Sydney Morning Herald writer Darryn King examines Tolkien as the progenitor of the art of conlangs (constucted languanges). But, as King points out, for Tolkien the language always came first and his works were ultimately developed to give to give voice to his invented tongues.
If you’re curious to read some of the primary sources for this, I recommend Letters #294 and #297 from The Letters of J.R.R. Tolkien.
The fairytale opening line of J.R.R. Tolkien’s The Hobbit is among the most memorable and beloved in literature: “In a hole in the ground there lived a hobbit.” It is an unassuming first sentence for what turns out to be an epic fantasy saga about good and evil, and one of the most influential works of fiction of the 20th century. Continue reading “Tolkien’s Hobbit born of humble words”
We at TheOneRing.net want you all to join us in saying a proper ‘Fond Farewell’ and heartfelt ‘Thank You’ to all the hard working Cast and Crew of all six of the Middle-earth films. There will be a giant ‘Thank You’ card at our planned “The One Last party: There and Back Again” event on February 21, 2015 in Hollywood. We’ve done this before, back at the Return of the One Party in 2004, so we know how to do big cards.
Now we know that not everyone can join us at ‘The One Last Party” so we have a special Perk on our Indiegogo campaign just for you. In fact, every single Perk level includes your name on the card, but we did create the lowest level Perk just for those who can’t attend, but would like to be included in this special ‘one of a kind’ Thank you greeting. The images here are from 2004, but they give you an idea of what to expect from this year’s Epic card. And for those who do attend the party, you will have the opportunity to personalize your greeting a little bit more at the party. This ‘Thank You’ card will either be given to, or sent down to New Zealand to be delivered to Peter Jackson.
For the past decade and a half, Peter Jackson, his amazing cast and the equally amazing crew have handcrafted these magnificent cinematic representations of Middle-earth for all of us to enjoy. Along the way, we have created a vibrant fan community where we can be found chatting on the message boards, meeting up at theater Line Parties, attending conventions together, making pilgrimages to New Zealand, and attending Oscar parties. We are a very social fandom who celebrates both the creative and academic side of Middle-earth, where you can find people displaying amazing costume designs right next to people who can recite and translate all of Tolkien’s Elvish poetry, and each can call the other ‘friend’. So while we want to thank Peter and the rest of the cast and crew for making films we can all enjoy, we especially want to thank them for the much more important Fan Community that has been thriving in big cities and tiny little towns all around the world since 2001.
Please join us in sending out our thanks by supporting our campaign for The One Last Party: There and Back Again, or sharing it far and wide with all your friends and family. Let’s all enjoy each other’s company #OneLastTime.
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Join us in Los Angeles in February at The One Last Party
We’re hosting a Party of Special Magnificence next February — a toast to all SIX movies, both LOTR trilogy and The Hobbit.
The marketing campaign of #OneLastTime for “The Hobbit: The Battle of the Five Armies,” might have been a little short-sighted as now that most readers of TheOneRing.net and other rabid Tolkien fans have seen the film (sorry Australia friends, paddle over to New Zealand) studios are probably thinking they should have gone with #OneDozenMoreTimes.
But the Sting can’t be too great, because the film is creating liquid gold that is flowing from consumers around the world. Rentrack, that tracks such things, shows that it has a robust domestic box office, so the little film from New Zealand has earned $90 million in Yankee coin. That is a more than solid five-day total and while it could have optimally earned closer to $100 million, that number is far from disappointing. In fact, the studios should use it to pour a floor like the one in Thorin’s hall of madness to, you know, impress the other studios.
The film has such white-hot, world-wide appeal however, that unlike some films that rely on U.S. consumers, this film hardly needs them in its march to $1 billion. Now, to be clear, that billion with a “B” sounds pretty nice but should the movie “only” make, say $900 million, all but inevitable now, that is still a pretty incredible figure. Our consumer brains like to hear the “B,” but the movie is a hit either way and don’t let anybody tell you otherwise.
