The Hobbit: An Unexpected Journey | Lord of the Rings & Tolkien News - TheOneRing.net Fan Community, since 1999

Not sure how I missed this first time round (possibly because of the fuss over the international cinema hookup and a quick visit to Wellington), but this is an insightful and at-times hilarious interview with several of the dwarven actors from the cast of The Hobbit, including Jed Brophy, Graham McTavish, Dean O’Gorman and William Kircher. Be sure to follow the link at the bottom to read the full transcript. It’s long, but worth it.

Or as Fairfax puts it: At one point we had one interview with an everchanging cast of dwarves. The following is the edited transcript – amusing, informative, long (very long) and occasionally anarchic.

JED BROPHY. My name is Jed Brophy and I play Nori the Dwarf. In The Hobbit. Which is a film. And a book. And possibly a TV series. And a radio play. Yeah.

QUESTION. How would you sum up your Hobbit experience so far? What has it been like?

JED BROPHY. It’s been amazing and exhausting. But mainly amazing.

QUESTION. So you have worked on nearly all of Peter’s films?

JED BROPHY. Yeah, I played a hardcore zombie in Braindead way back in the day in 1991, and then the boarder in Heavenly Creatures who seduces Mel Lynskey’s character, puts her off men for life. We’ve done Lord of the Rings, all three movies, and then got to work on King Kong and did a bit of work on Tintin as a mocap actor. So yeah, I’ve been very lucky to be included in a lot of his projects. It’s been a good run for me.

QUESTION. And he just rang up and asked you, “Want to be a dwarf?”

JED BROPHY. It was really interesting. I had got to do pre-vis on the mocap stage. So we were doing lots of working as a dwarf. They shot it as an animated feature to have a look at how they were going to progress the story and look at the script. I thought I was going to be possibly playing Orcs and maybe Goblins, similar roles that I did on Lord of the Rings. So it definitely went out of the box to be cast as a dwarf. I didn’t see myself physically in that role, but given the fat suits and the boots and the beards, they can do a lot.

QUESTION. What’s the progression been like, from all the way back then, as compared to now?

JED BROPHY. Yeah, look, I think that Peter hasn’t changed his process of filmmaking an awful lot. He is a visionary. People say he’s a genius. He is. He’s a visionary, he has the vision in his head, he surrounds himself with people who are all at the top of their game who share a similar vision, and he’s always been very, very careful to make the movie that he wants to make. He never shies away from making people work really hard to get that. Yeah, I don’t see a lot of difference in the way that he works, from the very first time.

QUESTION. How long did it take before you were comfortable to have lunch in the beard?

JED BROPHY. It’s never really comfortable to have lunch. I eat a lot of the yak hair. I’m pretty sure I’ve got fur balls. It’s just one of those things where you just have to get used to holding it down to [eat]. I don’t have morning tea once the mustache is on. It becomes impossible because it kind of hangs in there and you end up just eating yourself, which is not the most enjoyable thing, really.

QUESTION. Seeing as you’ve worked with Jackson on the previous ones, how’s the makeup changed for you? Is it much better now?

JED BROPHY. Yeah, the old days of foam latex. The foam latex is difficult in that once it gets dry, you can see the edges and it’s very hard for people doing the paint work. They have to continuously recheck and repaint and keep it moist. But with the silicon, with the translucency, it looks a lot more like skin. It’s a lot lighter to wear, you don’t sweat quite as much in it, and it looks fantastic.

I’ve had people come up to me not knowing which is my face and which is the prosthetics, which you can take as a [good or bad] thing. Obviously my nose is a lot smaller than this in real life. But yeah, it’s always a buzz that people can’t quite tell.

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As many of you know, The Lord of the Rings films have long been running on TNT – and that tradition will continue with The Hobbit. Last year, the network nabbed the rights for An Unexpected Journey (due to air in 2015), and now they have ensured that the next chapter in Peter Jackson’s adaptation will air the following year. Continue reading “‘The Desolation of Smaug’ to air on TNT in 2016”

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There is good news and bad news for Warner Bros. and Peter Jackson at the box office this weekend. Despite the strong opening of “Anchorman 2,” projections show that “The Hobbit: The Desolation of Smaug,” will be the number one movie for the second weekend in a row. Different outlets have different takes on the same story. Variety talks about “The Hobbit,” winning the weekend while Boxofficemojo features comparison charts on its front page and complete Middle-earth showdown charts inside.

The comparisons do reveal that DOS may fall well short of its predecessor which makes its run toward $1 billion world wide pretty interesting. As Variety mentions above, the film has managed to gather up $300 million world wide Meanwhile BoxOffice.com has every possible movie in its headline, now in its sixth update.

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The same company that publishes the works of J.R.R. Tolkien, obviously including “The Hobbit,” and “The Lord of the Rings” announced an app companion to the latest Peter Jackson Middle-earth film, “The Hobbit: The Desolation of Smaug.” From the looks of things, Houghton Mifflin Harcourt means for this to be an immerse and interactive version of the film books. Jude Fisher provides text and many of the images are 3D and interactive. We will include a gallery of images from the app below the official press release.

