These are heady days for fans who enjoy seeing Tolkien’s legendarium interpreted by ‘other minds and hands’! A year ago we reported that the Tolkien Estate had granted permission for composer Paul Corfield Godfrey‘s musical chapters from The Lord of the Rings to be released. We are delighted to reveal today that the recording of these works will be released this September – and is available for pre-order now!
Featuring 35 singers, most of whom are from Welsh National Opera, these chapters (and, in true Tolkien styles, some appendices) make up over 17 hours of music, and use text lifted almost entirely verbatim from Tolkien’s masterpiece. Looking at the cast list, we’re excited to see both Tom Bombadil and his fair companion Goldberry listed! The recording will be available as a 15 CD Deluxe Digibook with 64 page complete libretto and notes from the composer.
Here’s the official press release from Volante Opera:
MUSICAL CHAPTERS FROM THE LORD OF THE RINGS: THE CYCLE COMPLETED
The agreement by the estate of the late J. R. R. Tolkien last year to sanction the recording of Paul Corfield Godfrey’s “musical chapters from The Lord of the Rings” was hailed by listeners throughout the world as a milestone in the field of Tolkien adaptations.
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose acclaimed cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer had been working on sketches, fragments and episodes of what was originally envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion he was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. The adaptation extends to thirty “chapters” designed for performance over six evenings – more than fifteen hours of music.
Cast
This recording of the complete work by Volante Opera has now finally been completed and Prima Facie will release a demo set of the complete cycle, in the same manner as their Silmarillion recordings, in a single volume on 5 September 2025. The professional singers, some thirty-five in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo and Éomer, Emma Mary Llewellyn as Arwen and Goldberry, Laurence Cole as Boromir and Denethor, Martin Lloyd as Treebeard and the Herb Master, Helen Greenaway as Lobelia and Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-Wight and Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of parts. Angharad Morgan is also reprising her role as Galadriel from The War of Wrath. Other new cast members include Rhodri Prys Jones as Legolas, Gareth Long as Gimli, David Fortey as Pippin, Dyfed Wyn Evans as Merry, James Schouten as Faramir and Elrond, Gavin Davies as Thëoden, Gareth Lloyd as Saruman, Peter Wilman, Owen Webb, Alastair Moore, Francesca Saracino and Steffan Lloyd-Evans in various other solo roles and Howard Kirk as Tom Bombadil and Quickbeam.
Plot
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil and the Barrow-wight, the love story of Éowyn and Faramir and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment. The issue includes not only the complete musical score, but also a substantial booklet containing full details of the recording (including the text as set) and a supplementary appendix disc giving more extended versions of some of the more substantial narrative poems. As with the earlier issues of The Silmarillion the cover art has been furnished by Ted Nasmith.
Physical copies directly from Volante Opera Productions available for pre-order now; orders from other retailers will be closer to the release date.
Digital purchase will be available to pre-order seven days before release date of Sept 5th. Streaming platforms will be very limited but specific platforms will be itemised closer to the release.
And just to make September 5th seem even longer to wait – here’s a teaser trailer to whet your appetite! (You can see a longer trailer here.)
Artists appear by arrangement with Welsh National Opera
The Paul Corfield Godfrey Trust was founded in 2021 with the objective of promoting the compositions of the composer, by the commissioning for musical works by the composer; the publishing of works by the composer (Zarathustra Music); the promotion and performance of works by the composer; the recording and distribution of works by the composer and the promotion of the composer’s music by means of lectures, tours and other events. Trustees: Paul Corfield Godfrey, Simon Crosby Buttle, Julian Boyce. Officers of the Trust: Klara Claesson, Larissa Martins Costa, Phillip Walch.
Here at TheOneRing.net we have a tradition of enjoying April Fools Day with some merriment. We hope you enjoyed our jokes today.
You’ll be glad to know that AI will not be creating more “Tolkien” works, nor updating the Professor’s language; at least, TORn is not aware of any such plan – yet…
Not today, Morgoth…
Alas, the more pleasant news of a Silmarillion stage show was also a joke. The Lord of the Rings – A Musical Tale IS a fabulous show (and is touring in Australia; it returns to the UK later this year). We heartily recommend seeing it if you can! AND composer Paul Corfield Godfrey HAS released recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion; check them out here.