Globally, it is on fire, doing great business in virtually every territory, sucking up a figure of $265 million since its open. Both the previous Hobbit movies earned more than $700 million internationally and this film is ahead of those in virtually every market. Domestic tracking would put it at $250 million plus for a conservative total of $950 million. My gut tells me the sentimental “last chance for Middle-earth in the theater” (you are welcome movie studio marketing departments) will give this film a little extra run. So the real question is: Will the Hobbit make more than the last Transformers movie? That shows at Boxofficemojo.com with a total of $1.08 billion. One of those two films is destined to be the biggest financially of the year. I generally dislike movie vs. movie comparisons, but I am both cheering for WB’s fantasy flick and against Michael Bay’s painful, loud snooze fest.
TOTALS: Domestic: $ 90.6 million + International: $265 million = Total worldwide: $355.6 million.
It is funny how big hits like “Guardians of the Galaxy,” and “The Lego Movie,” both fall well short of that $1 billion mark and are praised as giant successes — which they are. But, anybody remember some of the negative buzz with last year’s “Desolation of Smaug” being “disappointing?” It only made $958 million. Before that, some folks tried to say “The Hobbit: An Unexpected Journey,” was “doomed to failure” and then when it obviously wasn’t doomed or a failure, it was then termed as “not quite so bad, but still has no shot at $1 billion.”
First, that is just an arbitrary mark that looks good on a resume but it did cross that arbitrary mark despite the cries of “failure.” Bad buzz, even when it is fake, can hurt the box office. I got mad and wrote Death of ‘Hobbit’ at box office greatly exaggerated. I will not lie, punching holes in absurd journalism made it one of my favorite pieces I have ever put together for TORn. Also, it is relevant to how BOTFA is kicking some trash. So yeah, I had to link to it #OneLastTime.
Guardians will out-earn Hobbit in the U.S., but can’t touch it internationally. Marvel/Disney’s world-wide total will be approximately the same as Hobbit’s international-only money. Warners could have let everybody in the U.S. watch it for free and it would have earned the same as Guardians. #NotAFailure
The latest Hunger Games flick, “Mockingjay: Part 1,” is sitting around $640 million for its world total. Great numbers, but not Hobbit numbers. And Lego, as great a success as it is (and a great movie), isn’t half Hobbit 3’s final — even with Gandalf in it. In fact BOTFA is closing in on it fast.
BONUS TEASERS: While we are here, I will take a second to tease a pretty incredible Ian McKellen interview coming in the next day or so. That sounds immodest of me to say since it is my piece, but it is the journalist getting out of the way and letting Sir Ian talk. I really think it will connect with readers. He spoke at length about a lot of things including who else he thinks could have played Gandalf in The Hobbit films if he decided not to return. We also have some exclusive set photos of Peter Jackson coming in a day or two, one of which I included here in a small version. And if you haven’t heard, we are throwing a party! Details below.
We are proud to present the design of our Exclusive T-Shirt made specifically for everyone who supports our campaign to make The One Last Party a reality. The end product may look slightly different, current design features are being finessed, such as the final color of the shirt, the order to the costumed fans circling the bottom, etc. But ultimately this is the design that best demonstrates our fandom community and our desire to be together to say a fond farewell these six Middle-earth films.
This shirt design will not be made available to the public, the only way to receive it is to pledge at the Company of Dwarves level or above.
Making the complex simple and easy to digest has great value. A fellow on YouTube has been doing this for a while and now he has picked the mythology of Middle-earth to break down in a four-minute video. (And yes, we immediately wondered why we didn’t do this!) He uses spoken words, simple illustrations and iconic figures to blow through J.R.R. Tolkien’s mythology. The big overview ads value to the movie-going experience — like if you went to see “The Hobbit: The Battle of the Five Armies,” for example — or any of the various Middle-earth movies and gives viewers some idea of what all the ruins sitting around might be from. Finally, it might encourage somebody to go pick up a book!
Here it is, the broad view of old Middle-earth in four minutes:
Join us in Los Angeles in February at The One Last Party
We’re hosting a Party of Special Magnificence next February — a final toast to all SIX movies, both The Lord of the Rings trilogy and The Hobbit trilogy.
We’re inviting you to join us and make it happen through our Indiegogo campaign — so we can all celebrate Peter Jackson’s Middle-earth movies together!
