(Luke Evans as Bard The Bowman and John Bell as his son Bain.)
WELLINGTON, New Zealand — Ever wonder what you gave Luke Evans for his birthday? Few realized it, but the staff and readers of TheOneRing.net gave him a present back in April of 2011.
Evans celebrated his 32nd year with a party at Gas Works, a bar and grill just walking distance from Stone Street Studios, the movie lot where Peter Jackson makes movies, including the forthcoming “The Hobbit: The Desolation of Smaug.”
In the mess tent of that set, on the white refrigerator that holds cream and milk and sundry items, near the always playing iPod, there hung a solicitation for all eyes to see: An open invitation from Luke Evans to celebrate his birthday on a Saturday night. (Regrettably I didn’t take a photo of the fridge.) The invitation was right there in perhaps the most trafficked spot on the lot, available for all, specified for none.
Are on-set reporters invited to cast and crew events? Advised by somebody from costume that it was absolutely okay (Jasmine I think, a real favorite), I decided to go only if could find a suitable gift from all of us, readers and staff of TORn. What would you buy an actor on behalf of the largest online Tolkien community? What does a guy making a living acting in New Zealand and away from home really want or need anyway? Continue reading “Luke Evans talks Bard the Bowman and Bard the family man in ‘Hobbit: Desolation of Smaug’”
This video will most definitely appeal to those of you who are big Doctor Who fans, but I’d wager the rest of you will find this immensely entertaining as well.
German magazine CINEMA has devoted several pages of its December issue to the filming and post production of the second film in Peter Jackson’s Hobbit Trilogy – The Desolation of Smaug. They offered a wealth of interesting tidbits – not the least of which was a glimpse at what could potentially be the opening prologue of film two.
Now, through the work of Florian Bunz, here’s a bit of an idea of what it might look like in 3D, if from a slightly different angle. The clip is very brief, and I’m no 3D composition expert to truly judge it’s quality, but the effect is quite startling.
Part one of this spotlight on Evangeline Lilly and her character Tauriel was published yesterday. Click here to read it.
(Evangeline Lilly as Tauriel.)In the first part of this story, Evangeline Lilly discussed her childhood love for “The Hobbit,” and her decision-making process that led her to move her family to New Zealand and work with director Peter Jackson as a character not found in J.R.R. Tolkien’s 75-year-old classic. She plays an elf in the forest kingdom of Thranduil where his son Legolas also lives.
How does an actor differentiate her character in a set of films stuffed full with grand, immortal elves?
“Somebody asked me, ‘Did you study a lot of the other elves? The performances of the elves from Rings to do this role?’ I said distinctly ‘no.’ I intentionally didn’t re-watch the movies because I was afraid of trying to copy someone’s performance and I wanted it to be original.”
“All the other elves you’ve ever seen in these movies are at least twice my age, at least twice Tauriel’s age, so they are very wise and they’re very well established in their power and their understanding of the world. I’ve intentionally tried to demonstrate that she’s not there yet. She’s young, she’s only 600 years old and in elven terms, that is so young. She’s just a baby.”
Lilly is even playing some layers of the role in a way she wants those diehard fans to understand.
“I like the idea of playing with a young elf, how would they behave? How would they be different from the aged elves? And I hope that it doesn’t come across as wrong, you know what I mean? I hope it doesn’t come across to people who really know the world as she’s not quite got it down. Because that’s my goal, to not quite have it.
“She wants to be as wise, she wants to be as much of a presence as all of her elders but she’s not. She’s a kid and there’s a part of her that is always a little too excited about things or maybe a little too engaged in the world, the way kids can get. And I think that was something I wanted to tell the really diehard fans.
(The outdoor Lake-Town wet set with extras and crew assembled for a night shoot on “The Hobbit.”)
WELLINGTON — The great cities of history have risen up around rivers, lakes and on coasts. Water holds vast and replenishing stores of food, improves transportation of people and goods, encourages trade, and of course keeps a population hydrated. Paris. London. Hong Kong. New York. Tokyo. Moscow. Boston. On and on.
Lake-town benefitted from excellent transportation and presumably a wealth of fish and food and clean, fresh water but it was built on water for a different reason.
Dragons.
One dragon in particular: Smaug The Terrible.
Tolkien’s Lake-town, like real-world Venice, was built on wooden pillars sunk into water. The lake men — with the destruction of Dale seared forever into their memory — built on water for safety. We watched it in the prolog of “The Hobbit: An Unexpected Journey,” while they had to live with the fear of dragon every day. Water-based living provided at least a chance against the great and terrible worm if he ever attacked again.
Earlier today, we revealed 
