Welcome to The Great Hall of Poets, our poetry feature showcasing the talent of Middle-earth fans. So come and join us by the hearth, and enjoy!
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Andreth’s Lament
by Caroline Flynn
The trees are bare, the wind is chill But I remember the spring upon Dorthonion’s hill. My hair is grey, my eyes grow dim Yet they brighten when I recall him.
But between us a wide gulf spanned Unbridgeable by any earthly hand. I looked upon his flame, bright as the midnight star – A light I could only behold from afar.
For he was a child of the earth’s morn: I, mortal man’s daughter born. He, an Elda, for whom the ages flow by, I, of the Edain, doomed to age and die.
Yet our hands touched in the night, And I felt his flame, sharp and bright That burned in his eyes, touched his golden hair And touched the heart of a maid, young and fair.
Joy for a short time, then long sorrow And the dawn of our love had no morrow. Did I alone love in those blissful days? For in the end, you turned away.
On a grey morning you set forth Answering the war-horns of the North. Was it mist upon your face, or tears, As you left me behind to fading years?
Youth’s years may indeed have been few, But all I would have given to stand beside you! Did you spurn the love I thought we had before? I never asked, I saw you never more.
But in the regret, I found a friend, As your brother sought the hurt to mend. And he said that your love had been great, And only unwillingly did you separate our fates.
But as we sat and by the fire spoke, My hurt was healed, hope awoke. I understood that you were not free, But that you loved me as I loved thee.
In fire you fell, named the Sharp-flame. But my memories shall no longer be regret and blame. O irony! That I, the fading mortal Shall outlive thy years immortal.
Farewell, my beloved! If beyond death’s rift – Death, in hope Iluvatar’s gift – Await me, remember me, beyond the night Where shines the Everlasting Light.
~~ * ~~
Behold the Orc!
By Jennifer Russell
Behold the Orc, for such are we, Spawned by fell necromancy From steaming stinking depths we crawl A curse on our heads and siblings all, When we emerge from pits of hell We blindly follow, swarm pell-mell By Elven folk and men reviled No more no less an evil child With blackest thoughts and what ere’ defiled Scorned and hated Yet we were created.. Is it not said that from the Elves, We were but moulded from themselves? Those perfect beings so fair so wise From them, in twisted aspect, guise? Are we but YOU in fell disguise? Ah think before you scorn and sneer It is not us the Orc’s you fear.. Against your so called light you need… Our darkness and our foulest deed!
~~*~~
If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net. One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.
Christmas came a bit early for Tolkien fandom as we learned about Fathom Entertainment bringing the Lord of the Rings Extended Edition Trilogy back to theaters in early 2026. Yup – the real-deal Extended Editions that stole whole weekends from us for the last 25 years. (No complaints here!) The LOTR Theaters 2026 event gives us another chance to go there and back again!
Tickets are on sale now, and honestly, it feels like the perfect excuse to get back into a theater, turn off the rest of the world, and remember what it was like to sit shoulder-to-shoulder with fans who cheer when Gandalf arrives at dawn and cry when Sam says he can’t carry it for you, but he can carry you.
This isn’t just about seeing the films again; it’s about feeling the Fellowship again. And, honestly, after the last few years, that feels long overdue.
So here’s our ultimate TORn guide to what makes these screenings special and why you absolutely should not miss them.
1. It’s the 25th Anniversary – Crazy!
Twenty five years ago, The Fellowship of the Ring strolled into theaters with tons of hype and basically rearranged our emotional connection to film for an entire generation. A quarter century later (holy crud are we really that old now?!), we’re getting a chance to celebrate the moment that changed fantasy filmmaking forever.
If you saw it in 2001, maybe you get to relive that excitement and nostalgia. If you weren’t old enough or somehow missed it, this is your moment to join the rest of us and say: I finally saw it on the big screen!