We should also note that TORn’s good friends are in fact producer Kevin Wallace (not Walrus) and Middle-earth Enterprises’ Fredrica Drotos (not Doritos); thanks to them for being great sports. And we still think the wonderful Donato Giancola could create amazing sets. Maybe we’ll get a Silmarillion stage show one day. (Staffer greendragon would like to volunteer to direct it…)
We now resume our regular programming. Don’t forget to vote in Middle-earth March Madness; Final Four launches TONIGHT!
Breaking news: rights to bring The Silmarillion to life have finally been released, but it’s not to any of the media giants you might have expected.
Ever since Prime Video started work on The Lord of the Rings: The Rings of Power, there has been much speculation and anticipation as to whether the Tolkien Estate would finally sell the rights to bring The Silmarillion stories to life. In an exclusive reveal, our friends at Middle-earth Enterprises have told us that it looks like that will happen now; but it is the folks behind The Lord of the Rings – A Musical Tale who have gained the long sought-after permission.
The recent revival of the musical, which features music by A.R. Rahman, Värttinä, and Christopher Nightingale, with book and lyrics by Shaun McKenna and Matthew Warchus, has proved such a hit that it seems to have persuaded the Tolkien Estate that more live Middle-earth on stage could only be a good thing. The latest musical production began at The Watermill Theatre in the UK, in 2023; it has since played in Chicago, Auckland, and is currently touring in Australia, to great acclaim.
In addition, composer Paul Corfield Godfrey has in recent years been given permission by the Estate to release recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion. This indicated to some that there was a move towards allowing more performance work based on the Professor’s writings; but this most recent announcement will nonetheless no doubt take folks by surprise.
Kip Rasmussen’s Eru and the Gods singing the First Song of Creation
What we’ve been told
The same composition and libretto team who brought us The Lord of the Rings – A Musical Tale will now be creating The Silmarillion – An Adventure Three Ages in the Making (working title). It is as yet unconfirmed who the stage director and design team will be for this epic show, but we do know that producer Kevin Walrus is on board. He expressed his excitement to us, and hinted at the possibility for a series of shows:
We are thrilled to build on the global momentum that we’ve already seen in our world tour of The Lord of the Rings – A Musical Tale production, with this expanded opportunity to play in the realms that Professor Tolkien created. Our first task will be to decide how many shows these new landscapes allow us to produce!
Rumour is that the production will open in New Zealand, sometime in late 2027. Middle-earth Enterprises’ Fredrica Doritos told us:
We know that the epic stories of the early ages of Middle-earth, found in The Silmarillion, are beloved by fans. The great drama, romance, peril and poetry of these tales makes them perfect for the stage; and the track record of the team who created The Lord of the Rings – A Musical Tale means that we know these sagas are in safe hands. We can’t wait to see Eru Ilúvatar and Manwë brought to life on stage. What song of Lúthien Tinúviel was powerful enough to lull Morgoth to sleep? Perhaps we’ll hear such a song in this stage show. We hope the fans will be as excited as we are, to see Fëanor forge his gems on stage.
We’ve also heard that artists already known for their Tolkien-inspired paintings may be brought in to be part of the design team. Could some of the folks whose masterpieces we’ve been enjoying in Middle-earth March Madness be part of these future shows? Certainly TORn friend Donato Giancola would make epic scenery designs; and Kip Rasmussen’s ‘Eru and the Gods singing the First Song of Creation’ would make a wonderful show poster.
Donato Giancola’s Beren and Lúthien in the Court of Thingol and Melian
We here at TheOneRing.net are very excited by the news of this forthcoming stage production (or productions!), and staffers have started speculating as to exactly which stories will appear on ‘the boards’. Look for more content to explore our thoughts; and of course we’ll bring you updates as we receive them.
We’re thrilled to announce a new partnership between TheOneRing.net and the amazing folks at Signum Studios; and to let you know about an imminent project which you can support! Here’s our official press release:
FOR IMMEDIATE RELEASE
January 11, 2025
TheOneRing.net Partners with Signum Studios to Bring Deep-Dive Fan Content to Audiences Worldwide
For 25 years, TheOneRing.net has been a beacon for Tolkien fans — celebrating the Professor’s works with authenticity, community spirit, and a passion for well-researched stories. Today, we’re delighted to announce a new partnership with Signum Studios, known for producing in-depth, academically informed content that resonates with dedicated fandoms everywhere.
