This week on TORn Tuesday Justin and Cliff spoke with writer Joanna Robinson (@JoWroteThis) who had the opportunity to view the first three episodes of Amazon Prime’s The Lord of the Rings: The Rings of Power. She then authored two articles for Vanity Fair with revelations about the show – ‘Amazon’s Lord of the Rings Series Rises’ (co-authored with Anthony Breznican), and ‘10 Burning Questions About Amazon’s The Rings of Power.’

Joanna Robinson with Justin Sewell and Clifford Broadway of TORN Tuesday

Below are some highlights from last night’s conversation. Watch the entire interview on TORn Tuesday’s YouTube channel.

[Note: The conversation has been edited down from the original due to space.]

Justin: Are the articles speculation on your part, or are you hinting at stuff you’ve actually seen?
Joanna: In the cover story … and the article that I put up, the “questions answered” one … hardly any is speculation, um, if I’m saying something I’m saying something … when I put down here’s what I asked … then I printed word-for-word the answer I got.

Justin: Was there any discussion with the showrunners of, you know, a certain level of faithfulness?
Joanna: … they’re not deviating from that core lore …

Justin: Is the sword that we see Narsil?
Joanna: I’m gonna go and be safe and say pretty sure.

Justin: Can you provide any reaction to Lenny Henry as a Harfoot?
Joanna: That is something that I would love to see.

Justin: Was the first teaser photo from last summer of the two trees in Tirion, was that intentional misdirection?
Joanna: No

Justin: There’s so much comment about hair … let me start with Galadriel’s hair …
Joanna: … fandoms are not a monolith, and what one person wants in the fandom is not what another person wants with the fandom … I tend to be very CG resistant in general … when we got to the Harfoots in the episodes I saw … that felt so Willow to me, and that is the highest compliment I can give anything … Do people really want a glow filter on Galadriel all the time? … The hair that you see in the photos and footage that you’ve seen is accurate to what I’ve seen … [but] I have not seen all the finished digital effects …

Joanna: I think the casting of Morfydd Clark is incredible because she’s not super well-known, though if you haven’t seen Saint Maude I really recommend you go see it because she is astonishing in that, and if you want to like get a preview of how, uh, you know a Galadriel that might go toe-to-toe with Cate Blanchett going like photo negative in The Fellowship of the Ring, like, that’s the performance that she gives in that film … she’s such a perfect casting for this because people … aren’t coming in with preconceived notions of her … so she can just become Galadriel.

Justin: What are those people with the antlers?
Joanna: Here is what I can say about that, don’t worry too much about it.
Justin: Are they an integral part of the story?
Joanna: Don’t worry too much about it. They’re a very cool visual. It’s a very cool, practical effect visual. 

Joanna: Does hair play an important part in the narrative?
Joanna: Like Elf hair? As far as I know, no … I didn’t ask this question specifically … but as far as the story that I’ve seen so far, it does not seem to be related to the plot … I’m guessing … it’s an aesthetic decision.

Cliff: [There’s] all this Galadriel focus … but where’s Celeborn?
Joanna: I haven’t seen him.
Cliff: They’re saving him for a later season perhaps?
Joanna: That would be my guess.

Justin: Is there a vibe of a CW show?
Joanna: No. No. No. … that’s the concern that surprised me the most … attached to Bronwyn and Arondir, that people were like, oh, are they giving a CW … this idea of sort of star-crossed lovers is a recurring theme in Tolkien’s work … the rarity of those pairings … is what makes them so special … I can understand why, you know, a slightly forbidden romance would be part of it because that’s a theme that Tolkien was interested in. But it doesn’t smack of CW to me at all.

TORN: Is it possible this only gets one season?
Joanna: Zero percent … they payed so much money for this, are you kidding me?

Joanna: There was the Covid, and the question was did they reconfigure the whole show when they shot the back end of the first season, what did they do during that Covid time? … did their understanding of what they want to do with the show fundamentally change? I can only give you the answer that JD and Patrick gave me … They said nothing fundamentally changed, in they plotted out their first season, and nothing … changed in the Covid pause … They took time during the Covid pause to map out Season Two … there wasn’t any massive structural changes. The other misapprehension that I’ve seen floating around is this idea that the first two episodes are sort of one thing, and then the rest of the season is something else. That’s not the case at all. It’s one flowing story.
TORN: It’s not a two hour prologue?
Joanna: It’s not …
Cliff: Even in the new article it says there aren’t many time jumps aside from the first two episodes.
Joanna: Am I saying there is no, uh, First Age stuff in this at all? No, Amazon has already told you that there is. But it’s not a massive prologue. No.