2. D-BOX Motion Seats – You Will Literally Feel Middle-earth
If you haven’t tried D-BOX before… oh boy. We think some of these screenings will have this available…
Imagine this:
The Mines of Moria quake underneath you
The Balrog roar vibrates through your seat
The cavalry charge at Helm’s Deep moves your entire body
Troll hits actually jolt your chair
It’s ridiculous and fun and honestly the closest we’ll get to signing waivers saying Yes, please physically toss me around during the Battle of Pelennor Fields.”
If you want immersion, D-BOX is the deluxe tier. It is not for the faint of heart though – so fair warning!
Illustration from Letters From Father Christmas 2023 ed – Christmas 1934
It’s that most wonderful time of the year again! If you’re looking for the perfect holiday gift for your favourite Tolkien fan, you’ve come to the right place. The staff of TheOneRing.net have put together a list of our favourite items of the year, with price points for every budget.
From our Fellowship to yours, TheOneRing.net would like to wish you all a peaceful and happy holiday season.
Please note, unless otherwise indicated, all prices are in US Dollars.
Demosthenes recommends the Letters from Father Christmas.
Letters from Father Christmas is always a good choice, I think. The illustrations are cute and there’s a dry sense of humour to the letters and I really like how a story gradually evolves over the years.
2020 Centenary Edition
Published to celebrate the first ever ‘letter from Father Christmas’ in 1920, this beautiful oversized edition of Tolkien’s famous illustrated letters from ‘Father Christmas’, includes a wealth of charming letters, pictures and decorated envelopes, and promises to be a festive feast for Tolkien fans of all ages.
The centenary edition of Letters from Father Christmas is available from Harper Collins Australia for AUD$39.99.
Kelvarhin recommends the 2026 Tolkien Calendar: The Great Tales of Middle-earth.
This is the must have, yearly gift for every Tolkien fan, and lovers of Alan Lee’s beautiful artwork.
The official Tolkien calendar, this year containing 13 breathtaking paintings inspired by J.R.R. Tolkien’s three ‘Great Tales’ of Middle-earth: THE CHILDREN OF HÚRIN, BEREN AND LÚTHIEN and THE FALL OF GONDOLIN. Featuring beautiful artwork by Alan Lee, including a selection of stunning new paintings and drawings appearing here for the first time.
Kristin Thompson recommends a copy of Tolkien’s Medievalism in Ruins: Relics and Ruins in Middle-earth for your academically inclined Tolkien fan.
I just received my copy of TOLKIEN’S MEDIEVALISM IN RUINS: RELICS AND RUINS IN MIDDLE-EARTH, eds. Nick Katsiadas and Carl Sell. I haven’t had a chance to read it but it looks excellent. A good gift for the academic-minded Tolkien fan, but the giver has to have deep pockets and considerable affection for the recipient.
The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien’s legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood—one that captures characters’ awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien’s relics and ruins tend to limit the scope to Tolkien’s debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien’s relics and ruins is left untold. Tolkien’s Medievalism in Ruins takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien’s legendarium.
It’s $150.50 hardback on Amazon and $86.40 for the Kindle version.
Wee Tanya recommends The Bovadium Fragments.
A version of JRRT’s The Bovadium Fragments was released in America on November 18 that includes a forward and context from Christopher Tolkien. TORn’s article about the book is over here. The short story is a satire about Oxford and how congested it was getting from vehicle traffic, as seen from the future, a piece that directly speaks to Tolkien’s nostalgia for an agrarian past and his dislike of the polluting elements of modernity. Here is the blurb: “The first-ever publication of a previously unknown short satirical fantasy by J.R.R. Tolkien, edited by his son, Christopher Tolkien, and accompanied by illustrations from the author together with an essay, ‘The Origin of Bovadium,’ by Richard Ovenden OBE. In this new edition, Christopher Tolkien provides notes and commentary that will enable the reader to enjoy at last this tale of an imagined Oxford viewed through the lens of future (and not wholly reliable) academic study.”
Elessar recommends the Aragorn miniature from Weta Workshop.