“We’re thrilled to join forces with Signum Studios,” says Chris Pirrotta, Co-Owner of TheOneRing.net. “Both of our teams share a commitment to creating thoughtful, inspiring projects that honor Tolkien’s vision and bring fans closer together. We can’t wait to see where this journey leads.”
Corey Olsen, President of Signum University (of which Signum Studios is the production branch), says, “Signum University has always admired the passion of the TORn community, and we are tremendously excited by what lies ahead!”
A Deep Dive Into Middle-earth: Rings & Realms: The War of the Rohirrim
A project that celebrates just this type of collaboration is a Kickstartercampaign for “Rings & Realms: The War of the Rohirrim.” This documentary-style production channels the beloved “appendices” spirit by exploring the anime feature film about Helm Hammerhand and the origins of Helm’s Deep. This documentary is helmed (pun intended!) by the creative minds at Signum Studios — including Dr. Corey Olsen (widely known as “The Tolkien Professor”) and Dr. Maggie Parke (Studio Director and adaptation specialist) — and will also feature TheOneRing.net’s own greendragon (Kirsten Cairns) as part of the team.
Dr Corey Olsen and Dr Maggie Parke of Signum Studios
• Thoughtful Exploration: The Rings & Realms crew merges scholarly insights with fan-oriented storytelling, aiming to offer a deeper understanding of Tolkien’s lore.
• Community Engagement: Backers gain behind-the-scenes access, Q&A sessions, and even set visits — keeping our vibrant fan community at the heart every step of the way.
• Authentic Fan Spirit: True to TORn’s legacy, this project will invite fans to explore Middle-earth in a welcoming, celebratory way.
By supporting Rings & Realms, you’ll help us continue our mission of bringing richly researched, entertaining Tolkien content to audiences around the globe. Whether you’re a long-time TORn community member or new to TheOneRing.net, we invite you to be part of this exciting new venture.
How You Can Support
Visit our Kickstarter page to learn more about Rings & Realms: The War of the Rohirrim, pledge your support, and explore the rewards we’ve lined up for you. But hurry! The Kickstarter campaign closes at 7pm ET on Monday 13th January. With your help, we can continue celebrating Tolkien’s world — together.
About TheOneRing.net
Since 1999, TheOneRing.net has been a welcoming home for Tolkien fans, uniting a global community that embraces the spirit of exploration, discussion, and fellowship inspired by J.R.R. Tolkien’s works.
About Signum Studios
Signum Studios specializes in fan-focused, academically grounded media productions. Their goal is to bring beloved fictional worlds to life through engaging storytelling and thorough research — offering a fresh perspective for fans everywhere.
Father Christmasand North Polar Bear – J.R.R. Tolkien
It’s that most wonderful time of the year again! If you’re looking for the perfect holiday gift for your favourite Tolkien fan, you’ve come to the right place. The staff of TheOneRing.net have put together a list of our favourite items of the year, with price points for every budget.
From our Fellowship to yours, TheOneRing.net would like to wish you all a peaceful and happy holiday season.
Please note, unless otherwise indicated, all prices are in US Dollars.
Staffer Wee Tanya recommends McFarlane’s $19.99 War of the Rohirrim figurines, for the LOTR Collector in your life.
Helm HammerhandWulf
If you are also a collector of action figures based on the Peter Jackson LOTR franchise, I am happy to share that McFarlane Toys has a set of licensed figures for War of the Rohirrim, including Hera, Helm, and Wulf, and a few others. The figures are 4″ tall with six articulation points (neck, shoulders, hips, knees), and nicely detailed.
Kelvarhin recommends John Howe’s beautiful 2025 Tolkien Calendar, with images from The History of Middle-earth for $16.99.
If you’re a lover of Tolkien Calendars, like me, this is a must have for the coming year. Featuring images from the Three Ages of Middle-earth, it’s the perfect gift for all Tolkien fans.
Demothenes recommends The Art of The Lord of the Rings: The War of the Rohirrim by Daniel Falconer, $50.00 from Harper Collins.
A comprehensive, large-format hardcover offering unparalleled insight into the making of The War of the Rohirrim, and the complete creative journey from concept to finished film told by the artists and filmmakers themselves.
Written and compiled by Daniel Falconer, conceptual artist at the Academy Award-winning design studio, Weta Workshop, this indispensable book chronicles the stunning conception and design of the world of Middle-earth in Kenji Kaimyama’s The Lord of the Rings: The War of the Rohirrim
If it’s Middle-earth clothing you’re after, Garfeimao suggests you check out the range from Hot Topic and Her Universe.