The app is produced by the United Kingdom publisher of Tolkien’s work, Harper Collins UK in conjunction with Warner Bros. and developed by Ardman Digital.

Below is the full press release with images of the product:

HOUGHTON MIFFLIN HARCOURT ANNOUNCES THE HOBBIT: OFFICIAL VISUAL COMPANION APP

December 20, 2013

Houghton Mifflin Harcourt, official U.S. publisher of J.R.R. Tolkien’s work, is thrilled to announce THE HOBBIT: OFFICIAL VISUAL COMPANION APP, an app designed to accompany the film experience of The Hobbit: The Desolation of Smaug, directed by Peter Jackson. A production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), The Hobbit: The Desolation of Smaug opened worldwide on December 13.

The app, produced by HarperCollins UK in association with Warner Bros., was developed by Aardman Digital. The app aims to engage with book and film fans on a digital and interactive platform, and is packed with content from the The Hobbit Trilogy, including text by Jude Fisher, details and images of the characters and a beautifully rendered 3D map.

Nick Perrett, Group Director of Strategy ＆ Digital at HarperCollins said, “This is the first step toward HarperCollins’ vision for persistent storytelling worlds that will act as a hub for fans of The Hobbit worldwide. This exciting new experience brings The Hobbit universe alive and, will over time, develop as a platform for discovering the world of Middle-earth.”Sanj Kharbanda, VP of Digital Strategy at Houghton Mifflin Harcourt said, “At Houghton Mifflin Harcourt, our strategy is to create great experiences across many touch points including books, ebooks, apps, and the web. We are thrilled to partner with HarperCollins UK to bring this to life for The Hobbit and celebrate the magic of Middle-earth with a new generation of readers with this app.”

Created using the Unity engine – more typically used by game developers than book publishers – THE HOBBIT: OFFICIAL VISUAL COMPANION APP is designed to enrich users’ experience of the films, enabling them to navigate a map of Middle-earth in its entirety, while discovering facts about the characters, locations and artifacts recognizable from the films and book. The app also features interactive trivia, allowing users to unlock additional app features.

THE HOBBIT: OFFICIAL VISUAL COMPANION APP will be updated with a rolling schedule of content for the next two years, including cast interviews, content for Houghton Mifflin Harcourt is the official U.S. publisher of film tie-in books for The Hobbit: The Desolation of Smaug, directed by Peter Jackson.

THE HOBBIT: OFFICIAL VISUAL COMPANION APP is available from Samsung’s Apps Hub (Samsung Web, Samsung Mobile) and Apple’s App Store (Premium, Lite).

HOUGHTON MIFFLIN HARCOURT TRADE PUBLISHING

For nearly two centuries, Houghton Mifflin Harcourt’s Trade division has published some of the world’s most renowned novels, non-fiction, children’s books and reference works in hardcover, trade paperback, and eBook formats. Its distinguished author list includes eight Nobel Prize winners, forty-seven Pulitzer Prize winners, thirteen National Book Award winners, and more than one hundred Caldecott, Newbery, Printz, and Sibert Medal and Honor recipients. HMH publishes such distinguished authors as Philip Roth, Temple Grandin, Tim O’Brien, and Umberto Eco, and a celebrated roster of children’s authors and illustrators including Lois Lowry, Chris Van Allsburg and David Wiesner. HMH is also home to The Best American
series®; The American Heritage® and Webster’s New World™ dictionaries; Betty Crocker®, Better Homes and Gardens®, How to Cook Everything®, The Gourmet Cookbook, and other leading culinary properties; the Peterson Field Guides®; CliffsNotes; books by J.R.R. Tolkien; and many iconic children’s books and characters including Curious George®, The Little Prince and The Polar Express. For more information, visit www.hmhco.com.

THE HOBBIT: THE DESOLATION OF SMAUG
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. The screenplay for “The Hobbit: The Desolation of Smaug” is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Philippa Boyens and Eileen Moran serving as co-
producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, “The Hobbit: The Desolation of Smaug.” “The Hobbit: The Desolation of Smaug” is a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

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The following comes to us courtesy of TheHutt, chief editor of Henneth-Annun.ru.

After Warner Brothers finally released the Extended Edition of The
Hobbit: An Unexpected Journey on DVD and Blu-ray, several reviewers pointed out one unfortunate thing about the release. Although it was obvious that Warner Brothers made some effort as far as the packaging
of the Extended Edition was concerned, there was a total absence of a booklet of any kind. That was rather annoying, as the stylish booklets included with The Lord of the Rings Special Extended Editions were just the cherry on the top – not only did they feature some nice sketches by Alan Lee and John Howe, but also provided useful information: the chapter list (along with new/extended chapter markings), as well as a navigation path through the intricate bonus menu system. Continue reading “The Hobbit: An Unexpected Booklet”

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In conjunction with last weeks release of The Hobbit: The Desolation of Smaug our friends at Weta Workshop have released several new products that tie-in to this newest part of the trilogy. These latest products range from commemorative pins for The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug, No Admittance Sign, to your very own piece of Smaugs Gold Coin. These fantastic items will make a fine addition to any Middle-earth collection. All of these items are in-stock so order today and they will be on their way!