What disembarked the great ships of Umbar™ were not the expected reinforcements; descending upon the docks was a man, an elf, and a dwarf. The dead soon followed, bound by oaths unfulfilled, their presence like shadow and fear upon the wind. Urged on by the thought of comrades hard-pressed under the siege of death, Aragorn unsheathed his blade and gave the cry of war. Thus, once more, he led the charge into the jaws of darkness.
Or if you want to get in early for next Christmas, or your favourite Tolkien fan’s birthday next year, this miniature of Sharku on Warg is available for pre-order for $179.00 and will ship in early 2026.
An Orc of withered years and many wounds, upon his seamed visage lay records of long strife and harsh labour. Sharkû was a master of the great Wild Wolves, those fell Wargs, whose cunning and savagery few could tame. Long had he dwelt among them, bearing upon his flesh their piercing bites and tearing claws. Yet he endured and, honed by skill and scar, savagely led his pack of unrelenting hunters.
As ever, Oscha have so many gorgeous items – I’d be thrilled to find any of their treasures under my tree! I asked their creators what their own choices would be; they suggested:
For her – Trees of Gondor Ithildin Scarf Elegant and ethical, this organic cotton scarf features the iconic Trees of Gondor—perfect for Tolkien fans who love style with a story.
For him – Treebeard Pine Mug Start the day in Middle-earth style. This bone china mug showcases Treebeard and his classic quote: “The world is changing: I feel it in the water, I feel it in the earth, and I smell it in the air.”
For little ones – Shire Westfarthing Baby Blanket Wrap them in warmth and whimsy with this super-soft organic cotton blanket, inspired by the peaceful Shire. Lightweight yet cosy, it’s perfect for naps, pram adventures, and treasured keepsake moments.
Oscha also have items perfect for stocking stuffers or secret Santa, with tote bags and tea towels around the $20 mark.
greendragon’s next choice is Geek Orthodox’s stained glass masterpieces
Artist Ian at Geek Orthodox creates the most gorgeous pieces. The great news is, if one of his pieces of glass art work is beyond your budget, he has window cling replicas (of a very high standard) of the stained glass; and he has lovely pins. So there is something to suit every pocket book!
greendragon adds: “And finally, I can’t very well NOT remind folks that there is Green Dragon whiskey out there, from our good friends at Syzygy Forge. To toast the holiday season – cheers, Gaffer!”
These are heady days for fans who enjoy seeing Tolkien’s legendarium interpreted by ‘other minds and hands’! A year ago we reported that the Tolkien Estate had granted permission for composer Paul Corfield Godfrey‘s musical chapters from The Lord of the Rings to be released. We are delighted to reveal today that the recording of these works will be released this September – and is available for pre-order now!
Featuring 35 singers, most of whom are from Welsh National Opera, these chapters (and, in true Tolkien styles, some appendices) make up over 17 hours of music, and use text lifted almost entirely verbatim from Tolkien’s masterpiece. Looking at the cast list, we’re excited to see both Tom Bombadil and his fair companion Goldberry listed! The recording will be available as a 15 CD Deluxe Digibook with 64 page complete libretto and notes from the composer.
Here’s the official press release from Volante Opera:
MUSICAL CHAPTERS FROM THE LORD OF THE RINGS: THE CYCLE COMPLETED
The agreement by the estate of the late J. R. R. Tolkien last year to sanction the recording of Paul Corfield Godfrey’s “musical chapters from The Lord of the Rings” was hailed by listeners throughout the world as a milestone in the field of Tolkien adaptations.
For many years the Tolkien Estate has refused to allow any musical treatment of the works of the author which employed his own words. Now they have agreed to make a concession in respect of the music of Paul Corfield Godfrey, whose acclaimed cycle of “epic scenes from The Silmarillion” was finally completed in 2023 with the issue of a ten-CD series of recordings from Volante Opera and Prima Facie Records.