Our wonderful greendragon has a dragon’s hoard of suggestions, with something special for every Tolkien fan!
If you’re looking to adorn your own cosy hobbit hole with some authentic stained glass, look no further! Ian Leino of Geek Orthodox is an incredible artist, and his stained glass pieces are amazing. Even better – he also makes very high quality window cling versions of his stained glass, for those whose budget doesn’t quite stretch to an actual glass piece. He has some stunning designs from multiple fandoms; but of course his Middle-earth piece are my favourites!
The holidays are traditionally a time to eat, drink and be like Merry… But even if you’re not a consumer of alcohol, the collectible spirits from the good folks at Syzyrgy Forge are worth having just for the beautiful bottle. Check out their Green Dragon whiskey. If you DO enjoy a tipple, you may need to buy two bottles – one to drink, and one to keep unopened. Look out for their Gandalf and the Balrog design coming next…
This one is really for folks who have an outdoor space to adorn – though as an apartment dweller in a city, I’m trying to work out how to display my ‘Green Dragon’ sign indoors. The folks at Metalbird create extraordinary silhouette signs, which can be attached to a fence post or tree trunk. Their original creations were – as you might expect – metal birds, but now they’ve ‘branched out’ (ha, see what I did there?) and collaborated with Weta to create Lord of the Rings pieces. Choose from Gwaihir (with a tiny Gandalf passenger), a Balrog, the Witch-king on his Fell Beast, or the Green Dragon pub sign. All beautiful; but of course I have a clear favourite…
Bring the atmosphere of Middle-earth into your home this festive season, with the incredible immersive soundscapes from Jordan Rannells. His latest creation is for The Hobbit: you can use it as an accompaniment for reading the book, or sync it with the official audiobook to get an amazing, immersive audio experience. Better yet, you can get a discount with a special code (TORN25) for TORn friends!
If you want something stunning to adorn your walls, look no further than Zewood’s wonderful clocks and maps. We’ve discovered this company recently, as they acquired a license to create Middle-earth pieces. They tell us:
The maps are available in three sizes, ranging from 10 to 29 inches in width, and three color schemes that can easily fit any interior. It can help you fully immerse yourself in the Middle-earth world: explore the routes of key characters, admire the sights, and stop at the places of decisive epic events.
The scent of wood and the depth of glass – all this makes the Zewood map a memorable gift for true Tolkien fans and everyone who appreciates the aesthetics of unique pieces of art. The map can also be engraved with a special phrase, favorite quote, or a name, making the gift even more personalized.
The good folks at Shire Post Mint have some beautiful pieces, including new ones released for The Lord of the Rings: The War of the Rohirrim. If you’re looking for jewelry for someone, how about their brass Stallion necklace? Their treasures are all high quality, but priced very reasonably; and they have a sale going on this weekend only!
Of course our friends at Oscha have many gorgeous goodies, from throws and blankets, to clothing, drinkware, and even yoga mats! Beware, a visit to their website can be hard on the wallet, as you may find yourself saying, ‘We wantsss it all, precious…’ But the good news is, they have a special offer – THIS WEEKEND ONLY. They are calling it ‘Thank You Friday’ – to thank people for choosing to shop with a small, ethically conscious business. From 10am Thursday 28th Nov – to 10am (UK time) Tuesday 3rd Dec, at the Oscha Slings website, you can get:
£10 off if you spend £100 £20 off if you spend £150 £30 off if you spend £200
Here are a few of their own staffers’ personal favourites:
Realm of Middle Earth Indigo Mug:If you are looking for the perfect middle earth map coffee mug, this is for you. Crafted in bone china, these high quality mugs are made by a family business in Staffordshire, UK. It features beautiful touches on the handle and inside.
Misty Mountains Astralis Scarf Loop & cowl:The peaks of the Misty Mountains glow in gold against a fade of burgundy on this beautiful lightweight and shimmery scarf. Woven with luxurious Mercerised Egyptian Mako cotton and ethically made in the UK, it’ll make a truly special gift this season.
Doors of Durin Ithildin Yoga Mat: Whether you’re mastering your Warrior pose or simply meditating, this mat is the perfect blend of fandom and functionality—a thoughtful gift for Lord of the Rings fans. Crafted for eco-conscious adventurers, these mats are biodegradable, PVC-free, and non-toxic, offering a high performance experience.