Inside a sound stage, or outside on location, it is a constant and central fixture on a movie shoot. It is home base for Peter Jackson and his team.
It is sacred ground — more or less.
The decisions made inside it, by the team, under Jackson’s direction, are crucial to the project where it is determined what will later happen in front of the camera.
So every day, whatever happens to a set or a sound stage overnight, the tent is there set up and waiting for the core of the shooting unit.
Editor Jabez Olssen, Script Supervisor Victoria Sullivan and First Assistant Director Carolynne Cunningham call it home during the shoot. Cunningham is outside of the director’s tent a lot, Olssen and Sullivan less so and Producer Zane Weiner is always near. Jackson’s assistant Sebastian Meek is in and out at all times, bringing badly needed tea and watching the door from outside to eliminate distractions inside.
Jackson lives on tea and Meek has a talent for having it handy at the perfect moment.
SETTING THE SCENE
In April, 2012, as a representative of fandom via TheOneRing.net, I was invited to be on set during five weeks of the filming of the Hobbit films. At the time, it was still scheduled to be two movies and the production had just settled in to shoot in studio instead of on location. Much was unknown then, that now is completely familiar to fans.
When I first arrived at Stone Street Studios, the publicity team took me to set, showed me the ropes and left me to my own devices during the rest of my stay to meet folks and get interviews, which was great — no time and no need for babysitting.
I was there to be a good guest and to observe. Two weeks later I was definitely convinced I had no chance of talking to Peter Jackson, except for an occasional, “Hello, how are you getting on?” from him during my time there.
Fans world-wide know from production diaries, how exhausted Jackson gets during the shooting phase of filmmaking. It is important to really understand why.
Peter Jackson is a busy guy. Particularly when he is shooting, there is a lot to do in a day and a lot of people that need to understand his vision in order to do their jobs well; he is the hub of the great spinning wheel.
He is the director, a writer and a producer — each a big job on its own. Many films have one of each of those, or several of some, all working together. But Jackson was all of them at once and combining titles didn’t mean there was less work to be done. Just because he was reviewing shots didn’t mean the script didn’t need his touch or that the art department didn’t need his input or the next day’s schedule didn’t need approval. Others were partners on all of these roles but they also required Jackson.
In a day he might need to meet with the effects supervisor, set designers, concept designers, costume designers, the composer or see actual costumes for approval, or changes, to name just a few of the many things that require his time. He will confirm the schedule with his Assistant Director, producers and spend time with the Second Unit Director Andy Serkis, to make sure all is to his liking. They need sets built, greens grown, existing sets decorated, concept guys working ahead, materials guys building everything, maximizing actors’ time, feeding all of those people, screening extras, bringing in the right number of prosthetic artists for the day’s schedule of actors and extras and on and on. In short, there is never a shortage of people who need Jackson’s input to work on his vision and it takes the logistics of — dare I say — planning a battle with five armies.
In short, everything goes through Peter Jackson.
Those are the reasons “The Hobbit: The Desolation of Smaug,” and his other Hobbit movies are genuinely Peter Jackson movies. It also means he is booked.
Solid.
THE FINAL HOURS
And so it was, the last day of my time on The Hobbit set, after several assurances that my interview with Peter Jackson would happen — it did.
Lunch happened and on the location set of Dale, up on a hill overlooking Evans Bay to Wellington, I was invited to that nearly sacred director’s tent to sit and talk with PJ — just the two of us alone. (One editor asked me if we ate together in the tent but I don’t think so, but why many memories are crystal clear of that meeting, anything we ate or didn’t eat isn’t clear. I just have no idea.)
I had been inside before, but not often. The day I shadowed him, I spent several hours, trying to melt into the background. This was his sanctuary and office.
Sydney Morning Herald writer Darryn King examines Tolkien as the progenitor of the art of conlangs (constucted languanges). But, as King points out, for Tolkien the language always came first and his works were ultimately developed to give to give voice to his invented tongues. 
We’re hosting a Party of Special Magnificence next February — a toast to all SIX movies, both LOTR trilogy and The Hobbit.