Ever since the 1960s the composer had been working on sketches, fragments and episodes of what was originally envisaged as a cycle of musical works based upon The Lord of the Rings. Following on from the success of the recordings of The Silmarillion he was persuaded to go back to these beginnings and fully explore, expand and complete the work which has now evolved as “musical chapters from The Lord of the Rings”. This fully operatic setting has now become a companion work on the same scale as The Silmarillion. The adaptation extends to thirty “chapters” designed for performance over six evenings – more than fifteen hours of music.
Cast
This recording of the complete work by Volante Opera has now finally been completed and Prima Facie will release a demo set of the complete cycle, in the same manner as their Silmarillion recordings, in a single volume on 5 September 2025. The professional singers, some thirty-five in number, come mainly from Welsh National Opera. Returning artists from The Silmarillion include: Simon Crosby Buttle as Frodo, Julian Boyce as Sam, Philip Lloyd-Evans as Gandalf, Stephen Wells as Aragorn, Michael Clifton-Thompson as Gollum, Helen Jarmany as Éowyn, Huw Llywelyn as Bilbo and Éomer, Emma Mary Llewellyn as Arwen and Goldberry, Laurence Cole as Boromir and Denethor, Martin Lloyd as Treebeard and the Herb Master, Helen Greenaway as Lobelia and Ioreth, Rosie Hay as Gwaihir, Sophie Yelland as the Barrow-Wight and Louise Ratcliffe as Lindir, with George Newton-Fitzgerald and Jasey Hall taking on a plethora of parts. Angharad Morgan is also reprising her role as Galadriel from The War of Wrath. Other new cast members include Rhodri Prys Jones as Legolas, Gareth Long as Gimli, David Fortey as Pippin, Dyfed Wyn Evans as Merry, James Schouten as Faramir and Elrond, Gavin Davies as Thëoden, Gareth Lloyd as Saruman, Peter Wilman, Owen Webb, Alastair Moore, Francesca Saracino and Steffan Lloyd-Evans in various other solo roles and Howard Kirk as Tom Bombadil and Quickbeam.
Plot
Although the text is inevitably abridged, it adheres without any but the most minor alterations to the author’s original words, and the original plot development remains unchanged – including such elements as Tom Bombadil and the Barrow-wight, the love story of Éowyn and Faramir and the ‘scouring of the Shire’. And some other passages, such as the coronation and wedding of Aragorn, are given expanded musical treatment. The issue includes not only the complete musical score, but also a substantial booklet containing full details of the recording (including the text as set) and a supplementary appendix disc giving more extended versions of some of the more substantial narrative poems. As with the earlier issues of The Silmarillion the cover art has been furnished by Ted Nasmith.
Physical copies directly from Volante Opera Productions available for pre-order now; orders from other retailers will be closer to the release date.
Digital purchase will be available to pre-order seven days before release date of Sept 5th. Streaming platforms will be very limited but specific platforms will be itemised closer to the release.
And just to make September 5th seem even longer to wait – here’s a teaser trailer to whet your appetite! (You can see a longer trailer here.)
Artists appear by arrangement with Welsh National Opera
The Paul Corfield Godfrey Trust was founded in 2021 with the objective of promoting the compositions of the composer, by the commissioning for musical works by the composer; the publishing of works by the composer (Zarathustra Music); the promotion and performance of works by the composer; the recording and distribution of works by the composer and the promotion of the composer’s music by means of lectures, tours and other events. Trustees: Paul Corfield Godfrey, Simon Crosby Buttle, Julian Boyce. Officers of the Trust: Klara Claesson, Larissa Martins Costa, Phillip Walch.
Here at TheOneRing.net we have a tradition of enjoying April Fools Day with some merriment. We hope you enjoyed our jokes today.
You’ll be glad to know that AI will not be creating more “Tolkien” works, nor updating the Professor’s language; at least, TORn is not aware of any such plan – yet…
Not today, Morgoth…
Alas, the more pleasant news of a Silmarillion stage show was also a joke. The Lord of the Rings – A Musical Tale IS a fabulous show (and is touring in Australia; it returns to the UK later this year). We heartily recommend seeing it if you can! AND composer Paul Corfield Godfrey HAS released recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion; check them out here.