Tree of Gondor Hoodie: A thoughtful gift for Tolkien enthusiasts. Featuring the iconic white tree emblem, this hoodie is a must-have for Lord of the Rings fans. Made from 100% organic cotton, it’s soft and breathable, perfect for any adventure.
And finally – we’ve saved the best till last… ! There is just a HANDFUL of TORn’s 25th Anniversary mug available to order for the holidays! This is the absolute last chance to grab one of these beautiful mugs, as we come to the end of this anniversary year; so if you missed it when it was available earlier this year, (or if you want another in case you break the first one you ordered), you’ll definitely want to place your order! Order your mug here. It’s the perfect gift for any follower of TORn or lover of Tolkien. Happy Holidays!
This week in Reflections from the Shire we have a guest post from Tolkien lover, and Tiktok and Threads regular, Lea/Silmarilleanne about The Shibboleth of Fëanor and it’s appearance in The Rings of Power episode four. Enjoy!
~ Staffer Kelvarhin
Reflections from the Shire – The Shibboleth of Fëanor
Guest post by: Lea/Silmarilleanne
Keen-eared Tolkien fans may have noticed an interesting linguistic quirk spoken by Adar at the end of episode four of The Rings of Power. He greets Galadriel with a familiar Quenyan phrase – one used by Frodo to greet Gildor Ingolrion in The Lord of the Rings: “elen síla lúmenn omentielvo”, to quote Frodo. But Adar’s is slightly different, raising some interesting possibilities about his original elven identity.
Firstly, there’s the fact that Adar is speaking Quenya at all. This suggests he is a Noldo of Valinor – just as Galadriel is; Quenya the language originated in Valinor and is the the language of the High Elves. It was dropped in favour of Sindarin shortly after the exiled Noldor arrived in Middle-earth, thanks to the ban placed upon it being spoken by the Sindar King, Elu Thingol, after he was informed of the Kinslaying at Alqualondë, the victims of which were his own people, the Teleri. It was never spoken by any of the other elves of Middle-earth, becoming something of an archaic language of lore. Furthermore, Adar calls Galadriel “Altáriel”, the Quenyan form of the name Galadriel – an epessë (a kind of nickname) she was given in Valinor, and which was Sindarised to Galadriel in Middle-earth. This is all to say, were he anything other than a Noldo, it is extremely unlikely he would have spoken Quenya and known Galadriel’s Quenyan epessë.
The most intriguing part of all this though is instead of síla, Adar pronounces the word as thíla – or, more accurately þíla. This usage of the thorn in place of s suggests he is not only speaking Quenya, but a very specific dialect of Quenya – Fëanorian Quenya, known amongst many fans as ‘the Fëanorian lisp’ (indeed, those who spoke this way were dubbed ‘the Lispers’).
In The Shibboleth of Fëanor, published in The Peoples of Middle-earth, volume 12 of the History of Middle-earth, Tolkien at his philological best describes how sociopolitical matters affect language and vice versa. As the Shibboleth explains, the Noldor and the Vanyar, two of the three tribes of elves, once lived together in the city of Tirion in Valinor and shared a language, Quenya. The Vanyar relocated to the city of Valmar to be closer to the Valar, and as a result of this distancing, dialectical shifts occurred between the two peoples. The Vanyar retained the þ in their language, but amongst the Noldor there was a “conscious and deliberate change…based primarily on phonetic ‘taste’ and theory” to s.
The change was attacked and opposed by loremasters, who believed it would cause damage “in confusing stems and their derivatives that had been distinct in sound and sense”. The chief linguistic loremaster at this time was Fëanor, who as well as being a fastidious loremaster also had a very personal reason for objecting to the change. Fëanor’s mother, and first queen of the Noldor, was Míriel Þerinde. While the linguistic shift is said to have happened (or at least began) within her lifetime, Míriel herself adhered to the pronunciation þ, and “desired that all her kin should adhere to it also, at least in the pronunciation of her name”, therefore Þerindë as opposed to Serindë.
However, unprecedented amongst the elves of this time, Míriel died, and refused to be re-embodied. Embittered by this, her husband Finwë himself switched away from þ in favour of s, which had at this point become almost universal amongst the Noldor bar Míriel’s kin. Matters were worsened further when his second wife, Indis of the Vanyar, followed suit. As a Vanya, Indis had hitherto retained the þ in her speech, but she declared, “I have joined the people of the Noldor, and I will speak as they do”. Fëanor, hating Indis and seeing her as somewhat of a usurper in his mother’s rightful place, believed her switch to be a grave insult and belittlement of his mother, and came to view the rejection of Þ as a symbol of rejection of both his mother Míriel, and by extension himself, her son, as the chief of the Noldor next to Finwë.