Justin: Jeff Bezos said early on ‘bring me the next Game of Thrones‘, and then they got Bryan Cogman the lore expert on Game of Thrones
Joanna: Bryan also happens to be a really good friend of mine … I’m a huge fan of his … I can see his fingerprints on it [The Rings of Power], but he was very clear he was only there in a consulting position right at the beginning.
Cliff: … it led to worry … about the probability of nudity or sexualized elements to the story…
Joanna: I don’t think Cogman or anyone in that writers’ room, and there’s so many smart, talented writers in that writers’ room, I don’t think any of them wanted to do like orgies in Middle-earth, ever, or anything like that. 

Justin: A lot of people say it doesn’t look like there was a plan…did you get a sense that there is a five season plan?
Joanna: I can’t say that for certain, but when they offered up their roadmap … 4-5 big stories they’re interested in telling, involving like Númenor and Sauron and the forging of the rings, and … I think the end after that, right, the Last Alliance of Elves and Men. I think they have the major beats of the whole story laid out.

Durin IV played by Owain Arthur

Cliff: The novelty [of seeing the seven clans of dwarves and their lords] is the most powerful draw for me personally.
Joanna: They [the showrunners] are interested in showing us a wide array of cultures of Middle-earth in a wide array of locations … I gasped when I saw Khazad-Dûm, like when I saw the first shot … sort of descending into Khazad-Dûm … I was dazzled by it, and they built that, I know they built that, […] they told me they did.

Joanna: I found a question I feel really comfortable answering … did I have a favorite performance so far? I think Markella Kavenagh who plays Nori Brandyfoot the Harfoot, she’s my standout by far. I just loved everything that she did … and I think stories about Elves and Men and Dwarves are … fun and interesting, but for me, it doesn’t really feel like it’s Tolkien without a Hobbit or Harfoot there, and I feel like once she showed up I was like I’m locked in, I get it.
Cliff: But we have to acknowledge it is a bit of a lore squeeze.
Joanna: Yup
Justin: That’s the fear that a lot of fans have, that there’s so much good stuff in the Second Age, they don’t want this show to be told from the Harfoots’ perspective.
Joanna: I don’t think its accurate to say it’s told from the Harfoots’ perspective – the Harfoots that we see are nomadic, and they have a rule they don’t engage with the bigger folk … You’re not going to see a Harfoot forging the rings or fighting a Balrog or anything like that as far as I know … they are not bending the text that far.
Justin: Is the show being told from a certain perspective?
Joanna: Amazon is very careful over and over again to call this an ensemble cast, and I don’t think it’s inaccurate … Amazon wants everyone to be in on the show, they want the deep dive lore loving […] people excited, and there’s so many little details in there that I think are gonna make people who are engaging on that level excited, but they want those people [fans of the Jackson films] excited, too … I wouldn’t say this is Galadriel’s show, or this is the Harfoots’ show, or Elrond’s show, or this is the Númenor show. 

Markella Kavenagh who plays Elanor ‘Nori’ Brandyfoot

Justin: Can you help fans reconcile the idea that they’re creating new characters?
Joanna: If you were just reading the Appendices of what happened in the the LotR trilogy … a character like Rosie Cotton … a character like that is not a big part of the history that you boiled down for the Appendices … but if you’re putting together the whole world, um, you want your Rosie Cotton since she’s important to matters … The Nazgûl, the nine kings, we know so little about them, right? So doesn’t the Amazon show have a really rich opportunity to introduce us to all of those men, and so that when they fall, it is a tragic story? … so when we lose them we will feel the loss of them. That’s pure speculation, but that’s I think a justifiable reason to add nine characters we may or may not have names for … The way they want to present Isildur … let’s spend time with Isildur … so that when it all shakes out the way it does, we really feel that. I find that kind of story-telling really interesting.

Justin: I hear the loin cloth we see on meteor man was a CG.
Joanna: Honestly classic … If you’ve got a young actress and an adult man … [the intimacy coordinator might have been for Nori so she would feel comfortable.]

Joanna: Is your question, do I know who Sauron is after three episodes?
Justin: Yeah, let’s go there.
[Joanna pulls a red card that indicates she can’t answer in front of her face.]
Justin: Well there you go.

Justin: Any hints that WETA workshop is involved?
[Joanna pulls the red card in front of her face.]

Joanna: I’ll be really curious to see if we’ll be able to tell a demonstrable difference between the seasons shot in England and those shot in New Zealand … JD and Patrick said ‘Our characters are on the move, so you’ll understand it will make sense that maybe we won’t have access to the same vistas’ – I’m paraphrasing.

