Today brought us Pre-View Night at Comic-Con 2017 and our friends at Weta Workshop came with some absolutely amazing new items. Some of them you can pre-order right now for shipping later this year and one item that is an amazing preview. Grond is an item we’ve gotten a chance to see at various cons and now we finally get a chance to order this awesome piece. Fans can order Grond right now for $749 and with an edition size of only 500 pieces this will not last long. This next piece is another on the list of items we have been asking Weta for, it is the Mouth of Sauron. The Mouth of Sauron comes to us on his horse covered in that awesome armor all while holding Frodo’s Mithril Shirt. Coming in with a price tag of $699 and an edition size of 750 pieces this is another item that is sure to not last long.
I’m a big fan of the Hobbit Hole line. It’s such a cool way to bring Hobbiton into a collection and is a price point that fans can get into Middle-earth collectibles so easy. Our friends at Weta Workshop today introduce a new Hobbit Hole for folks to add with Hobbit Hole 19 & 20 Pine Grove. This fantastic piece is super detailed and very much gives you the feel that you now have a piece of Hobbiton in you collection. Like the other Hobbit Holes this piece is an open edition and is currently in stock. This one is however larger than some of the other Hobbit Holes and will have a price tag of $99.
This was one of the surprise pieces at Comic-Con last year and I will say it was one heck of a surprise. A brand new Boromir statue capturing his last moments in battle trying to save Merry and Pippin is quite a powerful piece. I think many will agree this is Boromir’s most heroic moment. Not only does this piece have power and beauty, it is simply fantastic in terms of paint as well as detail. Fans who were at Comic-Con know that this statue doesn’t come alone; it’s meant to be paired with a Lurtz statue (he will be reviewed shortly). Both pieces come with a price tag of $299 and an edition size of 1000 pieces. Continue reading “Collecting The Precious – Weta Workshop’s Boromir at Amon Hen Statue Review”
One of the things I love the most in my collection are all the behind the scene books, art books, making of type books. It’s so much fun getting a chance to see the process of how these fantastic films were brought to life. Our friends at Weta have a brand new book that fits this genre of book with the Middle-earth: From Script to Screen. This 512 page book covers the world building Sir Peter Jackson and the crew at Weta did to build what we saw in both The Lord of the Rings Trilogy as well as The Hobbit Trilogy. Written by Daniel Falconer with assistance by our own Happy Hobbit Kili (done under her pen name KM Rice) this richly illustrated with thousands of film frames, concept art and behind-the-scenes imagery, many previously unseen, Middle-earth: From Script to Screen follows in the footsteps of the Fellowship of the Ring and the Company of Thorin Oakenshield, visiting the realms and landscapes of Middle-earth and uncovering their secrets. You can Pre-Order this fantastic book right now for $75, and if you do so straight from Weta you will receive a set of exclusive prop replica set dressings by 3Foot7 Calligrapher Daniel Reeve.
One of the companies out there that has some really neat items from various movie franchises is Funko. They’ve touched upon Middle-earth before, with some items from The Hobbit Trilogy as well as a Sauron Funko Pop from The Lord of the Rings. Well last week Funko announced they’re going back to Middle-earth, with even more items from The Lord of the Rings. This time we’re getting the likes of Frodo, a chase variant Frodo, Gandalf, Saruman, Nazgul, Samwise, and my personal favorite The Balrog (this will be a 6″ super pop). These are going to be a blast to collect and will look awesome on the shelf. Fans can pre-order these from various places now, and they’re due out in June of this year. If you want to check out the full release you can go to the Funko Blog.
Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”