Thus, he became yet more vehement in his objection of the shift, even while his behaviour turned those who had previously agreed with him to the opposing side:
“Had peace been maintained there can be no doubt that the advice of Fëanor, with which all the other loremasters privately or openly agreed, would have prevailed. But an opinion in which he was surely right was rejected because of the follies and evil deeds into which he was later led.”
Fëanor remained steadfast in his opposition, pointedly calling himself ‘Son of Þerinde’ and telling his sons, when they queried the difference in their speech from that of their kin, that they “speak as is right, and as King Finwë did before he was led astray”.
So even before the Rebellion of the Noldor and their exodus to Middle-earth, s in place of þ had become dominant, and this was further cemented in exile: “The s was certainly used in Beleriand by almost all the Noldor,” Tolkien writes, and this is followed by the note “It is not even certain that all Fëanor’s sons continued to use Þ after his death and the healing of the feud” between the Fëanorians and the family of Fingolfin, though it seems almost certain any elf who did retain the thorn would have been counted amongst the Fëanorian followers – thus is raised the question of Adar’s identity.
But Adar saying it to Galadriel adds yet another layer of significance. The Shibboleth of Fëanor further details how Finarfin, Galadriel’s father “loved the Vanyar (his mother’s people)” and that because of this love in his house, þ remained in standard use and he was moved neither one way nor the other by Fëanor’s shibboleth, acting purely as he wished. Galadriel therefore grew up in a household that retained the þ. However:
“opposition to Fëanor,” Tolkien writes, “soon became a dominant motive with Galadriel… so while she knew well the history of their tongue and all the reasons of the loremasters, she certainly used s in her own daily speech.”
In other words, she purposely transitioned to using s to spite Fëanor. Adar’s own usage of it then could also be retaliative or in a similar vein: he is aware of its import and meaning to Galadriel and could potentially be purposely using it as a means of aggravating her.
Certainly, the implications of him speaking Quenya – and specifically the Fëanorian dialect of Quenya – seems to contradict earlier indications in the show about him being one of the first orcs; the first orcs were made from elves taken during the days at Cuiviénen, long before the elves went to Valinor and Quenya the language even existed; at this time, they spoke only Primitive Quendian. It would also seem odd if Quenya is his mother tongue, why his name is Adar, the Sindarin word for father, as opposed to Atar as it is in Quenya. But how deep does the show want to delve? It could be a lot more straightforward – the show is going on the simplified premise of Quenya having been spoken by the elves since those early days, and the dialectical shift having happened since then simply being indicative of Adar’s extreme age. But if Adar is from amongst those first elves, as Galadriel claimed in the first series, that would put him of an age, older even, than Círdan, and yet Adar is very noticeably lacking the beard that is illustrative of Círdan’s long lifespan. On the other hand, if the show really is going this deep on the lore, exactly who is he? Theories of Adar being Maglor abound, since it would tick many of the boxes: Fëanorian speech, Noldo, dark hair, familiarity with the name Altáriel… But surely, even with a multitude of scars on his face, Galadriel would recognise her cousin? There is also, and perhaps most fundamentally, the issue of rights. While the Tolkien Estate has afforded Amazon some leniency and granted access to certain items outside the rights they own – most notably, the name “Annatar”, a word which does not appear in the Lord of the Rings and its appendices, which Amazon owns the rights to – it is another level entirely to grant them access to an entire character.
Regardless of whether Adar’s use of the “Fëanorian lisp” becomes significant and plot-relevant, or remains a little easter egg for keen-eared viewers, it has certainly conjured a lot of discussion, and a wonderful new level of interest in more casual fans, who have begun seeking out a once fairly obscure text like The Shibboleth of Fëanor.
About the author:Lea aka Silmarilleanne is a long-time lover of Tolkien’s works with a penchant for his languages and the House of Finwë. When her nose isn’t buried in a book or a PlayStation controller in her hands, she can most often be found talking Tolkien on Tiktok and Threads.
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If you’d like to discuss “The Shibboleth of Fëanor” further, or just want to discuss all things Tolkien in a welcoming, troll-free environment check out TheOneRing.net’s Discord or message boards.
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