Justin: There’s a fear that if they share crews because they’re in the UK, it will look like other shows.
Joanna: They are building a home studio in the UK … it will make production easier … In terms of will this show look like the Witcher or Wheel of Time … These are portraits [the posters and photos in Vanity Fair], they’re not the moving images that you’re going to see … When I saw the Wheel of Time screeners that we got which were finished … I spent a long time thinking about why that film, that show, didn’t look as good as I thought it should … there was something slightly off, I thought … it looked ‘costume-e-y’ … I did not feel that way watching [Amazon’s] The Lord of the Rings footage. 

Justin: Are there any photos that almost made the cut?
Joanna: There were many, many, many, many, many … conversations about … which photos were going to be in this piece and which weren’t … we had a beautiful portrait of Benjamin Walker as Gil-galad … I love all the photos … I would have put like all the photos we got [in the article] … I want to give you every single name of every single actor playing every single character … Amazon is like, hey, it’s February, we want to keep doling these cookies out … and let other outlets have some fun in sharing.

Justin: Cliff, what is your one ask? What do you wish you would have seen?
Cliff: I want to see Celebrimbor with a hammer and tongs working over some molten ring-making chaos. I want to see the Elven smiths behind him watching, learning while he’s doing this ring-craft, and then, into the frame, reaches one long, slender hand with the golden robe and guiding Celebrimbor’s hand to a different position with the tongs … I want to see Annatar teaching Celebrimbor this most specific thing.

Justin: Can you give us one no context spoiler?
Joanna: Oh that’s really fun! Hmmm … I’m sorry; if I come up with something, I’ll tweet it to you…

Cliff: We’re on the threshold … I’m going to quote Dune … “A beginning is a very delicate time…”

Check out the full interview on TORn’s YouTube channel.

Thanks to Varking, head of the Rings of Power sub-reddit, for notes on the interview.

Yesterday we got our first official image from Amazon’s billion-dollar TV series, along with confirmation of a launch date of September 2, 2022. (It’s interesting to note that Amazon has launched many of their other big series on Labor Day weekend, including The Boys with Karl Urban, Carnival Row with Orlando Bloom, and Jack Ryan.) Amazon have also confirmed that the episodes will be released weekly; so we’ll be back to Game of Thrones style ‘event’ television.

Today we can let you know that the image is in fact a shot from the first episode, directed by JA Bayona. Our staff have all be excitedly poring over the image, and wondering what exactly it reveals. Here are their reactions, below:

The first official image from Amazon's Lord of the Rings series. It shows a figure, perhaps an elf, cloaked in white, gazing towards a distant city. In the further distance we see the Two Trees, ablaze with light. Between the city and the trees there is an area of water.
Continue reading “OFFICIAL First Pic of Amazon’s Lord of the Rings Series: TORn staff react”

The incredibly secretive billion-dollar TV series release confirms a launch date of September 2, 2022, for what has been filming for nearly 18 months in New Zealand. Looks like post production, VFX work and more will take more than a year to complete.

First OFFICIAL photo: Amazon’s LOTR

Here is the first official pic of Amazon’s The Lord of the Rings, the biggest TV series in history, from showrunners Patrick McKay and J.D. Payne!

Curiously, the announcement begins with “yet-to-be titled”, which means the actual series may be called something new. Fandom has been split on this idea – The Lord of the Rings is the biggest selling book of the 20th century, and a well-known brand, familiar in all languages; and the Second Age story is of Sauron, who is the actual lord of the rings. On the other hand, casual viewers might be confused by naming the show the same as the feature films, where they might expect a reboot going in.

The full press release is below:

Continue reading “OFFICIAL First Pic of Amazon’s Lord of the Rings Series, Release Confirmed for Fall 2022”

Hobbits are now owned by Amazon, joining all-encompassing TV rights to The Lord of the Rings book and appendices rights.

MGM's famous roaring lion trade mark is seen in front of Bilbo and Gandalf.
The Hobbit films were produced by Warner Bros from rights owned by MGM. img: YouTube

It’s official: Amazon has acquired MGM Studios, including the longtime film and TV rights to The Hobbit and characters related. Within hours, CEO Jeff Bezos announced he is stepping down in July and moving to Hollywood to play with his major studio, of which the crown jewel is The Lord of the Rings.

What this means is that @LOTRonPrime can put Hobbits in their Second Age show, since rights to that class of characters were held by MGM. ‘But timelines,’ you say! Time is just a construct. Amazon needs an Everyman entry point for casual viewers: Hobbits are that. There have been rumors that Harfoots are in the show, a book-sourced compromise from the troublesome Hobbit rights. Amazon can now change all the dialogue in reshoots to call them Hobbits; casual fans will want that familiarity.

Remember the crushing drama of rights issues with MGM on The Hobbit, which caused Guillermo del Toro perhaps the greatest professional loss of his career? Amazon has just resolved all that for the future.