We should also note that TORn’s good friends are in fact producer Kevin Wallace (not Walrus) and Middle-earth Enterprises’ Fredrica Drotos (not Doritos); thanks to them for being great sports. And we still think the wonderful Donato Giancola could create amazing sets. Maybe we’ll get a Silmarillion stage show one day. (Staffer greendragon would like to volunteer to direct it…)
We now resume our regular programming. Don’t forget to vote in Middle-earth March Madness; Final Four launches TONIGHT!
Breaking news: rights to bring The Silmarillion to life have finally been released, but it’s not to any of the media giants you might have expected.
Ever since Prime Video started work on The Lord of the Rings: The Rings of Power, there has been much speculation and anticipation as to whether the Tolkien Estate would finally sell the rights to bring The Silmarillion stories to life. In an exclusive reveal, our friends at Middle-earth Enterprises have told us that it looks like that will happen now; but it is the folks behind The Lord of the Rings – A Musical Tale who have gained the long sought-after permission.
The recent revival of the musical, which features music by A.R. Rahman, Värttinä, and Christopher Nightingale, with book and lyrics by Shaun McKenna and Matthew Warchus, has proved such a hit that it seems to have persuaded the Tolkien Estate that more live Middle-earth on stage could only be a good thing. The latest musical production began at The Watermill Theatre in the UK, in 2023; it has since played in Chicago, Auckland, and is currently touring in Australia, to great acclaim.
In addition, composer Paul Corfield Godfrey has in recent years been given permission by the Estate to release recordings of his operas based on The Hobbit, The Lord of the Rings and The Silmarillion. This indicated to some that there was a move towards allowing more performance work based on the Professor’s writings; but this most recent announcement will nonetheless no doubt take folks by surprise.
Kip Rasmussen’s Eru and the Gods singing the First Song of Creation
What we’ve been told
The same composition and libretto team who brought us The Lord of the Rings – A Musical Tale will now be creating The Silmarillion – An Adventure Three Ages in the Making (working title). It is as yet unconfirmed who the stage director and design team will be for this epic show, but we do know that producer Kevin Walrus is on board. He expressed his excitement to us, and hinted at the possibility for a series of shows:
We are thrilled to build on the global momentum that we’ve already seen in our world tour of The Lord of the Rings – A Musical Tale production, with this expanded opportunity to play in the realms that Professor Tolkien created. Our first task will be to decide how many shows these new landscapes allow us to produce!
Rumour is that the production will open in New Zealand, sometime in late 2027. Middle-earth Enterprises’ Fredrica Doritos told us:
We know that the epic stories of the early ages of Middle-earth, found in The Silmarillion, are beloved by fans. The great drama, romance, peril and poetry of these tales makes them perfect for the stage; and the track record of the team who created The Lord of the Rings – A Musical Tale means that we know these sagas are in safe hands. We can’t wait to see Eru Ilúvatar and Manwë brought to life on stage. What song of Lúthien Tinúviel was powerful enough to lull Morgoth to sleep? Perhaps we’ll hear such a song in this stage show. We hope the fans will be as excited as we are, to see Fëanor forge his gems on stage.
We’ve also heard that artists already known for their Tolkien-inspired paintings may be brought in to be part of the design team. Could some of the folks whose masterpieces we’ve been enjoying in Middle-earth March Madness be part of these future shows? Certainly TORn friend Donato Giancola would make epic scenery designs; and Kip Rasmussen’s ‘Eru and the Gods singing the First Song of Creation’ would make a wonderful show poster.
Donato Giancola’s Beren and Lúthien in the Court of Thingol and Melian
We here at TheOneRing.net are very excited by the news of this forthcoming stage production (or productions!), and staffers have started speculating as to exactly which stories will appear on ‘the boards’. Look for more content to explore our thoughts; and of course we’ll bring you updates as we receive them.
