of Rosetta in Sydney Theatre Company’s A Streetcar Named Desire in 2009, which featured Cate Blanchett as Blanche DuBois.
Sara Zwangobani as Marc Antony
Given her striking good looks, Sara could be cast in any number of roles in the new Amazon series. A Numenorean queen, or perhaps an Elf of Eregion during the time of the making of the Rings of Power? No matter the region and people of Middle-earth she becomes a part of, Sara is a perfect addition to the Amazon TV series cast.
Editor Note: Join TheOneRing.net as we focus on the recent cast member announcements for Amazon TV’s The Lord of the Rings inspired TV series. Throughout the month, and as part of our Tolkien Advent Calendar celebration, we will be taking a deep-dive into their previous work, relating that to the world of J.R.R. Tolkien. Today’s calendar is below!
In today’s spotlight, we feature two actors with roles in Amazon’s Middle-earth series, both versed in theater and film – Alex Tarrant and Fabian McCallum.