Amazon has full TV rights to The Lord of the Rings full stop – anything mentioned in the books and appendices. Now they have all the rights MGM previously held, from its 45 year old Saul Zaentz deal. Amazon chose not to remake The Lord of the Rings, instead exploring many different options, before settling on Numenor and the Second Age.

Owning MGM means, of course, that Amazon COULD remake The Hobbit into a limited series or a cartoon; many things are possible. All kinds of round doors are now open…

The cartoon Bilbo Baggins in front of Bag End - from the Rankin Bass Hobbit movie.

Deadline reports The Witcher alumn is responsible for two episodes of the billion dollar series.

Director Charlotte Brändström, at work on a set.

Amazon continues to pull from its bench of creatives as director Charlotte Brändström joins the LORD OF THE RINGS TV series. The accomplished director previously worked on Amazon’s Man in the High Castle, and more recently worked on Netflix’s two fantasy series The Witcher and Jupiter’s Legacy. Interestingly, most of her TV work is limited to two episodes per show, and the current rumors from @FansFellowship (who first reported her hiring) indicate she is working on the last two episodes of the first season of LOTR.

Brändström is the first female Middle-earth director to hold the full title, following in the legacy of Fran Walsh and Philippa Boyens, who helped Peter Jackson direct some key scenes in his LOTR series (uncredited). She is based in Los Angeles as a graduate of the AFI film program, and speaks 4 languages: French, Swedish, English and Spanish, the latter to be very helpful as a collaborator with Spanish director JA Bayona, who is setting the tone for the entire series. She is currently in New Zealand directing the key episodes to close out the first season. Amazon has already committed to 5 seasons minimum, with S2 and S3 already in pre-production.

Amazon Studios has announced the casting of ‘Young Gollum,’ voiced by renowned character actor and comedian Patton Oswalt. (YES – This was an April Fool’s Day Prank – 2021!)

Patton Oswalt Cast at Baby Gollum

With a celebrated ensemble cast already gathered for Amazon’s show, this latest release implies that Oswalt will voice a child-like Smeagol character. It goes without saying that a ‘Young Gollum’ did not exist in the initial intended scope of the show, nor in the scope of the rights purchased from the Tolkien Estate. The addition of a – dare we say it – ‘Baby Gollum’ appears to be a clear attempt to attract a broader and younger audience. The vast majority of us at TheOneRing.net are big fans of Oswalt – so we look forward to seeing where this goes!

AMAZON STUDIOS ANNOUNCES VOICE TALENT PATTON OSWALT FOR THE LORD OF THE RINGS TELEVISION SERIES

The Grammy(R), Emmy(R) and Vangard Award(R) Winner joins the Ensemble Cast to Lend His Vocal Talents to Young Gollum.

(CULVER CITY, Calif. – April 1st 2021) – Amazon Studios today announces Patton Oswalt will lend his voice talent as Gollum in the Amazon Original series based on the iconic ‘The Lord of the Rings’ novels by J.R.R. Tolkien. Patton will join the previously announced global cast and crew, currently filming in New Zealand.

“We are so excited to breathe new life to the early history of this immensely popular character,” said executive producer and showrunner [retracted name]. “When you delve into the struggle of Gollum, and his alter-ego Smeagol, a plethora of possibilities leaps out. It’s a tale which is crying out to be told.”

The character of Gollum first appears in J.R.R. Tolkien’s ‘The Hobbit’, with subsequent appearances in the War of the Ring saga of the Third Age of Middle-earth. Made popular by the Rankin/Bass production in the late 1970s, and then expertly brought to screen in Peter Jackson’s epic trilogies of ‘The Lord of the Rings’ and ‘The Hobbit’, amazing adventures lie in store for the halfling-like creature, as his prequel stories unfold.

The character will originally be fully realized as a small child through the talents of WETA Digital, and given voice, (initially coos and caws), by the talented Oswalt.

“Its been a lifelong dream to work in the realm of J.R.R. Tolkien. I can’t wait to get started!” said Patton.

Set in Middle-earth, the Amazon television adaptation will explore new storylines preceding J.R.R. Tolkien’s ‘The Fellowship of the Ring’. A world-renowned literary work, and winner of the International Fantasy Award and Prometheus Hall of Fame Award, ‘The Lord of the Rings’ was named Amazon customers’ favorite book of the millennium in 1999, and Britain’s best-loved novel of all time in BBC’s ‘The Big Read’ in 2003. ‘The Lord of the Rings’ has been translated into around 40 languages, and has sold more than 150 million copies. Its theatrical adaptations from New Line Cinema and director Peter Jackson earned a combined gross of nearly $6 billion worldwide, and garnered 17 Academy Awards®, including Best Picture (‘The Return of the King’).

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